having made his debut on drumcode in january, the evergreen italian producer is back with another fourtrack ep to follow up the enormously well received prisma ep. supported by djs from across the spectrum from drumcode stalwarts like alan fitzpatrick (prisma) and slam (self control) to house music legend erick morillo (back to zero), paganinis reputation within techno circles is well established with a recent discography that boasts plus 8, form and octopus recordings alongside drumcode.

lost follows up his massive snake eyes single with the highly anticipated groupies e.p. which is gaining support from a list djs across the board & featured airplay across all the major airwaves including bbc radio 1. groupies is somewhat of a statement piece for lost, veering from his traditional sound lost experiments with slightly noisier undertones to execute this highly anticipated club banger. ironhide vip: losts debut release on hench, ironhide is the foundation he built his distinguishable style and sound on. the vip showcases his journey through his hench releases subtly highlighting extracts from previous releases slaughtered, escape from the womb & metal foot. the vip encompasses the essence of the original but has the added advantage of developed production which makes for a devastating 2012 re lick!

having made his debut on drumcode in january 2012, the evergreen italian producer is back with another ep to follow up the enormously well received prisma ep. supported by djs from across the spectrum from drumcode stalwarts like alan fitzpatrick (prisma) and slam (self control) to house music legend erick morillo (back to zero), paganinis reputation within techno circles is well established with a recent discography that boasts plus 8, form and octopus recordings alongside drumcode.

fina records is therefore proud to present the riker ep - a three track cosmic delight from the man himself. title track >riker< is a warm, emotive, progressive number, interspersed with glockenspiel lines that would make lil louie vega jealous. in stark contrast, >geo< is a spacious, punchy, deep kicker of a house track layered with ghostly dropping baselines and shimmering echos. a futuristic deep house shoulder shaker for the terrace. on the <riker remix<, purveyor of new vibrations and rising star elphino (somethinksounds) delivers a driving house track, chopping up the vocals, and firmly stamping his own imprint across the basslines into an up-tempo designated dance floor record

kool hertz started djing and rocking crowds over 14 years ago in south africa & the uk. the last few years he has turned his hand to production in a big way. after a string of release, across various labels in the scene, we finally welcome his first ghetto funk ep.
loads of attitude, big bottom end and his signature pounding beats. this ep has a true heavy weight feel, it sits and the ghetto end of the spectrum.

across 4 tracks dmx explores plenty of heavily wired analogue soundscapes that are part house, part funk, part electro and part techno.

inspired by the energy, the sunshine and the people on the white isle, olderic returns to bring the ibiza heat to area remote by going loco with the latino loop, letting it flow and widen across spicy rhythms and vocal melodies

deleted records returns to the market with a complete makeover and a new eclectic sound. featuring a range of beats both broken and 4/4, deleted will be covering electronic output across the entire spectrum. with deleted 01, the label presents the debut release from the extremely talented differentme.
>back to tomorrow< ticks all the right boxes. featuring solid drums and pulsating basslines, the lead chords and vocals work together perfectly to create total dancefloor damage. over on the b side, catz n dogz work their magic on the track with a creative and intelligent remix that explicitly shows the reason they are one of the most in demand production duos around today.

longtime friends, label partners and now collaborators seph and jeremy p caulfield team up to once again demonstrate their synergistic telepathic working methods. virtues & vices is a 4 track ep featuring solo work form argentinian wunderkind seph as well as two more tracks written & produced together with jeremy p caulfield. across oceans and continents the ideas of two studio wizards take shape. virtue & vices is a raw yet rocking dubby expedition into peak-time tripped magic.
pressed on translucent vinyl.

filth collins is australias fastest rising dubstep talent. his original productions have gained dj support from some of the top dubstep djs in the world, including plastician, 16bit, doctor p, dz, borgore, brown and gammon, and bbc1xtras own mistajam. his dynamic dj sets have seen him play his way across australia and new zealand doing headline shows, as well as supporting some of the worlds best talents including crissy criss, trolley snatcha, skism, foreign beggars, cooly g, antiserum, roska, and countless others. with forthcoming releases on rod azlans imprint >azlan entertainment< as well as footsy & dj tubbys imprint braindead entertainment, filth collins is one of the dubstep artists to look out for in.

mr.g is back with a deep and soaring release on the monique musique imprint.the distinct g sound really falls in place on this magnificent release which is tightly produced and filled with that analog action. a slice of true house music spread over 3 jams that are heavy, chordy and soaked with tight percussion. definitely one for the true house heads across the globe.

