repress

coloured vinyl! i met dwight in the desert of nowhere. we somehow knew we would be there at the moment where it took place. no surprise, i mean the crash. 3 times for them to finally got out of nowhere back into nowhere. while i was playing the flute dwight held a ritual, spreading energy through his voice. after the reboot, they took off immediately (i can swear something happened to the power plant controlà). for us it was like a b-movie, like all never happenedàbut the communication, talking to the spirits from language to language planet to planetàand the wind dont forget the wind. after we came home we wrote this oneà. rjc philpot presents this debut 12inch of the reboot joy confession - our brothers from nowhere! the title track is a mindbending spiritual journey hosting the fabulous dwight trible on some next level beatdown xtravaganca while the flip features the massive disconodisco 1999 and the equally heavy <funkin facets<. àmore than a proper statement and the beginning of the rjc aera!! >thanks for listening and purchasing a real copy!<

whether hes producing singalong house anthems (la mezcla) or hard edged tech house (red tape), michel cleis obsession with sound has seen him garner a reputation as one of electronic musics most exciting production forces. with recent remixes such as tracey thorns >why does the wind?< and harrison crumps >deep down inside< still rocking dance floors aplenty, cleis next solo move has understandably been an eagerly anticipated one.

the heat of summer into an urban canyons night of fresh air. in berlin. or manchester. maybe in budapest even. it is warm, but not that close and hot anymore. a soft wind blows through the leaves and ripples the surface of the small puddles the rain left on the streets. with relaxed enthusiasm a man walks up to his house where he will decant a well-tempered sangiovese while waiting for the woman with whom he will chat till dawn.
with three reworkings of one of their tracks from the full-length album >13<, the trio from manchester conjures such an atmosphere on their vinyl release on binemusic, inviting you to (day-)dream or relaxedly bob across the dancefloor. and maybe even bear the waiting time while stuck in traffic.

2010 album by eminem, produced by dr. dre. (explicit version-ltd.edt.)

strut re-kindle their involvement with one of new yorks most revered djs and re-edit pioneers, danny krivit, with a fresh album of essential new, rare and classic re-works, past and present. mp3 download code included.

summer killer tune! big with tiefschwarz, shir khan, matt walsh, turmspringer. as a record label klasse recordings acknowledge and develop the ideas between racing, electronic music and the man vs machine relationship. the concept of artist and founder luca lozano and agent daniel zedelmair, klasse holds up the classic spoked wheel design of a racing bike as a symbol of strength and unity which contrasts with the disposable doses of instantaneous gratification found on electronic music blogs and in so many discotheques that they have encountered on their travels. located within, but not constricted by, the genres of modern house and techno, klasse aims to evoke the depth and narrative of themes such as travel, movement and repetition, fusing the rich sounds of traditional wind and string instruments with the accuracy of synthesisers and drum machines.

one time proprietor of the infamous atlas records shop in soho, london over a decade ago, pete herbert divides his time these days either behind the wheels of steel at clubs and parties around europe or in the studio working solo or with friends on their various musical projectsàhe is found regularly behind the decks at places such as fabric,mondos, goa, cafe capitol playing out an unexpected mix of balearic leftfield disco/house/italo/dub/funk and beyond!! building up a dj reputation in parisian underground circles, doing parties with jef k, chloe, alexkid and ivan smagghe, working the dancefloor but also developing his skills in the studio, tim paris had his first breakthrough with the remix of a rock tune called >future now< that became one of the biggest underground tunes of 2004. from there tim paris didn t stop but continued to release quality tracks and remixes. the two come together as >challenge<, on tim s imprint marketing music, the follow up to their 2008 release together on kompakt >zimmer<. just a few chords into the track, and its obvious to hear - the broken clock e.p. has been too long coming... >broken clock< - featuring homemade guitar riffs by none-other than mr. paris himself...! >wind up< follows with its more organic appeal, featuring some wicked synths... and finally, >wind up genius of time remix< will suit your palate indefinitely. genius of time, aka >cloud< from gothenburg, sweden... pushes the hands of father time to the reference point in early house, the vocals are pushed to the front to build us up into a hazy groove, that you wish could go on forever...

