(180 gram vinyl lp) far out recordings proudly presents the 1975 self-titled debut album from brazilian vocalist and bossa nova luminary emilio santiago. one of his best know is album opener bananeira, a party-starting version of the song originally written by joao donato and gilberto gil. brother is a smooth-grooving killer with great horn arrangements and a huge backing choir, while la mulata is a soulful, swinging salsa stepper.

legalize lambada step up for their 4th outing with four delectable afro disco edits from sputnik. ‘superlove see s sputnik channel a south-african take on early garage house before melting feeling fine , the reggae tinged, afro boogie gem. on the flip side, groove me unearths some feel good cameroonian disco gold complete with killer guitar solo, whilst rick closes out the e.p. dropping the tempo for a synth soul, slow jam. with early support from hunee, lexx and the likes, leg004 is shaping up to be one of the summers standouts.

volume 11 of the masterworks music journey comes in the form a four track e.p. of edit gold from russian producer, valique. ‘it s hot heavy boogie edit opens up proceedings, laying down a guitar driven, synth boogie gem, heavy on the squelchy top lines, weighty bass and full-frontal female vocals. think about it not too long edit then takes you into peak time disco territory - sun drenched, beefed up, filtered and phased for maximum dancefloor vibrations. flip it over and you re hit with an infectious guitar lick and bumping bass from the off on one chain makes no prison edit , before that killer vocal joins the party. finally, rounding off the e.p. hypnotizing wanna be free edit treads a more late-night path with a hypnotising vocal sample coupled with panned cosmic pads and percussion, sure to entrance any crowd it s put before.

following on from the epic hammer e.p. and subsequent remix package, loft records return for their 7th release enlisting the expertise of crawford to provide two original tracks with remixes from brame & hamo and kiwi. ‘we go back is a soaring synth driven stomper - building around dynamic arps and heavy bass synths, before a driving kick and soaring pads are brought to the fore to create an expertly produced big room anthem. techno rhumba is a chuggier affair laced with spring reverb, floaty arpeggiators, expansive stabs and brooding chords perfect for those early hours of a night. on the flip side, irish duo brame & hamo are first up to take on remix duties for we go back . they rework the arp lines and pads for the intro before dropping it into a tougher techno workout of heavy duty synth stabs, epic ride cymbals and dreamy textures. kiwi then close out with their reimagining of we go back combining a killer tom pattern with those soaring arpeggiators that seem to endlessly resonate around your brain. two great reinterpretations of what was already an amazing track

clandestine boogie are back, enlisting omsk s sunner soul to provide the goods for their third release. the title track voyager 84 sets the scene perfectly drawing you in with dreamy swelling synths, fizzing hats, and chunky hits alongside choice lo-fi vocal snippets & cosmic top lines - smooth as you like! kim and buran then steer things on a funkier flex with their take on voyager 84 . staccato guitars laid over the top of a heavy bassline, succulent pads and spacey keys provide an intergalactic disco journey with you strapped in the front seat. on the flip side sunner soul team up with fellow russian producer, scruscru. spring mood picks up the tempo working bouncing arps and wobbly synths behind a thumping rhythm - a killer slice of disco tinged house as we move into those sunshine months. closing out the e.p. it s peak time, boogie laden, blissful goodness in the form of joy . funk-fueled guitar licks, an instantly catchy melody and the perfect amount of effects to enhance those build ups and break downs lay the foundations for a sure fire summer hit!

licensed from french label, nymphony, f*clr are proud to present blazers groove sequence ep - four tracks of sublime french house. the title track of blazers ep, groove sequence is unrelenting with its taking no prisoners high octane rhythm, giving a reverential nod to the classic 90 s era of new york house. the north street remix crew - ashley beedle, darren morris and jo wallace - take groove sequence twelve beats to the four bars and beyond - an exploration into deftly constructed dance floor mayhem. side2side is an absolute cut up disco killer, already being championed by luke solomon on rinse fm and reviewed in april s dmc & mixmag magazines. with filters galore and that incessant vocal refrain, you ll need to call the fire department to put the heat out. and finally, bel air - one for the deeply approving head nodders - providing a musical poolside palette cleanser showcasing the versatility of blazers and his syncopated sophistication.

