disco boogie classic s return for vol 7 in the series. expect the usual dbc style taking classic and some not so known tracks and re working them for the floors. pressed on limited 180g black vinyl.

duo from somewhere just outside of los angeles, little is known about them, but what you need is this: a prolific non-stop stream of countless releases for labels like opal tapes, handmade birds, beläten and chondritic sound. a truly weird approach that mixes up early industrial and exotic infatuations, cheap gear electronics and world music, obnoxious drones and beach-like radiance. again, primitive drumming and eastern traditions heritage, twanging guitars and dub reverbs. adhoc just premiered *dreary commonplace*.

javi frias is a dj and producer from madrid that has been playing soul, funk, disco, boogie & house since the mid nineties in clubs and festivals all over his country and europe. always looking for soulful records around the world to make people dance, his dj sets are ever elegant, addictive and eclectic, full of energy and mostly on vinyl. in the last two years he has started to produce his own disco edits, respecting the sound of the original but adding some retouches to make them perfect for the dance floor.

repress , amadeus sees its catalog graced yet again by new zealand outfit chaos in the cbd. the kiwi brothers, birthed ben & louis helliker-hales, are no new faces to the label, or the wide variety of genre-bending acronyms they encompass. having recently relocated from tropical auckland to damp london earlier this year, the two take their productions along with them in their latest efforts, 816 to nunhead. title track and aside, 816 to nunhead, is tinged with whats left of summer. a nostalgic tune built for the sun and soaked in funk. its a track reminiscent of early french disco, almost as if built for the two robots themselves...

maeve is the record label run by three close friends, mano le tough, the drifter and baikal. after his excellent remix of baikals why dont ya, maeve is delighted to welcome back our friend ripperton with his own this, what remains release. two beautifully deep tracks that hit their hypnotic momentum when you let them run their full course. epic burners for special moments.

there are some elements in electronic music that make them timeless, elements that if melted togheter they can give an impressive result, to the mind and to the body. sawlin - ursprung is the first album of the career of sawlin, after his debut in 2010 he evolved like a wonderful orchid, an orchid that never followed the flow of the other flowers around him, but found his own way to the music. ursprung is the result of an interminable evolution in the mind of the artist, 8 elements that complete a circle buit on a very mysterious athmosphere, like a film that you never saw, but you always had in your head, something more bigger then a memory, and something more deep then a picture.

parris mitchell returns on chiwax classic edition part 23. his former release on dance mania #66 from 1994 comes remastered to hit the dance floors again.

8 tracks of raw arabic funk music, none of these have ever been reissued before. so far fadoul (or fadaul, or faddoul, the transcribtion of his name to latin letters differs)& his music had not been rediscovered, as a matter of fact most of those songs still left no trace whatsoever in the world wide web. it took us 2 years and countless trips to morocco to find the artists family to license the release from them.

the analog music project is a musical act that focus on building a coherent sound stage using only vintage musical instruments. its debut album odyssey features seven original themes, as well as covers from artists such as krafwerk, roy ayres and vangelis.  from electro-bossa to cosmic-swing, the projects revives and reinvents classic genres giving them a modern analog twist. when listening to odyssey, which was developed over two years of hard work, one can hear a fine selection  of exquisite musical instruments.

mesmerizing edgy strings and fluctuating pulses enrapture the listener into side a of romanmusiks third release com ep. with transfer 001 karl roman explores the creation of abstract notions breaking them down into their elementary particles forming an intriguing late-night groove. side b plays with these notions morphing seemingly adverse parts. transfer 002 starts from ever-evolving atmospheric soundscapes levitating into a wall of sound to then fade into hard hitting deep dance-floor techno, to be continued

our little label have grown static, we reached the fourth vinyl release. times it call, and brings it to the point. the young producers maurits and luca barletta done a really good job. with their different styles they took you on a journey in time and space. luca barletta made a tune reduced on old school beats with some dub chords. that brings every house lover a smile in the face and make them dance until there is no tomorrow. maurits an awesome talented young producer made a modern deep techno track. with dry beats and huge basses. straight forward through the night, thats the maxim of his sound. including some remixes by chris bc & rhadow

phonk d, sascha ciminiera and t-rax joined forces again: they have created some 80s flavoured tracks down the line and put them in the mix. the outcome is just pure synth-sex on airwaves, simply purely airotic. what theyve also found is their old idol, legendary dj duke of power music, sex mania. he organised an absolutely insane and fabulous remix - ready to massage your feet. drrrop it!

