large music chicago! bastions of quality house, large music have joined forces with belfast based producer ric mcclelland aka scope for the release of his outstanding debut lp. as a special gift to sound purveyors everywhere, large music has released a vinyl only sampler featuring 4 of the stand out tracks from the album. laidback grooves such as i dont and the breakbeat fueled workout of >wont be long< bring a certain diversity to the mix, giving the album real depth. ric also stretches his musical muscles with the downtempo charmer >myles groove< and the 80s flavored >the drop<. seven reasons displays a breadth of sounds that make for an engaging and genuinely interesting listening experience.

after the explosive statement of intent that was their debut 7inch >speeddance<, reptile youth are back with a vengeance – and this time their laser intensity is aimed fi rmly at the club. the danish duo drop >black swan born white remixes< featuring three sublime cuts of hypnotic house - their second single taken from their upcoming album release on hfn music. experienced house-meisters terranova bring the late night underground vibe to the original – providing two stunning mixes. the >terranova remix< submerges mads damsgaard kristiansens evocative voice into a narcotic groove, teasing out the new wave vocal infl uences and steadily building the tension into a dancefloor burner.

this is part two of senseless records synesthesia series, celebrating their 5th birthday. limited edition vinyl with a hand printed sleeve and art poster insert.
mak & pastemans contribution is a high tech bass bomb built around a carefully chosen sample that devastates right from the start.
elsewhere you will find nkc, who matches up ballroom house attitude with a huge siren-like bassline and a stuttering 4×4 beat and jtrp, who build rattling percussion around their signature tech-atmosphere into a deadly drop that comes out of nowhere. artwork comes from brighton based katie scott.
artwork comes from brighton based katie scott who is arresting and varied work is intricate and detailed, balancing technical ability with a wild creative streak.

new release and new debut on vae victis, this time from the italian duo die roh. three original tracks plus an additional remix from uk rising star tessela, artist already known for his previous releases on all city, punch drunk and 2nd drop. an ep with emotional, warm, percussive but spacey detroit inspired tracks, where drums and pads are fused together in a one take madness arrangement. ranging from dupstep inspired to the rawer side of techno. all pure analogue tracks recorded without a computer to give them a lively edge. check!

ander-traxx is a fresh label operating out of glasgow with the intent of releasing righteous underground house, and although mainly a platform for the labels founder alex-ander to showcase his own productions, ander-traxxs remit also includes the presentation of unknown talent for future releases. for this first release, alex steps up to the plate to deliver because of me, followed by 3 remixes from artists born and raised in glasgow. the original kicks things off with its intro of glacial pads and jittery hats, before quickly delving into a seriousely deep groove brimming with melodic layers. although because of me gives a strong nod to the recent developements of producers like omar s and kyle hall, it undoubtedly has the hallmarks of an alex-ander production, his unique arrangements coming to the forefront while still complimenting the crisp percussion that drives the track forward. carlos nilmmns (co founder of the formidable solab production unit) mix is a much more off-kilter and submerged affair. nilmmns plays down the epic quality of the original and adds chugging rhythmics and sweetcured piano work for a lesson in divine repetition. mesumas feedback mix goes in for the dancefloor attack, not surprising for a gentleman whos previous work has seen releases on hardgroove and seventh sign. rolling toms and a booming kick meet aquatic vocal samples and spectral harmonicas, and will still please those partial to deeper sounds. last up to give because of me the rework treatment is meschi (lunar disko, lux, snuff traxx), who mixes his chicago influenced analogue stylings perfectly with the source material. stripped down crescendos build up to a euphoric drop, and meschis elated melodies bring another twist to this excercise in deep funk. because of me is one of those rare e.ps that works just as well in a non-club enviroment as it does on the dancefloor. with this warning shot, alex-ander will surely be capturing the ears of many in 2012 and beyond.

rising parisian producer yakines career pretty much defines the word eclectic — in his teens, he was a bona fide metalhead, playing guitar in a metal band that toured all over europe, before his love of hip hop steered him in the direction of the dancefloor. he really found his home behind the decks, however, and once he discovered the world of electronic music via the patronage of his brother—who introduced him to the sounds of underground deep house and techno — yakine quickly moved into production. he has since released a series of eps on european labels like esperanza and jetaime records. the rise ep is his first release for spectral sound, a four-track slab of understated, atmospheric techno.

