3rd album kikagaku moyo. 2022 repress

first vinyl reissue since 1976, limited to 500 copies.

the 1962 album from aretha franklin back on vinyl, including 3 bonus tracks

canadian experimental synth psych po private press from 1979 now expanded to 2xlp with 14 bonus tracks / demos.

das 93er erfolgsalbum von helge schneider auf doppel-vinyl im klappcover.

for the 5th release of deep minimal label adult only shape, sub division of adult only records, roumanian funk e and his germain conspirator ogeid bring us a fresh energy which is fusion of sequences and space sound.
on side a, a characteristic track of funk e and ogeid in search of the miraculous with synthesizer and piano in the shuffled house beat, we can also feel a funk in the bass, a magic pad leads them all.
b1 law of octave recalls us good old trax records accompanied by a simple rhythm which is effective..
the ep ends with road of purpose, which has massive techno influence with splash of synthesizer and endless modular sound. a long journey no trap. three sublimes cuts you can’t miss

“uhuru” is the debut album by summers sons & c.tappin from london and bristol. the journey of this album started back in 2015 and was inspired by the people and places of tanzania. after three years of channelling the vibe into beats and bars, it is finally here!
summers sons are turt (rap) & slim (beats) who are actually brothers. they are longtime friends with vocalist and pianist c.tappin. their music can be described as rap with a lot of jazz. we like to call it cool bap.
the double vinyl, including instrumental edits of all songs on vinyl 2, comes in a gatefold cover.

four tracks - and four different house moods

remastered audio and expanded tracklist on 180 gram audiophile vinyl. gatefold sleeve, printed innersleeves and 4 page booklet.

mechatronica drops another forceful electro release, this time with a diverse collection of new and familiar faces in kosh, ocb, jauzas the shining and ersatz olfolks.
the moroccan casa voyager crew conducts the a-side in style, kosh carefully manufacturing an expanding, fat and spacey electro drive while ocb laces old school electro flavours with breaks, acid and devastating groove.
on the flip, harder and darker electro sounds evolve as decade-long french electro producer jauzas the shining drops a potent electro/acid track in “machine”, followed by the relentless energy of “stella” - a murky, ever-intensifying journey through electro, breaks and industrial soundscapes by french producer ersatz olfolks.

carlton doom has existed only in the shadows of a 27 year old’s delphian consciousness, until now. necrodancer ep emerges as deep sea frequency’s fourth and most audacious offering, a four track package of mutated breaks and scuzzy electro due 5th october 2018. charged forward by a riotous bass line, the title track brings together crystalline high end amidst dizzying drums. ‘pipepipepipe’ is a maximal dose of big room energy followed by ‘bad batch’, a messed up trip of broken beats and swollen bass. closing off the ep, choppy breaks take the lead on ‘rot’.

old school house tunes at his best!

monnom black marks its 17th release with its first various artist compilation presented on triple vinyl. keeping with the label’s modus operandi, the compilation is packed with iconic, raw and uncompromising techno, featuring 13 artists new and old to the imprint! essential selection!

hamburg based producer vincent beckmann will release his debut ep under the name of “han duo” on his self-run label “enbeezee”. the ep evolved at a trip to rio de janeiro, where he was introduced to old samba records. vincent being a jazz trained drummer tried to incorporate those brazilian percussion into his music, which lead to “phil in rio” right after the trip.

the new album from rod stewart on double vinyl, housed in a gatefold sleeve.

vinyl only.ltd to 300. the inhale exhale posse bringing it back with the 5th strike of the germany based house label. its v/a time again. this six track collage brings you from funky disco edits, over strong baselines and pitched vocals with atmospheric synths to old school jackin house with a bliss of slower deep house in the end. this diversified vinyl keeps the inex style like the guys started. hands down ! this one is a bomb !

remastered reissue of arcade fires self-titled debut ep from 2003. the vinyl is housed in a gatefold sleeve with new artwork.