as i look to the sky from the surface of the water is the much awaited second album from grit, aka london producer gary brackley and it has found a perfect home on meanwhile. the label is well placed to be an outlet for grits explorations deep into the realm of deep techno, thanks to its standing within the techno community and this album stands tall alongside contributions from the likes of murmur, sven weismann, bvdub and conforce. opening with the expansive title track, grit sets the tone for what to expect with the ripple of syncopation shifting in and out of focus amidst the viscous layers of foggified luminescent ambient texture. across the subsequent five tracks this tone is retained throughout as brackley playfully explores the inventive sparks that arise when rhythm rubs with texture, with the smudged out subaqueous >safer retreat< a real highlight.

summer is here people and ovum recordings are about to kick start the season with yet another label debut from dirty channels & bugsy. and this time it already comes recommended. techno takes a back seat as the label continue their stunning run of house releases with alone. label chief josh wink had asked house don, dave pezzner if he had anything in the locker for ovum. having just completed his own rework of alone, he sent it across and within minutes the ovum crew had fallen for its charms. josh actually tweaked the original pezzner remix for his own sets and before long has snapped up the whole release for ovum. dirty channels team up with longtime friend bugsy on the deliciously smooth alone. with their warm bassline, velvety synth and the sultry vocals of amina, the trio have delivered the perfect summer soundtrack. with a brace of mixes from wink backed with a reworked and refreshed double from pezzner, ovum are ready to turn up the heat. enjoy!

killer release on new yorks sequencias label. powerful and hypnotic chicago acid inspired cut on the a and a cool slow building chord driven track layered over raw drum rhythms on the b-side. recommended!! label promo text: sequencias does not stop, does not conform, takes no prisoners. our third release brings you a pair of artists from two different points along interstate 94, who have a reputation for the very same. so lets get to it. the main body laid down by villan x is tight metallic percussion underpinned by solid kicks and a stream of robotic filtered bass, containing unexpected shifts within the frequency register. foreboding tones and feelings drift towards us across which the disembodied voice of kold is able to find a platform from which to shudder into our consciousness and pose questions from across the galaxies about the nature of our very being. dcantu carries on the feelings of space, with protracted white noise shots and stabby modulated organ chords, but doesnt leave it long before setting the pace with solid drums and shifting keyboard funk aimed squarely your body and the dance floor as octave changes force you up and then down again to a backdrop thick with texture. this provides for the body and the mind. act fast though, sequencias does not like to rest.

he next release on hypercolour is a rather large one that has been pursued for a while: an ep from multi-genre explorer, 3024/numbers alumni and all round badman tom reid aka mosca. across four tracks, the pioneering producer offers up his own unique view of house music.

and so the final piece of the drums of death waves trilogy eps snaps into place, dod caps his latest run of releases with 4 tracks of varied, taut, emboldened dance floor rhythms.
code for free mp3 download of this release included.
receiving huge support in the clubs and on the radio from across the electronic music spectrum as sinden, skream, tiga, laurent garnier and claude vonstroke continue to reach for the waves.

having released his third album >personality< earlier this year to much critical acclaim, scuba is pleased to announce his new single ne1butu will be released on july 2nd through hotflush. ne1butu is scubas glorious take on a thunderous classic house track, complete with piano break and an infectious bubbling bassline – its perfect for the summers dancefloors. backed by a scb – scubas other alias – remix, he adds a minimal techno edge to the song. taken from >personality<, the album sweeps effortlessly across a wealth of genres within contemporary dance music, proving once again scubas place at the cutting edge of the electronic music scene.

boston beat boi tanner ross is finally back, with another embodiment of his signature take on future efunk. ranging from creamy nostalgic r&b featuring pillow talk, slow hands and jesse rennix to tripped out weirdness in collaboration with lonely c and 80s synthesis romance with jules born, the straight to the moon ep on double standard will take you from palm-fringed miami sands to deep outer space. across five originals (side a and b on pure white 10?) and two instrumentals, tanner ross once again casts his sonic spell with a master class in originality with support from select members of the wolf + lamb collective, having already made his artistic footprint on labels land no.19.

