justin bieber’s 2009 debut album “my world” for the first time on vinyl! comes with download code included.

the new justin bieber album on double 12 inch vinyl.

recorded live as part of doug aitkens station to station. manufactured on the vinyl factory press. hand-crafted, mixed media artwork by abaeke studio(abaeke, vincent humeau, tilly thompson, alex lunn and emma berit smit). mixed media used: ink pads and woodglue mixed with sand. music produced by justin stanley

plastic sleeve and label artwork by fraser muggeridge studio - music produced by justin stanley - limited edition of 300a: fear colours (barbican version) b: fear colours (wrangler remix)inspired by the post-punk legacy of her hometown, manchester, england, as well as classic college rock of the 80s and early 90s loneladys julie campbell began her forays into art punk by making four-track recordings with her guitar and drum machine. fear colours has been remixed by stephen mallinder from wrangler, the supergroup formed on the fringes of electronica.

justin harris, half of freaks with luke solomon, and label manager of music for freaks, arrives to musex industries with a new vinyl release, titled -beach life ep- 2 original tracks by justin, who comes accompained by an excellent producer like lil mark, remixing -i wanna go on- the second cut of this pure house release.

having championed underground dance sounds for many years now, dj/producer felix dickinson really seems to be hitting his stride now, and on a days reality, his second full length single for futureboogie, felix serves up perhaps his most accomplished works to date. collaborating with legendary chicago vocalist, robert owens (fingers inc/frankie knuckles), the pair produce a standout song that pulls on the very best of influences and delivers a modern day classic in the making.

repressed 12 inch black vinyl !!
strictly vinyl only! big with: radio slave, sebo k, ralph lawson, mountain people, federico molinari, robert dietz, hector, anthony collins, clive henry, ethyl, justin drake,.. tsuba rarities is a collection of exclusive new remixes unreleased dubs and alternate versions. following her rekids debut last year nina kraviz is one of the most hyped artists of 2010 and she more than lives up to it with a truly stunning house remix of okain. clocking in at 12 -41 & complete with her own vocals and a bassline straight out of chicago, this mix has already blown the roof off panorama bar and fabric. one word - classic! for the aa side geddes & mic newman have reworked >lost souls< into >lost the love< adding a rather well known vocal on top.

recorded as part of station to station, which crossed north america by train from atlantic to pacific over 24 days in 2013. a project by doug aitken produced and mastered by justin stanley designed and printed by fraser muggeridge studio & friends edition of 300

arranged by godin, taurelle the original trakc was written by georg christian lehms, composed by bach and adapted from bach cantata widerstehe doch der sünde bwv 54. here bach’s church cantata for solo voice meets languid gainsbourg & birkin, albeit in german, with exquisite choir and strings. nicolas godin says i wanted songs on contrepoint, to act like poles that hold up a tent. this piece starts with a very strange chord, which was avant garde for its day. bach’s scores are outside any rules, which i wanted to exploit. i also wanted the lyric in german because no one expects german to sound sexy and cool. the main singer is gordon tracks. the other voice is dorothée de koon, a friend of a french artist i know - they both have german blood.

especial is proud to announce a special release with 2 official remixes of the seminal afro-cosmic classic

one sided, vinyl only. fresh off the release of his monster selling todd terje remixes, justin van der volgen is back on his own my rules imprint. sketch 2 is filled with some koo koo brooklyn beats made for people to cut angles, jerk joints, and chop shapes. simple and direct to turn heads and move feet.

boogiefuturo presents another essential edits disc, ransacking the record boxes for those trippy disco oddities, crucial boogie joints and new-wave gems, to be given the once over by a trusted master of ceremonies. justin van der volgen has always delivered the goods, be it his edit work for labels like golf channel or eric duncan’s keep it cheap label, or his truly special dj sets, and on bf005, the brooklyn based maestro gets suitably hallucinatory with his brace of edits here. two vocal cuts, steeped in that decadent 80s production flair and bombastic groove, grandiose songs for heroes, saints & sinners, edited with love by one of the scene’s most respected aficionados.