anonymous edits return with vol 3 picking 3 tasty cuts and reworking them for 2016. limited pressing act fast.

att series is proud to present the new exclusive vinyl only series with a new brand design. in this new era we are happy to start along three of the most important and respected artists from the techno scene as giorgio gigli & brendon moeller showing us the original mixes and takaaki itoh the remix. first collab from these talented artists show that they make goods on their own but they can build betters working together. takaaki itoh is not less than them bringing us a great remix for this stomper release. pretty music full of senses and personality is what we nd in this 12 inch and as we said before, this is the beginning of a new att series era.

the imogen label launched back in september with a pair of ilija rudman remixes of london acid jazz favourite brand new heavies. this second release sees them change tack somewhat, adopting an archival focus to dig out two tracks by croatian hero ilan kabiljo. known mostly for his 90s work, kabiljo comes from legendary croatian music stock - his father was composer and musician alfons alfi kabiljo. this expression 12inch sees imogen dig through the ilan archives for two rare and unreleased tracks records in 1990, with a side cut cool nights a supple midnight saunter through jazz funk that highlights kabiljo s compositional class. golden days is just as good as sounds like a loving homage to the 80s.

old europe in turmoil. muddy waters and broken bones. two sonic comments on a moral crisis, straight from the heart of belgrade. raum.null, belgrade dubs 02, black vinyl, 180g.

cristi cons and vlad caia are household names that really need no further introduction. their dj sets are techno stories well told and their live act is already making waves worldwide. amphia is first and foremost the platform they use to broadcast their finest works. such is the case of sideways, their latest lp, containing more than a dozen tracks coming your way trilogy style.
the first part reveals six tracks on two heavyweight discs. although most of the tracks fit the usual sit musical approach, the listener is greeted with a wide pallete of rhythms. assemble is an atmospheric dub infused with violins and orchestral echoes. permissive starts things up with a playful bass progression and continues with lush pads and cryptic voices. brooklyn’s deep moody synths and monster groove render it broken poetry at it’s best. for sure it will resemble those early danceable mornings. on a more joyful manner we are presented next with bootcamp s sturdy baseline and playful modulated vocals.
mandatory claims a whole side of the second disc and so does come around. while the first is almost experimental but danceable and warm due to the occasional driving percussions and 303 sounds the latter is the star of the show. come around is 15 minutes long and comes with a story too. a great collection of tracks, a great story that backs each one of them makes the first part of the sideways lp trilogy a treat to listen and dance to.

freaky and seductive club studies from nyc producer via app, following up last years *dangerous game* cassette release here on 1080p with a five track 12 inch. disparately-sourced vocal samples, twinkling synths, and creeping basslines dialogue and tangle on the the table of apps demonic feast. club kicks and twisted-up models of more recognizable dance formats hold together disjointed parts on the brink of collapse and knock them into hard grooves. 7 headed rides low and rude, ripping down the backroads at 125mph, only ever stopping for brief reprieve before thrashing right back into infectious, blissful mania.

the second of two brilliant eps produced by merweyn saunder and eric lewis. although this was released under a different name, they were actually all done in the set of sessions that also gave us the previous release, the virgo four ep. as far as the duo were concerned m.e. was their name and virgo was imposed on them by someone at trax. the two eps were later conjoined and released as an album in the uk radikal under the name virgo. it was re released in 2010 by rush hour.

northside ‘82 is proud to welcome smart bar resident savile to the label for our second release. entitled suffer play, this three track ep imagines an alternate reality where minimal house takes an extended detour through chicago, strapping on the city’s famous jacking percussion for a more robust but equally razor sharp sound. “spaced” opens the record with a jolt of jacking house, pairing a limber bass line with tense percussion and pinpoint vocal samples. “1pm morning” is inviting and warm, a richly crafted environment lit by by resonating bass, wallpapered with sharpened guitar strums, and decorated with jangling percussion and clavinet accents. closer, “recipes from nowhere”, is the dreamiest of them all, letting melodies bubble around the track’s bass line backbone and swaddling listeners in melancholic pads. altogether an exceptional record from one of the city’s brightest young.