with a shuffle, a wink and a swing of the hips, original cuts returns to wax with a quartet of tried-and-tested dancefloor bumpers from label head honcho deadly sins.
as usual, deadly sins has provided us with a four-pack of hypnotic, filter-heavy disco cuts that slither their way across the dancefloor with all the sinewy charm of an eager python on heat. taken inspiration from forgotten disco gems and simmering secret soul jams, original cuts 03 bumps, grinds, struts and jigs from start to finish.

nil, which translates to zero, was designed precisely with the idea in mind, the idea, in which, everything is given life from nothing. this absolute nothingness allows us to create our most beautiful ideas. nil knows no boundaries and hopes to create beauty from every corner where nothing exists. with unlimited possibilities, nil hopes to bring to you quality electronic music of all shapes, sizes, and tones.
nil goes across the atlantic and into the heart of romania, where marsomatic700 takes the helm for their first release and brings to you their debut ep, >ce zici?<. max 1 item per customer / max 1 platte pro kunde

the rhythmical whims journey continues with rstlss trx boss phil asher team up with dwala for more quality deepness.
an imprint that bridges the gap between soulful and tech house, rstlss trx lays its focus on providing straight-up dance floor orientated house music and the rhythmical whims 2 ep sits perfectly within the labels remit. whether it is the sprawling dub house vibes of crowds which has been winning the praise of dancefloors across the globe, the dark tribal intensity of balafon on which dwala steals the show, or the hypnotism of the aptly titled london style, functionality is at the core of this well-crafted ep.

the ninth release from the mainrecords shop, on its eponymously titled label comes in the form of three tracks of slick late night electro from matt star, plus a remix from perseus traxx. with well over three dozen releases under his belt in one guise or another matt star aka mattias schildger is no stranger at all to production of high quality electronic music, as this latest ep clearly displays. happily blurring boundaries between house and electro, with its tight, crisp beats the release exudes a form of stripped back and honest late night cool with basses that bubble in a way sometimes reminiscent of ed dmx, while others lend more of a chicago feel accompanied by rolling toms. synth lines and arpeggiations cut in and out of subtle modulations giving the feel of anticipation one gets while tearing along the motorways of a city, late at night, the lights of the city and other vehicles brightly darting by, streaking and reflecting across the cars windscreen. perseus traxx delivers a subtle remix that remains true to the elements of the original and while adding a booming kick and some of his own production techniques, influences and grit to the mix, shows he isnt stuck in one genre or sound.

alexander kowalski makes his debut on vince watsons bio music imprint with an awesome ep. berlin resident kowalski has been at the forefront of the german music scene for many years, playing all the big festivals and events across the world for over a decade. with his huge discography, most notibly for his releases on the seminal kanzleramt label, as well as his own imprint damage music, alex has generated a massive following and fans will not be disappointed with this new ep. his recent collaborations with fellow kanzleramt resident diego are nothing short of mindblowing and alex has taken that form forward into this new ep, green eyed.

strictly limited to 300 copies , milans hottest new production duo flashmob have been garnering some well deserved attention of late. after their first cut brick house landed them on berlin tech house institution get physical, the duo have been laying down sets across some of ibizas hottest nights, with their hard work and dedication to their music paying off. with support growing from the likes of pete tong and maya jane coles, their latest release need in me more than lives up to the surrounding hype...

dont be afraid present spargel trax, a two part series of vinyl-only, coloured, hand-stamped 12 inches designed to celebrate the dual themes of great seasonal music and great seasonal spargel. contributing tracks across the two 12 inches are some of our favourite artists currently making house music. from established artists like disco nihilist, andy blake, sound species and james duncan to up and coming artists like david joseph from cologne, hodge from bristol, untitled-w from st. petersburg, for whom this is the first outing on wax, and scott fraser from glasgow. no clues though as to which is which, you will have to just listen to the tracks and hear for yourself! proof that 2012 is a great time for music, a great time for wax and a great time for spargel.

the third installment in the cobblestone jazz 12? series brings two more tracks. on the a side we find whos future?. full of bubbling elastic bass and deep chord swells, its a laidback affair with a snappy groove to push it along. on the flip is across the nation, a stripped out and up-tempo electro jam with crisp breaks and gated pads. all the elements mingle together to create a thick bed of future funk. another wheel for your wagon.

