dink & tk: young guns looking to make a name for themselves in detroit and beyond. for their debut they present 4 finely tuned club gems. from refined curves to warehouse edges, the sonic outline of detroit looms large in the newest offering from beretta grey. this is techno that evokes passion, on and off the dance floor.

as spring dawns, rhythm section international go from local artist to a pair of very * local* artists - peckham’s very own chris watson + chris coupe, otherwise known as fyi chris , who present the ‘back in the millennium’ ep as the labels 5th offering. the ep was born after a rather hazy late night listening session at rhythm section hq, where bossman bradley zero was instantly beguiled by the duos hypnotic and rhythmically complex arrangements. the record begins abrasively with the trance-inducing mechanical stutter of back in the millennium , before shuffling into downbeat number * jeru* and then picks things up with the peak time groove of * need i say more* before bringing us back down to earth with the melancholic acid bump of * dedication*. early support from osunlade, mr.g, ryan elliott & damiano von eckhert. ready for club use.

next up is kvk900 with the much sought after track house music. a 14 minute long mesmerising house journey that s already been included in ryan elliotts panorama bar 06 mix. on the b-side you ll find the glitch. a psyched out tech-bomb stuck in the karlovak machine.

ryan teague is a composer, producer and multi-instrumentalist based in bristol. his music combines acoustic instrumentation and arrangements with electronic and processed material, often incorporating minimalist, ambient and electro-acoustic styles

die skandinavische elektro band röyksopp veröffentlicht am 14.11.2014 ihr fünftes und letztes album *the inevitable end*. *the inevitable end* ist röyksopps bislang persönlichstes album und bereits die zweite veröffentlichung innerhalb von 6 monaten. im mai erschien bereits das von kritikern gefeierte minialbum *do it again* mit der schwedischen sängerin robyn. auf *the inevitable end* sind als gastkünstler jamie irrepressible, ryan james (man without country), die norwegische sängerin susanne sundfør und die schwedin robyn zu hören. das 180 gramm doppel-vinyl erscheint im klappcover, downloadcode für das gesamte album plus 5 bonus-tracks inklusive.

10 inch clear vinyl, limited to 500 copies (1 copy per costumer). vinyl only!

nice price deal !!! includes remixes by m.a.n.d.y., boris werner, kate simko, phil kieran, ryan crosson, mike shannon....

psychogeografie zum hören: halluzinogene minimal-klangreise in die großstadtwelt. die vinyl-lp erscheint inklusive download-code.

black vinyl repress ! we are very excited to welcome detroit s norm talley to our tsuba colours series with the palmer park project ep.
dj support: ryan elliot, marcel dettmann, ben sims, jonas kopp, sascha dive, rolando, raresh, agoria, ryan crosson, cottam, lawrence, italojohnson, mr g, jimpster, galcher lustwerk, ame & d julz....

no artificial colours have been busy. the south east london duo lewis wright and ryan ellis have been name checked by everyone from maya jane coles and jamie jones to cyril hahn and paul woolford and legends such as kerri chandler. following their recent smash for pmr *reach for me* (feat. alex mills) no artificial colours are back with a late night ep for kerri chandlers madtech records.
the menace ep sums up everything that is exciting about the no artificial colours sound: raw, soulful, rooted in classic garage and house, big room party vibes with underground cool, it is no surprise to see the pair have been highly lauded by the likes of pitchfork, vice, i-d and fact of late.

deep and sexy 12- with two tracks taken from the forthcoming hell of a funky solo debut album country city country and an old school techno cut by prime numbers trus me. big with joy orbison, mosca, nina kravitz, dettmann, antal rushour, tini, deetron, spencer, ryan elliot. further support by kalabrese, crowdpleaser.

detroit-based musician/dj launches cuts against the current zeitgeist of sample dependent music. warm analog drums, thick melodic bass lines, interwoven synth patterns and intricate piano solos create a rich atmosphere for this old school detroit and chic.

brett johnson makes his second appearance on the mighty visionquest imprint with a superbly nuanced ep the secret place. packed full of rhythmic and melodic complexities, johnson embarks on a supersonic head trip for the senses. lead track the awakening is awash with eerie keys and a building framework of warping fx, clicks and bleeps, all pulled together by the emphatic groove. on the flip, voyage 34 feat. ryan is a rolling, hypnotic and futuristic odyssey with the tougher edge of techno and ryans creepy, disembodied voice. finally you can count on me indulges in an intricate, percussive groove with glitchy machine tech funk.

