handstamped! strong limited! 180g & vinyl only!

a pair of naughty as you like sample heavy tribal house music rumblers. rapture inducing grooves for the more discerning floor. these gents have had some big label releases, but the names have been changed to protect the innocent. get involved. vinyl only slab. hand stamped 45rpm loud cut for club play.

following the success of last years playgroup ‘previously unreleased’ album and its critically-acclaimed run of nine weekly 12” vinyl eps, trevor jackson has compiled a second volume of 20 tracks (11 unheard and 9 previously vinyl only) released as a limited edition double cd and 6 track vinyl sampler on nov 3rd via yes wave records. the music featured is a collection of reworked demos and unreleased recordings. a hedonistic mix of raw disco, dub, funk, dancehall. electro, new wave & post punk that all still sound as relevant today as they did when initially recorded for the debut playgroup album during 1997 - 2001.

van morrison scheint 2017 kreativer denn je zu sein: mit »versatile« präsentiert der nordirische musiker, sänger und komponist keine drei monate nach seinem letzten album »roll with the punches« schon wieder ein neues werk.
dieses mal kombiniert van morrison jazzstandards wie »i get a kick out of you«, »makin’ whoopee«, »unchained melody« und »a foggy day« mit überarbeiteten versionen eigener originale, darunter »i forgot that love existed«, »only a dream«, »take it easy baby« und »start all over again«. ein highlight der platte ist auch eine neu arrangierte version des traditionellen schottischen volksliedes »skye boat song«.
weiterhin wartet auf »versatile« noch ein brandneuer van-morrison-song, nämlich »broken record«.
das doppel-vinyl erscheint im klappcover inklusive downloadcode.

original was only released on a very limited hand-spread promo 12 !!!

root down is an exclusive and strictly limited 7inch single for dj oonops upcoming compilation oonops drops vol.1. the track will be available on the compilation too, but only on this 45 you ll get the instrumental version. oonops is hosting a monthly, successful broadcast show on brooklyn radio (nyc) since four years. a few months ago he selected the album nautiloid quest for agogo records new japanese signing nautilus and worked together with them for this single. oonops idea behind this reinterpretation of root down was a slower, jazzy laidback atmosphere combined with a female voice for the beastie boys lyrics. so he asked nautilus mastermind toshi to arrange a new instrumental and german singer fleur earth to sing over this track.

ikeaboy is the intermittent project from damian tubbritt, who first debuted the moniker more than ten years ago. it s been a long while since any fresh material from this deep cover curio of oddball techno hit wax, but now wicked bass have done the honourable thing and gathered up this excellent trio of tracks. shape memory plies a funky line in squelchy bass and jangling delay trills, while living in the future opts for a more mysterious, pad soaked trip into spooked out electro. on the b-side dayna sports some forthright drum machine beats and epic sweeps of synths that only serve to confound any expectations you might have about the sound of ikeaboy.

elcome to smallville, rhythm of paradise. we are big fans of michele lamacchias music since he released paradise on his debut 12 as rhythm of paradise on cosmic rhythm. this track breathens out everything we love about house music- deepest rhythms and dope production, timeless sounds - and the mighty loon. whenever we played this track since it came to light, this was a highlight of the night. we approached michele to send some love for his music and he send over this ep- 3 tracks plus a shimmering remix from his buddy nicola loporchio aka cosmic garden, who is running the cosmic rhythm label. we are delighted to present these as smallville 53, comes with a full cover art by the one and only stefan marx.

180 gram brazilian polysom re-issue of the polydor original.
an essential collection of rare material from this legendary brazilian group – and a set that shows the importance they had in the tropicalia movement beyond their own famous albums! the package brings together key collaborations between os mutanes and other key figures in music at the time – including some from rare singles, or other albums that maybe haven’t shown up on your radar if you’ve only been tracking the group by records issued under their own name. as a whole, the set’s a much-needed addition to their too-small catalog from these essential years – and titles include work with caetano veloso on -saudosismo-, -marcianita-, -a voz do morto-, and -baby- – plus -lady madonna- and -cinderella rockafella- done with clelia simone and kier – both live and 7” single versions of -ando meio desligado-, work with gilberto gil on -domingo no parque-, work with rogerio duprat on -cancao para ingles ver chiquita bacana- and -the rain the park & other things- – and the track -mande um abraco pra velha-, from a rare brazilian 60s compilation.