after his last single asset 001 and releasing his distance track on dogmatik records, stojche returns with the second release on his own solo tangible assets imprint delivering another four cuts, whereby we witness his consistency in putting out a must-have quality works. the 1st track on the a side is called you & me. podium techno tune where the 909 drums and the fat baseline interact perfectly with musical theme. stojche starts off with the pad lines, building them up with various chords, synth swabs and dubby layers that strike in perfect timing. this one is real immersive moody groover. a2 -mechanism has an electric piano aspect as key texture that jams along the track, and later the amazing string arrangement creates a lot of space for the drum sequence to bring the mood to another level. this tune could do a lot of damage on the dancefloor if dropped in a right time. b1- revolt kicks off with a storming groove right from the start. uncompromising drums with the acidic synth keys that rumble in 4 on the floor beat that showcase chicago house influences from the past. b2 - podrum is the closing track of this single that carries a real strong emotion and deepness. classic detroit influenced after hour tune approached in style. the warmth stretches across the entire soundscape, where we witness stojches skills to create an essential spiritual deep house number. definitely stojche has succeeded in delivering four different quality works to one beauty of a record!!! asset002 will be available only in tangible (physical) format

after two splendid releases of industrial house for amsterdams rush hour, the elusive b.d.i. graces running back with his presence. trading the factory for the holy see, he delivers a triptych that goes across countries, continents, time and space. paper tears is some serious vatican house and the deepest track that the paradise loft never played. coveted with the devoutness that is the tribal tears dub and a new wave whip subtitled same victories, same mistakes, there is a prayer here for every matter. comes in limited super sleeves and unlimited niceness.

this smashing and diverse tune has been getting biiiig response all across the globe with heavy support from the top including hatcha, n-type, plastician and a slew more.originally debuted on targets bbc 1xtra show,doctors pristine grime vocal studio work makes this track accompany a heavy sub-bass signature sound you can only get from musicians who immerse their lives into dubstep and spend time developing their own style.those such musicians are megalodon and conscious pilot.

next up one nonplus is a release from the commix duos endian. making waves across the techno he is one to watch in 2012, watch this space.

introducing kleine reise records, a berlin based label flowering from the roots of their beloved clubs kleine reise & loftus hall, a natural progression to further share our world of sound. life is change, tastes evolve, the only essential ingredient is for our music to have soul. free from the shackles of any particular style or genre and from the constraints of time, we begin a journey through the sonic universe. our first offering comes from two of kleine reises founding members dara drea oneill and peter power. on the a-side we have sun-k, composed during several sundowns at the hazy heights of last summer. channeling the collective spirit of the open-air arena, it offers the first glimpse into peters ufordian fantasy. on the b-side, dara takes a bare-back ride through a pitched dreamscape. the constant flapping wings of a little dragon guides him. if you stretch out your arms it feels like flying. lastly with >red roses< peter conjures up an irresistible dream-like, slo-mo workout, guaranteed to be drifting out across the adriatic beach parties this summer take a little trip with us. love the kr family

dancing time: the best of eastern nigerias afro rock exponents 1973 – 77 by the funkees mines the rich musical output of 60s and 70s nigeria. for the 5 year period this compilation spans the funkees output crackled with dance floor fire.
having featured on three of soundways most popular titles, across the definitive nigeria special compilation series, soundway felt the funkees output deserved closer inspection. presented here are 16 slices of funky afro-rock grooves hand picked by soundways miles cleret from a selection of the bands 45s and 2 long players.
pressing on heavyweight 180 gram vinyl in gatefold cover, including code for free mp3-download of the full album.

dont be afraid present spargel trax, a two part series of vinyl-only, coloured, hand-stamped 12 inches designed to celebrate the dual themes of great seasonal music and great seasonal spargel. contributing tracks across the two 12 inchess are some of our favourite artists currently making house music. from established artists like disco nihilist, andy blake, sound species and james duncan to up and coming artists like david joseph from cologne, hodge from bristol, untitled-w from st. petersburg, for whom this is the first outing on wax, and scott fraser from glasgow. no clues though as to which is which, you?ll have to just listen to the tracks and hear for yourself! proof that 2012 is a great time for music, a great time for wax and a great time for spargel. spargel is very popular in the netherlands, spain, france, belgium, germany, and switzerland, and almost exclusively white. else, it is specified by the local language term for green asparagus. compared to the latter, the locally cultivated so-called white gold or edible ivory, also referred to as the royal vegetable, is less bitter and much more tender. freshness is highly regarded, and it must be peeled before cooking or raw consumption.