thieveland jams … thug records next 12 inch presents a new 4 track e.p from one of the undergrounds commanding lieutenants, jeff samuel. named after his hometown of cleveland ohio, the thieveland jams e.p hits hard with 4 hammer minimal house jackers. punchy bass, looped up percussion and jazzy chords sit tightly against the back drop of jeffs signature soundscapes. a seminal house & techno artist, jeff samuel has a back catalog of street ready bombs on some of the most respected labels worldwide including spectral sound, logistics, trapez, poker flat and dan bells legendary 7th city. not much else needs to be said really … hope you dig the tunes as much as we do!

cork based producer and dj shane linehan has cut quite the impressive swathe in the first few months of 2012, anointing his own basic groove imprint in fine style with the swiftly sold out 12 inch my initial grooves as well as gracing mad mats local talk label with a stellar vinyl drop. linehan returns to the controls for the second basic groove release with more of the same - namely deep, tracky productions notable for a crispness in percussion and rawness in texture. lead track >get together< is a swaggering example of linehans style, with a groove formed of low set bass stabs and playful neon chords. its complemented by the deeper sounds of >the future< with the opening shards of dubby chords soon aided and abetted by snapping rimshot percussion, thick bass clouds and the whispered titular vocal.

following last years acclaimed curse of soft rocks album, we are invited to revisit said masterpiece from an alternative entry — a robust compilation of remixes. every track is re-contextualized so wildly that we are left with a beautifully oblique yet complimentary rendering. the personnel employed vary in style and technique drastically, but such is the ethos of soft rocks, and furthermore the esp institute. at the end of the day, we implore you to shut up and listen. on this 12 inch (the first of 4 surrounding the revenge of soft rocks remix album) we are treated with a serious disco belted version of talking jungle as reworked by justin vandervolgen (tbd, gold channel, dfa, etc, etc) and an insanely serene take on obo by esp favorite tiago (sea power & change, gala drop, dfa, etc, etc)... good lord this is quite a piece of wax

after a successful 2011 releasing his sound on labels such as rejected and area remote, mark presents his debut single for saved called sacrifice. the track possesses a catchy, old school style bassline running along deep punding kicks and bright hats. the vocal takes centre stage and guides people towards the drop with the synths adding extra energy to the production. on the flip side is a re-work from the legendary terrence parker dishing up the usual high standard of additional production

i know u combines tribal rhythms, pounding bass, insistent synth stabs, some distressed dialogue and a insanely large crash in the most maniacal way imaginable for what has to be one of the most devastating and original tunes for a very long time. sparse and spacious but yet rhythmical and energetic, lxc manages the ultimate arrangement balancing act here. the intensity increases gradually as the track progresses, culminating in an all-out tribal war ! a modern day jungle masterpiece from one of the most under-estimated producers around. on the flip, senses finally unleashes a track that decimated the very first technicality all-nighter back in 2004. 8 years later and that power is still very much in evidence! everybody want go heaven. nobody want dead – taking influence from the 1990 film marked for death, senses builds a dense vibe here, thick with imminent danger. rolling drums soon give way to a energetic ride-heavy break and pounding sub-bass hits. drum rolls drop and mentasms screech before the storm begins to subside half way through. the respite is brief however and after a complete silence the track reassembles, beginning with some insane slow to fast mentasm pitching which continues as a dark, slick reece begins to build with mysterious atmospherics. the tension is cut by the return of the drums – rolling along at first, before the mentasms and subs hit hard again, signaling a percussive onslaught! jungle just got catapulted into 2012.

any fan of drum & bass will know the name cyantific. having built a reputation as a leader of the new school d&b generation, jon stanley is now approaching a decade of releasing incredible music thats equally at home on the dance floor as it is on your ipod or in your car. last year saw cyantific unleash an incredible single for ram records, as well as bounce it / obey on his own self-titled cyantific record label. here we have the follow up to that release and its undoubtedly another exciting 12 inch, packed with plenty of cyantifics trademark energy. effortlessly combining sharp production skills with graceful musicality, you can always be assured that a new cyantific record is one to watch out for and this new single is certainly no exception. mirador takes the lead, opening with huge sweeping sound fx and a bouncing synth line that harks back to a classic ram sound. its not long before you notice cyantifics signatures though, as he brings in vocal snippets and washing pads that gradually build and grow before a monster bassline drops into the mix. this one undeniably straddles the line between restrained musical class and outright dance floor mayhem. on the flip side defect comes in at an infinitely more paranoid level. strings are infused with urgency and rolling breaks thunder along, dragging you kicking and screaming towards the inevitable drop. you wont be disappointed when it hits either, grinding bassline sections are juxtaposed with obsessive synths, all pulling you deeper into cyantifics musical world.