the tuscan techno-wunderkind ilario alicante has made an amazing progression from an insiders tip to one of the most wanted italian tech house-djs at the moment.

the analogue cops present a fine 4 track ep for hypeltd, *in plain clothes* ep is raw, distorted and heavy, just the way we like it. the italian team have already caught our ears with releases on bass culture, bleep and their own restoration records, and collaborations with the likes of blawan, ryan elliot and alex picone.

after ryan davis album particles of bliss in june 2012 on traum it was clear to everyone that he was one oft he most versatile artists on the label. there was no electronic playground he did not enter. his phanstastic and illusionary music makes him such a special artist for traum.

2017 repress. only few lost original copies, not a repress! classic and essential baby ford & ryan elliott remixes!

etg007 villains e.p. two fresh new fast paced, dance floor, dj friendly tracks from label cohorts gareth wild, dax j and chris stanford. remix work comes in the form of a big room, atmospheric version of moonraker by berghain and panorama bars ryan elliott as well as the vengeance remix of engineers revenge from mexicos luis flores. with this release our closest astral object, the moon takes centre stage with menacing effect.

supported by: ryan elliott, ben klock, dvs1, dustin zahn, andrew grant...
edec presents its 10th release - the heat - with three dance floor burning cuts from jon hester. lights down: tough tom-driven rhythms and a resounding vocal hook set off a soaring synth crescendo. heater: big rig classic techno vibe with a huge synth line, ricochet drums, and a break that brings the heat. tension wire: enveloping kicks, booming percussion, and sparking claps are met with a surge of energy for electric rooms.

spencer parkers first single on his own label, deftly channels tenaglia/vasquez era nyc and comes backed with a remix by berghain/panorama bar resident, ryan elliott.

ryan elliott presents his second 12 inch ep for ostgut ton. his groovy us-sound is still present in these new productions and the stepmode ep builds a bridge between euphoria and darkish club moments.

betsy just stood there with her mouth wide open. those two guys where fencing each other up and down the stairway. they took 20 steps, back to back, then they turned around, smoothly from the hip, firing magazines at each other. then 10 steps and then 5, both where still standing. they beat each other to a pulp until the blood came out and then until no blood came out and still none of them hit the ground. betsy did not dare to move, even when the duelists finally went away in opposite directions she still stood there like a curtain rod. she cautiously moved her eyes to the left, cautiously meved her eyes to the right, everything seemed to be safe. then there was this flicker of light in betsys sunglasses. they came back.

a real dj weapon. big ups!

moody yet not morbid, futuristic but not foreign, modern but not without class

four remixes of tracks by ryan vail, exploring the leftfield side of house.

its the idea of doing an analogue only version of peoples interpretations of songs that they chose off of the album. so i approached four of my favourite producers of the moment that i felt fitted with the whole project. luke solomon

released in february, dapayk & padbergs sweet mnothings lp showcased an impressive grasp of contemporary electronic music, designed for headphones and dancefloors alike. now, six months later, stil vor talent delivers a remix package that presents the reworks of competition winners ariel curtis and dry/wet dreams, as well as remixes by ryan dupree and dapayk himself.

bangin berlin berghain styled techno... played by ben klock !!!

nice price deal !!! next strike from kill a beat by label head alex sander himself. incl amazing remixes by ryan dupree (stil vor talent) and dirty room (glückskind)!

you know a producer has got something when the first note of the first track you hear makes you sit up and take notice. so it is with 19-year-old east londoner joss ryan: the instant the jabbing orchestral motif at the beginning of >melancholy dreams< – the title track of his debut ep – kicks in, it hits your emotional centres hard and lodges in your memory. as statements of intent go, its a pretty tasty one, and tells you that this is a talent who can stand out and make an impact way beyond the ins and outs of the micro-genres and endlessly reconfiguring trends of underground music.to put it simply: joss is a grime kid who expanded his horizons. his popular mix of his own material for mary anne hobbss radio show last december already shows that the three tracks on this ep are by no means a fluke, and there is a whole lot more to come besides…

slamming 3 track vinyl sampler , taken from the collaboration cd (oliver lieb & jimmy van m as the audible suspects)

limited silver coloured vinyl ! maximal 1 copy per customer we have got only a handful copies ....already played by dj red d (we play house recs), ryan shaw (eclectic avenue records), jeremy >underground paris<, precious k, nick anthony simoncino, roberto rodriguez, deep space orchestra, eddie c, alex agore, deymare, donato capozzi (enterbt rec.), kastil, samann...