irish live act / release duo lakker join the blueprint label with their first release. slick shake inspired techno and electronic tracks. irish lads ian mc donnell and dara smith have been recording for some time as lakker with a number of releases for the likes lazybird, alphabet set, acroplane and most notably killekill. here we proudly present their first blueprint record in the form of the arc e.p. a superb mix of bass driven techno and electronica across the four tracks here but the office fave has to be a2s super-shuffling piano track -ed- which reminds very much of mid-period anthony shake shakir material from days long gone.

new to the finale family vincenzo a veteran to the dance music industry he has been a mainstay on dessous, liebe detail, to name a few and here he delivers >you remind me<, detained for the record bags for sure with its deep vibe and its lush programming: ersatile for any dance floor. stuart li aka basic soul unit is also new to finale and here he delivers a floor filler called >depthcharge<, with its deep chords and stabbing synths then a hint of acid and what we have is the ingredients to a peak time masterpiece. last but not least we have mr. joey anderson part of new school deep house masters of new york from the same crew as fred.p, levon vincent, qu, and also part of the underground quality crew run by jus ed. >trapped in motion< brings an underground sound that few can really get across properly. the drums are what gives this track the ammo it needs to provide proper deepness and structure to the dance floor.

join the dots reaches its dirty dozen in the form of leeds based noiseniks death on the balcony. after a year of rather big releases, hanging out with wolf & lamb, soul clap and other assorted cool cats and playing a hectic schedule of gigs across the world that literally saw fans throwing themselves (from a ruddy great height apparently) at our boys they now contribute dot012 to the jtds family. whilst being described as everything from disco, house, deep techno and any number of other pointless monikers (these are just their own descriptions we should add), death on the balcony have you could say come home to roost. think of us as their crash mat, their safety harness, their bungee cord. we are going to look after them whilst they just sit back and admire the view.

this march the london based art editions and experimental electronics label we can elude control presents a new 12 inch by the sound artist and sculptor tom richards. through his custom built array of hardware richards has developed a tense percussive language, crafting immersive rhythmic compositions that explore aspects of structure, tonality and variance. his loop based patterns evoke a purist machine aesthetic reminiscent of a vintage analogue sensibility in collision with a super-modernist compositional approach and an exploration of post-techno ritualism. his production process focuses on a live improvised approach working across several custom made devices to built a rhythmic composite of interlaced tones and cyclical pulses.
including cd with live recordings by tom richards.

after three albums for as many labels, dean blunt and inga copeland, also of the group hype williams, release their debut hyperdub lp, >black is beautiful<. amid rumours circulating, and confirmed by their advisor denna frances, the album was recorded during a tremulous period for the two: inga copelands arsenal girls tryouts, deans waschbärgate trial (he was implicated in being behind a one night robbing spree across 16 taxidermists based in london and the south east, allegedly only for racoons) and his subsequent conversion to nation of islam upon being acquitted. >black is beautiful< is laced with their signature hazy glow and is full of crunched eurovision lullabies, kinetic drum machine jams, unsettling funk, smeared walls of synth, moments of unadulterated opiated bliss, mogadon rap, infinite coughs and insights into the odd sexual behaviour of crackers. the word ebony occupies the albums entire front cover space in bold white print. >black is beautiful< is red and white.

two giant forces in dance music collide as guy gerber makes his first foray with the visionquest imprint. >the mirror game<, guys first original material since 2010, explores varying shades and tempos across two distinct cuts of progressive tech and electronica.

those cheeky texans are back with another sure fire strictly vinyl only four tracker of funky disco jams, disco reggae shananigans and boogie bullets. over the last 4 years the killer disco & funk crew have dropped almost 20 releases across their 45 & 12 inch labels all with one sole purpose to provide you the dj with enough ammunition to destroy the dancefloor with musical firepower . with their exclusive range of exclusive edits & tracks many fans have been picked up on the way including danny krivit, idjut boys, greg wilson, faze action to name but a few

if it would not be so cold outside, the latest shot of insistmusic would become an instant party classic. what ping! from thuringia have delivered this time at least definitely feels that way. the third edition of the frankfurt based vinyl label presents an intelligent, groovy techno: predictable enough to entrain, diversified enough to pleasantly surprise. the opening track depature marches across the dance floor, picking up the playful dancers with its funky offbeat elements in the beginning and taking them on an,ecstatic journey with its cleverly placed breaks. in the remix by label mate sascha sonido depature catches a touch of tribal techno moving the track with its vocals like rolling sound figures a good bit further into the house cosmos.

