once again, the sunkissed camp get it spot on with this loud-pressed 12 inch collection of balearic classics from brazilian songstress astrud gilberto. opens with the original version of mesmerising dancer *black magic*, a great dj weapon that got the tangoterje edit seal of approval a few years back. followed by balearic favourite *beginnings*, a jazzy take on chicago s classic hit which spins out into eight minutes of sensual bliss. turn over for big daniel wang play, the obscure lp track *all i ve got*, a glorious low-slung floor-filling gem produced by none other than salsoul orchestra founder vince montana who also supplies the sublime disco version of the song that made astrud a household name *the girl from ipanema*. lastly comes her cool and breezy version of the bossanova jazz standard *agua de beber*. beautiful stuff.

incl dont you want me !phil oakey and philip adrian wright the only original human league band members are joined by ian burden and jo callis on synthesizers and joanne catherall and susanne sulley on vocals for the bands third album on virgin records, *dare* released in october 1981. after three hit singles, *the sound of the crowd*, *love action* and *open your heart* the band released the final single from the album *dont you want me* which went to number 1 around the world and made *dare* one of the biggest selling albums of the year.
pressing on 180 gram heavyweight vinyl, housed in gatefold sleeve

repress 2014 !!
new m1 sessions featuring the work of dj dez, aka dez andres, or to most known as simply andres - who has been on a roll this year with his hit record >new for u<. dez blurs genres like no other from hip hop to house and all the dirty funk in between!

following on from the 2013 hit sweat ft. cari golden comes part 2 in the collaboration series between groove armada and brodanse.

mystical and proper techno! -marbacka- is a song originally written and composed by marbacka for one of their side projects, -the marbacka side project-. it was later made famous by another recording artist, who covered the song and released it as the second single from hen second studio album. however, not until this artist recorded and produced the version along with $ it become a worldwide hit. a music video, which has been described as iconic, was shot and received heavy rotation. its feelings explore an abandoned lover s point of view. on this special edition -marbacka- is surrounded by previously unreleased material and reworks.

london-based producer and rinse fm associate rupert taylor, aka xxxy, has announced his second release for the rinse label, featuring a pair of characteristically melody soaked, floor ready house tracks. it is the follow up to 2013s incendiary club hit *got me so*, and is the latest in a series of releases from taylor exploring ghostly house and garage for labels including infrasonics, ten thousand yen and orca.

the last few years have seen chicago footwork rise to international success, and traxmans debut album - *the mind of traxman* on planet mu - played no small part in that. it showcased cornelius fergusons brilliant ability to synthesise the beat digging of classic hip hop with the high-speed abstraction of footworks house-derived beat science. the selection of tracks on this second chapter show a slightly different take on traxman s abilities. instead of bringing in concepts from other genres, he simply creates a wider variety of footwork, made with a minimal, reduced palette. often just one or two samples are selected and diced into brain-blurring cubist puzzles that bear little relation to their original sources, or anything else for that matter.
the double vinyl lp comes with download code.

lambs musical style is a distinctive mixture of jazz, dub, breaks and drum & bass, with a strong vocal element and, in their later works especially, some acoustic influences. consisting of producer andy barlow, and singer-songwriter lou rhodes, they achieved commercial success with two hit singles *górecki* and *gabriel*, the first one being included on their eponymous debut album (1996).
the music on vinyl reissue features an insert with exclusive liner notes written by lou rhodes, giving a unique inside perspective on the production of the album. apart from the *cotton wool* fila brazilia mix, we have included 2 exclusive bonus tracks that have not been issued on vinyl before. a remix of *trans fatty acid* by acclaimed producing duo kruder & dorfmeister, and the *górecki* global communication mix are featured on the d-side.

following the dazzling debut 12 inch, crumbs hit us with another stunner! although delivering a mysterious & scantily clad 12 inch is hardly a novel concept these days, it does concentrate the mind (and feet) on the music more than the brand. it is undercover time again, and we are sworn to secrecy, of course ... but three producers of considerable note contribute here.

scottish born and currently berlin based dj/producer danny berman (aka red rack em/hot coins) has had a pretty hectic last few years and show no signs of slowing down. following the anthemic releases on wolf music & city fly red. he is now ready for his telefonplan debut.
*i got something* and *make your mind up* are both dark tracks with punchy basslines that hit deeeeep, pitched-down vocals and plenty of bounce to move any crowd. the surprise is *jan 11 hip hop*. get ready for carefully constructed next-level effective drum programming from mr berman, and a perfectly balanced third course!