ryan elliott has long been our not-so-secret weapon, lending his curatorial mastery to the massive spectral sound vol. 3 compilation, megamixingspectral 25, and of course by representing on turntables the world over. but after a mere handful of remix credits, he charges out of the gates with his first spectral production, kicking up. deep bass and snares hurtle ever forward, assisted by occasional, faint sonic flourishes and a bevy of throwback vocal loops, but is otherwise devoid of sustained melody. if nothing impedes the supercharged, supersexual, super-detroit momentum of kicking up, the stablo no. remix dials back the tech and pushes its house to the fore. shakers, claps, echo and a whole lot of lateral motion imbues elliott s take-no-prisoners original with a surprising conviviality.

supported by: danny tenaglia, ricardo villalobos, nina kraviz, raresh, pedro, cassy, dj qu, tania vulcano, ryan crosson, shlomiaber, d julz, system of survival, dana ruh, tato, matt tolfrey ...
edec offers up a third serving of deep tinged techno. this ep comes from egal 3 with remix duty going to ostgut star ryan elliott.

the a12 motorway was wrapped in complete darkness. the lights of the windmills were blinking in the rhythm of the rotor blades passing by. they appeared just before sunrise. no one had ever seen this kind of creature ever before: red flashing, and bright shining alien butterflies attracted by the windmills. people stopped, and got out of their cars to watch this spectacle. the flying creatures were constantly creating new, kaleidoscope-like formations, and slowly, and very softly at first, they started singing. and although nobody really understood their behaviour, everybody understood their wistful and hopeful song.

new talent meets old talent on stil vor talent. thats how we roll. label daddy oliver koletzki was so impressed with the winner of the niko schwind remix competition that he is now releasing two tracks by him on this ep. meet ryan dupree who shares this release with sonic mastermind erich lesovsky, one of the most exciting sound creators this side of the atlantic.

ltd coloured 7 inch vinyl

supported by: ben klock, marcel dettmann, ryan elliot, derrick may, cassy, rhadoo, zip, sven väth, pedro, raresh, dana ruh, davide squillace, radio slave, vera, dorian paic, spencer parker, tato,..edec is back to deliver a second offering of floor destroyers. this ep combines the forces of jon hester and the remix skills of dvs1, two purveyors of rhythm hailing from the hidden techno gem of minneapolis, usa. shouts in the dark (original mix) tough concrete beats pump the speakers with urgent rhythm to get pulses pounding. a danceable jack vibe permeates a punchy kick and ricochet percussion, with building pressure in undercurrent noise setting up a strong break. shouts slice through the percussion to make this an upbeat techno burner. shouts in the dark (dvs1 found the light mix) by adding some moody synths, noise, and reducing the percussion, dvs1 (transmat, klockworks) lifts this interpretation into beams of light. no more words to speak as bright versions of the original sounds weave their way into a tight groove under smooth, shimmering synth waves, punctuated by sharpened claps. shouts in the dark (dvs1 lost in the dark mix) dvs1s darker interpretation strips back to sparse synths, snapping highs, a deep kick, and pushed into the shadows.

franck roger is back with mandel turner for a massive summer hit !early djs supports and feedbacks by quentin harris, robert dietz, dennis ferrer, ryan crosson, steve bug, jef k, dj deep, lee curtis, sebo k, nick curly, ralph lawson, sascha dive, jimpster, manoo, tony humphries

welcome to vocodafon. may i help you? - hello. i would like to terminate my mobile phone contract. - well, mmh, i am really sorry, but as far as i can see, your notice of termination was given too late. - but the date of postmark states that i sent it in good time before the end of the termination notice period. - yes, thats true, but unfortunately, and according to our general terms & conditions… - ok, i see, but i m obviously not interested in vocodafon anymore, so… - your call is being transferred, please hold the line. - listen to your heaaaart, love is calling for you, listen t… - hello. - hello, i ve been transferred to you, i would like to… - welcome to the mobile matrix. i am h.e.l.l., your automated telephonetics assistant. connecting to hypothalamus. press 1 to erase, 2 for positive stimulation, or 3, if you would like to talk directly to one of our sales assistants who will be right with you in your flat in only five minutes. - peep. - hello. - hello. i ve composed a song for you. here it is.

