phreakin funny french electro techno already played by chloe, fafa monteco, phonique, patrick pulsinger, holz....

beautiful atmosphere two tracker by two of the progressives top producers.. deep warm pads over shakin bassdrums, nice breakdowns and a more pushing andrew k remix !!!

5 track ep mit rotzfrechem hardtechno, mit tracks von dj mahatma, minupren und jackson !!!

dutch lyric-driven music from the 1980s

top selection

cd in einem gatefold card wallet cover mit spot gloss finish

incl. tracks von david guetta, alan walker, marshmello, dimitri vegas & like mike, robin schulz, bausa

mit candie hank produzierten sie so etwas wie desert-polka, hymnischen hip hop hingegen mit modeselektor und den puppetmastaz. wir hšren mitrei§enden neo postrock in kooperation mit tortoise oder laetitia sadier, radiotaugliches songwriting mit eric d. clark, gebrochenen funk in kooperation mit den eigens wiedervereinigten funkstšrung und einen astreinen r&b-ohrwurm mit den junior boys. so ist 21 again eine ode an die freude und freunde der band und gleichzeitig ein manifest des stŠndigen dialogs, eine feier der vielschichtigkeit.

legendary producer theppabutr satirodchompu - the man behind the modern molam sound - is under the spotlight on this, the first cd in a series of compilations on key producers of modern molam music from northeast thailand. from the 60s to the 80s, these pioneers created an exciting, electric sound from the centuries-old folk music traditions of the region

rome s egisto sopor has been making waves with his releases for quite a while now: he put out a cdr album on legowelt s strange life records and a cassette on the much admired 100% silk label, both under the name polysick. as theawayteam he released the dvd relax & sleep and cd star kinship on japanese label maomoo. he is also one half of the low-key video unit aavv, whose work has graced many of the important releases of the new lo-fi electronic movement. digital native is his first album properÑfifteen tracks of glowing, nocturnal, analog grace that recall the days of acid house and early techno, but with a mood and intent designed for watching images dance on closed eyelids. it s no surprise that his work as a video artist resonates so strongly with the music he makes. polysick has tapped straight into the synthetic pleasures of early dance musics otherworldly pulses: the hypnotic arpeggios of italo disco, soaring detroit chords, cosmic disco, the -fourth world music- of jon hassell and the library exotics of piero umiliani. this is body music for the resting body. imagine the nexus of early acid house and italo music used for mental therapy, exotic traveling and imaginingÑexciting the brain waves and journeying into imagined spaces.

the international rudeboy is back! since leaving home at the age of 15 to become a sound engineer, wayne -lotek- bennett has been on a quest to hone his interpretation of the sounds that he grew up with ? a journey that has taken him to all corners of the globe. from festivals in czech republic to clubs in japan and all points in between lotek has forged his own path as a ska revivalist, culminating in his debut album on first word, international rudeboy.

fantastic mix compilation incl. dj hell, pantha du prince and hot chip

back to the roots! gut, besser, boa! diamonds fall ist das neue album von phillip boa und das wohl beste werk in der karriere des deutschen vorzeige indierockers. es fŸhrt das fort, was er einst mit diversen singles of the week im nme begonnen hat: gro§er, bildgewaltiger und lautmalerischer breitband pop rock.

germanrock / progressive

new metaboman

early support by gilles peterson, tom ravenscroft, zakia (nts), gilles secretsundaze

limited to 200 copies

second part of tetelepta - veldhuizen

2lp with printed inner sleeves. repress

huge dub techno longplayer

straatkunst records ist ein neues projekt von roger gerressen alias argee. die untitled ep ist eine sammlung von instrumentalstücken, die im laufe der jahre entstanden sind.

wwm freut sich, eines der besten talente der szene, direkt aus kiew, vladimir gnatenko, begrüßen zu dürfen.

music to balance the body and mind - shaw cuts founder farron presents his debut longplayer.