ltd nice price, last copies left... m for music and m for moguai. he has been a leading figure in the electronic music scene for more than a decade, setting new standards in production. no introduction is needed for ramon zenker, after having released already successful cuts with their own mark ,now this great new combination. on the two originals diamond back and ray we received 3 such great remixes, that nobody wants to miss one of them on the vinyl. we present here part 1 of a two vinyl set, containing andrea doria and pierce remixes

it s no secret that duky draws inspiration from other popular genres and effectively fuses them seamlessly into his music, resulting in something that can can best be described as deep, groovy, minimal/house with a chunky hip-hop twis

for moon harbour s next top tech house trick they invite studio and dance floor wizard marco faraone to serve up two great originals and then have santé and mathias kaden remix them to perfection.

behind is an expansive collection for hackford, who draws from experimental, process-oriented composition techniques to create sensorially engaging dance music. an ethos of presence, enrichment and dissociation pervades behind - by stripping away the constructed-ness of so much dance music, hackford allows himself to produce music that is as much a joy to create as it is to share. an ambassador of -ecstatic states- as he calls them, hackford s music suggests heightened temporal zones may be ubiquitous if you allow them to be. behind is a proposition of such ecstatic states, its music pulsing vitally at opposite ends of the bpm spectrum. distinctly unmotivated by polemic dialogues around dance music, behind seeks a more soluble musical space for unmitigated engagement. it is music inspired by transitions, no less vital before sunset as it is after the curtain call.

and the true secret of their value is the sobriety, the austerity, of the living space they inhabit. it means that they do not simply occupy, visibly, the space they belong in, but have the scope to perform a variety of unforeseen functions which enables them constantly to surprise us anew. this is what makes them precious and elevates them above the level of a common object.« walter benjamin, spain 1932 grischa lichtenbergers new release »spielraum« is the first of three vinyl eps to thematically accompany the 2-part album »la demeure, il y a péril en la demeure«. on »spielraum«, lichtenberger presents the elements introduced on the preceding album in a different context, but without defining them too precisely and breaking them down to only one dimension.

french producer anetha delivers four hypnotic techno cuts in her debut ep on spencer parkers work them records.

tiger stripes has delivered some heavy hitting tracks with his new ep on truesoul. each track has chunky drums that are laced with insanely catchy vocal hooks that keep the tracks and give them each a distinguishable character. the energy throughout the single is always kept up with the sweeping pads and stabs adding a dynamic flavour and showing us why tiger stripes is at the top of his game

supported by: deepbass, ness, rraph, svreca, antonio de angelis, arnaud le texier, hector sandoval (exium), kwartz, takaaki itoh, the noisemaker, unam zetineb, valentin corujo (exium), vilix, mattias fridell, oscar mulero, refracted, dj sandrien, eric cloutier, giorgio gigli, nihad tule, attemporal, ben buitendijk, brendon moeller (echologist), etapp kyle, nima khak, rasmus hedlund, retina.it, victor martinez, antonio ruscito, dubit, periskop, shaded explorer, warmth, astronomical telegram to name a few.

one of the most respected producers in the underground, anaxander, contributes two beautiful pieces of original music, and has one of them reworked by deep house heavy hitter, the mighty amir alexander. lost my soul (in yours) is twisted little number, with dual synth riffs echoing off each other for maximum effect. a question about you uses jazzy chords and flutes over its undeniable bassline to retain some soulful flavoring, but amir strips all of that away on his interpretation, preffering instead to let the acid and the warehouse vibes have their way, taking things right into a 6am rave nightmare. this is absolute must-have piece of wax!

we kick off 2015 with our third black label disc from young manchester producer, reflec. imbued with elements of the norths industrious past, but flecked with hints of birmingham and detroit techno, reflec manages to squeeze every ounce of life out of his machinic workings, presenting them in a progressive and extended form that couples as a club journey in the truest sense. repress

fbnm presents two killer cuts by finnish house and techno master jori hulkkonen and we’ve backed them up with a beefy dub mix from the genius international collaboration of balihu records head honcho daniel wang and j.e.e.p. aka jules etienne. pressing on green vinyl.

the *belly of the beast ep* consists of four raw cuts coming from machines for the main room, with dramatic chords, obsessive sequences and recordings from *the san fermines*. gal aner (guitar) and chris gray (voice), join them in the track *human show*, fusing electronics with pure emotion.