following ryan davis debut >routes of life< on traum in january 2011, his high acclaimed follow up shows ryan is a real tastemaker but also a real club rocking musician. few artists in the electronic modern dance scene of today make music that seems serious and intense... and still accomplishes to have club people go wild on it. it is a bit of a lost treasure of the golden techno days, ryan always reflects in his music when he creates moments of beauty with an collective fee to them. ryan davis in one of them and his new ep shows that side even more than his debut. a-side track supernova brings images together of psychedelic west coast soundtracks of the 70ies, pop art, shoe gazers and maybe salvatore dalis surrealism.

maya jane coles was one of the biggest sensation of 2010 with the ep >what they say<, released under real tones records. the 23 years old anglo-japanese dj topped legal download sites charts, and this ep put her and the label under the spotlights. now is the time for the awaited remixes, especially the track >what they say< which has appeared to the eyes of the public as highly inspired by 90s house music and particularly by marc kinchens style while in facts, maya jane coles influences encompass many different styles, ranging from hip hop and trip-hop to dub, and nights out in londons drum & bass/ jungle underground scene.
early djs supports and feedbacks by the martinez brothers, reboot, ryan crosson, dennis ferrer, delano smith, laurent garnier, lee curtis, matthew styles, michel cleis, steve bug, sascha dive, damian lazarus, shawn reeves, raresh, dj t, lee foss, robert dietz, anja schneider, jimpster, deetron, sebo k, djulz, nick curly, culoe de song, tony humphries, dj spinna ...

supported by: reboot, satoshi tomiie, dop, ralf, melon, ryan crosson, raresh, nima gorji, sascha dive, d julz, osunalde, matthuas tanzmann, charles webster, nick curly, lauhaus, shlomi aber, radio slave, robert dietz, okain, anja schneider, mihai popoviciu, mirco viloi, julien chaptal, alex celler, anthea, gregor tresher,.. ibiza based label isgud, for their next release, welcome a duo that are synonymous with the island. born and bred, willie graff has been a mainstay of ibizas musical culture since the age of 16. the exact age that he spun his first record in pachas >funky room<. his own tiny, principality of funk. over the years willie has split his time between ibiza and new york city, where he is also resident at cielo

boys and diamonds is unmistakably a pop album but also one that comfortably fits in with kompakts long-standing lineage of genre-refracting releases. you will be hard up find another record that cohesively brings to mind siouxsie rubbing elbows with shabba ranks, giorgio moroder sipping daiquiris in bali, desmond dekker envisioned through skittering footwork, tom tom club sitting in with congotronics, even early madonna produced by chris and cosey. unlikely as all of that sounds, rainbow arabia makes it sound easy. mostly recorded at their home studio in echo park, muppet palace, boys and diamonds was written and produced by the couple with help from their friends in los angeles and beyond. drummer/producer extraordinaire butchy fuego (pit er pat, boredoms, mia) contributes arrangements and beats in places, and icy demons dylan ryan plays on the percussion-heavy island shuffle nothin gonna be undone . the album was mixed at the wonderful hobby shop studios in la by mudrock, who also adds some final production touches on the record. the 11 new songs on the album, were also made possible by the encouragement of peers/heroes in la like former ghosts, fool s gold, secret circuit, abe vigoda, and part time punks dj crew. outside of their hometown, they also found support and inspiration from kindred spirits like pictureplane, spoek mathambo, as well as their new home, the ever-illustrious kompakt

the latest addition to the ostgut roster, detroits ryan elliott, is a recognised force on the international dj circuit - yet his productions are few and far between. now re-located in berlin, the new berghain resident contributed his track >abatis< to the >fünf< anniversary compilation, setting the tone with dark and brooding techno undercurrents. these two new tracks bring ryans production skills to the fore, both slow burning and refined recordings that show off his love for bassline-led, straight forward club tools.

slamming miles maeda new ep back to the future... incl dubby jay tripwire techhouse mix