nice price deal !!! arclight drop the incredible holographic ep. via jacques greenes label vase. heralding from london, arclight caught massive attention via leaking songs on youtube and their incredible take on electronic music. the holographic ep starts with the glorious a side vitamin d. starting with sun soaked chords sparkling beside ethereal vocals it slowly builds in texture & pace until finally climaxing into holographic. the title track is just as memorizing as its predecessor with much more driven base of percussion and hypnotic chanting cascading into the realm of the night / club. b-side purple city is a tale of vice and virtue, sitting somewhere between panda bear, bjork and radiohead - arclight are making some of the most interesting pop music around. dj support from optimo, mary anne hobbs, gilles peterson and james murphy

you know a producer has got something when the first note of the first track you hear makes you sit up and take notice. so it is with 19-year-old east londoner joss ryan: the instant the jabbing orchestral motif at the beginning of >melancholy dreams< – the title track of his debut ep – kicks in, it hits your emotional centres hard and lodges in your memory. as statements of intent go, its a pretty tasty one, and tells you that this is a talent who can stand out and make an impact way beyond the ins and outs of the micro-genres and endlessly reconfiguring trends of underground music.to put it simply: joss is a grime kid who expanded his horizons. his popular mix of his own material for mary anne hobbss radio show last december already shows that the three tracks on this ep are by no means a fluke, and there is a whole lot more to come besides…

famed for their self-released km editions series, keyboard masher join daphni & tom croose in the resista family with the roaring afro editions - two faultless edits that distil the spirit of mother africa. opener >juju< is an epic fifteen minute long journey filled with joyous, duelling guitars, syncopated percussion, shuffling rhythms and a myriad of unexpected passages and turns. captivating from the off, there is only one word to describe >juju< – magical. on the flip >tcham tcham< takes a more direct route to the dancefloor … riding on a more electronic 4/4 beat, it is unashamedly leftfield, with a thunderous chug, a great guitar riff and deadpan calls of >tcham tcham<, which all builds up to an anthemic climax. drop it and watch the dancefloor melt.

vessel returns to left_blank with 3 tracks of mind bending house & techno for the labels 5th release. after inaugurating the label almost a year ago with his critically acclaimed nylon sunset ep, vessel aka sebastian gainsborough went on to release a sold out split cassette with fellow left_blanker el kid, and a stunning digital only set for a future without. as a result of this the all conquering tri angle records snapped him up in early 2012 to release his debut album. this eps title track standard spans the length of the a-side: 5 minutes of low-slung, smacked out death disco, coming over like john carpenter meets newworldaquarium, pure valium vibes. merge on the b-side is positively sprightly in comparison, all rattling and metallic before a drop at the halfway point brings a welcome dose of detroit influenced machine funk. zero closes the ep in abstraction, whirring and stumbling along while showcasing sebs intricate sound design, a teasing glimpse at what is in store for his album later in the year.

with the wait almost over for jamie jones second artist album >tracks from the crypt< crosstown rebels get set to drop the absolutely massive single >our time in liberty< featuring cult dance outfit art department. a bassline symphony for the senses, this elusive slayer of dancefloors, is finally getting a release alongside a heavy-duty remix from comrade russ yallop.

after a slew of releases on labels such as 2020 vision, freerange, systematic and crosstown rebels, spirit catcher deliver their debut ep for z records with three tracks taking in their long held love of those 80s boogie sounds.
inspired by classics of the past, the hijack classics ep is full of live instruments and a retro production style that has been brought right up to date.
if you are a fan of the revenge or krystal klear then look out for the strictly limited edition hand numbered vinyl ep ...