ltd new years deal - jin choi returns to archipel to release his second 12inch in archipels vinyl series entitled -dig your own out-. just as masterful as his first archipel 12inch, jins second coming is surrounded by an aura of warmth and is highly jazz influenced providing the birthing ground for his fervently smokey textures. lost and found initiates with warm rhythms and a gentle chord pulse which grows into a sunny melody whose beams set alight slowly drifting chains of saccharine smoke. >hurtlocker< features sultry acoustic guitar and piano melodies at its core which are woven tightly and hypnotically into an expertly stitched dance of subtle textures which wind about each other into the small hours of the morning. >dig your own out< continues on a similar path with a gentle piano melody which is rhythmically set just so in an atmosphere of early morning mist and streams of heady rhythmic waves which are constantly in subtle states of change while they bring with them in tow an ardent series of gently warped textures.

release #6 for much loved label giegling is a return for kettenkarussell, who kickstarted this fine imprint with the >i believe you and me make love forever< ep. and >things will never flange< will find its place in our crates and hearts, too. pure, beautiful and melancholic deepness at its finest.

levante is the name of a warm wind, blowing between northern africa and spain during the summer months, a warm wind that especially surfers, but also other kinds of deeply relaxed summer people appreciate a lot. as some surfers and other people require some of this feeling already before next summer, schallbox records associated with monoroom has caught some of this wind and transformed it into levante una, which is basses, waves and beats that will blow some tube-heated pre-summer frenzy through the speakers and on the dancefloors. for an even longer surfing experience and a continued boomy feeling in your knackers (hmm sorry ladies?), martin eyerer, mike wall and steve cole have got their speedoes out and dived into 45°(celsius) warm drums and samples, in order to offer to you their personal renderings of levante una. wasn t there a track once, warm surferette??

back again we have the mediterranean flavor of the friends affkt and alberto sola. always experimenting with different ingredients like the cooker ferran adria, the guys who laid the first stone of the legendary label barraca, now present a hybrid of pop and house which will leave no one indifferent. ‘pobla loves you’ was born with the tuba of alberto cuartero, orchestra director of hoya gonzalo in albacete. marc and alberto (affkt and sola) wanted to have a typical instrument of a band and merged it with the electronic dance scene, always being faithful to his maxim of making music to dance as well as to listen. if we surround valencia, road to pobla de farnals, we passed through la canada. there are los updates, who upon hearing the organic rhythm of pobla and the work with the wind instruments, set to work with the voices. perfectly adapted to the capital of the turia river, jorge and loreto propose a valencian poem that their children have learned at school. the moon of valencia then join our dinner for four. finally, we add to our paella a bit of percussion and keyboards made in affkt, to get a main course and obtain a typical valencian plate but by adding a little chilean salt becomes international. more oriented to the dance floor, there are three rather different remixes. new union between spain and chile, with danny fiddo and felipe venegas. this couple present an elegant and deep remix with drums and vocals perfectly adapted to the current sound. moreover, the french man darlyn vlys re-interpreted >pobla loves you< with a lot of groove and percussion added. finally, affkt gives his funker version of events to complete a job that will come out by the german label international freakshow

zum fünfjährigen bestehen veröffentlicht tonkind nach langer zeit mal wieder eine vinyl ep. zur feier sind es auch gleich vier interpreten die sich hier der party schenken. unter anderem die turmspringer, die sich zum jubiläum ihres labels mit einer frischen jazzig-treibenden-minimal track präsentieren. in „coqauvin“ fliegen nach aller turmspringer manier die fetzen, das selbst dem gockel die luft weg bleibt. ihren einstand als produzenten team feiert mit „vuja“ herr süüs & her sauer, die seit jahren schon als djs die berliner underground szene aufmischen und mit beherschen. auf der b-seite hören wir dann kotelett & zadak mit capriccio, welches so kühl und nüchtern daher kommt. hier wird einmal mehr minimal gegrooved und mit einer homöopathischen dosis an sounds die besten gefühle vermittelt. breger, der einzige „nicht-berliner“ auf dieser ep und beatplantation apostel aus dem ruhrpot schließt die ep mit „grain ball“ ab und zeigt, wo lang und wie schell der hase laufen kann. dubig, frisch und percusiv rollte er das feld von hinten auf. im ganzen eine sehr bunte und lebendige ep, die aus allen richtungen den wind blasen lässt. mögen die, die darauf tanzen sich keinen zug holen.

