next up on magic feet is a release by dark strands. tonys first release came via the first magic feet label sampler. since then his releases have caught the attention of a number of acclaimed djs, with daniel avery citing one of tonys tracks as one of the best he had heard last year. this is tonys first full vinyl release and shows exactly what he is capable of. the title track *return of the oscillator* has had people running to the booth every time its been played from london to croatia, as well as being fully road tested at alfos by sean johnston who also provides a superb remix under his hardway bros guise. the second track *galactic* slows the pace down and is perfect for those warm up sets.

repress , forever sound is an attempt to make simple, cyclic dance music unbound by metre where melodies and basslines phase against one another like comets around a distant sun: a slow wave on a boundless sea. geist sets about to express that moment when a dancefloor stops being a mass of independent bodies and instead becomes one connected, moving spirit, while the fold pours waves of cascading synth warmth around the listener

just over a year after their debut single for throne of blood, canadian/finnish trio bohemian groove return with two more slices of gritty, technoid funk on *a musical drama*. remixes come from hieroglyphic being and posthuman.

the space lady began her odyssey on the streets of san francisco in the late 70s, playing versions of contemporary pop music an accordion and dressed flamboyantly, transmitting messages of peace and harmony. following the theft of her accordion, the space lady invested in a then-new casio keyboard, birthing an otherworldly new dimension to popular song that has captured the imaginations of the underground and its lead exponents ever since, with the likes of john maus, erol alkan and kutmah being devotees.

adding to his extensive and diverse catalog, alexi delano delivers his first release for spectral sound. my busted sh-101 is an ode to the beloved and portable synthesizer made by roland in the early 80s, not long before delano started djing. as a producer, he s earned a reputation for being a bit of a machine himself, churning out records on a wide variety of labels over the last 20 years. he holds his own in house music under his a.d.n.y. moniker, but its with tracks such as this one that show off his love for dark, weird techno that sits comfortably alongside spectrals finest.

robosonic has been a pivotal part of off recordings roster, their releases being highly expected every time and usually meaning instant dancefloor melting magic. with a hip hop and techno background and adding many frequent flyer miles with worldwide gig schedule, the pair shows no sign of stopping. this time is no exception, cord and sacha get back in their creative roll of sample wizardry to provide two mouth watering jams. they once again prove their love for organic sounds and reivindicate the use of the turntable as an instrument, adding that old-school vibe to their trademark beats. macho madness is quite a trip, sweet rhodes over a bouncy bassline, great sample work adding guitars and an insane speech. as always, breakdowns are intense and its impossible not to dance to the groove!for the second track, robosonic joins another off family team, mat.joe and together they go deep into their hip hop influences again working the samples as only they could, a little disco flavor, a driving bass...all the ingredients are there for another instant classic and a respectful shout out to detroit producer legend j dilla, who left the game too early. r.i.p!

*** vinyl only ***
mastered by lopazz

ike yard came into being as no wave passed on, industrial was in the air and proto-techno had yet to be coined. propulsive, paranoid, aggressive electro minimalism, with as much attention paid to the mixing board and effects processors as to vocals, guitar and synth. at once starker and more fully-formed than virtually all other contemporaneous post-punk music. desires 2012 edition represents the first ever vinyl reissue of this classic, prophetic album. the line-up for the third remix ep includes a great deal of diverse music.
this is a 12 inch vinyl release, limited to 500 copies. grey vinyl, black inner-sleeve. artwork by stephen americh, inspired by the factory america design for ike yard…

*mort à vegas* (death in vegas in french…) is the new 12 inch e.p. by adrien viot aka av, one of the finest protagonist on the new frenchy but chic electronic pop scene. &#8232,,,av sings the nightlife, paid sex, alcohol over-consumption, desire under the neon lights, dark side of the american dream, driving a black cadillac drunk to death. this ep contains a dreamlike remix of *mort à vegas* by death in vegas (as the track was probably written with him in mind!) but also a cover of french singer dominique a, known in france for being the one who launched the new french scene that drove the renewal of the french pop. av has still this elegant crooner voice that slowly caresses you before driving you on the dancefloor, so let his deep voice and those melodic synths & guitars seduce you.
limited to 500 copies black vinyl in black inner-sleeve with download coupon.