ferdinando apicella aka kernel key adds to his extensive discography with pass it on backed with a remix by sebastian leger the release will drop on italian imprint loose records this december. a sound engineer by trade, apicellas work as kernel key is inspired by detroit techno but sounds entirely his own man. having released his first release on mkt rec, a close affiliate of loose, last year his productions are solidly growing in stature.pass it on not only marks kernel keys debut for loose but also the first remix for the imprint from the irrepressible sebastien leger, whose version of pass it on opens the ep.frenetic, swinging and massively infections, legers version is pure dancefloor mayhem and sees the revered producer inject fun and funk into the original.kernel kes original pass it on is relentless groove with short melodic loops and nagging bass doing all the required work while bizarre filtered keys cut through the tracks nicely judged breakdown for maximum build.lady red rounds off the ep with yet another squarely aimed dancefloor cut. as tight and urgent as pass it on but with slightly detuned stabs and a freakier feel, its a peak time animal of a tune.

in just one short year coyote cuts has brought you a consistant stream of heavy hitting eps from artists all over the globe. this year for wmc we are back at it again with a slurry of digital releases (15 in total) all dropping within the two months leading up to the conference. in addition we bring you a very special release we have been waiting to drop by our very own corduroy mavericks. included is a great remix by the australian duo the house inspectors of the swingy single >dont ask me<. the b side gives a deeper jazzier side of the c. mavs boys with rainsong and bongo king. all will get plenty of use.
pressing ltd to 200 copies.

next up on the much hyped local talk label from stockholm comes a straight up house burner from polish dj and producer tanzlife. with a combo of soul drenched vocal samples and jackin electronic house theories tanzlife has got a big club winner ready to drop. the ep delivers two outstanding tracks entitled heart attack and cold fire, both with a seriously classy house feel that really hits the spot if you have been a fan of local talks previous releases. even before the tracks were signed to local talk they gained support from such diverse djs like claude von stroke, dj ionik (traveller rec) and dairmount (room with a view). local talk is talking to you!

damn fine to dance to musical recording produced by garben eden from düsseldorf

shawn osullivan of up and coming new york new wave bands led er est and further reductions, brings us the latest release on wt. the easiest description would be drop bass network meets berghain dub techno meets the new sound of amsterdam with a little bit of acid and industrial sprinkled in, but you should listen to the clips yourself to decide. shawn takes synths, drummachines, a sequencer and some effects and records one take on a stereo track. this leaves room for wild mistakes, personal moments, and blown out sound. its a classic techno sound that sounds like it should have been done before, but hasnt.

i was finishing up a long extended set in paris when the cleckcleckboom crew practically ran into the club to get on the decks. i had hung out with them before but tonight they had all new tracks and an incredible energy. so i stayed past the last ravers just to hear what they would play and that was when i heard “hugz” by french fries and bamabounou. this was a new sound, some nasty nasty shit sitting somewhere between juke and bass music and and i knew we had to get this sound on dirtybird no matter what. needles to say “yo vogue” is hot property and i’m really excited to release it on dirtybird. the half time drop, the chopped and screwed vocal, the stuttering bass kicks, the creepy moog on top - it’s simple and complex at the same time and it wrecks shop whenever it gets played. i did a remix on the b side giving it some db flavor and dirtybird newcomer leroy peppers lays out his own bay area skeeze with hot sauce on top. watch yer bass bins! best, vonstroke.

this latest instalment in an impressive run of eps sees chris colburn drop one more classic sounding cuts, wide awake (jacking, detroit-inspired minimalism). having asked to remix >wide awake< after receiving the track directly from chris, rebekah showed just how much she liked the track by delivering two remixes. her fully awake remix is typical of the no-nonsense heads-down style that has earned rebekahs previous work plaudits from adam beyer and chris leibing, while the half asleep mix reworks the original stab pattern to deep hypnotic effect.

magic wire label head lone picks another smasher, aptly titled delirium tremens, from the elusive neon jung with a suitably precise re-edit from nathan fake on the b.side, fresh after his last remix for radiohead. delirium tremens takes on flavours of garage, soul and psychedelia and glues it all together with an armour plated, mutant electro backbone designed to make the dancefloor lose it for 4 minutes but still keeps the soul firmly intact. its another demonstration of neon jungs ability to take influences from many genres and join the dots to create something fresh, but with all the right reference points to make this accessible to everyone from your backpacking beat head to the hardcore club frequenters. the bass in the first drop of this track is just berserk – theres no other word for it. the b side sees nathan fake up the tempo but draw it out, making this perfect for the more patient crowd. it has nathans signature beat all over it – it rotates, swings and soars gloriously until it finally ends in a warm afterglow, complementing the original perfectly in its grower not a shower approach.

