session victim - berlin/hamburg based duo of hauke freer and matthias reiling - return with the next installment in real soons occasional limited edition series. the late runner ep follows two well received real soon releases - session victims no friends ep (2008) and hauke freers my beat 12inch (2007). the four tracks here continue session victims exploration into their distinctive brand of low key tech/house minimalism - their productions combine a confident timeless simplicity with a subtle attention to detail & texture and a clever ear for melody. as well as real soon, session victim have previous releases on hairy claw and their own recently launched label retreat.

the viennese djs and producers smacs & patrick kong transformed their studio into a grow room. >no more experiments!< says smacs, when being interrogated about specific preparations for gigs outside of the austrian capital. their critics say: >on the long run the move towards self catering and regional consumer awareness will lower the production output of s&p<. the critics are full of shit though, because the opposite is happening. the recording booths new dedication >gives (you) wings< as a globally known austrian marketing slogan states. >growers< simply became their new single theme. of course dirt crew is around handling business when things get dirty in the techno scene. but instead of cleaning up, the two berliners mash the dope up with their favorite flavors and create special blend of its own, which will probably make it into this years finals of the legendary grand cup. indoor or outdoor, this tune will work!

our man from up north, moodymanc returns on dessous with another impressive ep brimming with tasty drum dubs, lip smacking deepness and a sizzling remix from dplay & manuel tur. the entree tonight is omlette, a slow building exploration into the depths of moodymancs percussive, synth laden studio style. growing from reduced beats into a room filling perc-dub-house beast, complete with a generous side portion of crispy drums and club-ready high production values…! its a hynpotic, uk meets berlin lesson in modern deep house and were sure youll be hungry for more. stalwart deep housers dplay and manuel tur lend us their 5 star audio-cooking skills with a pumping and dramatic remix that lifts the energy to the rafters with its phasing synth themes and stacatto bass line. guaranteed for the floors, inside and open air alike, this stunning rework combines darkness and light in the unique and addictive way only this pair know how. on the flip we find talker (drum dub. reduced tribal percussion and intense spacial effects are the name of the game here as moodymanc lays down a must-have rolling drum tool that will no doubt find its way into the bags of more creative and djs out there… and stay there forever!

sebo ks last release on mobilee, diva, was a hit, and one of mobilees most popular tracks in 2008. since then hes primarily stayed under the radar, popping up only momentarily to release a track on cecille in july of 2009. with his new release spirits, sebo returns not only to mobilee but also to the sonic tropes that propelled him to success in the first place. undulating melodics that stretch like rubber bands, a funky bass line, and a jacking house beat: within the first few seconds of hearing spirits one immediately recognizes the slew of sounds with which sebo k made his name. the track takes its time to build as well, riding the groove for a bit before bringing a singular, high pitched note into the picture. as it continually gains momentum and rises in intensity, the captivating sounds of a piano arrive, adding yet another layer of familiar and hypnotic melody. all the tracks components merge seamlessly, with percussive accents here and there until staccato strings make a dramatic entrance, fluttering and dialogue with the rest of the tracks components. by the end of the track, the piano has gotten back in the drivers seat, steering the track along it s course. the drum version builds off the vintage house sounds of the a-side but substitutes extensive percussion from max moya for the strings and piano

anja schneiders accomplishments need no introduction as she transforms kikis manic mood compelling title into a modern sounding hegemonic dj-friendly house track. after a spooky intro, holger zilske sets a super-fat, bouncy beat in the middle of the track as serene funk sounds circulate a new life as well as a second face - a real stroke of genius

hotflush two presents a 3 track ep from london based producer sigha. developing his sound from his first two releases on hotflush which circulated on the edge of dubstep, these tracks dive headlong into deep, dubbed out house and techno, soaked in sub bass.