the advent and a paul come up with a new effort on the onh.cet imprint. a- theory is the original track which is being complimented by a vary of techno remixes from the likes of g-man, spiros kaloumenos and virgil enzinger.

with millimetric the catalog number 018 presents an analog synth lover who released his electro influenced tracks already on goodlife, the label of oxia & the hacker.
on *slogan* featuring riot miloos vocals he creates gloomy soundscapes being surpassed in its hardness and coolness just in david carettas remix. (gigolo / spacefactory)
the flipside *neuer morgen* is a different journey: melancholy synth-melodies facing with strong snare fill ins. last but not least at the end of this record toureau (parquet) shakes the whole track on his nacht-version-remix in an oldschool ebm-style.

fort romeau continues to roll out thoughtfully detailed productions for ghostly in 2013. in march, the london-based producer released the chicago house influenced *sw9* single on ghostlys sub-label spectral sound, and showed his versatile house rhythms in july with its follow-up, the jetee / desire single. 2014 will see his debut album for ghostly — it is his second full-length record, with his debut album kingdoms being released last year on la outsider dance institution 100% silk. in the meantime, he continues to forge masterful house on this four-track ep, entitled stay / true.

following a busy and fruitful 2013 that saw the release of his exceptional second album half of where you live and shows worldwide, uk electronic artist gold panda next week re-issues one of his earliest releases, quitters raga. the two-track 7 inch, long since sold out, was originally pressed by make mine records in 2009, with the now-cult track still being a staple of the artists live set. newly issued on gold pandas own label notown recordings, the vinyl-only release is limited to 600 copies as a deluxe heavy pressing and features the original.

once again danse club records have unearthed a forgotten and sorely overlooked house track here, then they have enlisted a fine pair of contemporary producers -sqim and deepchild - to remix it and bring it right up to date. the original, whos dick is this is a 1994 kicking house bomb by the mysterious princess di, who released but three eps during the 90s on music station with this track being the pick of the bunch. german producer sqim is associated with labels like exploited and play it down and firstly offers up a ghetto mix of the track

>hi-tide lo-fi< can be read like a sonic map. but instead of a static picture its a growing and evolving concept of explored and lived in space. every space creates its own sound. not only because of the physical premises of a place do we experience sounds differently but also because of our perception and construction of space. and as each sound does have an individual meaning to us so does each space. our identity is directly linked to our access to sound and space. benjamin brunn is questioning these access possibilities and offers us a soundscape of fluxing indentity. within a timeless sound lies the opportunity of liberated being.

ep of new material on citinite, followed by an album on diagonal records. members:&#8232,,&#8232,,stuart argabright also in ike yard and black rain&#8232,,michael diekmann also in ike yard&#8232,,shinichi shimokawa also in black rain&#8232,,dj high priest aka nick taylor from gray (the band which included michael holman and jean-michel basquiat)

mark du mosch is a rotterdam based producer and dj who has earned the highest amount of respect in the dutch alternative music scene in the past couple of years. the reason is simple: he dares to go beyond the obvious, his raw yet emotional signature sound being distinctive, versatile and stunningly creative. expect perfectly executed analogue bliss from a craftsman who is slowly yet steadily making his way into the records bags of global house and techno connoisseurs.

this ep once again is dj jus-ed showing is gratitude to all the people, pass and present that have been his friend in need or in deed! the music is dj jus-ed emotionally gratitude expressed wit deep cords piano heavy bassline the vocals and lyrics are written and performed by alison crockett / jaymz nylon plus a special mix by mentor glenn t to round this ep out to be another underground anthem… if you ever had the pleasure to meet dj jus-ed you ll want this very special release.

after some sort of slumber, shabu recordings is proud to present its new series: sharmx. sharmx is pretty self-explanatory: these eps will be a retrospective that breathes new life into tracks from previous releases. these born-again tracks are then presented under a new form that is dictated by another party, not previously involved in any creative process of the affiliated release. the word shabu being japanese for splash, this leads us to our first installment in the series: splash splash vol.1

no introduction is really needed for the massive balearic anthem *jibaro*. elkin & nelsons scorching latin disco classic hit big throughout spain, south america and nycs underground club scene in 1979 when this now rare and hard-to-find disco 12 inch version originally dropped, but it gained its real cult status after being picked up and championed up by the likes of rampling, oakenfold et al who who fell in love it after hearing it played by the legendary dj afredo at ibizas amnesia club. instantly recognisable and supremely dancable, this is one of the true heavyweights of the balearic scene - and a must have for any serious record collection.