(justin k broadrick as jk flesh reshape / black rain rmx) rmxs for ands cosmic microwave background, that caught the attention for its raw brutality as well as its grainy sci-fi background concept.

two of ny s finest collaborate as happy family ! we re going back to strobe-lit, day-glo, warehouse territory for these extra large portions of acid soaked dancefloor abandon. limited us import - one press only get on it!

originally released on richie hawtins minus label a decade ago, restore stands alone as houles very first long-player and helped to establish his penchant for the quirkier side of techno and his superlative production skills. spread across three 12inches & 11 tracks it encapsulated the dark, minimal, groove-driven sound purveyed by hawtin and the rest of the minus crew, while retaining a strong sense of houles unique character and identity. now its the perfect time to breath new life into an album that has stood the test of time, still utterly infectious and absorbing - a collection of music that captures an era of stripped back, yet captivating sounds. 10 years since its release, the album is getting the remix treatment and marc has called in some of the very best in techno talent to give restore a fresh makeover.

this release marks a new beginning for berkovi, better known for his tougher music man, force inc, djax and harthouse releases over recent years. after haunting the bside of one release too many, a reboot into a more beloved and emotional techno template is obviously reaping dividends. according to the man himself, this is no trend following phenomenon: i ve always produced deeper music, more often than not even years ago was always pushed to b sides of eps or remixes but now it s the main thing i want to do, techno with soul. after releasing a lot of more melodic material on labels such as eevonext and an album for trapez a few years ago i want to return to solely concentrating on this style for my music and live sets

volume one of a two-volume twelve-inch set featuring tunes from eamon harkin and justin carters mix cd, weekends and beginnings. this volume features a beatless ambient acid journey from bass clef, an obscure gem from nebraska, and a long sought after maurice fulton remix of alice smiths love endeavor. maurices remix is cut to a full side of vinyl at 45rpm, and both sides were mastered by the ever extraordinary matt colton. it sounds phenomenal!

in the wake of youandewans spiral arms ep, will sauls aus turn their attention from the established to the auspicious and present a brand new artist from the camp: escape. based in glasgow, escape is a fledgling talent whose cultivation amongst the ranks sees him now ready to drop the first of several eps on aus.

special mixes by justin van der volgen of two of todd terjes biggest hits! commissioned by the man terje himself to take on inspector norse and strandbar, van der volgen strips back and extends the originals in a classic remix style creating powerful alternative takes on these already much loved records you wont find any filters or cheesy gimmicks here, just strong, direct, minimal versions designed to turn heads and move feet vinyl released through justins new my rules imprint

** vinyl only **
there is great stuff here. jam jam jam is a cover version of the infamous classic disco track by peoples choice, pubished by tsop (the sound of philadelphia) in 1976.
dj support so far: mousse t, tim sweeney, terry farley, hans nieswandt, rob mello, moodymanc, thomas herb, justin strauss, marcel vogel, danny ward just to name a few

stalwart label tsuba continues its journey into eclectic musical territory with its next full-length project, *buy the ticket, take the ride*, the outstanding debut lp by english dark and dirty disco champion craig bratley. the double vinyl lp comes in a jute tote bag with download code included.
dj support from ewan pearson, erol alkan, justin robertson, damian lazarus, severino (horse meat disco), matt walsh, jacques renault, headman, mugwump, pete herbert, brett johnson, nathan detroit ...

nach zwei jahren im studio veröffentlicht der münchener justin faust endlich sein erstes album auf dem portugiesischen discotexas label! das album zeigt die gesamte bandbreite seine könnens, von clubfreundlichen klassikern wie girl talk über nu disco und pop ausflüge bis zu langsamen nummern, ist das abum wie eine sommerbrise voll guter stimmung. für na sowas konnte er sogar den legendären gitarristen mts björklund gewinnen, der viele aufnahmen unter anderem mit boney m. und giorgio moroder tätigte. das album enthält auch seine hit-single space rhumba sowie eine neue version seines klassikers high hopes und des titeltracks seiner ersten discotexas ep holdin on names slowin down. der titeltrack spellbound ist die erste singleauskopplung und weist mit einem pumpendem mix aus nu disco und house den weg auf die tanzfläche.

general ludd is rich mcmaster from new jersey and tom marshallsay from canterbury. the guys met at the glasgow art school, where rich studied environmental art and tom studied fine art. their first collaborations were interactive sound installations, but that quickly gave way to all night music making sessions, some of which resulted in this fine twelve-inch. both tracks have already become staples at mister saturday night parties. eamon tends to play the heady, brothers and sisters, and justin tends to play the absolutely crushing, woo ha, but were sure you ll like them both.

first they had a feather fight. then they did whats known in the industry as the gettup and proceeded to tear a hole into 2013. now san fran / bristols finest dynamic duo return with two more beastly jams.

while this album could have gone down a rather obvious route, with the remixers of the asphodells album *ruled by passion…*, andrew weatherall looked a little closer to home.
mainly revolving around the axis - the group of locally-based producers who can be spotted in and out of weatheralls shoreditch studio bunker - reworkings from the likes of phil kieran, scott fraser, hardway bros, justin robertson and ivan smagghe soon came to light.
this idea lead to a broad range of styles with something for everyone. we have stopped arguing in the office about which is the best track. they all are.