new mysterious, stripped-back electronic imprint the night wood launch with a woozy, minimal two-tracker from berlin based alex & digby. having helmed material on their own experiential flash as a rat imprint, this debut excursion away from their own label roost sees them melding tinkering, organic electronics to clean, thumping low-end melodies.

the odd music camp is ready to take you further down the rabbit hole with its latest music imprint tapes of old. always in the studio creating new recordings the odd boys danny and damian don’t often get all their music out to the public. tapes of old is a new outlet for the boys to release their most prized treasures from tape into tasty white labeled wax. the latest concept looks to bring you more of the funky, tripped out, and odd music you’ve come to expect from the powerhouse duo. it’s time to dust off the tapes of the past and bring them onto the dance floors of today.

ephemerals new album chasin ghosts is the follow up to their breakthrough album *nothing is easy* and looks set to further build on the fast growing uk and international fanbase that saw them tour their debut extensively, including shows at key festivals like glastonbury, bestival and mostly jazz and score a sync in hit us tv show homeland. pressing on transparent vinyl.

60 miles are john daly and cian frawley aka frawl. they got together in the studio after one of the infamous backwards parties in limerick and 60 miles was born. it arrived fully formed. label, live act and mindset. they cut their tracks in the moment. 2 self contained setups, no sync between them. no going back. drums. jazz. techno soul. total surrender. 60 miles. this is their first record.

wrapping up a short summer break, speicher returns with a powerful double bill from rising duo hunter/game. its the italian producers second contribution to the series, after having amassed quite a few nods with sneaky club anthems hexagon and bermuda (kompakt extra 83). this was followed by their strong rework of wevals gimme some a much acclaimed highlight of our total 15 compilation (kompakt 340 cd 125). the new material sees them digging even deeper into the hardware circuits while cranking up the momentum a notch or two: opening banger adaptation doesnt feel the need to ease you into the experience, dropping you right in the middle of its frenzied staccato synth throb instead. meanwhile, the path opts for rich, saturated colors and epic melodies, slowly building its case until its ready to blow its lid. these are two extraordinary techno tunes that will command your attention and leave no floor unturned an essential release for both the label and the artists.

it is already release number 24 for luca agnellis etruria beat what a long and exciting journey thru sounds. along the way the label had the chance to discover a few new talents and help develop them.amongst them venezia resident bastinov. for his second release with etb the young italian producer offers 4 amazing tracks: the ep starts with prisma a strong tune with a huge analogue synth repeating itself over a swing 909 beat until a dreamy pad hits the break to release some more action

one half of scottish duo clouds, perth drug legend tear off a solo ep of rugged, apocalyptic bloke-techno. stunners, all of them. freak genius at work.

it all began about ten years ago in a basement in the heart of rome, the story of a crew of people who followed a musical ideal and created an original sound and an unmistakable style. after the return of modern heads with outis 006 chapter ii, memories once again led me to friends i made during the period of the first productions on elettronica romana, and i asked them for personal interpretations of the track beginning. from the youngest claudio prc to the veterans donato dozzy and giorgio gigli, all together on an amazing release. - dino sabatini

this release is a collection of big names of the electronic music history, some of them are legends: pete tong & john monkman lead the list of big artists in this ep, they had produced the bumps a few months ago and now we can see the remixes of that track.
for the remix duties, suara is proud to have on board one of the biggest names of electronic music movement with more than 20 million albums sold, 8 songs in the uk singles chart, masterpieces like play or 18. the name of the remixer is moby, whom did a delicate and sophisticated deep house track for his debut on suara.
coyu is in the package too with a dancefloor, melodic, powerful interpretation of the original and julien jeweil did a really cool revision of the track in a techno way.