killer wave / post-punk / techno from jensen interceptor on power station.

maksim dark returns to his spiritual home of senso sounds - oliver huntemanns much touted imprint for his tougher, technoid leanings. maksim, born in serov, russia, has created an indelible impression over the course of his young career, and ‘movement is clearly the next step on his road to very great things. ‘attack disco is true to form - a lean, mean and tough to the bone piece of techno with a driving, powerful edge. growling, snarling synths sound like shards of metal ripping through the groove producing an intense vibe. ‘coordinate is a notch more reserved, but builds a killer, hypnotic groove through stripped back elements, before maksims off-kilter sound design provides the trippy topping. the title track ‘movement fits its name - the track bursts with energy and atmosphere, propelled by a thick, tactile rhythm and pitched down, demonic vocal by the man himself.

after kicking off with a selection of artists pushing hard on the serious electro tip, latvian label electronic leatherette is back once again with another round of smartly chosen protagonists plying their machine funk wares. plant43 are the most established here, dealing in immaculate drexciyan funk of the most aqueous kind. gestalt is equally on killer form with ecosystem while maroje t taps up the noir mood to perfection on la confidential. jack roland s crafty osmotic potential is a smart b2 reach loaded with detail and production chops while exploring a more mysterious atmosphere in the process.

with a number of high profile releases already behind him for labels including the legendary xl recordings and dusky’s 17 steps imprint, hugo massien has carved a sound for himself that sees him bring together elements from house, techno, dubstep and hardcore, all combining force to produce this killer 4-track ep, running at the techno-friendly tempos of around 128bpm.
dj support from: shed, loefah, pinch & many more.

breaking into a new century, following last months 100th release on the label, ishan sound collaborates on 2 killer tracks with bristol-based hodge and alex hughes aka muttley.
‘c5’ refers to cold explosives and makes for a perfect title for this stark, cold rhythm. a circling melodic synth line sets a moody context before the floor drops out and an industrial strength sub drives things forward at 130bpm. deep, hard, dark, original. exceptional quality from ishan sound and hodge.
flip for a 140bpm excursion from ishan sound & muttley, melding elements of trap, grime and dubstep meticulously to form an engaging sonic that is both fuel for the dancefloor as well as providing introspective qualities for bass weight meditation. ‘still smoking’ sums it up appropriately.

the next release on leading french label zone is a very special one indeed from long time friend of the label and pioneering electro figure kittin, the artist formerly known as miss kittin. her standout original comes with an equally impressive remix from truncate. a long time stalwart of the electroclash scene who has put out many seminal singles, kittin has famously collaborated with the hacker and felix da housecat and mixed up new wave and techno in arresting new ways for decades. her albums have always been hailed as hugely accomplished and the prolific and innovative frenchwoman has worked with numerous top labels. now back once more in 2018 with her first solo single in some time, she is in fine form. her offering here, ‘eacid’, is a timeless piece of deep techno with brain melting bass and twinkling yet menacing keys. her own vocals are twisted and chopped up into wordless forms that add layers of intrigue and the whole thing is brilliantly broody. a breakdown at the mid point allows you to catch your breath as her voice refracts round the airwaves, then the icy hi hats and rumbling drums and bass land again with subtly uplifting, light emitting chords rising in the background. all in all, this is one of kittin’s most special and evocative tracks of recent times. remixing is truncate, the deep techno artist who runs a label of the same name and has released his killer wares on 50weapons. his version is more wild and flailing, with the keys becoming more manic, the drums darting about all over the place and the voice becoming more paranoid and trippy.

born in argentina, saxophonist and flutist hector “costita” bisignani arrived to brazil in the late 1950s and in the following years played with some of the biggest names of the era such as joão donato, manfredo fest and sérgio mendes. . in 1964 he recorded “impacto” with his sextet, an explosive mix of tough jazz and brazilian samba widely considered his best work. the album’s ten tracks include three costita compositions, songs by tom jobim and vinícius de moraes and a superb version of horace silver’s ‘tokyo blues’. a killer samba-jazz lp! presented in facsimile artwork and pressed on 180g vinyl.