after the very successful foray into split eps, luv shack records continues to explore this concept with luv013. the ep sees upcoming duo space echo make a return after their smash hit -soul power-, while the b-side is conducted by wahlberliner rotciv. -come back home-, the opening track by space echo, is a slowly building but effortlessly captivating piece of hypnotic house music with a raw funk attitude. the gently evolving synth line and the strong vocal hook are the spine of this anthemic track. the seemingly laid back -hangover- just oozes b-movie sleaze and might be space echos little hommage to 60 s lounge music, with an array of distorted guitars and soft pads coming to good use. that is until the synth theme kicks in mid-track and turns the piece into a late night weapon.

• tidy new 3 tracker following on from his recent hit * slit*
• 1st edition on clear vinyl with hand stamped sleeve
following his recent 12 inch * slit* james ruskin returns with a new ep treading a much deeper path - the 1st edition coming hand stamped on clear vinyl...

young jessie is one of the unheralded greats of the r&b, rock & roll and soul eras. beginning his career as a young teenager in la vocal group the flairs (with schoolmate richard berry, later of louie louie infamy), he then signed on with modern records and cut several high quality r&b sides through the mid-1950s

german melodic techno producer oovation aka peter bonaventura has had a brilliant year. techno legend tesla s remix of his collaboration with hakan ludvigson hit the charts hard last spring, and since then peter has had great success with releases on clubstream, univak, inlab recordings

double a-side, >souvenirs< is a absolutely great glamorous disco track. when you hear this track, you will love everyone and the world around you. pure disco music as it should be for the late 70s, and comparable with the great salsoul orchestra. souvenirs was a huge hit in the legendary studio 54<

hot on the heels of the well-received relaunch of his legendary storm label, house and techno grand maestro eddie richards is back with 4 cuts of high quality underground music for those who know. following a recent resurgence of interest and chart plays from djs including cassy, guy gerber, adam shelton subb an, sasha dive & others, the time is perfect for these remastered classics to hit the shelves again, along with brand new remixes from some of the best names in quality club music right now

maeve label honcho the drifter and co-emperor of the permanent vacation kingdom, benjamin fröhlich, team up for some rascal business. always quick to pull the sling shot out of the back pocket and hit you right between the eyes, the original version of -waterville- is full of hazy melodies, washed out bells and quirky arpeggios backed up with concrete drums for some extended dancefloor meditation. while the high tide mix wraps things up a bit with some more prominent drums and a little extra spice on the bassline. mysterious uk producer a sagittariun sculptures out of the original a breakbeat house track, that sounds like a hidden treasure from this short but influential period.

nelistening back, ‘interlude’ will feel like the perfect opening to ‘skylax’. a jazzy encore crawls in, morphing into a skippy hip-hop instrumental with jason’s signature flourishes all over it. aptly named as it is, this is the breathing space between whatever came before in your day, and the eleven deep house gems that are to follow. speaking of, ‘the love’ will have you gripped from the first bar. it glides the listener in, then subtly drops that signature, tightly-tuned bassline of jason’s and continues onto soulful vocals from there. ‘old dayz’ touches on a bit of a nostalgic note. the spoken vox cuts harken back to 90s hip-hop joints, playing over a looped latin sample-led beat. from there, ‘rawkicks 2’ shows jason’s rough and ready sampling style in action. a seemingly simple track, but one which has that special something which guarantees to keep people on the floor moving for its duration. ‘cut b’ contrasts this nicely, being a much cleaner production with tight drum programming and synth work. that said, it still has the classic jg atmosphere we love. closing out the first half of the album, ‘definition’ slows the pace ever so slightly, with its eternal pad structure that builds up the track’s momentum into something very mellow and deep.bringing in the second half of ‘skylax’, ‘john blue’ takes things back a notch further. a deeper tune, yet one that shows off an uncharacteristically punchy bass hit from jason. ‘last night’ is a track more reminiscent of jason’s first lost cuts ep on wax classic, sounding as if it had been freshly taken off an old tape with its sample-led beat and background hiss. the last four tracks of the album see a return to the ‘mastercuts’ and ‘lovedits’ series which fans will recognize from the ‘lost cuts’ records, with ‘lovedits 7’ and ‘mastercut 5’ respectively. the former is a laid back female vocal edit with the entire suite of signature jg touches while the latter is a garage house hit more crafted for the club. ‘bb’ brings the album to a close, twisting a disco/funksample over a pallet of drums and effects for the near six-minute duration of the track.all in all, this is the perfect follow up to jason’s debut album ‘313.4.ever’, with tracks for both the club and home listening. if you happened to miss the first album back in 2012, don’t forget that now you have the chance to grab it in a special double pack with ‘skylax’ on cd!so, needless to say, this timeless record is a must purchase for all collectors and djs out there