monster sampler taken from midnight riot vol 5 with an added bonus track from the man of the moment late nite tuff guy with being in love alongside 3 other killer tracks.

ricardo villalobos couldnt resist the siren like call of mari kvien brunvoll. the result, *everywhere you go* - celestial voice resurrection mix and amnesia rehabilitation dub - should give some proper information about some of the feelings involved here, such as does the music itself ... being nothing less than magic.

the greater lisbon area is separated by the tagus river, north and south. bnm (blacksea no maya) are from the south side and pddg (piquenos djs do guetto) from the north side. this ep is the expression of work being done for the past couple of years through a monthly club night that put these crews playing together in downtown lisbon.

opening up the release is *der groove günther*, a stripped back bit of rubbery, supple techno. the groove sure is infectious, but it’s the way its detailed with such curious sounds – metal twangs, squelchy chords, icy hi-hats – that makes it so engaging. on the remix, tinush reimagnes the track as an even weirder thing. it’s all about micro-evolving details, subtle and inherent funk and keen sound design that is part shiny and stiff at the same time as being elastic and bendy.
the first vinyl pressing is a limited golden seal edition!

almost two years after their austrian amadeus award nominated debut album *different believers*, allen alexis present their second lp *the other side* at the end of october, releasing it only on vinyl at first. the first extracted single *over the sea* is already in heavy rotation on the radio.
the name is the game, since this time a more different, club-oriented side of allen alexis was increasingly brought to the fore. musically, the album does not only live up to the musicians various orientations, but also to the multiple personality of the artistic character allen alexis, in which the de- and reconstruction of their tracks are being reflected.
presssing on heavyweight 180 gram vinyl, download code included.

in the long line of belgian talent finding a home on wph (think san soda, lemakuhlar, metrobox, locked groove, …) we are pretty sure that kiani & his legion (aka thomas neyens) will claim his rightful place within a couple releases. because just like the other family members kiani has his very own distinct sound. totally kiani and also totally wph. kiani & his legion should have already caught your attention with his free *records & culture* vinyl in wphs v.i.p. series and he was also responsible for *legions of the east* on the recent wph summer special 2013. being a vinyl lover himself it seemed fitting that we release his full e.p. debut on vinyl only (grey coloured & marbled), containing four tracks that will show you the full spectrum of his house music universe. the key words in that universe are melody, breakdowns, surprise and emotion. it is pointless to describe the tracks one by one, simply listen, enjoy and most of all…dance!

pulp presents the labels sophomore release called loves cosmos by us house veteran darand land. after delivering a top-notch remix for the first effort (pulp01), darand agreed to come up with an entire ep for the labels forthcoming output. the result is well orchastrated deephouse sounds with that signature darand land vibe. the opening track the long night and the follow up soothe me both have that classic american house vibe to it while the ep takes a more percussive route on tribute to ron and anthony. darand continues to show his versatility on the downtempo track cling to a cloud which has that dreamy touch to it. jose lau helps out on the b side with his mix of sunshine to peaches. all and all pulp is determined to set a very classic standard in modern house. pulp02 is being releaed as a vinyl only limited product. first come, first served.

the los angeles based steve huerta popped up on the sccucci manucci radar via his releases on the formidable amadeus records and dirt crew recordings, we tracked his progress and liked what we heard. a couple of months back we handed over the keys to mr. manuccis penthouse apartment and sl 230 pagoda to the young angeleno, and in-between being fitted for smoking jackets and hand made brogues he managed to get some productions complete with the results pressed up for the fifth release on manuccis mistress.

avotre goes from strength to strength with labelowner sante being busy in discovering great new releases and talents every few months. after roadtesting this tune from darlyn vlys (area remote, rawthentic) it was a must for him to give him a go on avotre. the infectious grooves and dark vibes of darlyns original are just made for his dj-sets. and definitely yours as well. on the remix you will fnd a avtr ( sante & sidney charles) which is more upfront and reminds on old warehouse raves.