marco resmann returns to watergate after a productive stint at the red bull music studios in cape town with two stellar cuts featuring local heroes deep aztec and black soda. tack on a remix from the one and only oliver huntemann and another revision from resmann himself and you have the ‘babylon side ep. teaming up to kick things off, resmann, black soda and deep aztec embrace the cultural sounds of africas organic percussion and vocal prowess to create a tour de force tune perfectly balance between flashing club lights and vast open skies. following suit, ‘abadala sees marco again with deep aztec for a lush ride into deep emotional spaces by applying mesmerizing syncopated rhythms and spellbinding vocals ideal for deeper or more sentimental dance floor moments. up next is techno legend oliver huntemann who, playing after resmann earlier this year at the 15 years of watergate event at warung beach club in brazil enjoyed his set and the two hit it off, so logically he was asked to lend his trademark sound for a revision of ‘babylon side and he twists the original into a heavy techno belter complete with sinister sonics and fever inducing sirens. wrapping things up is marco resmann himself with his own take on ‘babylon sides and delivers a wild and twisted version of gargantuan low end and psychedelic shimmers of the original vocal resulting in a killer tune with a ton of attitude.

“don’t stay still” is the debut ep of trim records in amsterdam. we chose amsterdam because we believe in the vibe of this fantastic city and the growing underground culture. the label comes from the passion for music, vinyls, and freedom to have fun dancing around the world from raves from 1990 to today. the 180 grams vinyl ep is made up of 4 minimal-size tek-house tracks. our first artist is tijn, a great music and sound professional from uk. proprietary of label house wax and deep edition, with recent label releases as: memora, bodyparts, isgud and many more... ep s remix has been entrusted to the rising star of bucharest romania funk e following up some great releases like raum ... musik, adult only and kurbitz.

there are tracks that only deploy their full meaning when pumping through the speakers of a dark club. to give shelter to the latter, hivern kick starts a new series of vinyl-only splits dedicated to club-ready cuts by artists in our orbit. to launch the series, we count with both a well-known hivern stalwart and a new addition to the label. side a is dedicated to cel avall , a track that has been hidden in marc pinol s vaults for way too many years. with it s slow pace and direct but hypnotic feel, it sounds as if one of the pioneers of the first wave of chicago house had spent a night dancing to danielle baldelli at the cosmic club. in the b-side, aurora 2 , by norwegian producer charlotte bendiks, also has something of the rawness and minimalism of the first chicago sound. a perpetually fresh energy that, combined with her nonchalant vocal phrasings, provides the track with her distinctive blend of darkness, sensuality and cheekiness. the visual concept of the series has been developed by london based design studio dr.me

3 tracks previously available only on cassette compilations, now re-mastered by rude66, expect a load of dark electro / wave / acid madness.

carmen villain & jenny hval’s borders has gotten wonderful remix treatment from our favorite klare lewis. also biopshere has done a rare remix of red desert. both remixes are out now on limited edition 12” (only 300 made, and no repress).

cpu and dance musics polymath neil landstrumm share a love for classic bleep techno, hence landstrumm has brought to the table four superb reminders of the criminally short lived genre. with spine tingling melodies reminiscent of 808 state s best work, and sub-bass worthy of lfo s bass-bin shaking reputation. a death, a mexican and a mormon perfectly encapsulates not only landstrumms influences but also his deep seated love for bleep. a labour of love which the sheffield based imprint has been only all too happy to encourage and hopes will keep the genre alive for generations to come.

300 10inch pink marble, hand stamped, individually numbered records, single press only.

back to paradise garage with more unreleased rare boogie & classic disco mixes featuring grey & hanks dancin, “master rocker” by bernard wright & melba moore’s “let’s dub together” plus a bonus b side by giorgio moroder! these exclusive cuts are only available on this 12&#8243,,, release so don’t sleep!

excellent four track house vinyl compilation, nice early reactions:
* raresh: thanks a lot !,
* laurent garnier: very good 4 tracker pure quality music!,
* marc schneider: love all 4 tracks,
* yotam avni: great job you guys, always keeping it classy !,
* peter kruder : amir alexander and moody waters feat. d-ham are great. will play them. thanks.

