this is a collection of unreleased tracks from the solo project of stefano tirone, formerly a member of state of art and der blaue reiter and later known as s-tone inc.

a few years back 14kt gave out a free downloadable project called “14killatape”. fast forward to the present, and street corner music now presents a darker, retooled version... “14killatape: redux” brings you 5 tracks from the original incarnation, along with 7 brand new grimy treats now on vinyl!

shall not fade kick off their white label series with a four track v/a featuring: aries (an alias of one of their previous release artists), lk, steven be calm & deejay astral. the four track ep, in one word is merry, tracks to be played at 5am as the night is starting to wind down. the ep consists of edits from some of the shall not fade rosters favourite tracks, straight white label business.

next in line to work with underground imprint getme! is uk artist nicky otter, with gme012: i can t really explain (it), a two track release out on 14th march across vinyl and digital platforms. across the ep, nicky ventures between parameters of ambient electronica and big, bad club tracks. nickys outsider sound find its perfect home on london s getme! label, both artist and label undefinable by genre, shape or sound. a-side i can t really explain (it) is a straight call for the dance floor for those after sounds on a more house and garage tip. originally trained as a drummer, nickys percussive talent shines across this bassy number, complete with creeping melody and layered vocal samples for a track nodding to club edits from a nostalgic time gone by. moving into murkier territories, b-side sketch original slow is journey through the darker strains of electronica, hazy techno feels and euphoric ambient vibes. dreamy melodies and carefully mapped out drum patterns meet here, giving sketch original slow an other-worldly feel.

jacking chicago tracks on this first ep by offenbach s freshmen am unit containing three original tracks plus a solid remix by lauer (one half of tuff city kids). a-sided gotta slow down and hold back are classic examples of dancefloor fillers while b-sided raw jam is a hard and super effective acid track that leaves no-one indifferent. the dub mix of gotta slow down by lauer is an oscillating interpretation of the original track with an efficient piano line! limited to 400 hand stamped and numbered copies!

holic trax was founded in 2012 by berlin based dj/producer tomoki tamura and now serves up its 19th release from brett johnson.

part 1/2 of his amazing album. intelligent communication. since 1967, astronomers have been receiving and cataloging very precisely timed radio pulses coming from sources they call pulsars. they have long assumed these to be natural sources, exotic spinning stars that emit laser-like radio beams that sweep through space much like lighthouse signal sequences. highly regular flashes and complex signal ordering are produced through intelligent modulation of their beam s intensity and direction of polarization. more significantly, through their seemingly purposeful geometrical alignments, pulsars appear to be conveying a coherent message. are these beacons from an intelligent origin? and are they warning beacons to warn us against the next shockwave that comes of the active galactic nucleus ore want they attack us? it might be prudent to consider whether we are talking about friends or foes.....mike storm.

french label zone records deals in rugged electonic sounds and now offers up a brilliant new ep from a dance legend in the form of neil landstrum. he offers four cuts of typical excellent club beats that are full of wonderful weirdness

nice price deal !!! beautifully designed lp, pressed on 180g vinyl. following his extended play ep on other people last year, jream house is the turbulent and spiritual debut lp of mark hurst aka a pleasure.

dripping out of the pores of tokyo high-rises, aquarium deepspace serves up his debut vinyl release and the second instalment on natural sciences. drawing on a palette of 90 s detroit house music and the electronic tropes of his home town of japan, midnight at the tokyo central is the unspoken soundtrack for the lost souls of the metropolis, recounting the ecstasy of smoke-filled dance-floors, the touch of dry ice melting through a fur coat, and travelling through neon at 6am. narrated by two separate protagonists under one identity, deepspace side explores muscular acid trax, aquatic pads and throbbing deep house jams for the floor, while aquarium on the flip is coated in hazy electronics and dopamine drained murk, drawing on field recordings taken at tokyo s central train station (rainy night in shibuya) through to lush subterranean jams laced in serotonin nostalgia.

synthek is a tresor club resident and the owner of such labels as natch records and brand new stk label. born in napoli and now based in berlin, he is producing actual modern techno sound at its best. his outstanding new vinyl mri ep on wrltd presents the all shades of techno. it starts with slow tempo dark magic of the in slow motion track on the side a. then the incredible remix from arnaud le texier (children of tomorrow, safari) increases energy of the ep. and on the side b the two break techno stompers complete this striking 12-inch: a peaktime rave anthem mri, and a throbbing raw banger state variable.

special package for all you plus seven lovers out there - contains psr001 & psr002.