supported by kollektiv turmstrasse, kombinat1000, someone else!! matching the cold season in northern europe, acker records extends its collection with a beautiful just as functional ear warmer. designed by the gents carsten rausch and ferdinand laurin from the city of trier, this acoustic accessory convinces in even four aspects. on the one side, the warm sounds of shout can be found, a really inspiring track that develops certain trancy qualities with its throughout melodic character and some pretty trippy delay experiments. after that, the pleasant boost is taken up by quattrow, here the anyway outrageous groove of the lower frequency spectrum is raised to the stakes by a casual and housey motive. this track is redesigned by the dudes of rundfunk3000 on the other side, they serve it on crunchy and highly energetic rhythms and spice it up with their typical, playful instrumental entries. finally, the tribe is also pretty much straight forward and again scores with warm feel-good sound that dives into intoxicating depths.

there is a new name on cargo edition, but by no means an unknown one. as a dj markus schatz has been on the move for years now, all the while maintaining his roots in the berlin club scene. markus started producing in 2004 and both his solo eps and collaborations with tom clark on highgrade records and opossum recordings last year clearly demonstrate that his talents go far beyond the turntables. and now for his first ep on cargo edition, markus takes a step further into the musical spectrum. drippin is a nimble house track accented with a note of funk and the smooth vocals of sean andino, giving the track a slight pop-appeal. in contrast flippin gives us a beautifully reduced form of house all driven by a powerful rolling bass line, a textbook example of less is more. as a perfect ending restart surprises with its smooth house arrangements and sophisticated deepness. a truly versatile ep from a truly versatile producer.

in a fresh, light and nippy way mr. russell drums us out of the indian summer into the oriental autumn. pipes of pan prance above this cool arab beat and take a rocking guitar line in between. and because germany becomes extremely cold these days, fenou #9 heats up more pressing than its predecessors and warms us on top with a vocal taken from the arabian nights that crackles in our ears. the flip side shows more deepness and blows over a warm breeze of spanish dance air on the guitar. vocals whisper longingly above the drums, engrossed in thought far away at the seaside. with this record autumnal coldness is long forgotten and expelled.

rare wiri strikes back with a cosmic disco travel to the end of time (and to the dancefloor too!). the crew of the starship are formed by ichisan (airtight, eskimo, solardisco), ilya santana (balihu, tirk, permanent vacation,…) and the head of rare wiri, rayko, with forthcoming releases in soundscape and eskimo. space disco vol.1 is a great compilation of tracks aimed to move your body and mind into the last frontier of the universe. get ready to be transported to our ship!

now we are proud to welcome the flash brothers with their debut on clubstar records. na na hey hey kiss him goodbye has originally been a number one pop single on the billboard hot 100 in late 1969, by a band called steam. the flash brothes take this evergreen into a crossover potential electro house track. slamming remixes come by abel riballo & dj kds and kid chris, who have proved their skills before on clubstar. for those who dont like the vocals there is also a pumping dub mix on the vinyl. support from some of the biggest names in the industry, like paul oakenfold, tiesto, sasha, john digweed, pete tong, judge jules, danny tenaglia, armin van buuren, paul van dyk, deep dish, dave seaman, seb fontaine, ferry corsten, steve lawler, satoshi tomiie, max graham, robbie rivera, sandra collins, nick warren, hernan cattaneo, james zabiela, tom stephan, junior vasquez, victor calderone and many, many others!

this ep contains the best cuts from the ifs6 industialization cd. 4 industrial hardcore slammers in true isr vein, with an international flavour feat. tymon (australia), sei2ure (nl), forsaken is dead (usa) and lian (italy). these tracks will be sure to find their way into loads of dj sets.

big with carl cox, michel de hey, gel abril, slam, hernan cattaneo, kenny larkin, sasse, jamie stevens,... hell yeah proudly welcome on board enzo elia, a producer who genulily restores our faith into free range house music, if house is a feeling then enzo elia is going to touch your heart with this new 12 after his recent releases for be as one, lion1 and youngodds. we are not going to bore you with a long list of supporters or useless descriptions, just feel free to choose your favourite version between the peak time beat driven vocal main mix or the absolultely tripped out and moody afrologic version. if you love house music we are sure you are going to dig this! hell yeah!