finally the long-awaited second series of invisible family outings has arrived.label boss and compiler gk machine has this to say beyond ecstatic to get these tracks out. the gazeebo track i ve been playing in my sets for years. digital only but so great it definitely needed to get pressed onto wax! i would dj with it using ableton and speed it up a lot so for the vinyl i asked jon (nedza) who ive been a huge fan of since his community recordings releases on grayhound and imperial dub, whether he could speed it up a little bit before we pressed it up. now its 100% perfect: a moroder-esque cosmic stomper thats sure to set any dancefloor alight. the apiento track is another one that s been gestating for a long time first appearing around the time the original e.s.p. 12inch appeared on the wonderful golf channel recordings in 2014. secret circuit gave it a complete overhaul, in fact several complete overhauls, plus some of his signature guitar and has turned the already blissful track into an afro-esque, trippy, beautiful, beautiful piece of music that (imo) is one of his best yet. utterly gorgeous! then there s the boy-girl retro-future duo der kundalini coming from the wonderful lectric sands stable in ny who gave us zoovox. this one s also been hiding on my hard drive way too long! finally relative newcomers konzel (of junto club/optimo music fame) & natural sugars (pardon my french) round off the package just perfectly. the former so distinct that i felt it was a perfect opener for the a side. so, i hope you dig it and keep an eye out for the super limited 12-track cassette too! limited to 300 hand-numbered copies.

pelerin s first release presents the bewildering works of brind, also known in certain circles as ban ditman, a friend of both classical influences and soundly crafted electronica alike. -hribi in noapte- ep shapes the tone of a well thought out concept, using melody and harmony as the center piece of creation. a side - -glotas in tarziu- grabs hold of the essence of the ephemeral human existence, capturing tales of long forgotten ache and nostalgia, making for an excellent after hour tool. flip to b and we have -lacul norilor-, an even more organic piece uplifting us with voices of angels speaking of hope and heavenly landscapes as the waves slowly cover the shore. excellent moments for both dancefloor and late nights at home with friends, vinyl only with original artwork.

recorded on september 10, 1964, prior to his well-known association with john coltrane, this eponymous album (later renamed pharoahs first) is the debut release of the iconic tenor saxophonist. (yes, there are some spelling oddities here: the artist birth name ferrell only later changed the spelling from the standard pharaoh to the more personalized pharoah.) with one foot in mainstream jazz – pianist jane getz had played with charles mingus and the other, tentatively at times, in the avant-garde, this is a fascinating glimpse of sanders’ style before he wielded the unremitting fierceness of his playing with coltrane and the modal mysticism of his later solo albums on impulse. interestingly, in recent years he has deployed a more polished version of this sort of vant-flavored bop, bringing his career full circle and strongly suggesting that the hybrid heard here was not due to any failure of nerve on his debut but rather was the cornerstone of his conception. esp-disk has issued this album under three different covers, for its 21st-century reissue on vinyl, we have chosen to use the second and most beautiful. it is augmented with liner notes by a current esp-disk’ artist, tenor saxophonist ras moshe burnett of the red microphone, who can be heard accompanying amina baraka on their eponymous 2017 release.

7inch ep / sleeve has a central hole only on back cover, so that the b-side label completes the artwork. after the release of their first album born under saturn in 2012, and its follow up in 2015, musical adventurers django django went on to unchart new sounds and announce the release of marble skies, their new album, on january 26th 2018. tic tac toe is the first extract of this forthcoming album, and gets an exclusive 7inch, ep release. the track is a dancing, psychedelic uptempo and terribly catchy rock title, and will fulfill every django djangos rockabilly influence fan’s expectations. actually, the track is inspired from the very same improvisation that wor and shake & tremble recorded for born under saturn. the music video was directed by john maclean, brother of david (drummer and producer of django django), and director of the atypical western slow west.

yet more blissful listening comes your way courtesy of the impeccably talented deepchord. as we prepare for the release auratones, the detroit native’s 5th lp for soma, rod delivers the calming northern shores ep.
epic aural formations are always at the forefront of deepchord productions, every minute detail is constructed perfectly as each track gives off subtle nuances that nod to each aspect of modell s sound designer skills. the crystalline sonic formations in cirriforms blend together effortlessly allowing you to drift beyond while the ethereal pads of sky maps guide you through each unending swathe of reverb, each track bonded by subtle rhythms. crystal horizons sees modell delve even deeper, working more with percussive elements as his quintessential synth work seems to sit just beyond perspective, gliding in gently to remind you of an ever reaching presence. sand and shore has deepchord near strip the track of any clear rhythmic structure, with only faint sub bass allowing his uniquely processed field recordings and tranquil yet fluctuating synths to enhance the flow of the track.
a producer like no other, deepchord creates new sonic realms with each release.