the new album from kev brown on blue & black splattered vinyl.

rassvet records is back with a bangin ep made by mirabella karianova aka shadowax who is famous by her outstanding appearance on nina kravizs trip label. here she delivers a brilliant cover version of a song by a russian old school hip-hop band. nasty lyrics about russian 90s reality performed with her subtle voice sounds really obscure and at the same time very fresh. this ep is also featuring a powerful dancefloor remix by rassvet records head buttechno, longer b-side version and acapella.

we welcome elliot litrowski as newest member of the moustache records family. his debut called schmock machine ep will be released as moustache records 037. the ep title track song schmockmachine is an uptempo tr707 beat, a really strong arpeggio, deep smooth strings with top break. a2 arpeggiophobia moog synths, deep basslines and deeper strings topped with hipster plastic drums. b1 he somtimes goes out at night is a powerfull track with pumping tr-707 beat, obvious italo strings, some acid, a mega party break and an alden tyrell kinda bassline already played by label owner david vunk himself a numberous parties. b2 patrique,s world a more slower beaytifull track with cowbells, sharp snaredrums and a very niche bassline, some flanger hi-hats and there you go. again a top quality release for the dancefloor.. be prepared for the killer ep. do not play this under 16 years old. gone is gone. this is a top hit!

this time in calypso, aristidez takes us on journey trough the streets of lima peru. the chaos and the spirituaity of this old country are noticable on all of this tracks. rumbling percussions and vocals, harmony and rythm, darkness and light all come togeter through the use of samples to show the quality of this young up and coming producer. -nada nada- it s the mantra that will help you go through the morning in a grey and cloudy city. -reyerta- represents the violence of many latin american cities having a hard time. evoca its the mix between the first two where peace and violence find them selves in a catarchic release of energy. symple symmetry brings the tempo up for their nada nada remix asking everyone -what happens after death

180g vinyl, mastered at half speed, heavy cardboard old stoughton tip-on sleeve, obi, sticker, liner notes

ltd to 100 copies, old skool techno / rave / breakbeat

yugen’s third entry, laurine, arrives courtesy of los angeles-based producer and these things take time label-head b. hayes. at just 22 years old, hayes has packed remarkable perspective into this immersive deep-house four-tracker. it’s the work of a true participant. as if hayes work as a dj, producer, and label owner wasn’t enough, he has also put in time as a diy party promoter (he threw the beloved like i, love u parties that used to go down in the chinatown area of chicago) and a production assistant at chicago dance institution smart bar. the sum of all these parts is hayes impeccable ability to balance functionality with sonic taste.

the second release of polarity records is characterized by old-school house influences with techno shades. the artist, andy rantzen, is an australia-based lo-fi electronic producer. trained as an academic psychologist, rantzen has been writing and releasing music for over thirty years.

four years after his breakthrough, max graef returns to tartelet records with his second solo album, “lo siento mucho pero no hablo tu idioma”. a dungeon dub symphony in four parts, “lo siento mucho pero no hablo tu idioma” is an album’s album. brimming with new and old guests, interludes and bonus skits, it’s a consummate sketchbook of graef’s most unique music to date. “every bit of music or work represents the mood and skills of a certain period,” he says.

2022 repress - remixed with love volume 3 is the latest edition of what has become the industry-leading disco remix series. no one knows this era of music better than dave lee, who under his old joey negro alias once again turned his impeccable hand to some of the best-loved records ever committed to wax.

alex metric & ten vens transmission 1 is their first release on diynamic, although their productions are not unheard of in the labels orbit as solomun has been supporting them heavily in his sets throughout recent months. opening track the q, much like the closing track plates, are reminiscent of old uk garage raves with a hint of acid. minuscule shifts in the pitch give that certain cassette-nostalgia, transporting the listener back to the early 90s. the centre piece titled nebula is a driving melodic deep house tune with a hefty break that brings things to a halt right at its centre, only to return with the catchy riff that is its main feature.