ein raum, fernab vom allem und doch gleich um die ecke. eine vision zum greifen nahe und doch soweit entfernt. gerahmt von tasten, klappen, poties und kleinteiligen liegen, diskutieren und tanzen marbert rocel durch den winter 2015. in diesem, ihrem leipziger studio fŸhlt die band die lieder zusammen, die im sommer 2014 in einem noch abgelegneren, umwaldeten winkel entstanden. jede entscheidung durch alle kšpfe, jeder akkord von hinten und vorn hunderte male gehšrt, jeder kompromiss ein triumph fŸr die sache. keine streicherarrangements vermitteln hier grš§e, sondern das einvernehmliche nicken, das Ÿber die jahre in marbert rocel entstand. in the beginning ist das vierte marbert rocel album. eine gelebte utopie von freundschaft, ein herber kuss fŸr jeden genreliebenden. hier ist nichts grob gehauen, sondern fein gemei§elt. wie tau perlt das schlagwerk von fŠchernden synths. wie gute freunde empfangen dich die songs. wie tinkerbell leitet spunks stimme durch eine vertraut-fremde welt vorbei an gro§en gefŸhlen und kleinen gesten, um schlie§lich dahin zu fŸhren, wo alles begann in the beginning.

the fourth studio album „in the beginning“ by the critically acclaimed live band marbert rocel from leipzig. a place far away from everything, yet right around the corner. a vision close enough to touch, yet so far away. surrounded by keys, hatches, pots and small fragmented parts, marbert rocel lie down, discuss and dance through the winter of 2015. in this environment, in their studio in leipzig, the band ties together the songs, which first saw the light of day in a small spot enclosed by woods in the summer of 2014. ?each decision goes through every head, each chord is listened to a hundred times, from font to back and in reverse, each compromise: a triumph for the common cause. not pompoous string arrangements fuel this album with grandeur, but rather the notion of a consensual nod, which has evolved within marbert rocel over the years. ?“in the beginning” is the fourth album by marbert rocel, a living utopia and a tart kiss for every purist genre lover. nothing is hewn raw on here, rather sculptured delicately. percussion is tickling from synth pads like dew, and the songs welcome you like good friends. like tinkerbell, spunks voice guides through this strange familiar world, moving past big feelings and small gestures, to finally lead to where it all started: “in the beginning”.

artreform releases arr003, arr005 and arr007 as triple vinyl sales pack for one special price!

james grant und jody wisternoff zeigen sich auch fŸr die siebte ausgabe des weltweit renommierten anjunabeats-ablegers anjunadeep verantwortlich! die 2cd featuret die aktuellen club-highlights zwischen house, deep house, electronica und techno. mit von der partie sind tracks und remixe von vincenzo, solomon grey, chasing kurt, maribou state, dusky, way out west, esteble, jody wisternoff, 16 bit lolitas

the vinyl factory is proud to present an 18-track vinyl edition of µ20, spread across three 12inch records. for a label thats existed in an orbit of its own, on very independent terms, its remarkable that planet mu has survived 20 years. pushing buttons from idm and breakcore to dubstep and grime, and lately footwork, mike paradinas’ (µ-zip) label has a strong history of joining the dots betweens genres by supporting idiosyncratic artists from label stalwart venetian snares to kuedo, machinedrum, boxcutter, vexd, falty dl, luke vibert, ital, jlin and mr. mitch to name just a few. µ20 is a living document of that history. a colourful and adventurous ride across the roster, the compilation features contributions from the current decade as well as some of the old guard, dipping back to the late nineties and early 2000s for a range of noisier, knottier track

different house style from new york based juice records!
vinyl only, 4 raw cuts that reminds the classic house from deep88.

6 house tracks. house for real.

speed painters are a unique collective of musicians who improvise simmering, slow-burning house music, built from a foundation of techno, disco and experimental/found sound.

der junge produzent andrea aus paris veröffentlicht anfang juli seine neue ep -black magic- bei jakarta records, nachdem ihn sein kumpel stwo dem label vorgestellt hat. mit dem gedanken im kopf das eis und die grenzen zu brechen, schaffte andrea seine ideen und einflüsse so umzusetzen, dass wundervolle und intime tracks daraus entstanden. *black magic* wurde hörbar mit liebe zum detail kreiert und entführt den hörer in eine eigene, einzigartige welt.

chicagos original bernard badie is back and delivers four new tracks for mojuba! the creator of the classic time reveals is showing his skills with this new ep to the fullest! his vision of chicago house 2015 comes in four different flavours and will please everybody who loves quality and kicking house music! open up you ears and let the music make you dance!