a shimmering piece of gold - discos dorados is a 4 track va e.p. brought to our shores by the lovedancing adventurers. felipe gordon & vagabundo club social open up the e.p. marrying dreamy arps and luscious rhodes stabs, with tribal-esque chanting to create an exotic, bubbling groover. eddie c then ramps up the disco flavour with his stomp mix of the original introducing a phased upbeat hook and choice horn samples, isolating out elements before unleashing a killer keys solo over the top. flip it and sleazy mcqueen & vagabundo club social bring the heat with chips y salsoul , blending jazzy chords and echoed out trumpets evocative of a mexican fiesta after one too many tequilas. to close it out eddie c rides off into the sunset sampling a vocal dialogue that wouldn t be out of place on a moodymann record, alongside succulent strings and crisp percussion - reminiscent of the jazz infused, mpc laden house of the moomin s of this world.

drum & bass’s number one italian stallion maztek on prspct with a huge 2 track vinyl! when it comes to badass quality drum & bass maztek is for sure italy’s flag ship artist who puts that spaghetti western pizza munching ex roman empire on the map. two banging tracks delivering his hardest most brutal work to date. this records has no b side. all killer no filler and aa all the way! all hail maztek!

it is not the honor that you take with you, but the heritage you leave behind. we don’t have every day a rework of a classic techno milestone on a label that tries to push the boundaries of the future, but this time is the time. thomas schumacher represents one of those artists that was there since the very beginning, and he is the proof of how an artist can evolve in many ways during the years, but always been devoted to techno, and the meaning of it. “when i rock” was played all over the world for decades but now gets a brand new rework by label boss emmanuel, and the creator itself thomas schumacher. the record has a b/w sleeve cover design by caitlin schumacher on 12”.

luke solomon’s much-loved classic groover ‘light you up’ gets a 12” vinyl release as well as the louie vega treatment on this double-sided package. the title track features the poetic talents of queen rose alongside disco cohort amy douglas and comes accompanied by the accapella. nyc maestro louie works his magic on the track with his boogie-inflicted mix featuring jazzy synths. a killer package ready to light up the dancefloors everywhere.

der spanier pablo fierro ist dope: herrausragende produktionsskills, drei (an)treibende tropical-/ afrohouse-tunes, alle drei suuuuper buuuurner, die genau rechtzeitig für die freiluft festival-, und beach-saison erscheinen. tony allen lässt grüßen. tipp-topp compost black label 12” von anfang bis ende. no filler, just killer. der auf den kanarischen inseln, spanien, geborene sowie aufgewachsene pablo fierro ist produzent, musiker und dj. seine musik wird als tropisch, elektromagnetisch und gewaltig beschrieben. außerdem ist pablo gründer von vida records, einem der global club music plattenlabels, die die besten tropical sounds veröffentlichen. seine musik findet man auf labelgrößen wie warner music, defected records, atjazz record company, kingstreet und g-rex. neben auftritten im spanischen fernsehen verwenden auch angesehene regisseure wie bigas luna seine musik.

discover the sex-appeal of leeds with the trio joe gill, heidi armitage and tim hutton aka zmatsutsi. they deliver on this mini-lp a mixture of s mazing slow beats tracks, a bit like rimini was meeting dusseldorf in a golf vr6.. guaranteed 100% dancefloor killers !

this is erlon chaves e orquestra saint moritz procura-se uma virgem ost (1971), supposed to be one of the most sought after erlon chaves lp. this ost was recorded to a brazilian soft porn movie with killer organ funk instrumental tracks and several funky, erotic & modal tracks, arranged and directed by maestro erlon chaves. tip!