after the their debut hit-single *sonnentanz*, klangkarussell is back with *netzwerk*. the 10 inch vinyl includes a remix by ten ven.

vinyl release of the worldwide no.1 smash hit album featuring *happy* from the *despicable me 2* soundtrack.

that dope loop pinning down sascha dive as cocoons deephouse wunderkind wouldnt really hit the nail on the head however it isnt far from truth. compared to most other artists of this genre he can for sure be classified as a young gun but there is no soundproof for his age in his music at all.

play it say it is a hot new label brought to you courtesy of seth troxler, and the first release is a one-side monster of a track by sharam (deep dish) and featuring manfred manns earth band. hot on the heels of deep dishs recently released club hit quincy, sharam releases tripi, a rib-rattling, earth-shaker destined to cause maximum dance floor pandemonium. an incessant dirty as hell synth line underpins the colossal driving force of this beast as the rhythm breaks down to the unearthly enchanting keyboard break courtesy of manfred manns earth band. tripi was endemic throughout wmc and expect to hear it everywhere this summer. already getting heavy support, tripi is destined for big things. seth has kicked off his new label in style. expect more floor fillers in this vain from other luminaires on play it say it this summer. and remember, when you play it, say it!

what does radiation sound like? what do the effects of radiation sound like? what happens when a musician with why sheep?s imagination and skill tries to answer these questions? 11 march is the 3rd anniversary of the tsunami that hit the pacific coast of japan and set in motion the disaster at the fukushima nuclear plant. 31th march sees the release of why sheep? s radiation ep. radiation 1 and 2 with remixes by kare san sui surrounding, another why sheep? moniker.

2 years ago their hit *strange* plunged the deep house faithfuls into the limelight, gaining them support from across the boarder. adana twins were being praised by djs of all genres and receiving standing ovations in clubs. this resulted in a bunch of new remixes, massive press attention and a busy tour schedule all over the world, with an australia, america and brasil tour. aside from their hectic worldwide touring schedule, the duo remixed *schwarz dont crack* on kitsune. in march 2014, this entertaining duo will be releasing the fresh new single drive featuring khan (ex-captain comatose/playhouse/i m single) on exploited.

more seminal techno from the kms vaults. bounce your body to the box gets a timely re issue in original artwork. 1988 really was a vintage year, includes a derrick may remix of the sound.

producer mark e hails from the west midlands, an area of the uk that was at the heart of the industrial revolution and was also hit hardest by the decline of uk industry in the 1970s, and again by the economic crisis of our own time. its an area with a distinct sound and atmosphere, one that manifests in the music of artists as diverse as black sabbath and the specials, and one that plays into many of the ideas behind mark es new record product of industry.

usb stick - kein vinyl !! (usb stick - no vinyl)
2014 is the year of degree records first anniversary celebration. after three highly successful eps, which all hit the top 10, the label owners veitengruber and 212fahrenheit give their love back to the audience with the most sustainable and utterly stylish gimmick - a wooden 8 gb space to race usb flash drive with 16 exclusive tracks by the best national and international deep house and techhouse artists. it will be delivered in a precious box together with a necklace.

2x12 inch lp in gatefold sleeve, including cd-copy of the album.
a few years ago, a-trak got together with the pioneering house/garage producer armand van helden to form the playful dance duo duck sauce, and they quickly scored a vast international hit with *barbra streisand*. now, nearly four years after that song landed, they are finally ready to release *quack*, their giddy and engaging debut album, which features singles like *radio stereo*, *it s you*, and, yes, *barbra streisand*. the album is not a typical dance album but a whole lot of fun: quack pushes the boundaries of house music and sampling into an absurdly visual listening experience, interwoven with skits, scratching and irresistible loops.