from the vibrant parisian house music scene of the 90s, ark already heralded the birth of our label, and pépé bradock remixed one of our most recent successes, nicolas jaar. now we turn to a man whose pure, simple approach to house music has influenced our most club-focused output. franck roger has been a great ambassador for the true meaning of french house music, from his own productions that stretch back more than ten years,through to his record label real tone. having started out producing direct, peak-time vocal cuts, francks dedication to his art has seen his music evolve across an ever-widening panorama of moods and feelings, sound sources and production methods

rhythmic elegance! filtered piano chords and impressive strings play across the organic warmth of the beats to create a uniquely uplifting,melody-laden groove.weve got nothing but love for this quality people mover.

dustin zahn with his own interpretation of techno... four proper techno remixes... a bad ass behind the decks, and in the studio since 1998...his productions ended up on some bigger techno labels as well as more obscure imprints. along with ian lehman, he forged the well-received attack people live performance… bringing his show across the us, to south america, and europe as well. when he is not on tour with his dj sets or supercharged live pa sessions, he co-promotes some of minneapoliss biggest techno parties. in addition, he also manages his labels abiotic recordings and enemy records, which both receive wide support from the techno community.

this selection is about the tracks that would inform henry street, the tracks found deep within the complex strings of its dna, the tracks championed by pettibone on kiss or by washington at the studio, or those dredged from crates across the city. half-heard anthems from italy tracked down through forensic research in the record shops of the five boroughs, rare dub versions of classics that you wont be finding on ebay anytime soon. this is real disco.
>these are the secret weapon tracks, but more personal to me and people from my world. i m pulling records from different places. this is how i play records. its not fake. i have never been a set dj and always played just about every genre of music, from the fastest uptempo disco anthem, to the most ghetto rap jam to zeppelin. music is music. a good dj can play it all. a great dj can play it all technically correct!<

this band from houston, texas scored several hits with >i cant stop dancing<, >tighten it up< and >strategy<.
archie bell & the drells released seven albums in ten years and the tension that existed on their previous two records, which slipped back and forth across the disco/funk divide, is gone here. >strategy<, including honky tonk pianos, swelling strings sections, thumping basslines and soul singing background vocalists making this one of their best albums. elements of barry white and harold melvin making this album a full disco album. it made it to #37 in the r&b charts, and music on vinyl has the honour to re-release it for the first time on vinyl since its original release.
180 grams audiophile vinyl preassing.

now approaching its fifth year of groundbreaking releases, med school excitedly present 2012s follow-up to the critically acclaimed new blood series. bringing together a collection of artists suited to the med school sound from the as-yet unknown to the underground hero, each track brings another interesting layer to the album.
with no less than eight tracks split across two 12 inch vinyl, this is jam packed with the finest beats and basslines.
a transfusion of med school versatility, with releases reaching outside the limits of d+b and into 2-step and dubstep. blood pressure follows up new blood 011 and takes it to a whole new level!

prinzhorn dance schools sophomore album, clay class, releases a quiet energy amongst a dark landscape, inarguably in tune with the downtrodden economic situations that have permeated modern life in the bands native britain, and conversely, along our shores. tobin prinz and suzi horn form a compelling duo whose shout-and-answer approach, paired with edgy and steady bass/drum patterns, achieves perfection in songs such as >seed, crop, harvest< and >your fire has gone out<. the album is constructed on the emblem of empty space, as songs such as >i want you< bridge the gap between musical minimalism and cold intimacy. the oscillation between starkness and warmth pays homage to the bands debut 2007 release, while also creating a modern, if not postmodern, musical snapshot of life across the pond, as well as in our own backyards.
includes full cd-version of this album.

reptile youth is a riot, a dream and a 21st century fuck you dadaism movement. - mads damsgaard having already earned a devotional following after a series of intense, raucous and explosive gigs across europe and asia, the release of their debut single ‘speeddance’ will let the rest of the world in on the reptile youth secret. formed in denmark in 2009 by vocalist mads damsgaard kristiansen and bassist esben valløe, and previously known as reptile and retard, the band toured extensively in 2010 and 2011 to rapturous acclaim from audiences and critics alike. their live shows have border on barely contained chaos, their dominance of the stage inspiring a fervent following among those in the know. danish producer kasper bjørke, acting as a&r and executive producer for the band, is the man ensuring the transfer of this volatile energy to reptile youths releases.