1 copy per customer / 1 platte pro kunde max
ternesc is new label from blawan, and for its first outing presents his first solo 12 inch since that hinge finger release. believe us when we say that * warm tonal touch* is blawan in utmost killer form.

connecticut s jon beall, recording as entro senestre, has gained critical acclaim thanks to brilliant releases on labels like w.t. records, echovolt and l.i.e.s.. on his debut for dekmantel, beall has taken his signature vintage flavors of techno and electro and pushed them into news spheres of the frightening, combining chalky, continuous drum tracks with an ear for emotionally challenging melodies. championing timeless electro-techno that breathes real soul, this four tracker does senestre proud and alters a dynamic ep that is ear-piercing and contemplative, nifty and evocative.

33-10-3402, also known as serbian-born artist/producer nenad markovic, returns to the esp institute for the third release in his opium den and whorehouse inspired mecanica series. slow port is a cacophonous track, skillfully composed of an erratic barrage of percussive klinks and klanks as you might find in an automotive factory pistons, gears, quips, cranks, but despite its industrial instrumentation, nenad manages to extract a beautifully seductive quality from this beast. on side b we re faced with the slightly more musical plutonium certainly, an exercise in distortion which is punctuated by repetitive androgynous chanting, and finally we culminate and release simultaneously with elika, an overtly ethereal blur somewhere between hope and melancholy. to fully appreciate nenads crafted subtlety, we recommend repeated listening.

the lobster theremin white label debuts yet another young producer in the shape of the leeds-based hedge maze. with a tightly crafted, hazy, blissed-out house sound these three tracks have been culled from the muggy undergrowth of his northern harddrive. untitled is a chattering roller, smothered with a throbbing, wavy bassline and ending in a fuzzy, chord-soaked crescendo, while the slow, drudging rhythms of dysania give a heavy nod to some of lowtec s down tempo numbers for the label. the release is rounded out with the glistening, black-sun shower of (slow). all delay-drenched crystal stabs and oscillating soundscapes. a floating, ethereal trip into the afterlife.

double 12 inch vinyl in gatefold sleeve, download code included.

side a - boom, boom - deep swing bassline with a poetic vox that keep the dancers dancing with a old school blues loop, that make you say -boom, boom-!
side b - slow down - funky beat, simple chords, efx that make you move in away to grab a lady so fast you have to slow down to enjoy sounds.

after the huge success of the inaugural release, park & ride records is back with a new ep, >san francisco< which show the strong personality and the particular sound of the people involved, zendid / sonodab / baraso (powered by balance artists).

nice price deal !!! - dont just think about jellphonic tonight, pick up the phone and call. if youre lonely, confused, or just need a friend. hes been waiting, waiting to hear from you. hot, private and live 24 hours a day for adults only. it seems like 12 years since jellphonic put out a 12, but this release proves that he is still the baddest man in the whole damn town. 5 low brow cuts that celebrate the finer things in life, analog synths, minimal production and mindless funk. all on his own imaginary label too, bon appetit!

san francisco-based dj/producer nick monaco has long been part of the soul clap family, releasing his first 12- on the label back in 2012. mating call, a double 12- set running at album length, is easily his most expansive release yet. it s typically eccentric, delivering a range of songs - featuring his own distinctive vocals - that blend numerous styles whilst retaining a loose, funky and altogether rather kaleidoscopic feel. it s rooted in balearic pop, but also touches on dub, deep house, boogie, dub disco and a strangely deep and contemporary take on the triple-beat rhythms of glam rock. it s hard to accurately describe, but is really rather good, certainly, it s one of soul clap s strongest releases of recent times.

the loyal composer of all the original soundtracks for céline sciamma’s movies, jean baptiste de laubier aka para one offers to “bande de filles” 9 instrumental pieces and the track “slow down” featuring frida sundemo.

repress - mannequin records is proud to present a full length by the philly minimal-synth princess void vision. void vision is a philadelphia-based electronic project helmed by shari vari. it began around 2009 at a time when a wave of synth-revivalists were materializing, but the quality of the songwriting and intense vocals set the band apart from the pack. in a rare instance, void vision has managed to combine vintage dance elements with melodic structures, haunting melancholy, and lyrics that have a palpable soul. the songs themselves are dynamic, referencing a cross-section of the last 30 years of electronic music, while simultaneously retaining a uniqueness all their own

hypnotic, groovin 4 tracker with amazing coverart. chelsea hotel records on the fast lane! be fast to get your hand on it. 180g, vinyl only and fullcover print.

for its third release, sorry for this records welcomes italian innovator roberto clementi to its stables, providing two lush cuts of deep techno and then invites steve o’sullivan to slow things down a little.

limited edition (500 copies ww) 6xlp box set with remastered versions of deadbeats early lps.