techhead toolbox is a vinyl series concept brought to you by techhead recordings based on the idea that the most basic tools are simple machines. the audible result aims in crossing the line between techno as we know it and techno as we dont. each record is inspired by the usage of different tools and each tool plays a significant role in each record. the always innovative duo of john karagiannis and paylipservice (techhead recordings, soulaccess, relatives, techment) put out tonsil guillotine while perc remixes this special gem. the surreal scissors was already great, this is even better! get into the concept!

in addition to our first artist album on connaisseur “estroe – elemental assets“ we present the first single “le flaneur” with interpretations by kollektiv turmstrasse our weimar homies christian rottler & deer. all 12 remixes will be released as remix album in digital plus a few remix extracts on vinyl. look forward to the next packages with remixes from audiofly, ripperton, steve rachmad, melon, beatpharmacy, joel mull, tedd patterson, patrick chardronnet, roberto rodriguez and nuno dos santos. le flaneur - this vinyl extract contains the original version of the track - a melancholic detroit-pop pearl with the lovely voice of miss kittin on top plus two remixes. the first remix is the mindbending kollektiv turmstrasse wald und wiesenreh mix that shows in an impressive manner that the two rising northern stars developed their trademark sound to even a higher and more grown-up level. with their “stumme apotheker rmx” the infamous duo christian rottler & deer give a lyrical answer to the original, its starts as a rather acoustic guitar tune and slowly morphs into a trippy and charming debaucher.

another blaster ep on the strong special series imprint. get ready for some serious funky techno bizzle from all your favourit artists. first up its man of the moment a.paul remixing ramons track turning it into a true floorburner. a.paul trademark bassline and the uplifting synths stay on top.. next up the french mat303 and josh love. josh just had his debut on patterns and its doing really well! this is samba bussiness for all the carnival people. big hit for rio!claudio opens the flip with his incredible sound. he is relatively known, but creates music like his been here for ages. mature techno for the masses.

no matter what sounds you profess to be your dance music of choice, chances are that at some point over the last five years, you will have gotten your rocks off to matt edwards aka radio slave. in that time matt has remixed countless tunes for an incredibly-wide selection of notable labels. to boot, his touring schedule must be almost painful. so it was with great pleasure that om was able to enlist his talents to compose a tune especially for our 15 year anniversary compilation. to cut straight to the chase, orchestrating maneuvers in the dark is a rhythmic deep tribal techno groove - obscure, dissident and crunchy - with a breakdown that dissolves into thin air - only to strangely and magnificently re-materialize into his funk-induced groove.

past, present & future all wrapped into one... we are very happy to welcome the newest members to the citydeep family, and straight off there smash hit for sole channel records. dasoul, fabry diglio & m.a.d. boss brings a brand new jam that moves in between deep and soulful house with out a missing beat! moon in taurus kicks it off with a dark and dirty feel but before it has worked its magic you have moved through deep and soulful to take listener on a ride. play this one loud and watch the dancefloor come together as one!

for the second cassius records and to carry on with the youth speed, trouble, cigarettes adventure we give you four remixes done by talented producers across europe from milano italy… reset! we met the three kids from reset! in magazinni generale while playing, their set was powerfull but also full of respect and influences from hip hop, soul and dance music in general, we finished our sets back to back and since this day love them their trouble mix could have been done by the jbs if they were still twenty something and into house music… it rocks and never stopsno use to present the music from radio slave, the big difference with a majority of other producers is that we both can recognise his tracks in a few bars only, also in the way it streches to crazy length and takes you in a trance that could have come directly from lagos in 1973 matt embrace the same philosophy we all cherish at cassius records the no boundarys way hes more than minimal, more than electro more than techno he stripped down ystc to the max and his remix played at the good time on a good system is a true chicagoan infused gem then after chaos

all the way from new zealand to the urban landscapes of berlin, simon beeston is a man who likes diversity. this is not just evident in his choice of residence, but also in his musical output. following an ep on highgrade digital and a track on our various artists vol. vi record, simon now presents dusty back room, his first solo 12inch release on highgrade. the ep opens with the title track dusty back room, a track of strings and stabs, and a sound not exactly typical of previous highgrade releases. but when the music comes with such compelling energy and provocative atmosphere, were prepared to make an exception. new zealand meets berlin as we cast an eye over green landscapes and ocean swells, while the bumpy groove intoxicicates us with its magic spell. that simon beeston is a man of great contrast is clearly evident on the b-side with neon cringe and cymbolic. the percussive heat of the club brings us back from the organic landscape of his homeland and into the neon lights of the night. neon cringe resonates with a healthy dose of acid pump, while cymbolic provides a bass driven journey complete with cut up vocals and blistering cymbal rolls. this is a release that richly deserves its round number: highgrade number 70. especially with the addition of the bonus digital track tough luck, another highlight all of its own.