vinyl only - christopher grooves part 2 of secret garden featuring another two brilliant remixes from ricardo villalobos.

after 2016’s mini-album shady and light, composer and guitarist martyn heyne releases his first full-length record electric intervals on the new 7k! imprint. says heyne: the number of parameters that determine a recording appears to be infinite. the mood, instrument, tuning, mics, room, temperature, time of day, all contribute to sound. the magic, once captured, is impossible to recreate. this might seem a hindrance, but it’s really the whole point of recording for me.’ opener ‘carry’, for example, is a composition carefully developed over months with most of the production happening in front of the microphone. ‘wilde wide’, however, was recorded only once as an early-morning improvisation. having worked with dustin o’halloran on the emmy-winning transparent soundtrack and with clarinettist claudio puntin as part of the duo set aglow, heyne’s sound is one of simplified diversity. on his debut album he controls each melody with the precision of a veteran producer.

eye contact’, ocean wisdom’s latest single after 18 months since the release of his debut smash lp ‘chaos 93’ which left a massive dent in the scene. ‘eye contact’, showcases his talents like never before, as he seems to even surpass the levels demonstrated in his 2015 breakthrough debut single ‘walkin’. this is the first single from his highly anticipated follow up album wizville set to drop early 2018!
this limited edition hand numbered 7” single comes with eye contact produced by kidkanevil on the a side and an exclusive vinyl only remix of ‘eye contact’ by strange u’s dr. zygote. this record is limited to 500 copies, once they are gone, they are gone!

debut release from ukraine based label fakedtunes. vinyl only!

it is time to discuss fundamentals. for his second appearance on laut & luise constantijn lange shows his interpretation of human mannerisms that contrast so much while being closely entangled. able to deliver both pain and satisfaction alike, its apparent simplicty may deliver the purest bliss while the complexity of its impact can at times feel devestating: power & love. for the first part of this pair onosizo stands by to passionately proclaim and address the true nature and dangers of power. in contrast the second part of this ep is a musical dedication to all the light hearted and emphatic moments, a chance to brighten up and an invitation to feel untroubled, if only for a few minutes. just like a mapleseed rhino would do.

if you are wondering what the artist wanted to tell you by choosing this title, we will give you a small hint: it’s a cynical statement on something that for sure every party promoter has experienced at some point. the rest, we will leave up to your imagination… in real life, there’s no mercy – neither is when it comes to the sound of this new snork release by syntax error. the four new tracks with meaningful names are not only a social criticism and another artistic processing of the current development of the techno scene, but also a classic syntax error: rough, tricky and good to groove. each track stands on its own, telling another story. “collateral cosmopolitan” is a straight forward piece with a highly memorable beat talking about the uniformity that is creeping in the waiting lines of more and more techno clubs. “i wear my grandpa’s glasses” presents a totally dodgy sound, which might be a little oldschool and even a little irritating – just like some fashion items you encounter on today’s big city streets. “no fog is no solution” is a tight song that definitely needs some good fog and a harsh strobe. and finally, the last track sounds like a futuristic fairy tale from outer space looking on the world as if it is a “society bathysphere”.

• second in a series
• bent bare bones dance trax from powell
• experiments with new, polyphonic hardware
• mastered and cut by matt colton
• riyl autechre, afx, din a testbild, all the best oddballs
• vinyl only, no digital, strictly limited!!!

ben jacobs aka crackazat first made a name for himself when he was still living in bristol and released on ep on the city s futureboogie label, which has also signed music from the likes of julio bashmore, crazy p and outboxx. early in his career crackazat was also the official warm up act for an at the time up and coming artist called floating points, who now needs no introduction as one of the world s leading electronic music producers. moving to sweden shortly after the futureboogie release, crackazat made contact with the local talk owners mad mats and tooli, and after a couple of single/ep releases signed his debut solo album crescendo. the last couple of years crackazat has had an explosion of global popularity, which has led to playing gigs all over the world, and releasing tracks and remixes on labels ranging from josh wink s ovum, joey negro s z records and eureka in japan. classically trained with a strong jazz influence, crackazat has a distinctively individual sound that fuses funk with soulful vocals and the electronic bass music associated with his former home of bristol. eloquent and intelligent, rainbow fantasia is a masterpiece that showcases one of electronic music s most exciting talents.