jack cutter is a songwriter and guitarist based in the san francisco bay area in california. he started with a $5 banjo just after finishing high school. in university, during the late 60’s, he performed with bar bands in buffalo, new york. after completing university and a year as an aerospace engineer, he decided that attack helicopters were not really what the world needed and so he headed off to california in pursuit of music and mystic times. fast forward to fall 2014: jack is playing his quintessential tune, ‘gift of our fathers’ in the sf bart subway to an onslaught of morning commuters when he was spotted by 40 thieves. eureka! love at first sight and in the next few months, two of jack’s original acoustic pieces were given the 40 thieves treatment. enter david sanderson aka david harks, a singer, songwriter, producer and label curator from the east sussex region of the uk. ‘having fallen in love with the cosmic boogie (of 40 thieves classic ‘backward love’) i really felt i would love nothing more than to write a tune with them. layne got back in touch with a track he was working on entitled serpent strut with jack cutter and we worked via email over a few months to brew up that misty soul.’ deep, stony, psychedelic, drawing from the well of hawkwind, joni mitchell, david crosby, baffo banfi and tolkien-tinged acoustic led zep, the proof of concept is now complete and in the capable and loving hands of claremont 56.

tapan are from belgrade, hosts to disco not disco and now delivering two slow psychedelic techno bomb s to crimes of the future s letterbox. we first met nebjosa and the crew when we played at drug store in belgrade for them in early 2014. upon receiving these we knew they had crimes written all over them. on volumes we have two very special remixes of an already heavy original starting with willie burns taking them into the streets of manchester in the early 90 s and spending a night on at the hacienda with no thought of the gentrification approaching. drvcvltvre is the second provider and in true style switches out the lights and a spectre looms over the dancefloor dripping acid on the dancers below. the ep closes with whos there? featuring the brain melting guitars of vladimir djordjevic. quite a debut we think.

limited repress
after a furious release by atlantis’ best kept secret cuttlefish & asparagus entitled hang on in there, kalakuta soul records meticulously puts a new twelve together you’d want to throw your hands upon immediately. always referring to sadar bahar as one of the most influential cats to their work, the crew behind the label hasn’t stopped crying ever since they received the tracks. and although we’ve pinched them a couple of times, they still can’t seem to believe this really is coming true. can you? now it surely isn’t the first time the world’s coolest cat has released a couple of his rare edits. but you surely are still dancing and sweating to his unforgettable chicken wing edits series and have been wondering, what this guy’s been doing. well, soul in the hole’s true soul and dj’s dj sadar bahar has been travelling around the world giving everybody a serious lesson in soul music that he calls disco beatdown. some brothers would also name sadar’s ceremonies “exorcism-, which pretty much leads us back to the tracks released on this fantastic sounding 12&#8243,,,, disco single.

180gr pressing
one of the most influential records in rock history!! a must have for lovers and those who hate them hurry to get your copy its limited,

patrik sjeren, j-dubs and work them records founder spencer parker give dan beaumonts lauded spirit talkin the dub treatment.

poker flats forward to the past anthology returns in its 3rd iteration, as lean and mean as it ever was and precision-engineered to make you jack, dream and all things in between. the winning formula remains the same: task a selection of hotshot veteran and up-and-coming producers with recapturing the style and mood of early club music, paying homage to the golden years between 1985 and 1992 when chicago house and acid, new york house and detroit techno took the world and its dancefloors by storm. the result is a collection of new and exclusive tracks as addictive as the stone cold classics that influenced them - a tribute and, at the same time, the cutting edge of contemporary music production.

ontals work excites many conflicting emotions. exuberant, convoluted and theatrical plots define the watchwords attached to the serbian duo. they represent one of the most paradigmatic examples of how industrial/techno can still offer a wide range of pleasant surprises. a visceral understanding of the scenic rhythm space vs. void establishes a metamorphic composition in short of an almost baroque sensitivity. always moving around an unstable fringe of intuition-rules-over-eclecticism, together with an attitude of total irreverence against the old aphorism, but keeping at the same time an incredible discipline of sophistication, produce a situation where anything touched by them have to be immediately placed at the top of the evolution line of the electronic music. “pietà” simply shows this feeling at their best.

already moving forward towards the 5th addition to their catalog within barely one year of existence. the rotterdam-based self reflektion imprint continues to expand their crew presenting a four-track sampler with music from the likes of logotech (manifesto/it), hiroaki iizuka (them/jp), remco beekwilder (self reflektion/nl) and lenson (paling trax/nl) - each showing their own perspective in techno music. from the trippy hypnotic *the 6th door* to the overwhelming *the circle* on the a-side, and from the straight banging *fraud* to the destroy everything attitude on *envy cross*, this release is just a small example of what is yet to come from this young label.
early support by dave clarke, tripeo, marcel dettmann, cleric, truss, truncate, mtd, zadig, dax j, stranger, len faki, nx1 among others.