a classically-trained jazz virtuoso and national rock n roll hero in argentina, gutis double 12inch pack for desolat will leave you in no doubt of his ability to twist a snaking groove into something echoingly hypnotic. the tracks contained here are already a favourite in the record boxes of artists like loco dice, carl cox and marco carola, while gutis life story could itself be the subject of a story by jorge luis borges: >i leave to several futures (not to all) my garden of forking paths<. just two years after his first live sets in europe, desolat is proud to present gutis las cosas que no se tocan. the beats follow guti across continents: mr good vibes was composed in a hotel room in stuttgart after an argument with a friend, while the serious dancefloor vibes of sasa, the hustler and ieuuu were channelled in martinez studio. ieuuu and the hustler feature slices of glamorous, haunting vocals by jayson walker, a british singer that guti discovered on myspace. and sasa boasts gutis own vocal touches. meanwhile, the track aguanile is inspired by one of his favourite melodies as a child, one that he’s collected many versions of. the last track on the release, el campeon, reaches a bittersweet ending in the wide open space between percussive trills and a cut-out refrain, inspired by gutis favourite latin storylines of broken hearts and pain.

yerba buena discos is proud to offer the newest release from allen craig. the new style ep represents a move from allen craigs familiar jackin house into a deeper, more tech flavoured style. the ep is completed with a dub of yeah from robsouls phil weeks and an even deeper afrotech remix of deeper blue by homero espinosa!

first release from this exciting new spanish label focused on future synth beats with enough funk to appease george clinton. this is the first release too for the spanish beatmaker hybakusha, a pioneer of the skweee sound in spain. gameboy lover is a noisy 8 bit robotic skweee track which mixes chip tune drums and cutting edge filtered synths in a crazy groove. on the other side there is a mesak remix of the same track. for those of you who have been napping for the last few years, mesak is one half of the electro outfit mr velcro fastener, he has released solo material on dexters klakson label and is one of the most prominent heads on the skweee scene. his remix treatment takes the track into more spacey and deep territory, giving this record the official and personal stamp of the finnish skweee.

s.c.u.m. is back and with a plate that ll rock you right off your socks! none other then zero g has been selected to drop his long lost ransom tune that has been cained by almost all the bigshots and even was featured in ruskos essential mix! now this tune finally sees the light of day and ready to rock the dance floors on a global scale. dj nicon of rotterdams subway crew was big fan of this tune from the start and was surprised this never got a release. so naturally this got scooped for his personal scum imprint asap! and of course no release is finished without a suitable b side so flip it over for scorpion! a brand new club banger that delivers the dubstep sound ever so crispy! if your into the heavy side of dubstep then get on this!! play support: skream, benga, walsh, marlow, seven, 501, reso, matt-u etc.

the legendary pounding grooves label returns with two new dance floor stormers. the a-side the dark bells is a dark and minimal acid track with a wicked 303 line and strangely enough, some dark bells. the b-side foogar is a pounding grooves workout into extreme bass, and a wonky synth line. both tracks written and produced by lawrie dunster aka pounding grooves

nope, this man is not a legend, yet! however he is in fact legendary already for his notorious live sets as well as a wide range of groundbreaking styles and sound he designed apart of the consensus way in the last 15 years. with his now presented astrodymics part1, richard bartz deals similar to the subway concept again with his past and transfers these late nineties space-disco drafts into the wonderful here and now. he delivers vivid funk-supercharged house which is at the same light as a feather and for sure a very sudatory matter. space-disco rules

the eleventh episode of disco deviance comes straight out of liverpool in the uk from the emerging talent that is cosmic boogie. starting out as a collective (inspired by local dj legend greg wilson) based around the cosmic boogie website, which is dedicated to pushing groove based music and knowledge about the scene, cosmic boogie has developed into a dj persona and quality imprint in its own right.