* after nearly 10 years, kfa returns to vinyl. as a label, kfa was widely loved for its ability to shift styles and genres, always hitting slightly off center, to produce such off kileter classics as the original “truffle shuffle”, a jungle anthem that gets a much deserved remix on this ep. new signee scartat brings the pain with monstrously heavy beats in “role model”, which kf digital man of the moment bucksta keeps it slightly mellower with “killer sound”, leaving luna-c & mr arthur to bring the dancehall vibes with “judgement”.

bass culture welcomes frenchman leo pol to the fold for this fresh new four-tracker full of analogue vibes. leo s penchant for synthesisers and the warmth of his beloved machines is evident throughout this new release, with a retro soul spliced with modern sensibilities and, of course, visions of the future. things get off to an energetic start with caliente , a track that combines a killer main riff, scintillating pads and steam-powered percussion to really get those feet moving. this is followed by fnc burning , which totally slips the script with its off-kilter rhythm and uk-influenced breakbeat-esque sound. get ready for a sublime breakdown, with more uk rave stylings in the second half... fresh!on the flip side we get dark outside, which harks back to the early days of post-electro detroit. those formative years when masters like juan atkins were the soundtrack of motor city... from the hushed, silky vocal to the cosmic bleeps, this is a homage to the ghosts of techno s past, with a contemporary sheen.finally, we finish up with techyes no! , a dark, marauding stomper with a menacing atmosphere and spinetingling strings to really amplify the eerie feeling that pervades throughout. a diverse, yet cohesive collection of killer cuts from the young master leo pol and another superb bass culture release. only the finest from d julz s excellent label...

killer previously unreleased roots from the vaults of randys studio 17. in the mid 70s carol kalphat sang harmonies on max romeos if them ever, produced by clive chin at randys. at the same time however, she cut her own tune on the rhythm, also an indictment of the failures of the political system at the time. now released for the first time ever, backed with a raw rhythm version.

a true rarity from salsouls vast archive here, one for the bonafide boogie heads out there. this has gotta be one of the rarest surface records in existence, 3 cuts of that amazing early 80s funk that only surface can do! a licensed late 90 s pressing of this particular ep became highly sought after and has since been impossible to track down for even the most dedicated diggers. 3 full length jams presented here, including a wondrous mix from the legendary shep pettibone of the classic falling in love, also included are the previously unreleased stop holding back and when your x wants you back. this whole record is pure heat, one for the aficionados. properly licensed, wonderfully remastered and reissued for the dancefloor! you re not gonna find a more solid, well rounded example of that killer post-disco, electronic funk than this collection of cuts. essential. snoozing not advised!

1 copy per customer!! everybody s favourite parisian party fiends are back, polishing up another batch of patchy pound bin finds and not-on-discogs delights for your next summer soirée. putting their orange-eagle eyes to good use, the lyo crew have trawled the crates of europe and beyond for this sunkissed set, working the scalpel to the max to pack the dancefloor in arms aloft ecstasy. our party starts with the kwaito groove of -avidiyo--, a killer bit of late 80 s afro-action boasting synth marimba, alien bass blasts and life affirming vocal chants. not only is this cut moving in the ants-in-your-pants/dancing-like-a-madman sense, but its sting-on-safari emotion and clarinet solo could bring a tear to a glass eye. cartwheeling between aspirational jazz-funk and afro-cosmic, yanga mbiwaa makes its way to the heart of the party like a bewildered parisian at an ivorian wedding. as tumbling toms rumble like thunder on the serengeti, an oddball exotica chant encourages the nearby wildlife to shake a tail-feather to the club tropicana guitars and buzzing synthbass. at last you have something to keep quantum jump s lone ranger company! last but not least comes autoradio , a very well mannered monsieur living the french highlife by the sea and sun of the mediterranean coast. effervescent afrobeat guitars and swooning sax dance over a rolling rhythm section of buoyant bass and 80s percussion, while a spoken vocal drawls in your direction and the girls ask if you re ok. it s only when the pinging, ringing, madly modulated bass breakdown bounds through your surroundings that you ll wonder who slipped what in your drink...