um den record store day 2014 zu feiern, präsentiert bbe zwei vorher unreleaste juwelen, geremixt von glasgows antwort auf walter gibbons, al kent. *when did you stop* von the js wurde sträflicherweise übersehen nach dem eigetnlichen release 1977 - mit ausnahme einiger dancefloors im norden englands. gleichzeitig war sandy barbers *i think i ll do some stepping on my own* ein großer hit, der allerdings keinen großartigen kommerziellen erfolg verbuchen konnte.

gatefold + innersleeve + album sticker!taken under the wing of kyambo hip hop joshua. after releasing revolution rising mixtape in with just blaze and collaborating with crystal castle on a split lp, first album is finally out on owsla (skrillex label) for the us and kitsune for the rest of the world. album written, composed and produced by heartsrevolution. mixed by chris zane(passion pit, friendly fire…) but also rock mafia hit makers (no doubt, green day…)

hot on the heels of his smash hit get beasty ep released in february this year, hot creations favourite patrick topping is back with another superb release in the running to be his most successful yet!

premium quality vinyl reissue of the highly collectible promo-only 12 inch *i, i, i* by unlikely balearic heroes the osmonds. first released in 1979, this fruitful collaboration between the proto-boyband and legendary pop-disco producer maurice gibb is a wonderful slab of chugging syncopated cosmic disco rock topped off with lush string arrangements which despite being criminally overlooked at the time of its original release, has recently garnered much favour with balearic aficionados. also surprisingly good is the flipsides *you re mine*, a more live sounding affair, coming across like steely dan met chicago at studio 54 and hit the studio on the way home. dont miss!

german dj duo andhim brought us the wizard of us last year, making their ebut on get physical music with the 2 track ep. while the title track was a small hit in its own right, it was the b-side, hausch that stole the stage with its sunny vibes and feel-good atmosphere. now the boys have given the track to fellow cologne artist duererstuben, denmarks koelsch and american legend george morel for a highly anticipated remix treatment.

here it is. the 8th release from leipzig vinyl imprint ors. a various artist ep compiled by label owner filburt. it comes as a five-tracker with works from ranko, andreas techer, mille & hirsch, donnie dubson and filburt himself. donnie dubson and ranko are leaving the clime of house. its more postdubstep infused hip hop. however mille & hirsch bringing back the good old house vibe with the lounge 44 version of their track my mind. the hit of the ep. filburt boils the crowd down with his impression of a morning blossom and andreas techer wake(s) up to start the afterhour at the end of the ep. limited to 300 hand numbered blue vinyl copies.

stompin at the savoy – live (1983) was a major commercial success for rufus and chaka khan, reaching #4 on billboards r&b albums charts. this double-record set features three sides of live material recorded over multiple dates at the savoy theatre in new york. the band stunned packed audiences with an energetic set of old favorites and new material, such as *tell me something good*, *you got the love*, *sweet thing*, *at midnight (my love will lift you up)*, and *do you love what you feel* as well as *what cha gonna do for me* from khans 1981 solo album of the same name. the d-side includes four new studio recordings of which two were released as singles, *aint nobody* and *one million kisses*. *aint nobody* became rufus final #1 r&b hit and won them a grammy award for best r&b performance by a duo or group with vocal in 1984. the song was featured in the movie breakin and its soundtrack.
pressing on audiophile 180 gram vinyl, housed in gatefold sleeve.

killekill 017 by neil landstrumm is a three tracker with no less than three hits on it. the a-side is a dark slammer about someone trading his ass for drugs in a new acid / disco / synthwave / techno fusion style with an undisputed chicago flavour in it. what a hit!
this is the standard pressing on black vinyl.

limited edition of 270 handnumbered copies on red vinyl.
killekill 017 by neil landstrumm is a three tracker with no less than three hits on it. the a-side is a dark slammer about someone trading his ass for drugs in a new acid / disco / synthwave / techno fusion style with an undisputed chicago flavour in it. what a hit!

brand new album from legendary rapper eminem featuring the hit singles *berzerk*, *rap god* and *the monster* along with *survival* the official song of call of duty: ghosts. executive produced by dr. dre & rick rubin. comes as double 12 inch vinyl in gatefold sleeve.