trinity all-stars, aka hipp-e and solomonic sound (rob paine & zack eberz) with this cracking newie on worship. as with a bunch of the recent worship releases, >dem a come< is a dubby deep house number, opening with skipping beats and spacey effects before a wicked sub bass comes into play alongside stabbing synths for a sublime basic channel-esque groove. on the flip, the theme continues with >wind up your bass<, again leading in with hi-hats before a ragga rhythm establishes itself, joined swiftly by another superb dubbed out bassline and echoy beats on a track that puts even maurizio to shame! if you like your dubby gear, this release is essential!

das amerikanische song-genie pr?sentiert die wunder dieser welt.
viele worte braucht will oldham nicht als empfehlungsschreiben. mit >the wonder show of the world< legt das song-genie sein elftes studiowerk im elften jahr als bonnie prince billy vor. es ist ein album, das ganz in der tradition seiner vielen vorg?nger steht. hinter der cairo gang verbirgt sich niemand anderes als der kalifornische singer/songwriter emmett kelly, der bonnie prince billy bereits bei den alben >the letting go< und >lie down in the light< (beide 2008) zur seite stand. zehn wundersch®ne, tiefgehende und bewegende songs vom wohl produktivsten songschreiber amerikas.

played by: dubfire, stephan bodzin, gregor tresher, alan fitzpatrick, john seway, mike wall, jonas wahrlich and many many more

blinding selection of wierd and wonderful disco edits from codek!!

we say this every year but pop ambient 2010 is a defining moment for the series - a change in pace but a familiar face for those that have been yearning for our annual remedy. enjoy. the vinyl version contains a free cd of the album !!!

sound sources include field recordings of airport announcements, hammering on metal plates at the former kabelwerk oberspree, berlin, several sounds captured inside the large radio antenna dome at teufelsberg, berlin, dripping water at the botanical garden florence, air condition systems and turbines in las vegas, frankfurt and tokyo, walking on rocks in joshua tree national park, wind from the grand canyon, a friends answering machine, a printer, conversations via mobile phones, typing on an old macintosh keyboard and recordings from tunnel works in switzerland.

no. 3 in the renowned series dark stars on noir music gives you an even deeper insight into >noirs< weird head and critically acclaimed dj sets as we unleash some of the exclusive and previously unreleased noir edits. but dark stars volume 3 is much more than that. dark stars volume 3 is about the quality of house music. all tracks included have been big tracks for noir in the clubs and we guarantee they ve been tried in tested around the world before they made it to this compilation. we hope you enjoy the collection of quality music as much as we do

incl a free download voucher to download all tracks from this release !! this kelpe album > cambio wechsel< is an avantgarde electronic piece, free & jazz like... pure pleasure for your ears

>die faser< is starting. the 1st 12inch part of cio d or album appears to our senses. this release is all about >goldbrokat<. starting with a wonderful ambient intro track called >zellulose< this one forecast the arrival of an marvelous prologue release – cios work is the musical interpretation of her personal sound pasion: deepest and bass enriched synth structures build a phantastic world of liquid and transparent sound relives. the b-side fulfils the promise with additional explanations from donato dozzy, dawdling and rapid. donatos picture follows the spirit of cios music and deliever a awesome ambient and techno remixe of >goldbrokat<. this release opens a series of 3 individual eps with great remixers. consume in club environment mandatory!

stephen falken is a member of the outrunners, a duo who relish their italo disco, and have two feet firmly planted in the 80s. falkens synth drenched four tracker is one part jan hammer and one part tangerine dream, coming on like a forgotten john carpenter soundtrack.

new zealand soul powerhouse fat freddys drop proudly present their new studio album, drboondigga & the big bw, which features nine tracks of non categorizable music born from freddys live jams, fantastic voyages & many hours of beat reduction & sonic fine tuning in lyall bay, wellington.

slam bring us the third chapter in their devestating paragraph series, following up their dancefloor destroyer, hot knives that was played by the biggest djs around and dubbed as one of carl craig s favourites of the last few months. the label s previous releases have already had big support from the rest of the techno fraternity, including legends richie hawtin, adam beyer, dubfire, anja schneider, len faki and francois kevorkian.
paragraph number 3 delivers some deep, bass-heavy electronic funk on the a-side, with one note samba . grooving from the off-set, the percussive elements of the track wind around a solid and heavy sub bass, introducing dubbed-out horns reminiscent of slam s freelance science days. hypnotic and tripped out, slam return to their house roots.
on the aa room 2 , dedicated to one of the world s best clubs, fabric, where slam hold a residency, keeps with the stripped-down, rhythmic and gritty sound of paragraph. whilst constantly fluctuating echoes and delays control the rhythm of the track, a swirling, yet straight to the point synth creates some frenzied and panic-inducing builds throughout, leading to a wholesome and satisfying ride cymbal. room 2 is a killer, peak-time track that will be sure to induce some serious convulsions on dance-floor.