1 copy per customer!!
just in time for your summer of love, good plus is back with three tropical disco, boogie, housey and balearic edits!
on the a side -bolji zivot- from kompleks is already a secret anthem for a long time at 20/44, the iconic small club of belgrade which is a favorite of many djs around the world (including us)
they reshape here the main theme from cult yugoslavian tv-show from late 80 s equally named -bolji zivot-. sax galore, relentless house loops, we call it a hit !
on the b side, lyo takes over with -drole de drague-, a feverish frenchie-brazilian affair which carries us straight to the lively and colorful shores of copacabana, ipanema or leblon. inspired lyrics, killer disco breaks, samba infused grooves , guarantee to make sweat any dancefloors !
finally, last but not least, lyo closes the deal with the balearic tinged -la bella vita- in a more mellow and lazy fashion, perfect for those sun drenched moments.

chicago s justin aulis long and ken zawacki return to l.i.e.s. with their second ep under their circling vultures moniker. on this offering we get four tracks of tough yet psychedelic machine music. from slow bpm beaters to metal on metal floor cuts, these are executed with precision to do maximum damage whenever played. sinking their teeth in and never letting go, looming over and waiting for the right moment to strike...tense music for the end times! another killer from these seasoned club vets.

robot 84 returns with another set of killer balearic inspired reworkings. these drums opens up the e.p. layering drum loops and bongo fills with dubbed out keys, brooding pads and afro vocals. the a2, all the more cosmic yet club ready in its nature, marries a powerful bassline and captivating kick pattern with some space echo synthwork, before those epic toms and vocal chants ring out. on the flip side, long hot is exactly that a smoldering, soulful, slow jam rework to ride off into the sunset to.

get down edits return with a 3 track ep of latin inspired edits just in time for the summer. festival (just beginning) kicks things off with an exotic disco edit complete with killer horns, sultry stings and that maraca flavoured feeling tied together with an uplifting vocal hook. the a2 two man sound combines an instantly catchy bass and infectious guitar lick combo with summery brazilian lyrics and jazzy rhodes perfect for the imminent festival circuit. festival drums rounds off the e.p. striping back all the melodic elements from the original to offer up a fusion of maracas, cowbells, congas and guiros to unleash a south american styled drum tool perfect to add a little zest to any mix.

two incredible 70s soul cuts from the o jays get the reissue treatment for 2018. the a side contains the mighty for the love of money, a near 7 minute cautionary tale to the dangers of greed and exploitation. for the love of money. people will lie, lord, they will cheat. for the love of money. people don t care who they hurt or beat. as pertinent now as it was in the 70s if not more so considering current affairs. a much sampled record, loved by many! on the flip darlin darlin baby (sweet, tender, love), the second hit single off the o jays album message in the music, is a romantic soul serenade with that killer gamble and huff production philly s finest!

full pic gatefold sleeve (artwork attached) – 1000 units,
this holly grail album has been transformed into a 45s collection. dynamite cuts releases a high quality limited edition 1000 copies double pack 2x7” release which gives you 4 of those masterpieces from that album. two never before on 7” vinyl all of the most in-demand tracks. cat no : dynam7011/12 track a1 – “windy c” this amazing track that delivers a funky melodic bass groove and great arrangement - full length version track b2 – “puppet on a chain” first time on 7” this under rated soul track, gets me every time. track a1 - “no more city, no more country” this track has been edits to fit for the first time on 7”, another funky gem, fav track b2 - “hole in my shoes” my favorite track from the album. killer groove and vocals so happy it’s a 7” now for the first time

atangana records’s back with its second release, once again a long-awaited reissue, once again digging into the caribbean music with a classic track from les maxel’s (from guadeloupe), “le retour de toto”. as usual, the remastered tune comes with a remix and a b2 “just” coming with the remixer’s add parts. originally out in 1976, “le retour de toto” on disques debs international is a brilliant dancefloor killer, magnifying the cross-world between zouk and latino music, biguine and calypso. you can hear from the prominent hi-hat all the energy of the dance moves you could improvise on that kind of joint. with a lot of break, wonderful horns and backing vocals, “le retour de toto” will enjoy all the summer dancefloor and airwaves for some time