known for his past releases on nation, l.i.e.s, and cititrax, chicagos beau wanzer delivers a 12 track lp of archival material culled from tapes stored away from years past, the tracks in question being plucked between 2002-2008. wanzer has stuck to his grotesque guns over the years, keeping his music personal, grating, and down right bizarre. each track takes a narrative of its own, from the languidly vocaled, yet uncannily catchy *mob boss* to the possessed murmurs of *love tone*, wanzer has created a completely unique collection of music which engages the listener all the way through.

limited to 300 copies only - triple vinyl plus cd!
*treat me right*, the third album from trus me, featured plenty of modern club anthems and was lauded by a gamut of the most respected djs around, including ben klock, guy gerber, tini and maya jane coles. reflecting the trus me musical palette and chosen by him for this very reason, prime numbers has now put together an undoubtedly excellent collection of seven remixes by a stellar cast of friends and collaborators. this limited triple vinyl release comes in a bespoke wide spine sleeve and includes a bonus cd featuring a selection of the remixes plus a few handpicked tracks from recent prime numbers vinyl releases including fred p, mosca, xdb & adesse.

it is done. k.o. the stickiness kreeps out of the studio window. all inspiration is bundled. what stays is the trash on the carpet, the coffee cups and a last sunbeam, which is entering the scene on that late summer day. two guys knocking with theirs feet on the floor. you see them smile. the first album of kollektiv ost is ready to enter the club.

dekmantel the label back with a 2 part release from this talented group of italian producers!

the prodigal duke returns to turbo triumphant after two uk no.1 singles in need u (100%) and i got u. for the third installment of for club play only, duke dumont takes things back to the bass-bumping basics.

der zweite longplayer dieser zusammenarbeit, high life, wird bereits am ende juni auf warp records veroeffentlicht. das gelungene musikalische experiment der beiden ist vom repetitiven minimalismus von komponisten wie steve reich und philipp glass und der polyrhythmik von fela kuti und funk an sich inspiriert
ltd edition with artprint

purveyors of fine underground music, joe s bakery, present undiscovered balearic beats, cosmic curveballs and obscure oddities from around the world. the first two releases feature edits by a mysterious collective of music enthusiasts and record diggers by the name of diavol. music to be played by the pool or under the discoball

the panorama bar series on ostgut ton returns with volume 6 and brings ten new exclusive tracks on two eps all taken from the “panorama bar 06“ mix compilation by panorama bar and berghain resident ryan elliott. part ii features contributions from the oliverwho factory, deadbeat, nick höppner, makam and marcel dettmann

this is armada lounge volume 7. forty tunes of staggering beauty and significant musical skill, at times poetic, and at times as careless as an island breeze packed with exclusive tunes, there are acoustic versions of classic records, like marco v & christian burns --frozen- and the wistful live performance of cosmic gate ft. emma hewitt - -be your sound-. dutch producer rodg returns once more with his rendition of lost at sea, and conjure one graces not one but four songs on the album. the second set features heavyweights like paul van dyk, andy moor, gabriel & dresden, chicane, and several tunes from lustral. classic tunes from highly respected artists and fresh recreations of the year s biggest records can all be found here. clearly a labor of love, -armada lounge vol. 7- will surely go down as one of the greatest lounge compilations of our time. this record proves that musicality and vision are still very much alive in 2014, and it reminds us all that the pinnacle of electronic music has still yet to be reached.

since the release of tesselas r&s debut, nancys pantry, the momentum has snowballed. earning a radio 1 residency alongside james blake, and a busy gigging schedule, tessela aka ed russell now offers up *rough 2* – the eagerly anticipated next instalment of his alchemic blend of tripped out sonics and punishing percussion. russell has amplified the disorientating elements that swim around the fragmented drum breaks and squirting laser blasts, challenging dancefloors at the same time as tearing them up.

amir alexander together with dj traxx cant go wrong! and it sure doesnt, together they make a super dope ep feat. 4 chicago acid bombs, dont sleep!

vinyl only, limited copies incl. tracks by jessica diaz, lifer, andreas bergmann, roberto martin & flystereo.

second in a series of three releases featuring remixes from the acclaimed trus me album treat me right . this time luke hess, truss & truncate bring their inimitable style to the fore. the deeplab detroit master turns out in much the same vein as his releases on fxhe & planet e working i want you into a subtler, more spacious groove. truss toughens up defunct , simplifying the track & giving it more friction for the dance floor. its slow gets treated twice to truncate s vision. mix 1 is all minimal pumping dance mania type moves whilst mix 2 is more textured with percolated bass & frayed keys.