super dope underground detroithouse old skool stuff !!! 100% pure decks tip!!

adult only is back for a deep house release with lots of chicago house inflections and three unique cuts, all shaped differently for the players choice. blue brunch by catwash is a floor knocking club jam, powerful and atmospheric, the elements arestrategically placed and prepped for the full vocal hook thats followed by a really cool airy drop out, leaving the dancer ready for more. excellent concept, delivered with brilliance. seth troxler remix has a classic fliter disco inflection loved from globals players straight out of chicagos most renowed sound. broken down with a guitar bass wind down in the middle, he dubs the vox for more classic arrnagements inside the already wound up groove. fabio giannelli & mirco violi - blues brunch remix is accented on the vocal hook, used as a nagging hook set along a solid tribal rhythm that really gives the jazzy vocal style a fresh step for originality.

the first single from her upcoming wagon repair debut album and her first release of 2009, dinky (aka alejandra iglesias) is ably following up on the momentum gathered from her 2008 album may be later on vakant. in a decade of releases on labels from cocoon and traum to carpark and crosstown rebels, dinky continues to cement her place amongst technos most enterprising producers with four new tracks. opener wind mesmerizes with repetitive keys looped over a straight kick. chirped tones pulse curiously amidst descending melodic chimes in a steadily evolving elemental journey that equally evokes reich and contemporaries (and new label mates) cobblestone jazz. outro establishes territory with intoxicating arpeggio melodies, while wet hair plunges us into submarine depths. dripping with resonance and reverb, sporadic metallic tones color a dense mix of murky pads and sharp beats. interrupted briefly by an epic symphonic interlude, wet hair continues its descent into deep and dark territories to close. the eps closer, butterfly floats with squeaked melodic tones and breathy vocals taking lead over a busy percussive base. saturated with a variety of sounds from indigenous samples to wobbly bass and deep detuned keys, butterfly takes us on a winding scenic route, disorienting and enchanting in equal measure.

shumi ist in der domstadt ein bunter hund & seit zehn jahren als dj und veranstalter aktiv. er ist einer jener >unsung heroes<, ohne die so manche stadt ein traurigerer ort wäre. auf >jump for joy< gibt es rohe hypnotik, sexy dynamik sowie romantik & euphorische popmomente für den tanzgebrauch

excellent fresh drive techhouse / tribal influenced floorburner... already played by sebo k, stefan goldmann, 2000 and one...

christopher spero a.k.a glimpse has really made a name for himself the way that producers and djs in this day and age should: by making tasteful music of the highest caliber, and putting substance over style. these two tracks co-produced with frequent collaborator and head of the hypercolour label, alex jones, put that said taste on display in a refined and elegant form of house music.true friends pumps right from the beginning with a chunky rolling kick drum only made denser by the thick brushing percussion that surrounds it. before the beats become to overwhelming a soothing male vocals drifts in reminding how hard it is these days to find a true friend. a stark tune of epic proportions. returning with a similar pressure from drum programming aesthetic, which basically means hefty percussion layered over warm and tumbling drums. æcambria sets itself apart from the a-side with a more open-air vibe. light piano notes float along side softly played wind instruments, creating a surreal dreamlike audio experience that still has the tools to do damage on the dance floor. glimpse and alex jones have really put some true style, grace and class into their music. masters at creating a distinctive sound that exist in the space where warm and lush tones meet musicality and stimulation. a summer record with good vibes scrawled all over it.

wagon repair are excited to announce the latest ep from berlin based canadian mike shannon. the re-nag ep, his third wagon repair release and first production of 2009, is the latest in a long line of releases from the head of cynosure records, with his work having previously graced imprints from ~scape and num to richie hawtin’s plus 8 records. opener ‘darkstar 3000&#8242,, is a futurist techno stomp. engined by poked melodic tones and a prominent metallic hat, dissonant stealth melodies manoeuvre around percussion and punched bass. biding time to prolong suspense, both bass and key melodic journeys coordinate to climax in a tightly executed sensory assault. ‘sweets (tla mix)’ opens energetically with static percussive tones circling around a pummeling kick. a rapturous vocal takes lead, effervescing within a wind tunnel of wobbly bass melodies and dizzy pads to close. ‘sweets (acapella)’ is an abstract entity, with it’s sole vocal discernibly haunting in the absence of beats and structure. full of texture and space, this is one for the producers that will surely not go to waste.