finally after years of quality techno and music,pushmaster discs is proud to present the 20th release of the label with the label boss mattia trani and his solo ep.
this time mattia chosed a banging tune “time struggle” with the first new school version, classic heavy techno beat with saturated 303 sub melodies and a futuristic pad to complete this version. the old school version is more percussive acidic, no pad melodies, no compromises, just straight to the point for killing every dance floor.
in the b side there’s a perfect rework from a dutch techno master steve rachmad as sterac, more 909 clean beat rhythmic and minimal detroit infected. the last track “floating life” is a typical drum’n’bass spirit influence of mattia, 170 percussive beat with space pads typical of 90 jungle works in the uk.

excellent four track prime time disco madness

as i m always evolving, every now and again i need to make a point about my latest sound. curveballs has been especially written to showcase the full range of my current sound and features a carefully selected collection of tracks designed for a club environment. riva starr dance musics prolific italian-born london-based sharpshooter riva starr set to release fourth artist album curveballs via adam beyer s revered truesoul records. riva starr has been shaking up the world of dance music with his eclectic and unpredictable palette of sounds and styles for over a decade. over the years, he has racked up numerous accolades and achievements including releasing 3 acclaimed albums (if life gives you lemons, make lemonade in 2010, hand in hand in 2013 and definition of sound in 2016), having a myriad of single/ep releases on some of dance music s most established labels (snatch! records, hot creations, relief, crosstown rebels, dirtybird) and amassing an impressive remix resume of artists including audion, groove armada, dennis ferrer, usher, estelle, london grammar, fatboy slim, reboot and david morales. with all of this success and experience under his belt, the time has come for the talented italian to deliver his much awaited fourth long-player, curveballs comprising of 12 stellar tracks inspired by current club sounds and old school music elements, driven by starr s endeavor to produce music that stands the test of time. the lp s striking opener, always gets things underway and sets the tone with its powerful house groove, warm chord stabs and divine soulful vocal courtesy of legendary house diva jocelyn brown. elsewhere, there s the funk-driven disco-tinged piknik, the uplifting needin u esque disco loco, the dark and commanding the hole (release your soul) and the pounding peak-time synth-laden roller give me love. other highlights include, the infectious breakbeat workout britcoin, the techy electro-tinged fresh and the experimental synth-driven techno gem analhog. the album concludes with 3 fine cuts in the form of the bass heavy tr-909 laden ride, the funk-fueled house groover mantra (early in the morning) and an exclusive deep-house-esque dub version of give me love to round off yet another essential long-player from one of dance music s much-loved artists

a sinatra masterpiece on 180 gram double vinyl with download code included. new 2018 stereo mix from the original tapes.

berlin based techno titan frank muller adopts his beroshima alias for a new four track ep that is already been hailed by the likes of marcel dettman and laurent garnier. first emerging in the nineties, muller has since become a techno great who has played from asia to south america and beyond. he’s had plenty of underground hits on the likes of cocoon and soma, and held some key residencies over the years. always one to command your attention with his multi layered grooves, this ep features an old juan atkins sample “buy some shit from detroit” that has been part of beroshima’s live sets for years. excellent opener ‘encounter’ reflects a recent idea jeff mills and muller had to produce tracks together for a not yet produced sci-fi movie. it is an eight-minute astral techno trip with smooth, driving drums and plenty of intergalactic synth lines. ‘the passion of lovers’ transfers the organic beroshima style into 2018 and shows off frank’s passion for spaced out electronica. it’s a brilliantly bumping cut with lithe synths and melodies adding that soul and colour as it races through the galaxies. the iconic ‘buy some’ with the atkins sample then surges into the future with icy hi hats dancing over rubbery drums. the warped synths take the lead and bring a real sense of off kilter energy to this most timeless bit of techno. last of all is the fantastic space mix of ‘encounter’ which is dreamy and cinematic with exquisite keys and pads colouring in a huge night sky as the drums drive things along. this is an archetypal techno ep filled with cosmic colours and serene emotions.