take a journey into late night new york house where everyone raisess his or her hands to praise the gospel of the dj. big moses delivers a musical sermon of house music with lead vocals by the angelic pam mcdaniels. for a beefed up bass organ filled jersey house vibe play the >trinity vox< mix.

badmotorfinger got lost amid the blockbuster success of nevermind and ten (all were released around the same time). but the fact is that, though they re all great records, badmotorfinger is much less accessible by comparison. not that it isnt melodic, but it also sounds twisted and gnarled, full of dissonant riffing, impossible time signatures, howling textural solos, and weird, droning tonalities. its surprisingly cerebral and arty music for a band courting mainstream metal audiences, but it attacks with scientific precision. part of that is due to the presence of new bassist ben shepherd, who gives the band its thickest rhythmic foundation yet and, moreover, immediately shoulders the departed hiro yamamotos share of songwriting duties. but its apparent that the whole band has greatly expanded the scope of its ambitions. and badmotorfinger fulfills them, pulling all the different threads of the bands sound together into a mature, confident, well written record. this is heavy, challenging hard rock full of intellectual sensibility and complex band interplay.

traversable wormhole has become one of the hottest mystery artist projects / series in the techno scene in 2009. crossing the spectrum from deep techno to hard techno, tw has even found its way into the dubstep scene. traversable wormhole has been played from a huge array of djs from many scenes. reports through the wormhole have heard tracks from tw played by world famous djs such as chris liebing, ben klock, marcel dettman, mathew herbert, andrew galluzi, surgeon, function, frankie bones, luke slater, surgeon, dj deep and a whole lot more. tw has many years experience in performing both as a live act and or djing with turntables under his his/she/there well known projects names. will tw reveal their identity on the upcoming worldwide tour that question remains unknown. tw is only getting hotter by the minute as traversing the wormhole continues with vol 5. improved packaging for your eyes

luke slaters mote evolver label is not pulling any punches. having shaken the techno scene to its boots last month with the release of ortin cams no-holes-barred >carnage<, the label moves on to their funky 13th release.
the name cari lekebusch is synonymous with what has made techno the musical powerhouse that it has become. globally recognized as a founding force behind the swedish techno movement alongside the triumvirate of adam beyer, jesper dahlbäck and joel mull, lekebuschs distinctive musical style and creative integrity has graced leading label from drumcode to soma to harthouse and turbo and spawned a career that has maintained over nearly two decades.
spindizzy is a deftly crafted funked-up tech house track. constructed from a palette of harmonically aligned keys, bass and horns, its intensity comes from the measured way in which each element is given the space to breath its own energy into the mix. pacey but musical, subtle yet memorable, this is a standout record.
luke slater adding his bass sodden l.b dub corp twist to the track completes the package. deeply dubbed-out tribal rhythms take the mix on a more left-of centre path that winds through a busy soundscape of atmospheric acoustics that seem to breathe in deeply before being exhaled in a release of firing percussion.

twentieth release in fat cats famed split series compilations, this record combines norways alog with sunroof! member astral social club.
active since 1997 and one of norways leading exponents of experimentalelectronic music, alog is the duo of espen sommer eide and dag-are haugan, mainstays at the rune grammofon label.
alogs unique, hybrid sound has since developed through four albums that have unfurled a series of abstract yet accessible, self-contained sound worlds, each animated with their own internal logic, mixing a wide variety of bothelectronic and acoustic sources into something warm, intricate and organic.
alog embrace the freedom to flit and root in the cracks between strands of minimalism, electronica, post-rock, improv and vernacular music, merging woozy, stuttering electronica (a la oval or nobukazu takemura), with rich, shoegazey guitars, freeform improvisation, scandinavian folk, field recording and the masterful editing and soundscaping of electroacoustic composition.
astral social club is the project of prolific scottish-born neil campbell, apivotal figure on the uk post-punk underground, with a vast catalogue and numerous collaborations.
a member of both matthew bowers total and sunroof! projects, he appeared on three of the latters albums before helping to form the hugely influential and prolific (over 40 releases) leeds-based drone/psych-rock outfit vibracathedral orchestra in 1998.
campbell left vco in 2006 to go solo as astral social club, under which moniker he has released a number of albums (on labels like vhf, important, qbico, textile) and an ever-increasing stream of self-released cdrs in alimited edition series of volumes (currently up to #19).
the three tracks here were recorded by campbell, john clyde-evans, paul walsh and spider stacy.