a brooding, belligerent, open top, ocean drive, wind in your hair eighties disco theme. very 80s. a perfect storm of dark synths and disco beats... where every dance floor is a crime scene.

swedish electro chef john dahlbäck has cooked up another hot ep - winners and fools. dahlback is still in his early twenties, but he s had more releases than girlfriends with a singles discography edging ever closer to the hundred mark by the week.

ricardo villalobos playlist!! the endless white of the far north. the opening melodies of adam marshalls >north at night< can be heard faintly over the whistling wind. a small black dot appears at the centre of the distant horizon. at first it appears to be still, but gradually we recognize movement. over the next few minutes the shape begins to grow until it has defined the image of a man walking towards us. as he approaches, the music grows clearer. like the warmth of the first sunlight >rose mountain< radiates its glow through the use of a flurry of rhodes electric piano chords. adams signature percussion permeates the dub and binds its elements into an infectious groove. >mfb flex< is the counter balance to the organic flow of the other cuts and molts the warmth into a techno roller designed for the long player mix. marshall said… >ive long been intrigued by that incredible tapestry of tundra and taiga which constitutes the arctic and sub arctic of our country. ive read about it, written about it and even pulled up my parka once and gone there, yet, like all but a very few canadians, ive had no real experience of the north. ive remained, of necessity, an outsider. and the north has remained for me a convenient place to dream about, spin tall tales about, and in the end, avoid<

part 2 of the simple, maybe release reveals the dark side of the brothers schwarz. yeah ought to be taken literally. batten down the hatches and turn up the volume, here comes a true masterpiece. naturally, tiefschwarz have saved the banger until last. there are not many tracks out there, which make you get up and dance after two bars already. the basis of yeah is a perfectly orchestrated drum beat. a steady bass drum, rolling toms, a crisp snare, all together powered by a low-pitch synth sample in the background. a sound, that is as offensive and sentimental as possible at the same time. add a well-filtered choir sample on top and you get a deepness and amplitude that can only be mastered by the finest soundsystems on the planet. like looking through a burning glass, the break shows what tiefschwarz are really all about with this track: gradually, all sound elements are shut down, overlayed by white noise that comes with goosebumps guarantee. this spring, youll better be on the dancefloor, when the drums set in again! deininger on the b-side is an almost gloomy track, driven by a dark deep-house bass line. once again, tiefschwarz play with a wide range of elements: an off-beat synth wind section, dry tinker bells and sliced vocals, well-orchestrated by a fine mix. all together this creates the perfect atmosphere for a monday morning sun rise. exhausted, dried-out, longing for your bed and a glass of water, yet at the same time not wanting to go home. great music got soul, the perfect balance, that keeps the heart pumping and the body dancing. deininger is about this certain temper, the groove, that makes you carry on.

incl hammerschmidt & lentz rmx, with this record there is a quite fresh wind blowing through the bawns of religio.audio. claudio manfellotto from naples is presenting with his tracks a wonderful entire compositon of electronic sound art. the animalistic duo hammerschmidt & lentz complete the religio.audio011 „animal friend ep“ with their remix. visiting the zoo pays off again and again. this record, too. but feeding the artists is illegal!

giggle riddim stands out in the bassline scene as one of the biggest tunes of the year. piddy py is a master of the signature northern style with his ghoulish bell tower leads and extra terrestrial bass. combined with giggles wind up kicks that bully dancefloors into submission and the terrifying baby cackles that give the riddim its name, piddys arsenal is unstoppable. utter havoc ensues with every drop. the title tyrack has already played by the likes of toddla t, sinden, herve, hudson mohawke, rustie, drop the lime, plus bassline heavyweights dj q, rossi b & luca and too many more to mention...

neo-trance theme !!! angels of kindness are seesawing in their fluffy clouds while eavesdropping the new opus - and yes, one can easily call it an opus - of catekk. dunning the sound creeps up (up from the viennese flex club?) through this mundane labyrinth. muse awakened the apocalyptic riders with its kiss and instead of the twilight of gods you are served subtle grooves, which only admit zeus sharp lightning to pass through the thunderclouds of bass. thunderstorm and labyrinth makes, how could it else be? a markus lange remix, who obviously enjoyed remixing this big theme, while following catekks traces in the wind. whos still missing? yes, newbornchristians must be around, when it comes to remixes with the perfect relation between foolishness and intelligence.