ltd handnumbererd black & white marbled vinyl!this release is 2xlp and it s individually 500 hand-numbered limited edition. the first 100 copies are pressed on white & black marbled vinyls (ar011). it s dedicated to the 1987 masterpiece played by the magic flute of roberto aglieri called by himself. la solitudine accompagnata, with the original 1987 lp + a bonus lp, containing unreleased material, other versions and unreleased tracks. archeo recordings is a reissue record label that regenerates old, lost, obscure (and forgotten) rare gems of italian music of the 70s and 80s, and not only. all outputs are licensed by the artists and the vintage labels, audio tracks are remastered in their original form, the sleeves and center labels are graphically recreated for today but all based on the original images. archeo would like to make the music available to a wider audience of collectors, djs, music lovers of a forgotten time. all releases are hand-numbered limited edition vinyl. the first copies of each release are pressed in coloured vinyls.

the third release from samulis label power of voltages is an excursion to broken 4/4 on the a-side tracks and muddy lofi aesthetics and restrained progression on the b-side tracks. all tracks are live recordings executed with hardware only. raw and functional tracks, already tested and approved on some of the finest floors.

!! check b1 !!! tve recordings returns with more experiments! comes with a killer dop remix!

‘utopia’ is the ninth studio album from the iconic artist björk, out november 24th via one little indian records. the album s artwork was created in collaboration of m/m, jesse kanda and james merry and reflects the records sonic direction, optimism, lightness, utopia. of the album she explained to dazed this summer that, ““maybe that’s why it became a utopian theme – if we’re gonna survive not only my personal drama but also the sort of situation the world is in today, we’ve got to come up with a new plan, if we don’t have the dream, we’re just not gonna change. especially now, this kind of dream is an emergency.” björk wrote, produced and recorded the album between reykjavik and new york, working closely with arca and writing for, conducting and recruiting a thirteen piece flute orchestra which will be on the road with her next year.
double heavyweight lp in gatefold sleeve with mp3 download card included.

master p’s 1997 album ghetto d back on double vinyl.

the 1993 album from inxs back on 180 gram vinyl

just in time for the end of summer dark leader snaps back with it’s third release for 2017. for dark leader 004 collins brings us 3 futuristic electro cuts for his die mädchen ep.
it all starts off with luna (traum model), a track that takes the listener to the part of the mind reserved only for very late nights and early mornings where the lines between the real and unreal become blurred.
next up is lotte (kampf modell) an aggressive electro number that turns the dance floor into a battlefield from a war where humans finally overtake the machines.
finally collins takes us on a hypnotic journey that interweaves sadness and beauty with alenka (trauer modell), a track that reconnects you to memories and past experience, an odyssey that you won’t soon forget. dark leader 004 is housed in a full color jacket featuring cover artwork by eleanor’s mannequin art, design by eric adrian lee, and mastered by timothy stollenwerk.

portland label dark leader returns with three tracks plucked from deep within the underground. acid farm, a local portland duo, kicks things off on side a with -bala 303,- a retro acid piece that embodies the spirit of ritual dance. next, kaliningrad s muzikalist brings us -acid disco valley,- a track that builds and builds to a frenzied reawakening of your inner raver. then on the b side a remix by the one and only black merlin. his take on -bala 303- drags your newly awakened monster into the darkest reaches of the unknown. dark leader 002 is housed in a full color jacket featuring both artwork and design by eric adrian lee, and mastered by timothy stollenwerk.

london s midnight riot are back from the land of the rising sun with round two of the most obscure japanese boogie and disco jams. they have brought together the finest dj s and collectors for another installment of unique productions and edits. a must have for all the dj muro, joey negro and dj harvey fans out there, these guaranteed grooves are completely impossible to find in this day and age. highlights include shit hot soundsystem, who not only win award for best name of the year, but hammer out a wicked edit of the giorgio moroder influenced -kannushi-. label staples yam who? go with a lo-slung boogie funk excursion courtesy of their edit -mono drive-.