fresh from his tour around the globe alongside damian lazarus on the 10 years of crosstown world tour, subb-an has also been playing at the likes on panorama bar and dc10. he too is working on a single and album which is due to be released on crosstown soon

1st pressing of 500 copies in limited embossed sleeve & 180g vinyl! collaboration pushes us through conflict and pulls us back together balancing somewhere in between.

chicago-rooted, disco influenced tracks from john camps excellent solo debut, out on the hakt label, are reinvented by some of dance musics industry captains. once again, the hakt label offers a collection of songs that pulse through the night and bring life to the dance floor.

ms. smooth socal soul meets mr. nocal dirtybird swagger and they have a baby together. that baby is justin jay and at 19 years old he is already making his 3rd appearance on dirtybird. i have a feeling this is justin jays breakout record. the a-side static is at 119 bpm and will sweep you up then rip your pants off. but even when you get hit with the massive bassline, an old school anchor stays intact. waves b-side has a classic deep dirtybird feeling, with tuned 808s and a surprising melodic element showing off the sweeter side of this up and coming young gun. justin jay has more potential than anyone i have heard in a while and if he continues to play like he has been lately, he has a long dj career ahead of him as well.

a/jus/ted is the musical concept of veteran producer justin strauss and analog aficionado teddy stuart, better known as eddie mars. the pairs inaugural release comes in the form of a brighter light featuring the incandescent vocals of jeremy glenn for london based under the shade records.

a triumphant song full of strings & things. eamon & justin liked it so much that they decided to do a dreamier take on the original. alex added ‘ammadomyownthing,’ a slamming, way-off-kilter monster of a track to complete the package.

photonz drop a one sided egyptian banger which has been popping off hard in da club since they debuted it at lovebox at last summer. who are photonz? photonz music is caned by the following dj s: don t sleep! the chemical brothers !!!!!!!!! jackmaster, optimo, ivan smagghe, daniel avery, xpress 2, james holden, ewan pearson, auntie flo, justin robertson, erol alkan, matt walsh, paul woolford, horsepower prod (haha), brodinski, tim sweeney, andy blake + many more!

2013 is the debut album from justin velor, a vibrant technicolor collision of styles (you might call it a musical dr. frankenstein, he says) incorporating everything from vangelis-inspired synth drones and nocturnal acid house rhythms to tender folk melodies and psychedelic flourishes. >i wanted to make a fantastical soundscape with colourful dynamics and a soul,< he explains.

acid house legend justin robertson returns to the gomma label under his ‘the deadstock 33s moniker with a superb new single featuring remixes from ewan pearson & disco bloodbath..

the meant label returns with a brand new ep from monoblok & pslktr featuring remixes from the hacker & la dame noir. more quality from the meant label, nothing less than you would expect, enjoy!
support from agoria, laurent garnier, maetrik, mr. g, justin robertson, james kumo, rub n tug, swag, mock & toof, my favorite robot

as a taster brutal music offer up 3 remixes from tracks taken off the album.

joey negros sunburst band with a remix ep featuring opolopo, andreas saag, atjazz & joey negro!
supported by: dimitri from paris, ashley beedle, justin winks aka casio social club, king britt, danny krivit, johnny fiasco, robert owens, glenn underground and many more!

justin martins album >ghettos & gardens< as limited edition double vinyl in gatefold cover, features >the gurner< exclusive to vinyl.

following last years acclaimed curse of soft rocks album, we are invited to revisit said masterpiece from an alternative entry — a robust compilation of remixes. every track is re-contextualized so wildly that we are left with a beautifully oblique yet complimentary rendering. the personnel employed vary in style and technique drastically, but such is the ethos of soft rocks, and furthermore the esp institute. at the end of the day, we implore you to shut up and listen. on this 12 inch (the first of 4 surrounding the revenge of soft rocks remix album) we are treated with a serious disco belted version of talking jungle as reworked by justin vandervolgen (tbd, gold channel, dfa, etc, etc) and an insanely serene take on obo by esp favorite tiago (sea power & change, gala drop, dfa, etc, etc)... good lord this is quite a piece of wax

justin berkovi normally should not need an introduction, being involved in multiple techno-projects in the past, and still standing strong nowadays. his track ‘old timer’ reflects his musical personality and history and is being reinterpreted by another techno-historian, aubrey. on the b-side newcomers jack dixon and henning baer make their introduction on other heights with two total different interpretations which are to become oldtimers themselves.