moon riders is a brand new duo formed by esko boogie & ivan makvel, the 7inch comes with a 80s influenced modern funk a side with the collaboration with the queen of the modern funk movement, moniquea, and an explosive gfunk/r n b b side with the voice of ivan makvel. the old school hip hop sampling tecniques of esko boogie mixed with the synthesizers performed and arranged by ivan makvel, creates the perfect mix in between hip hop, r n b, funk & soul.

pal joey (aka joseph longo) came up in the heady days of new york street culture, amidst b-boying, boom boxes and an unusually entrepreneurial spirit of beat-making. beginning with crude “pause tapes”, he was soon making tracks with drum machines and sampled vocals, all painstakingly assembled with razors and reel-to-reel. working at vinylmania, where larry levan might be found shopping for records in his pajamas, helped joey’s entrance into the city’s nascent house music scene, and he was soon working with everyone from krs-one to sade to the orb, whose “little fluffy clouds” he tweaked for stateside tastes.
true to his city’s inclusive spirit, pal joey consistently blurs the lines between disco, house and hip-hop, dropping scraps of old soul and recent rap alike over his skipping drum patterns and head-nodding keyboard lines. joey’s records (under his principal moniker and also aliases like earth people and soho) have appeared on jive, epic, talkin loud, wave and coco machete. he also has run three labels of his own - loop d’ loop, cabaret and footstompin records.
limited pressing, be quick!

freaky old skool 90s infec electro

after demuja’s first album release „hidden paradise“ earlier this year, he follows up with a brand new ep on his own imprint ‘muja’ named -classic warrior“. the ep contains 6 classic house tracks, featuring jazzy rhodes and drifting basslines. some of the grooves will remind you of the ‘good old times’ and lean towards the 90s house sound with influences from guys like kerri chandler and ron trent, but still demuja maintains his own originality to the final finish tracks.

hot on the heels of their debut collaborative ep, ‘exosphere’ - which picked up plays from violet, tone dropout’s dawl, jacques renault and timothy clerkin among many others - corporeal face and bufobufo are back with new trax that distil their love of electro, hardcore and acid into a lethal compound. lead cut ‘bleep inside’ mixes old school b-boy breaks with a steely sheffield bassline, ‘genome’ is a swung out excursion into sub-heavy acid house, sydney beat machine jensen interceptor turns ‘bleep inside’ into a percolating electro killer, and ‘molecular cloud’ is the explosive 140bpm meeting pointwhere warehouse rave and electro collide.

moka only has released an instrumental version of his latest lp, concert for one, via urbnet. concert for one instrumentals was released digitally on july 6th 2018 and as a limited edition vinyl on august 17th 2018. the self-produced record is packed with stand-alone characteristic beats, proving that the beats themselves have just as much story as the vocals.
“in this stage of my life there is much more reflection and contemplation, and i really feel that i was very open and unguarded on this album. as much as i love all the completed songs with the vocals, the beats on here hold enough detail to speak on their own.”

much of modern music has its roots in adventurous recordings made at westbound records in the early to mid-70s - super breaks is proud to pay homage to some of their greatest sampled tracks.

iraqi band babylon trio from brussels plays an electrified ravey mix of contemporary iraqi and arabic music styles, such as choubi choubi, dabke, maqam and electronic hybrids that put the dancefloor on fire. their debut album “habibi” features songs about their old life in iraq and new life in brussels, belgium, with topics such as separation from loved ones, love, beauty, honour and pure arabic party bangers. this year will mark the power of the contemporary iraqi street sound of babylon trio throughout belgium, europe and beyond.