raidens label always comes with something different from the usual d&b formula rubbish. martsmans track is very impressive, with his refreshing future sound. on the other side its business as usual from raiden with help from khanage, its funky, and not as full on as normal, but again right at the cutting edge. martsman got into drum&bass around the end of the 90s. debuting on new york based offshore recordings in 2005, he released on smaller as well as established labels like alphacut records or counter intelligence in the following years. in 2008, tracks on warm communications and hospital records sub label med school attract the attention of a steadily growing audience also from outside the drum&bass scene.

the process of artistic creation is fundamentally determined by the environment of the artist. some cities and geographical locations are synonymous with the artistic techniques and crafts in which their populations became specialized. the muted and subtle sunsets of monets paintings are nothing else but a truthful interpretation of the actual nuances of a parisian twilight - along with a great dose of the artistic wizardry.
these cities and their artistic communities, are the legendary ones that remain in history. defending a fantastic track record in electronic music throughout recent times, rosario - the capital city of the santa fe province in argentina - is one of these places.
franco cinelli, nico purman, andres zacco and jorge savoretti are the leading figures who have, over the last decade, turned rosario into the great sound lab that it is. while developing their own sound and story individually, these boys never forget about their common origin, and the vibe that truly unites them together. on this occasion, they all come around remixing their young friend capes >le post< ep.
this record is pure mother of pearl. it is a tribute to rosario and its prolific actors.

azari & iii, pronounced a-zar-ee and third, is the clandestine collaboration between toronto based producers dinamo azari and alixander iii. with a sound both futuristic and reminiscent, bold tracks like hungry for the power (released on im a cliche records) and the now following brazen reckless (with your love) have made their way onto the top of the taste makers charts and into the sets of many renowned djs.

you may not have heard so much from andre (aka &me) so far. instead of the flash and glitter associated with most of his producer colleagues, hes preferred to stay in the shadows, co-producing and ghost writing for artists like dj hell and terranova. now after putting out his first solo single on keinemusik, which was supported by all the key players (front room label boss jesse rose, luke solomon, gabriel ananda, danny tenaglia and dubfire plus many more) &me is finally ready to go public as they say. he may have taken some time to figure out his own style of blending techno and house music but now hes out theres really no escape. with a name like an attention deficit childs mantra its a wonder he stayed in so long. the on ep is an excursion into the type of techno dusted pulsating minimal house that has been so big for artists like luciano esse and arnaud le texier and which is heard on heavy rotation in berlin meccas like bar25. with a side on ever present digital squelches (reminiscent of a rolf harrris style wobble board) are laid over shakers, stripped-back beat and the familiar on vocal. its not hard to understand why tiefschwarz have been rinsing it for quite some time now as a huge afterhours groover. b side talking days, swimming in lush deep techno elements, weaves through more melodic territory but is no less infectious

upon you 029 is a split double a-side ep. mathias has gone for his patented sway technique and has released a shameless, no regrets, rave monster from the murky depths of his chicago-house box. whereas marco resmann, on aa, has taken a subtler, cooler and more secretive approach, venturing out into the dub countryside and having mz sunday love whisper the words: i will love you into this chrystal clear arrangement. two distinctively diverse quality products from the upon you family

limited to 500 copies! hot on the heels of this years maxi single, erol alkan and boys noize proudly present the stunning chilly gonzales piano rework of waves. the legendary entertainist has been a long time friend of alkans (he was also the only performer to play his london niteclub trash 3 times during its decade long existence) and has currently been putting the finishing touches to his boys noize produced next album, set for release next year. released november 23rd on an extremely limited edition 10 inch of 500, the piano rework comes backed with a spoken word episode from chilly explaining how one would translate a club banger into something your grandfather could get with! fresh off his guinness world record performance (27 hours, 3 minutes and 44 seconds), chilly will also be appearing at a londons la pigalle as part of a residency every wednesday throughout november for a series of piano talk shows, each featuring a cameo appearance from friends.