if it would not be so cold outside, the latest shot of insistmusic would become an instant party classic. what ping! from thuringia have delivered this time at least definitely feels that way. the third edition of the frankfurt based vinyl label presents an intelligent, groovy techno: predictable enough to entrain, diversified enough to pleasantly surprise. the opening track depature marches across the dance floor, picking up the playful dancers with its funky offbeat elements in the beginning and taking them on an,ecstatic journey with its cleverly placed breaks. in the remix by label mate sascha sonido depature catches a touch of tribal techno moving the track with its vocals like rolling sound figures a good bit further into the house cosmos.

john tejada & justin maxwell are at it again with a new 3 song ep. following in the footsteps of their classic release >mindbend<, the duo continues their unique approach to collaboration using a hardware modular synth setup. the title track >our gigantic mistake< is a unique blend of 808 beats and screaming modular synth lines. the b sides >whoops (there it is)< and >wheres the cable?< explore a darker side of dark acidic late night techno.

dave clarke has already been playing the original out and ben just played his mix on his latest clr podcast

justin berkovi delivers 2 heads down mid-tempo techno dance tracks for his art debut. clean, crisp production with thunderous low end characterise both tracks. the title track drive delivers its power via modulating synth stabs, whilst when i throw down commands the dancefloor with its demonic vocal. a classic label debut from one of technos most loved producers.

2011 was a banner year for borrowed language – both the split 12 inch from jeff pietro & israel vines (blx-2 distance no object) and jeff pietros definitive >still< 10 inch (blx-3) garnered plaudits from all corners of the globe and were charted and played by the likes of surgeon, miles whittaker (of demdike stare fame), peter van hoesen, xhin, and many others. we kick off 2012 with this astonishing 4-track ep from detroits justin ivey, and if this is anything to go by, its going to be a hell of a year… justin ivey has been making uncompromising and challenging electronic music as dj adjust (and lowsh as well as theek) since the nineties, and he is also the founder of the beloved and highly influential cult imprint low res. while low res has always released records that reside somewhere on the extreme end of the electronic music spectrum (i.e. davros and ablecain) ivey isnt a purist - in fact, he is a true enthusiast of all types of electronic music, and it certainly shows on this 4-track ep.
limited edition of 200 copies on white vinyl.

how the other half lives is a new label run by london-based portuguese dj and producer zntn. the label launches with on rushmore by the deadstock 33s and stopmakingme. the deadstock 33s - uk club legend justin robertson of lionrock and revtone fame, former hacienda resident and prolific producer over the years - combines forces with stopmakingme - the fabric/kill em all resident and bugged out! regular with recent productions on bang gang, codek and moshi moshi - for on rushmore and as you are. this marks their third collaboratory release, after an ep on tigersushi and single on gomma.

while yacht refers to >dystopia (the earth is on fire)< as a post-apocalyptic fight song and a cautionary tale, the tracks chant-along melodies and unsparing synths nudge listeners far closer to dance than despair. from the sound of things, that reaction will likely also be elicited by two new remixes of the portland duos song, from their 2011 long player shangri-la. legendary production duo justin strauss and bryan mette, aka whatever/whatever, completely rework the sound of >dystopia< on their version, reorienting it with heavy doses of funk. while the original rides atop buzzing synths, the whatever/whatever remix adds a thick bassline and shimmery keyboards that leap out like solar flares. on the flipside, uk-based emperor machine starts their dystopia remix with a dubby feel – every vocal echoing endlessly – and then u-turns into wholly a updated, yet classic, disco sound. the rhythms are sultry, slinking behind a deep, repeated, synthline, its a recipe for an unexpectedly smooth, subtly hypnotic, and utterly danceworthy song.

carefully caressing your back whilst whispering sweet nothings into your ear, pillowtalk join the life and death family with their modern dance soul hybrid, >the come back ep<. despite the name, its actually a debut ep -- and one that quickly establishes pillowtalks unique sound as an important voice in the new generation of contemporary dance music. already getting serious play (and props) from a wide range of djs, from the deep & soulful wolf + lamb and soul clap crews all the way to the banging bass centric justin martin, >the come back< finds life and death once again crossing the conventional genre descriptions with a true dancefloor bomb that everyone can get behind. imagine motown and classic doo-wop blended with a modern dance sensibility and you may start to get an idea of the pillowtalk sound. but its better to stop imagining and just have a listen because what these guys are doing is so genuinely unique, its not an easy one to pigeonhole with words and genre titles alone. the ep includes >the come back<, >soft< and >long lost friends< as well as a life and death remix of >soft<. put together in the life and death laboratories it brings a darker, deeper take on this beautiful and already incredibly sentimental dancefloor serenade.