deadbeats dub credentials are by this point are as solid as they come, and being asked to remix 2 of the genres heaviest hitters, not once, but twice is just about the greatest complement anyone in said position could ever hope to receive.

using rolling percussion and a thumping kick, primo really is unbeatable! luigi uses synth stabs that add character and finesse to this outstanding piece of music. hypnotizek rounds off the ep being more upfront about where its going. this cheeky, groove based track will warm up a dance floor quickly and get people in the mood for a real party!

the much loved nice n ripe sound is being re-visited by boston funksters soul clap. it is impossible to think of garage in the nineties without thinking of the seminal uk garage label nice n ripe, which started way back in 1993. from its beginnings in flat in finsbury park releasing the occasional 12 inch record to releasing a record per week under an array of different guises such as nice n ripe, nice n fruity, g.o.d. and zest 4 life, nice n ripe peaked in the years 1997 - 2001 when classics such as *together* by 24 hour people, and *industry standard* by industry standard featured on every dance floor from pacha ibiza to save the robots in nyc.
pressing on translucent, yellow coloured vinyl.

george morel. the man behind that name stands for warm and soulful house sounds for decades, not only for being one of the hottest djs around the world, but hes also a multiple gold and platinum receiving artist with the help of his excellent production skills. now hes back once more on alex flatners label circle music - with a new underground hit.

touching upon dance musiculatory milestones like detroit techno and electro, nsyde007 sees tyon, a well-known but besides this moniker for now anonymous traveller, summoning up atmospheres totally his own. this is space music. but not in the ra sense. take the a-side flaw 11, for instance. this is space music in the way it catapults you out, like the most terrible mistake made by man-machine, into the farthest reaches of an ever faster expanding universe, dark energy tearing at your nipples until they rip off, resemblances of melody orchestrating the drama/bliss of event horizon passage. its dark yet beautiful, like the smile on a dying persons face, and a heavily psychedelic trip at that – but fear not! you won’t be subjected to any despicable noodleage here, just to weird, intensely warped sounds you want to dance your ass off to. make it fat on the other side is the sci-fi equivalent to hänsel und gretel: a perpetuating feeding of the child-to-be-eaten. the finest in andromeda’s hyper-fattening molecular cuisine gets crammed into the gagging brat as doom is looming over its forehead. and with every spoon thats being recklessly punched into the poor little demon’s face it is getting closer to its, as well as the dancers ultimate goal: total nirvana. pressed on black vinyl.

simian mobile disco are back with the second in a series of collaborations, following on from sacrifice, their joint effort with bicep. this time theyve joined forces with cosmin trg fresh from his highly acclaimed album gordian on 50 weapons. the fruits of this hard graft in the electronic kitchen of smds studio (to push the food metaphor to its limits) kick off with surstro¨mming. this northern swedish delicacy of tinned, fermented sour herring has the dubious claim to fame of being the most putrid smelling food substance in the world. the burbling, queasy synth tones reflect the effects of this scent on all but the true connoisseurs

for its fifth release, brstl continues on its mission to unearth fresh and exciting artists from bristols electronic music scene, this time showcasing the debut release from idle hands employee shanti celeste. regular clubgoers in the city will have almost certainly heard her display her penchant for heavily swung rhythms in her dj sets, and her 12-inch for brstl manages to distil this passion into two elegantly produced house music groovers. recently unveiled on outboxxs podcast for resident advisor, the soulful new jersey-esque skip of >need your lovin< (baby) takes up the a-side, its gliding rhodes chords and playful melodies being propelled by a tough and irresistably funky beat that kerri himself would be proud of. over on the flipside, >result!< offers up a more heads-down vibe, channelling those swung beats into an upbuilding, synth-smeared house jam.

second part of this two episode series on subnet records. following the same flavour as before... dark textures and mental synth lines driven together by hard drum patterns and groovy percussion. these two ep reflect the creepy and insane behaviour caused by experiments in the field of invisibility applied in the human being. all the tracks were recorded live! just using analog sequencers, mpc, analog mixer and synths. directly to a recording device. in the same way as you could record a live set, to keep all the vibe as fresh as possible. 220 copies limited vinyl release.

first runners out from the free spirit society s newly moved berlin-establishment is johanna knutsson & hans berg. being the title-track of this 2-track 12inch, i buy pink sheet is just as funky and loveable as imaginable, a mechanical jacking housegroove surrounded with bits of melodic techno elements. rabbithole takes you down a more narrow and deeper path filled with expectations.