after almost two years of experience with labels suruba records and suruba digital, los suruba, alias below delmar and varo, dive into a new adventure: suruba x. a deeper, eclectic and more personal label than the previous, suruba x will be dedicated to minor styles, even considered as far from the dance floor . the 1st reference is starred by english artist alex grzybowski, who had his first appearance in the suruba family with the 8th release of suruba digital.this polar parts ep/suruba digital 008 has been his last release, but this english artist who started producing along wih his decks mate from sleaze club (leeds) simon baker has already released under aka the liptrick in labels such as 2020vision or infant records. this time, alex is presenting 4 tracks, two in the vinyl version and two extra tracks in the digital version of the release. all of them with an exquisite stylish house full of textures and layers, though in every track we can perceive how eclectic can this leeds artist be

>theres a rat in the kitchen what am i gonna do? theres a rat in the kitchen what am i gonna do?…im gonna teach that rat thats what im gonna do, im gonna teach that rat, thats what im gonna do<… sang ub40 back in the day but these days the best way to teach a rat to dance is to hit it with the latest made to play release from jan driver. the shadowy figure that is jan driver lurks in the depths of the berlin dance scene and only exposes himself to strangers in the park and via the medium of unleashing massive sonically charged dance floor bombs like >rat alert<. for more than twelve years he has been producing on labels as diverse as polydor, am:pm, virgin, southern fried and klang elecronik as well as his own imprint, grandpetrol. this release is causing a massive stir with the heads that matter including roland rat, ratty out of wind in the willows, stuart little, splinter and most importantly dean gaffney aka rat robby out of eastenders who uses it to ease the pain of being an unemployed actor. whether youre a cat, rat or straight up t*at you need to buy this, love it, play it and scare the sh*t out of the local vermin in a club near you.

the mysterious re (richard e of solar apple quarktette) strikes again with this killer 4 track ep: bobby hutchersons >hello to the wind<, a vocaljazz cut, d angelos >left & right< , missy elliots >4 my people< with some dope piano bits, and dimenzionis >bamba< a space jazz fave. two big thumbs up

first release from the decomplex audio imprint

unreleased disco soul from new orleans band, a side is a short but sweet single that pairs the soul disco styling of earth, wind, & fire with the cool crooning of bill withers. there must be an answer is somber ballad lamenting lost love. this dramatic track is characterized by its dark piano lines and is accentuated by post doo wop vocals reminiscent of the temptations.

new sub label from membrane recordings, blues + acid! in a human world, even the machines get the blues. discarded debris turning backs on the dusty strewn mess of cables and circuits in the corners time passes with calloused wind. random ghosts from the mississippi delta to chicago seem to find their way into the dusty boxes. a temporary home to let loose and vent.

limited to 500 copies worldwide, eminor#16 is a shure shot! its well-done mixture of a nasty vocal with twinkle-toed basslines, scatterbrain will certainly hit crowds by surprise. on the other side, knurrhahn - composed with labelowner wahrlich - is a functional and repetitive pusher. with this record, carbon from hamburg makes clear which way the wind blows and where his musical development is leading to

special delicious garden recordings music box including 5 vinyls:dgpro011 - 013 - 017 - 018 - 016for all the lovers of music!

the latest release from persistencebit headquarters, comes with a killer single-sided, single-track ep, serving the brilliant donnacha costello remix of >cobra< by rolf and fonky (italian djs and producers mirco uguccioni and maurizio ottavi). and donnacha does it again, what he does best – delivering strong low-riding techno grooves. costello, who is no stranger to the electronic music world, with his sought after releases on mille plateaux, releases on kompakt & his colour series on his own minimise imprint, brings as fine echoing claps over a steam-driven shuffle move, letting the intensity escalates when a house feel seeps into the tracks hammering pulse, after which a gradual wind-down brings the lights down to help ease the hooded snake to sleep on this remix. the track is a pure dance floor sweeper in full effect, cut and mastered for optimal dj friendly use

bringing detroit pads, old school bass synths and minimal beats together for his debut single antiquated ep. upfirst on remix duties is label owner ignition technician, with a bass driven electro techno work out that has all the bases covered. wilko did the mix in the style of his new project androids. for the first time in four years the original line up of ignition technician aka wilko and pete simpson are back together but this time they have added their best friend paul walker to the line up to create a new band androids