33 sinatra classics on double vinyl lp, housed in a gatefold sleeve.

label head enzo siragusa teams up with archie hamilton and subb-an for the archenzubann ep . ‘playdem is a beautifully tight rolling groove, an off kilter piano stab and vocal snippet add to the tracks hypotonic heads-down vibe whilst vinyl only track shimmering injects the pace with razor edged percussion & hazy synth work adding a subtly uplifting flava .

after touring relentlessly following the only by the night album, the followill brothers released come around sundown in 2010, building on their immensely successful formula of alternative rock. this album sounds immense, with big riffs, bellowing vocal excursions, thundering drums – imagine rocking out to this stuff with 50.000 kol fans in a booming stadium.
featuring the hit -radioactive-, come around sundown was the 11th best-selling album in the uk in 2010, certified gold in the us. the album was nominated at the 54th grammy awards for best rock album. rolling stone magazine placed come around sundown at #18 on their list of the best albums of 2010.
pressing on 180 gram audiophile double vinyl, housed in a gatefold sleeve.

dynamite cuts gives you a fully licensed release from chiaroscuro records for the first time these two tracks have been released onto 7” 45 vinyl. “funny girl” has been edited for a fresh new 45 cut. limited edition vinyl - 450 copies only!

nyc based vinyl only daily session with another great deep house output

volphonie is the new label of chris honorat, resident and creator of the automatik events at the rex club in paris. with a dark and hypnotic music inviting to night-time voyage and introspection, volphonie is a label that chris wants at his image and in conformity with his techno religion. scan x, a pioneer of electronic live music in europe and laurent garniers sound engineer, provides the first release of the label with the track alien symphony, a piece in the artists purest tradition, a truly sound odyssey revolving around a deviant lead and heady. marcel fengler delivers an aerial remix faithful to the original spirit of the track, but even more hypnotic and captivating. keikari, one of the most promising artists among the new generation of french producers, imposes us his brutal and uncompromising version, while electric rescue, the most prolific french activist through his label skryptom, takes us to the rave with a mental techno that only him owns the secret.

as björk continues to make waves in the electronic scene, we are now presented with exclusive remixes by boundary-pushing artists and djs selected by the icelandic artist. the vulnicura remix project will be released in very limited quantities for collectors only, as a series of single-sided etched translucent 12” records including download code, each with their own unique etching & die-­cut vulnicura wound sleeves, designed by m/m (paris).

acid paulis second album ‘bld dropped earlier this year to a rapturous reception. martin gretschmanns trippy opus took in various stops around the musical spectrum, yet remained committed to quality dance-floor tracks that refuse to follow any particular rule book. this collection of remixes of the albums a side (hence the name) only adds to that achievement - bringing yet more new flavours and takes from some of the most exciting names in the underground. ‘abbebe gets a rework from sainte vie who brings his trademark ‘multicultural electro sound to the albums opener, and produces an ecstatic mid-paced groover for the heads. oceanvs orientalis drops a similarly exciting rerub, finding new angles and dimensions to the track ‘baris. tel avivs red axes turn up the psychedelica for the duos amazing dissection of ‘ayam - deep sounds immersed in acidic tones and tight-yet-wonky arrangements. lastly ‘majid gets the treatment from label co-head nico stojan who produces a sleek and spacy remix that will delight the early morning ravers.

in 2012 bottin presented a mysterious neo-italo-wave band: cristalli liquidi. this album, finally, unveils the mystery: cristalli liquidi is not a band, not in the conventional sense of the word. it s entirely bottin s music, lyrics and vocals, with a little help from his friends. this long overdue lp not only introduces original works, but also breathes new life into remakes of obscure italian pop songs. sun-blushed synthwork is embraced by vocals steeped in romance, vocals en italiano no less. the many guises of the glitterball are unveiled, from the deep bass and smooth funk of 70s disco into the catchy hooks of the 80s and beyond to darker tones and lovelorn laments. across nine tracks the venetian takes you on a journey, as his homeland of italy is musically explored through past and present. cristalli liquidi is an album some five years in the making, five years at first glance. in reality, this lp is a narrative that spans almost thirty-five years. from the poets and songwriters who inspired bottin to the friendships and collaborations that made this project possible, this is an album forged through memories old and new, a heartfelt account of relationships between people (and synthesizers too!)