12 tracks from reggae to punk on translucent 180 gram vinyl.

masterpiece of quincy jones, limited and hand numbered lp

rygby back on white peach with a wicked 4-tracker.

limited to 200 copies, blue coloured vinyl

the new album from kool keith on translucent orange vinyl.

double vinyl reissue of the 2002 album from patrice, housed in a gatefold sleeve.

some excess baggage from the children of zeus plus 2 zed bias remixes.

after “star alliance”’s initial release as a limited six tape-box set, it was apparent that there was a need for a reissue, which now comes in the form of this remastered double lp set with a selection of the best work and even a few new tracks added. the story is the same but the narrative has been sharpened.

recorded in an ageing holiday park during off-season, center parcs is the debut lp by dutch artists betonkust & palmbomen ii a conceptual, musical-tristesse full of lo-fi harmony, and fanciful, psychedelic-coloured modulations, with an undercurrent of saturated, outsider-house beats, all recorded to tape. with a shared passion for experimental music, and gnarled dutch electro, the duo have crafted an lp of esoteric-electronic-pop, reflective of the time the two spent holed-up in isolation, in the out-of-time center parcs setting

brand new 4 track ep from la based producer oxóssi on truth’s ever-impressive deep dark & dangerous imprint. features a collaboration with saule.

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. lee moore unfortunately never got close to reach his goals of fame and fortune. past due have taken the welcome liberty of repressing this monster slice of disco-soul from moores catalogue for us all to enjoy and spin on today s dance-floors. do you feel like party? is a rare early 80s jam from the man and features all the hallmarks of his unique sound and style.this dlp features every (incredibly rare) single and 12inch that lee produced under his name and different monikers. essential boogie business!

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. in his quest for a unique sound, he constantly reinvented himself, creating projects with new aliases and concepts, scraping together studio time, and hustling. even today, moores music sounds ahead of its time.

incl cab drivers remix ! limited colored vinyl only (300 copies).

get ready for some true wonkiness, courtesy of neil landstrumm.
this is techno purely for those rock-solid psyches who lack that element of the deranged, the off­-kilter and the strange - on the dancefloor and in their own mental constitution. if you’re even slightly in doubt of your sanity, stay well clear of this cut.
the fact that he’s been using elektron instruments probably means it’s even more important to have that straightjacket at the ready. even that won’t stop you from dancing, though. neil has been making wonky techno since antiquity, hell, he’s the progenitor of the genre, but what you probably didn’t know is that he’s also been doing graphics for rockstar games, the software house that brought you grand theft auto.
he’s been a skilled elektron user from the very beginning, from the high and far­ times of the sidstation.

ote maloya ist die fortsetzung von dem ebenfalls auf strut records erschienenen album >soul sok sega<. diese beiden genres, die ihren ursprung im indischen ozean haben, wurden vor jahrhunderten auf von sklaven zuckerplantagen entwickelt und geben die einmalige verschmelzung von europŠischen und afrikanischen einflŸssen wieder

die sterne veroeffentlichen auf dem sterne-eigenen label materie records anlŠsslich ihres 25. jubilŠums ein neues album mit 25 coverversionen ihrer songs.

neben der cd und der 2lp+cd mit coverversionen erscheint eine streng limitierte prachtbox, die nicht nur diese, sondern auch bisher unveröffentlichten originalaufnahmen aus den frühen neunziger jahren, sowie einer verspäteten extended version, die die band selbst noch einmal eingespielt hat enthält. neben den coverversionen, die ja eigentlich alle die zeitlosigkeit der sterne zelebrieren, findet sich in dem in jeglicher hinsicht hochwertigen lp-boxset (gestaltet von yannick riemer von isolation berlin) dann noch etwas, das wohl doch als relikt bezeichnet werden kann. zwei demos der sterne, kleine schritte stolpern und sturm über der hallig, zeigen auf 7-inch-vinyl eine frühe version der band, ganz im charme ihrer hanseatischen jugendlichkeit (1991). die sterne selbst und erobique, sowie pollyester auf der flip, markieren auf einer ebenfalls beiliegenden disco-12-inch das andere ende des zeitstrahls (2016). so werden die beigaben plötzlich zur klammer eines kleinen universums, in dem sich aufzeigt, dass musik am schönsten ist, wenn sie nach 25 jahren bandgeschichte noch immer zwischen lustvoller virtuosität und dem charme des dilettantismus zu pendeln vermag, bringt es hendrik otremba, sänger der band messer im info zum album auf den punkt.

early electronics by a.k.klosowski made available again through felix kubin s galgarin records label! long before digital sampling was affordable for everyone, a.k.klosowski invented his kassetteninstrument, a custom-made music apparatus consisting of eight sony-walkmen combined with a mute/demute mechanism. the outputs of the instrument could be controlled both by hand and by an automatic trigger module. in addition, a drum computer and some effect machines were fed into the circuit. this technique allowed for very intuitive and simultaneous control over the analogue tape sources.