repress , back in stock !!!including anja schneider remix of >three weeks<. part 2 of his album released on three 12 inches. massive top dj support!
the choice of anja schneider for remix duties was an obvious one, the pair first met on a shuttle bus to an event and in short stead paul was co-writing for anja, becoming part of the driving force behind her huge debut album ‘beyond the valley’, now she pulls out all the stops to reciprocate with this standout reworking.
first up on the package is the anja schneider remix of ‘three weeks’, the opening cut from paul’s recent album. here the pair, deconstruct the parts and rebuild things into a deep and hypnotic version that has instant dancefloor appeal stamped all over it. solid, chunky drums rub up against simple spacey synth lines and warm pads to huge effect. bearing in mind the superb quality of the original this is a job well done, and a real addition to this great package.
next we have the original of ‘three weeks’, a track named after the extensive time it took to record. paul had originally intended to record the album in 6-8 weeks, then ended up spending nearly half of his allocated time on this opener. but it has to be said it was worth the effort. this is a slice of solid tech inspired house with subtle vocal elements and a musicality that cuts through the records club based nature. excellent stuff.
finally we have diamant flute, another winner from the ‘me, myself and live’ album. deep and highly engaging this again displays paul outstanding talents as a producer, weaving melodic elements deep into the mix and retaining an incredible underground electronic sound.

supported by monika kruse, adam beyer, jakob hilden, dave seaman, laurent garnier, kiko, john digweed, nic fanciulli, barem, chris liebing, danny tenaglia. yes, the world can be a cocktail and kaiserdisco are surfing on a wave of success following their track espandrillo. espandrillo made it into the richie hawtin us bus tour 2009 chart and has been re-entering charts worldwide for numerous times since. we think that with amalfino kaiserdisco will be hitting the top 10 charts of many dj s again. amalfino is a strong driving percussive track that builds on child vocals, creating a bit of a fairy-light atmosphere within a massive production. bailetteo is a track that can be understood a bit as a continuation of amalfino working with similar vocals but has less of a peak time formula. with >carachillo< kaiserdisco have added a cool and deep, housy track with indian vocals and samples, which could be cool for the house community.

no. 3 in the renowned series dark stars on noir music gives you an even deeper insight into >noirs< weird head and critically acclaimed dj sets as we unleash some of the exclusive and previously unreleased noir edits. but dark stars volume 3 is much more than that. dark stars volume 3 is about the quality of house music. all tracks included have been big tracks for noir in the clubs and we guarantee they ve been tried in tested around the world before they made it to this compilation. we hope you enjoy the collection of quality music as much as we do

no. 3 in the renowned series >dark stars< on noir music gives you an even deeper insight into >noirs< weird head and critically acclaimed dj sets as we unleash some of the exclusive and previously unreleased noir edits. but dark stars volume 3 is much more than that. in short. dark stars volume 3 is about the quality of house music. all tracks included have been big tracks for noir in the clubs and we guarantee they ve been tried in tested around the world before they made it to this compilation. we hope you enjoy the collection of quality music as much as we do

the italian rising star team daddys groove and the most popular dj & producer in the world bob sinclar, join their experienced vibes, crossing down into a magic brand new tune...

rippertons perspectiv label with its 2nd split release giving new talents a stage. 1st split is a huge release with two sublime tracks by agnes and johnny white. not sure if this one tops it... but crowdpleaser and entlet deliver both two tracks that stand out of the pack!!. especially the b2 track by entlet needs some extra attention... a contemporary house track that has so much hidden power. phat old school bassline kills it everywhere.. and then the tracks continues to build and build.... like a modern dj pierre wildpitch affair! crowdpleaser delivers two solid tracks that went straight into the dj sets of many influential djs. highly effective and useful house tools (a description that actually doesnt do justice to these tracks which are much more then just tools!) ripperton proofs once again to have a great ear for new talents!!