limited re press of omar-s >high school graffiti< ep. raw and analog stuff. features a collaboration with theo parrish

ltd coloured edition!! with catalog number 006 another techno legend joins the killekill family. neil landstrumm is with no doubt one of the big heroes of techno. with several albums and uncount-able singles released on renowned labels like tresor, peacefrog and planet &#956,,,, he has definitely written techno history. and this does not even count in his own label scandinavia, which released music of high prolific techno artists such as cristian vogel, tobias schmidt, adam x and many more. although having produced his first records in the early nineties neil landstrumm is in no way an old school producer! he has produced a few top notch dubstep records in the last years (released on planet &#956,,,) and is just now being one of the producers pushing the boundaries of the post dubstep uk bass sound and is also being featured on the nonplus label being run by no one else but boddika. for killekill neil landstrumm has delivered a handful of tracks which combine his typical dirty techno sound with the aesthetics of uk bass. extremely funky and with a big drop of acid they cross over electro, techno and even hip hop and therewith fit perfectly to the sound of our label. the co-production of weirdo mastermind si begg on touch it just adds the icing on the cake.

with catalog number 006 another techno legend joins the killekill family. neil landstrumm is with no doubt one of the big heroes of techno. with several albums and uncount-able singles released on renowned labels like tresor, peacefrog and planet &#956,,, he has definitely written techno history. and this does not even count in his own label scandinavia, which released music of high prolific techno artists such as cristian vogel, tobias schmidt, adam x and many more. although having produced his first records in the early nineties neil landstrumm is in no way an old school producer! he has produced a few top notch dubstep records in the last years (released on planet &#956,,) and is just now being one of the producers pushing the boundaries of the post dubstep uk bass sound and is also being featured on the nonplus label being run by no one else but boddika. for killekill neil landstrumm has delivered a handful of tracks which combine his typical dirty techno sound with the aesthetics of uk bass. extremely funky and with a big drop of acid they cross over electro, techno and even hip hop and therewith fit perfectly to the sound of our label. the co-production of weirdo mastermind si begg on touch it just adds the icing on the cake.

the moustached disco avengers at sccucci manucci drop their latest missive, featuring more transmissions from the disco underground. argentinean based toomy disco provides >what goes around<, a tightly produced disco-house number with horn snippets woven around low-slung grooves, whilst the glue deliver >without you< a hazy slo-mo looper with vocal teases and hypnotic guitar licks. on the flip, south west seven lock themselves into a fast moving groove with >what have i got to do<, a track that contrasts its fast rhythmic pulse with vocals and guitars that slowly emerge from the filtered ether. aeromaschine close proceedings with >deep champagne<, combining a deep and melodic bassline with improvisational touches and glitchy vocal stutters, it successfully forges its own sound whilst keeping in line with his disco counterparts.

it is one of our traditions to release remixes of our favourite artists and so we are happy to feature top remix artists for this minilogue remix release on traum.
the >drop the mask of self protection< remix of dominik eulberg is a bit of an adventure! unlike his >diorama< album and maybe because of its elaborate musical challenge, he has taken a time-out to create a serious club format in the true eulberg style witnessed on trapez in the past. so what does that really mean for this track? well this remix kicks off a bit of an relaxed percussive and deep house groove and undergoes in its course quite an explosive transformation! with a lot of skill and finesse mr eulberg pulls the strings with accuracy and makes the transfer of what unfolds to be a heavy big pounding techno rocker! thumbs up this is superb and eulberg at his best.

rising new label deadplate records drop their second release: the first vinyl offering by artifact, with a remix by graphics. artifact is the main moniker of bristols ryan bonfield, an exciting new producer that merges the hard hitting sounds of dubstep with the swung rhythms of 2-step. with support coming from the likes of mary anne hobbs and mosca, those familiar with bristols offerings to the uk dance scene will already be familiar with artifacts music. if youve ever heard one of his dubs on a dance floor, you will have known – its hard not to take notice when they drop. the original tracks here are perfectly complimented by a remix of archaic line by oxford/london dj and producer graphics, bringing how own personal techno / dubstep influenced twist to the original.