evod music is glad to welcome binny and dj surgeles on its limited catalogue. the english dancefloor killer and the dutch sci-fi master fused perfectly together on this split ep. organic by binny is a perfect tool, thanks to its mesmerizing acid sequence, masterfully fused with powerful drum patterns and hypnotic drone raids. missing link is another killer tool, perfect for a dance floor full of people. its old school sound and the various changes make this track a must have. the b side is managed by dj surgeles, with three outstanding sci-fi tracks. science fiction contains a randomic, spaced out sequence blended with heavy drums and various drum patterns variations. commander pete is the most millsesque track: in this piece there is a real space ambience, thanks to a its far pads, the electronic ringings and bleep sounds incursions that create a constant suspense, broken by the interruption from an astronaut radio message. the ep is closed by message to earth, an ambient outro that fits perfectly with all the other tracks.

super rare and killer alric forbes 70s roots, only ever released on a mis-labeled pressing! the rhythm will be familiar to deep roots aficionados as the same one used for sydney wilson s -why do i cry.- a co-release with our french comrades onlyroots, who have already reissued a pair of classics from alric, -morning train- and -warn the nation.-

&#8203,,,re-issue of hard-to-find 1971 jazz album, originally recorded and released in finland. fascinating fusion of modern jazz and elements of caribbean music, african roots and pan. quintet featuring rudy smith from trinidad & tobago, plus musicians from barbados, surinam, and ghana. tip! lars samuelson, a jazz trumpet player and producer in sweden who heard this quite unique quintet, was captivated by their concept and sound, and asked them to record an album. otinku, the resulting album, was recorded in stockholm in 1971, produced by samuelson, and originally released on the odeon label, a subsidiary of emi finland. with an afro-jazz/caribbean orientation, the selections are a rich mixture of jazz standards and original compositions, including recently re-discovered killer funk tunes otinku and sugar daddy, and a fine steel jazz version of bags groove. the album was their only release and is now a sought after item for steel pan/caribbean music fans and vinyl diggers.

introversion created a name for himself with his remarkable debut with the first record on the label. the record is still in rotation today, and surely will be part of the rave scene for a big timespan. he is back with a complete 12”, providing his ravy personal sound reminiscence to the 90’s. now more than ever the artist is defining his own sound, creating a new window following the old and good roots.

third longplayer from brooklyn based experimental post-punk trio the dreebs, consisting of eight songs and seven instrumentals.

once again, providing a context for exciting new producers to release their debut 12”, cold recordings is proud to now bring you ‘cocktail party effect’. hailing from a musical family eric baldwin, the currently berlin based but british producer, shows off his colours here with a diverse, rhythmical, experimental – but always dance floor savvy – ep of 4 killer cuts, all rolling out between 125-130bpm.

la awanto 3 and meditation tunnel appear on the latest blitz, dj tennis’ ongoing, limited, vinyl-only series. these colourful records sometimes pop-up around life and death showcases, often featuring non-standard cuts + off-kilter attitudes. dekmantel affiliate, awanto 3 offers-up an infectious after-party gem, with “the phone we call it.” slow-burning cosmic keyboards pair with elements of detroit techno and a subtle wink to rdj’s masterstroke, xtal. the flip contains a killer from meditation tunnel, the newly-birthed dance project from the rapture’s luke jenner. la la la is a blitz future-classic. syncopated bass guitar, crusty synthetic strings and the purest of vocal performances - blitz #2 is one to remember.

still hope is their second single and the follow up to motorway jam (their double a side with palms trax from late last year) which sees them collaborate with anthony anaxagorou, a british born cypriot award winning poet and essayist, whose poetry and fiction have appeared on bbc newsnight, bbc4, itv and vice. hearing his lyrics via their good friend simbad, secretsundaze connected with anthony and still hope is the fruit of their labour. the original is a potent and political spoken word piece delivered over a rolling house groove. definitely one for the deeper moments with its late night heady feel and full vocal not letting up. the poems in the heart floor version strips the vocal back and adds dramatic strings for a more direct dance floor approach. ex slum village detroit producer waajeed released a couple of killer eps in 2017 on his own dirt tech reck imprint so we had to get him aboard for the remix. his detroit hardcore dub does what is says on the tin and is a peak time slammer while his searching dub goes down a jazzier, spacey route with live sounding drums and dreamy pads.