3 new reworkings of this notorious snare driven assault from the 90s. one finger is a cult hit especially in germany and belgium. dj support: laurent garnier, dave clarke, anderson noise, droid crew in la

snoop dogg & dam-funks album 7 days of funk is being released as a 45 box set, with a total of 16 tracks: each song on the album released on 7-inch single, backed with its instrumental version. the box set includes a bonus record with *wingz* (not available on any other format) b/w *systamatic*.

nico stojan and david keno team up once again and they delivered a deep and soulful, melodic house record that will make a lot of friends these last days of summer. our hit machine beatamines doesnt let us down this time with his great remix of >how does it feel<. marvin hey and ferdinand dreyssig strip the original track to its basics and come up with a very functional interpretation with a great percussive vibe. lovely.

autoreply music marks the coming of the summer season with a very tidy little 10inch from och. this man recently recorded for baby fords pal sl imprint, gaining support from a diverse range of djing luminaries including zip, sammy dee and efdemin. now the mysterious producer steps up with a big room floor rocker that has been described as ian pooleys >chord memory< meets christian vogel. thunderous drums, hypnotizing chords and a cheeky sample that the old house heads will be sure to recognise make this one for the peak time. claro intelectos warehouse sessions on modern love is regarded by many as one of the most definitive collections of contemporary techno to hit the shelves in recent years. fresh back from remixing depeche mode he takes time out of his busy schedule for remix duties. taking his cues from the warehouse classics that accompanied him through years in manchesters revered clubs like the hacienda, home and paradise factory, he serves up a powerful, stripped down reworking of the original track that is equally suited to sweaty dance floors. fasten your seatbelts.

several years ago, valentin stip was sitting alone by a harbor in the small french town where his parents grew up. >i heard all the sailing strings hit the masts, and i realized that every sound you hear is potentially music,< he says. >the only thing that makes sound into music is the mind, arranging it.< since then, valentin stip has been building a bridge between the sounds that live inside and outside his head.

at the forefront of the new wave of artists rising from the french underground scene, parisian hit maker andrade makes his debut release on one records with the sensually smooth and solid dance floor bomb,sweet disposition. over on the b side fellow frenchman terence :terry takes the reins to inject his signature groove while ibiza residents acid mondays round off the package perfectly with a remix that offers everything we are coming to expect from the talented duo.

shop staff ep from northamptons vinyl underground store featuring 2 future classic lhas tracks, small amount made available to us for distribution... 350 pieces only worlwide - never to be repressed...
celebrating their 20th anniversary, well respected uk record shop vinyl underground presses up this staff ep. two almost lost jaime reed, classics that have been carefully selected over time. beautiful pure techno , drenched in his classic sound - flying high is actually a remix of one of those old joe lewis ripped off tracks although you might not know it. flip over for two acid based cuts - the new warehouse sound of cloudy skies by avus 303 & the cardinal + a pure roland basic acid bonus

genre-bending psychedelic disco-funk from forschungsgruppe grenzdynamik on 7 inch vinyl, limited to 500 copies.

ushering in a big new year for doc daneekas ten thousand yen is one of the most exciting underground artists to emerge over the last few years. combining a bruk shuffle with a natural flare for techno, presk has been carving out his own subtle niche since 2011. each track on this release stands tall alone, showcasing presks natural leanings, from the raw broken funk hit of *saluki*, the warped techno of *mod1 & rais* to the deft touch of *vigor*. this is presk at his very best, showing whats to come of this exciting producer and marking a very fitting return to the label. with support already from gilles peterson and a prime slot on jackmasters soon-to-become-legendary mastermix 4, saluki is set to be around for a while. don t sleep on this one.
includes immediate download of 4-track album in the high-quality format of your choice (mp3, flac, and more).

hobo (minus, hot creations, tronic) launches his new imprint, soundz, by finally releasing his highly acclaimed hit mind games. after tearing up ibiza and the world over this season, mind games is finally clawing its way out of select record boxes and into record stores everywhere. joining mind games is its evil twin, public lies. equally epic, public lies builds to a fever pitch with familiar but not quite normal synth tones soaring wildly overhead. two monster jams to kick off soundz in that familiar hobo style.

italian producer domenico camarilla has hit a rich vein of form under the jose manuel guise of late, supplementing output on his own black pepper label with feted appearances for tusk wax, is it balearic?, lectric sands and citizen kanes disques sinthomme. given his profile, a union with the soft rocks affiliated kinfolk label makes utmost sense and jose manuel fans will find much to enjoy about ajna. both the title track and *the clear after the storm* are steeped in eastern mysticism and feature heavy percussion from the man manuel, whilst the accompanying soft rocks remix will appeal to fans of rabih beainis *tanki tanki* edit.