were you able to touch them – to render them tangible and actually trace the rhythms in yachts i walked alone – the lines would form steep hills and sudden cliffs that rise and drop off, again and again, at steep, sharp angles. the wiry funk and itchy bass move like a controlled spasm, convulsive and itchy, until the breakdown, when the nervous tension gets released in a series of cowbell clunks and a guitar solo that leaks out like a slow moving electric current. on this vinyl only collection of remixes, parisian duo get a room!, aka rove dogs and jeff masson, massage out the herk and jerk, making for a more relaxed and aurally warm take. the sound of things is far housier here – and more pop, in the very best way – owing to synths where there previously were none and angles newly bent and refashioned into smooth, circling cycles of disco-infused sound. and theres more from jacques renault, who contributes a remix both with and without vocals. the new york city dance music stalwart takes his time building to a plateau of perfectly paced beats and a wall of recurring dream(y) house rhythms. feels like music that fills the room, takes over your senses, and wraps you in its effervescence. - kali holloway

>let life dance thru you< reveals itself as a safari of live played percussion, instruments and sounds. the duo create here a biotope of sounds that interact with each other... like a live band would do… at times almost arabesque sounding this track is full of mysterious soundscapes... jazzy played instruments... flutes running havoc... it could as well be: a spiritual voodoo session from the 70ies!
the whole sound selection if it would be described in colors, would be dark brown, black... with bits of gold. no shiny lights or illuminated plains. almost 11.00 minutes long this track is a real journey and certainly for the people who know rather than feeding djs.
played by: john tejada, dave seaman/ steve parry, max cooper, orde meikle/ slam, kaiserdisco, hermanez, florian meindl, ewan pearson, coyu, kabale und liebe, taster peter, mauro picotto, dubfire, john digweed, kiki, mihalis safras, philip sherburne, derek miller, deepchild, fabrice lig. piemont, pheek, frank sonic, scott byrne, dixon, dave dk, blind minded, david ribeiro, arjun vagale, alland byallo, karim zidan, jens lissat, freska, modrna/ ghostly, christian martin

a good thing takes its time, thats what rico henschel aka sweetncandy must have thought. after a little off-time for the producer located in bielefeld (ger) and an ample re-orientation phase, he is back now in the electronic music game with fresh sound – a sound that really hits your ears and brain, which makes us even happier to present sweetncandys debut single >feel something, say something< on our deep circus label. besides >feel something, say something<, the record contains two more tracks: >dew drop motel< & >you and you<, both bringing you lots of deepness, groove and funk just like the title-track. enjoy

rounding off what has been a busy year for idle hands comes a 12 inch from west country residents outboxx. this duo, comprised of jacob martin (aka hodge) and matthew lambert have steadily built a reputation for themselves with releases on well rounded and immerse. moving away from the dominant trends in bass music the pair have been forging a sound more akin to early nineties deep house - yet retaining a palette of 2011 sounds. here they present two tracks - >aporia< is a lesson in wistful house, all pianos and a sneeky bass drop half way through the tune. >cromwell< is a straight ahead house roller, but with enough sub to keep the bass enthusiasts happy. support so far from ramadanman and sven weiseman.

x-mas special from the extrasmart crew - 3 extrahot records for the price of just 1! better be extrasmart - better be quick! bundled in this pack are exsr 11, 07 & 02 with tracks by jacob richter, spedro and oliver basell. remixes coming from haito, steven beyer and andy kohlmann & dennis reich.

nico stojans last release on upon you was a collaboration with the cheapers. before that, he had his debut on uy together with pele. now, the former hip- hop producer, took the streets of spain all by himself and brought back an endotherm tech-house breeze to blow-dry our backstock catalogue and in wich we can preserve our summer memories in- for the cold days ahead. not only wants the namegiving a1 of the uy054 to dancingly dig itself into the sand-beach… eaven the b1 ttitle quiet now is wearing bikini-fashion. for those who like to withdrawel in the winter into steaming halls will be gratified by the remix from hektor. the born mexican which found his way through london into berlin is turning the focal point from quit now into the direction main stage and lets the base drop. for the digital delights in life: nicos track dusty fingers is ready to be downloaded- also a consequent techno-remix from meyerdierks.

after a short break aaron jays influence records is back with another top draw 12 from none other then liquid master random movement. having released an album on markys innerground label last year, random movement was keen to drop a 12 inch on influence and what a 12 it is. both sides are dance floor killers, both on heavy rotation at fabric and have been supported by the likes of spy, fabio, lynx, grooverider & bailey.