lovebirds, dove sei - is a dancefloor killer with a touch of 80s italo vintage feel created during his odyssey last year collecting classic analog synthesizers like the highly regarded arp 2600 and the prophet 5. since adriano celentano was not available he just skipped it in finding a replacement and recorded his own vox! thats how dove sei sounds!

returning to hypercolour with the persona non grata ep, mor elian continues to flourish with four killer cuts of electro and techno infused goodness. following 2016s drum vortex ep, elian has clocked up superb releases for delta funktionens radio matrix label, delft and her very own fever am imprint. on the persona non grata, elian serves up dusty electro beats, icy synths, headsy techno flavours and bottom end funk!

rebirth return for the second in their ltd series. argy opens up the e.p. with an atmospheric arp laden stomper enriched by the magical vocals of blue jay. acid pauli then take on remixing modular projects leaving, coupling glitchy vocal loops and pulsating synths together with a hypnotic groove to create a trippy minimal roller. closing out the e.p. tiger & woods add their trademark touch to lele sacchis dreaming wont do, focusing the track around the exuberant piano melodies whilst manipulating the vocal sample into a percussive snare element to give a distinctive feel to the remix. killer work as always from the rebirth crew.

four tracks of taut, relentless techno grooves rooted in the late 90’s tradition of energetic and ravey & jacking tracks to rock the dancefloor. no surprise there are passionate and skilled dj s behind this project... ben sims & truncate have formed to create assailants. their new studio and b2b dj project’s first output comes on the new imprint, obscurity is infinite. early support from robert hood, ben klock, luke slater and mark broom. all killer!

k15 returns to wotnot after more killer releases on eglo & wild oats, a collaboration with henry wu, and remixes for nubya garcia, colm k (on tiffs joints) and wotnot s own william florelle, not to mention the beautiful record earlier this year under his culross close alias. we re all creative but somehow, being creative has become a class within itself, often defined and measured by the whims of popular culture and monetary gain, which leads us to devalue what we create if we are not successful by those metrics. we are all creative, we all use our experience, talent and feeling to shape and we should be glad we create anything. this ep holds onto this mantra tightly throughout, reflecting both the meditative and joyful effects of unimpeded creativity. the title track begins with k15s signature introspection, deep washes of jazz-inflected textures before exploding into a rapturous syncopated synth groove. b1 communion explores the spiritual angle with a devotional piano cadence over bouncing drum pattern, with interlocking bass and synth rhythms adding to the hypnotic mood. wrapping up the release is a warm, deep-soak hip hop instrumental titled you re alive (theres still time), a message to self but also a beacon of hope to those who have maybe not created as much as they would have liked, or have strayed from the path the intended to take.

nice price deal !!! nofitstate is the new label project from simon baker and geddes. having been a hugely successful london based party over the past few years the duo have now branched out to present their take on contemporary house music. the inaugural release kicks off with mr baker in solo mode with the arpy ep, a highly energetic affair with simons sharp production nous in fully effect, arpy 1 features a killer synth lead whilst arpy 2 keeps the vibe deeper, negating the synth in favour of an emphasis on groove. skudge provide the remix on the flip, intertwining elements of the original mixes in their now signature sound.

music mania and indica dubs is proud to present the next release in their mania dub series. following the classic ‘almighty dub (md001),comes another of the uk dub scenes most renowned producers, alpha & omega, with one of their most popular ‘shaka killer classics from 1996: rastafari.

roe deers returns to the omnidisc family with a 4 tracker of their infectious horror dance sound. killer release!!

the chicago vinyl series continues to act as a vessel for ever more essential club tackle from the one and only tyree cooper. on this occasion he s collaborating with celebrated vocalist isis and the legendary adonis for this absolutely storming tribute to the heritage of chicago house music. the original passin thru the house is a consummate jack track, shouting out all the right names and letting the 707 fills rip through the groove. tyree then offers up three alternate mixes of the track, from the bugging vocal mix to the uplifting melodious form of the vocal soul remix. there s an instrumental version tacked on if you need it, but its all about isis killer vocal on this 12inch