marc & oveous bring the classic bruk flavours to atjazz’s label with their new e.p. ‘on again’. the original harks back to the old co-op nights with a tough bass synth and oveous’ soul laden vocals, tied together behind a punchy, syncopated broken beat rhythm. dress to sweat, this one will make the bodies move. first up on the flip side the ‘4x4 dub’ switches the rhythm to a straight up 4x4 house beat, but that subby synth carries through the broken beat touch. the original mixes’ vocals are dropped in favour of one of oveous’ short spoken word monologues before he steps back to let the music do the magic. the ‘dubstramental’ gives you one final interpretation utilising the same dubbed out template as the b1, but reverting back to the original broken beat pattern to give you three different flavours to throw down with.

for our second release of 2018 ears have eyes are back with the third instalment of our throng of orbs compilation series. this time around we welcome back old friends, and bring in some new names to the ehe fold, with a collection of tracks spanning deep emotive house music, broken beats and acid dancefloor pressure. first up we have contours, who burst onto the scene in 2015 with an excellent release on the mighty rhythm section, and has put out a slew of great records since then. dither takes time to unfold, but when the fluid acid line emerges from the heady percussion he really sets up the track for dancefloor perfection. for the a2 we welcome back chocky to the label, and he serves up a slice of weighty house music that drips quality and emotion. pickle dat kicks off with an absolute beauty of a groove, understated but weighty, and from there chocky goes on to sprinkle just the right amount of seasoning, with soulful rhodes licks and a wonderful bass line. off the back of their excellent 12- on love on the rocks, elles x violet kick off the b side with yrnyb, a tried and tested dancefloor destroyer. when we heard elles playing this in a dark basement in peckham, we just had to sign it. sometimes a kick drum, an acid line and a half heard vocal is all you need. finishing off the release we have dublin artist replete serving up a lovely slice of hazy, percussive house music that slowly builds to a crescendo. an acidic bassline sits nicely over congas and a warm, rounded kick drum.

this ep combines the veteran talents of kniteforce label owner dj luna-c, with the debut release of kniteforce radio owner, the lowercase, and comes up with something quite unique. a love for heavy beats and inspired by some of the toughest old skool around, the ep delves into the underground in a big way, throwing caution to the wind and layering multiple breakbeats and aggressive stabs together to make a wall of hard sound, just like it was back in the day.

french producer lb aka labat returns with a new lp named “fake memories” on his own label alélah records. he surprises us with some more hip-hop and r’n’b music, liberating his love for jazz rythms and harmonics. known for his talent at playing with samples, this new lp expresses his actual potential, offering a large use of instrumental stuff : violin and piano chords, guitar riffs… together with delicate voices that balance with the old school drums and procure gentleness to the sharp hats. the b3 eponymous track even discloses the man’s voice, with lyrics sang by himself

drum and bass pioneers flex record release their first vinyl since the chart topping ricky force -real love/ nice & easy. the 2x 12- offered up here is an amalgamation of 2 years work, showcasing the worldwide talent involved in this unique package. black hole is uncompromisingly dark, with new and old flavours seamlessly interlinking, daring the listener to listen deeper and look into what the black hole contains.

smashing old school 90s acid killer, experience 2 and 3 of 3

vinyl only! for the 3rd release, we are more than happy to welcome the legendary john tejada alongside his forever partner in crime arian leviste. we asked this special duo to dig in their archives and heres what they delivered! 4 old school flavoured bomb tracks!

a brand new, debut ep from a formidable talent, sunny & deck hussy bring the authentic old skool hardcore sound back and do it right. all 4 tracks on this ep show both versatility and innovation, while continuing knitebreeds mission to bring new artist to the forefront of the burgeoning new “old” rave scene. all 4 tracks are deceptively simple, but do the damage where it counts – on the dance floor or loud at home. having completed this ep, they were asked by pete cannon to remix a track from his top selling n4 ep, and you can be sure you will be hearing more from this dynamic duo…