maceo plex new label ellum audio goes from strength to strength. after ellums debut single release by maceo plex >high & sexy<, eric has licensed one of his favourite tracks for a re-release. bazar >hard to find< originally came out in 2004 and is by none other than dj gregory. this re-release couldnt come at a better time, it sounds so current its unbelievable. here it comes with two new excellent remixes by maceo plex and danny daze

with marc poppcke s >mind revolution ep< we are proud to present crossfrontier audio s first artist ep, the second vinyl release, and the last release in 2011. after releases and remixes on labels like freerage, defected, soma and darkroom dubs and finishing his masters at the berlin university of arts, crossfrontier audio labelhead marc poppcke delivers his frist full artist ep in 2011. with a touch of house, a hint of progressive, some techno on top and everything garnished with a whiff of melancholy, marc brings us four tracks displaying his taste in music and his love for four-to-the-floor electronic club music. the tracks on this ep send you on a journey, perfect for the late hours of the night. he takes you up to space, spins you around, and brings you back down to earth with the drop, leaving you tumbling and now knowing where you are. just like it should be.

first available (full stock) on decks.de !! turkey based ugur project is back with an outing on polluted records. following his success in music production and remixes he is pushing us through the house music boundaries, with four new original titles on esta si esta imprint. the sound choice on the track esta si esta follows through a nostalgic old skool house as it magically transforms into todays deep and chunky style. drop down house bliss, which will be later followed by a remix on digital by sossa, always on polluted records. the use of techno drum kit on the track magic drops fused with vocal snippets and synthesized voice over conversations is a journey into the future sound of tech house whilst on the track quadriga the rolling congas and base line are impeccable as a groove. the last track sudden music does just that, as suddenly a solid grove and synth pads becomes the explosion that rocks the body of all house music junkies.

somewhere over western europe, an un-identified falling object crashed landed causing a massive bang, and a ginormous banana shaped smoke cloud. frederic, a local artistic young chap was so inspired by this hilariously funny giant cloud that covered the whole sky as far as he could see, he ran indoors to take cover, and wrote a little summer step d&b beat, called >laughing at clouds< – which seemed to draw a lot of attention. out of the studio window, frederic could see what seemed to be a pink giraffe giving it some serious head-nodding action. by the second drop leonard (the pink giraffe) was dancing so heavily that he caused a small tremor somewhere over in the states, where young up & coming producer melo seemed to pick up the transmission. while in his sonic laboratory he managed to transfer his latest project (affirmation) through the current, where frederic decided to make his first remix project, which pretty much made leonard pass out after all the summer stepping….

instra:mentals ever-evolving imprint is preparing to drop one of the more esoteric dance singles of the year in double hearts >salsa<, a glooped out swirl of an electro-house joint that jams on a particularly twisted variety of wavelengths. what strikes initially is the oscillating breakdown, but once inside the blender we are subjected to beady, drizzled percussion and six different shades of fire. a true hybrid, jd twitch and neil landstrumm’s new doubleheart project sounds very next level, indeed.

ladies and gentlemen, welcome back to the shimmy sham sham sessions. fall is knocking at the door. dancers bathe into the red sunsets hoping to squeeze the very last drop out of summers bliss. they know theyll soon have to haul their tropicana scented butt to reality… but in the meantime they gaze upon those last three months of love and dreams. half stunned, they let their mind wander across the meanders of the promising days to come. time has stopped. the beat keeps on rolling, and those words swirl and resonate in your head: >pony loves the sun, to touch her back and see her run…< in the heat of the night, let those sweaty numbers melt your worries. no top hat and gator shoes required…just shake that ass!

new album by dj mehdi. born, raised and based in paris, dj mehdi has been producing major french hip-hop artists since 1995 while making great noise (and platinum albums) with his bands ideal j and 113, remixing various electronic acts and composing soundtracks for many french and international films. signed to pedro winters ed banger records, he has released his first full-length lp in 2002 (>the story of espion< virgin), and is about to drop lucky boy around april 2006. new single i am somebody features vocals from canadas finest chromeo and remixes by kenny dope from the mighty masters at work. resident dj at paris legendary pulp club and on radio fg, he now tours all around with busy p and justice.

eddie van halen, well-known for his guitar prowess but also a classically-trained pianist, used 1984 as an opportunity to take the band into different territory. additionally, 1984 was the first van halen album to be recorded at eddie van halen s home studio.

nice price deal !!!