dutch dj & producer jazper has set a step into a new direction together with jules from romania. jules known for his digital nature alias and jazper known for his trance and progressive productions together with misja helsloot. following their last release on be yourself, they now present pitching pigeon for baroques sister label method... techy rumbling beats & a slick melody, courtesy of the more bells mix... make this a djs must have!

nachtstrom schallplatten is back with a brand-new ep produced by munichs tobias felbermayr. the vinyl will contain 3 superb techno-smashers in the best tradition of extrawelt, johannes heil and gregor tresher.
tobis career started in the year 2005 under the pseudonym joey approx. at that time he was already playing in well-known clubs such as rote sonne and harry klein - both located in the beautiful capital of bavaria munich.in 2008, he could convince his good friend johannes heil to make him part of his label metatron recordings. his first release immediately was a huge success and entered the top-50 of the techno-charts in europe and in japan even went into the top-10. after playing together with artists such as johannes heil, spektre, acid maria, piatto, tim green, daniel schlender and many more, he is still on his search for that special sound and one thing is for sure: he s gonna find it!
we are proud to welcome tobi as part of our nachtstrom family and to release his first ep on our label.

akiko kiyama is back on lmd after kick starting the label with her acclaimed misidia monarchy ep. since then her sound has matured and grown, the flesh got spirit ep shows this in more ways than one. with a brooding sub low bassline & twisted intricate layers a genius vocal comes into play lifting the track only then to be placed back into the depths of the abyss. treppen is a peak time destroyer, sucking you into a hypnotizing rhthym that builds and builds creating a feeling that something is about to happen, strange vocals that sound like lost souls haunt the track hooking you in only to spit you back out onto a roller coaster baseline. sometimes is a harmonic cruise control roller that takes you on a trip through akikos wonderland.

the particular view on a musical future might have been considerably different when olaf hilgenfeld (berlin) met iftah gabbai (jerusalem) for first sessions in 2004. the piano player hilgenfeld used the accordion that time mainly, whilst gabbai was using all instruments available, a computer was among those more by chance. only one year later the duo skinnerbox played regularly on such uplifting, innovative off-partys that came up in the new techno generation again.
that was just the beginning. skinnerbox have developed a purely electronically composed and performed music (partly featuring vocals by elle_p) – that is not based on loops but improvised techno inspired house and minimal house. the roles in the duo are clearly settled: olaf hilgenfeld – moog synthesizer, iftah gabbai – hardware drum machines, max/msp und ableton live.
all these distinct impacts and effects can be heard on their various releases from the last two years, but far better in their live sets. skinnerbox are an experience, taking you on expedition with paralyzing minimal, breaking house, hard-edged techno-jazz, and ambient electronica futurism.
it was a desire to eternalize this play- & colorful diversity, often just caused by the moment, as entire homogeneity. thus, they needed to leave temporarily their environmental techno and minimal house scapes. >king of spades and marmalades< – the result – is a jazz opus wrapped into a disco suitcase. it is a reminiscence as well as going far ahead of daily musical habits, shown not at least by the order of tracks, do not starting with a stunning hit of the album, but with 20 minutes of challenge.

big with: ben klock, brendon moeller, alan fitzpatrick, pär grindvik, chris liebing, anja schneider, orde meikle, deetron, a. mochi, adam beyer, samuel l session, joris voorn,.. the respected italian producer roberto bosco pushes the blurry boundaries of club techno with this edgy, agile and highly functional 4-tracker on figure spc. letting the games begin straight away with one, a bass-loaded pumping groove leads the action as we step into a cavernous hall resonating with classic techno hypnotism. careful arrangement tweaks, jacking, sharp percussion and knee-trembling sub-frequencies are all present in this well-defined peak time treat for the floor. the twisting, freaking opening bars of circle dub quickly evolve into a strange but beautiful beast, utilising boscos trademark solid drum array, but also a drifting, dubbed out scattering of synth lines, taking the focus from our heads to our hearts. super-pumped and primed for warehous sessions everywhere, the title of the b1 track club sums it up perfectly