as the seasons change so does magic feets output, this release being somewhat darker and grittier, straddling the divide between new beat, house and techno. award winning composer antoni maiovvi creates hyper-cinematic, italo inspired electro.

after 2 years where the old stories were still being carried around and re-told over and over by the worlds discjockey the next mysterious deephouse raconteur finally adds a new tome to the old legend in his own distinctive, unmistakable style: while the narrative is effectively and assuredly driven on by a classical yet forceful 4/4 rhyme structure the vocabulary is more playful, experimental and abstract with melodic fragments evoking pictures of vast, futuristic landscapes and a mood of deep contemplaton and enlightened serenity. another satisfying pageturner

qbeck first made a splash on the international tech-house scene when seth troxler and crew released his track alice on a visionquest label compilation last year. now alessio mereu is pleased to scoop up the ukrainian producer for a full ep on amam, titled railway mood. eureka has an irresistible galloping groove, with an off-kilter tick-tock giving a countdown to eternity. soon, after the slightly unnerving melodic plucking sounds, you can hear breathy gasps punctuating the atmosphere as if a human being is trapped inside the track. and maybe youll get sucked in too!

when it comes to top class releases produced by artists who were already being brilliant when some of us werent even born, it doesnt get any more legendary than the great oliver lieb. renowned and gaining heavy respect for former projects like spicelab, the ambush, paragliders, l.s.g. and remixing the likes of moby, yello, human league, sydney label elektrax recordings is proud to present the electronic bigfoot to its label with a 4-track release, called *the prophet ep*.

with *imaginary beings*, his first release on chiwax, andy vaz, described by clone as being able to execute one of the best acid house tracks in recent years of hypnotic jacking acid just like armando and jack frost used to make once again comes through with the goods in full swing.

running back veteran mark e returns with a tribute to the uks black country and an ode to the industrial revolution. the images and histories of coal mines, steel mills and iron foundries north and west of birmingham and south and east of wolverhampton lay the foundation of the three track ep (including a work break siren). being a product of his environment, mark e delivers lots of sooty particle house music with a glimpse of sunshine. bostin!

egbert has been dazzling us with the speed at which he seems to have skyrocketed to being one of the worlds top players in the techno scene. within a short period of time he has managed to create a rapidly growing fan base who have all been avidly waiting for him to release an album for some time now.

the kicks started as a collective of different musicians, electronic & instrumentalists, that gathered together under one roof just for the fun of it, coming together and jamming at their own expense. a jam is a jam. theres no aim, no target. it is free from expectations and just like that the tapes piled up with no specific style or genre lines. whatever happens, happens is pretty much the attitude that created a label, not out of necessity but out of convenience of being free to release the more outstanding cuts recorded, regardless of their personal definition. the first release is from the curators and creators of the project, maayan nidam & alex picone. the record starts with the psychedelic tone of alice in the desert, continues to a still hypnotic yet down to earth 020 and ends with the stabbing butt shaker think about it. the next releases will continue featuring picone & nidam, joined by cool cats like aquarius heaven, san proper & cesar merveille.

ahead of the release of his debut full length, brazilian producer, club owner, businessman and dj renato ratier releases a first single from it featuring pillow talk and complete with a dubshape remix. as well as being a driving force at both warung and d edge in brazil, ratier has recently shown himself to be an adept producer with a great couple of tracks that were stylistically diverse. here the two originals continue in that good form

void coms is a label inspired by the work and theories of yves klein. kleins work revolved around a zen influenced concept he came to describe as *le vide* (the void). kleins void is a nirvana-like state that is void of worldly influences, a neutral zone where one is inspired to pay attention to ones own sensibilities, and to reality as opposed to representation. we hope to apply these ideas to the musical and identity approach of the label, letting powerful music speak above persuasive imagery & enticing embellishments.
homologous takes the form of 3 compositions designed specifically for void coms, with fis being heavily instrumental in the development of the ideology behind the label, as well as spearheading its musical direction.voidcoms001 has been mastered by matt colton at alchemy to be released on 12 inch vinyl with a laser etching of original artwork by fis designed exclusively for the release. further transmissions to follow.

killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.