rodhad’s debut album ‘anxious’ sees the artist step away from the dancefloor and further develop the narrative qualities of his beautiful soundscapes. it was the natural next step to present the sound he began cultivating with his recent eps “kinder der ringwelt” and “söhne der erde” as a full length lp. the experience the album is trying to convey is being thrown into a world that is ready to crush you.they have you with your back to the wall, and you are ready to give way to despair. will you be able fight back? how is it even possible? rodhad is the spearhead of a new generation of techno producers and djs. with his bass heavy grooves and dubby atmospheric soundscapes he is a sonic guide, knowing exactly where he wants to take the crowd, leading through the inexhaustible sounds of techno music in all its beauty and gloom. he fully immerses himself into the music, yet never loses himself. growing up in berlin’s rougher outskirts, as a teenager he was able to grasp the final flashings of berlin’s mythical nightlife of the 1990s at legendary places casino and ostgut. in the late 2000s the dystopian crew began their own series of parties and then the label with two seminal releases by rodhad, “1984” and “blindness”.

the second release from ftp explores the sweet spot between detroit ghetto-tech, juke, and jungle. the opening track, “phonky no. 69,” is designed for maximum level booty dropping effect. it starts with a raunchy vocal hook over a booming electro beat, before unleashing nasty breaks, at which point the dance floor is guaranteed to pop off. handle with care when deploying this bomb, the first release from dj dr-660. the second track on the a side paces upward and into juke territory. it fills up the sonic space with lush pads and crisp jungle breaks, before breaking down to thick rhodes chords, in eternal rashad fashion. the b side opens with a track from the mysterious newcomer shadow moses, who teases with some euphoric pads, before launching a massive lardossian missile that heads straight for the booty. the compilation closes with a electro beat executed with surgical precision and care, filled with hypnotic percussive elements and a life-affirming baseline. it was lovingly distilled and synthesized in frankfurt directly from the detroit source.

the 2nd solo album from peter gabriel, originally released in 1978 - now back on 180 gram vinyl, half-speed remastered

“sawtooth novel” is a killer track, a special weapon intended for the dancefloor. the rest of the ep turns around powerful techno to more deeper and mysterious atmospheres. after his brilliant works on token and cocoon records, johannes volk continues to impress us!
some johannes’ words about his work for artcub records: “the title track “sawtooth novel” is my little hommage to the old sägezahn sound. there was a sägezahn renaissance in the rhein main area end of the 90’s, which was a huge influence for me when i went to clubs during this time. “counterbalance” has a rather subtle approach, the track lives from its effects and filtering. for the others tracks i want to express the more darker and dramatic side of techno, which is also well-equipped for the more excessive dancefloor hours.”

while many of com truises contemporaries mine nostalgia as an end unto itself, the princeton, nj bedroom producer (aka seth haley) recombines older musical forms as a means of expressing something deeper and more ambitious, building a carefully conceived picture of the artists vibrant inner world. the cyanide sisters ep, com truises first official release, was first available as a free download through am discs in june of 2010, ghostlys remastered and extended reissue of cyanide sisters nearly doubles its tracklist, making good on months of blog and music-critic enthusiasm and delving deeper into seth haleys synth-savvy project. with com truises proper full-length on the way, and a string of high-profile remixes for neon indian and twin shadow already in the can, the cyanide sisters ep is an electrifying introduction to a prodigious new talent.

brexit jazz (the never ending story): brexit jazz sind roberto di gioia (marsmobil / web web), jan krause (beanfield) und michael reinboth (scheffe von compost). das original wurde genau an dem freitag 24.06.2016 im beanfield studio, münchen, live in einem take aufgenommen, als die briten den brexit verkündet hatten. das original wurde spontan digital 2016 veröffentlicht, aber nachdem jede menge leute die idee und die musik super fanden und compost anschrieben, war die idee, einen remix-wettbewerb auszurufen, geboren. compost bekam über 90 remixe zugeschickt, und hier sind die fünf gewinner der brexit jazz remix competition: roberto di gioia (marsmobil / web web), jan krause (beanfield) und michael reinboth (compost) haben dann auch noch eine version gemacht. ein tolles paket voll enervierender, energetischer tracks von house, hooligan-jazz, freestyle, experimental bis disco und downbeat.

part ii - operated under extreme psychosis, performed live in the dead of night at the studio of the hague s pirate radio tonka , these two records contain an apocalyptic selection of the very darkest moments of its maker, an anglo-french bruxellois driftwood expat washed ashore on the west holland wasteland just to get even more lost in its empty shadow chessboard grid of luscious ghost town smoke screen structures built on nothing but loose sand, to get even more entangled in its reef-like vortex of the fleetwood parkland dune estates artifice of ugly evergreen high-tech verdure of rose and thorn , oh, yes, its many, many flowers sans mercee , red and white carnation, asphodel, or fleur de lys and fleur du mal , all awaiting, lurking gentle softness of the flesh, perfumed for luring prey, yet strikingly hard-wired through the courtly appearance and the troubling foliage of the count s many hidden pleasures, his many secret palace garden hedges, his royal seal concealed behind, oh, yes, its many, many spines, all hiding midst the ticket, like cloak and dagger, that poisoned slip of tongue, or poisoned tip of blade, and all s so easy to slip away and disappear into the vine and creeper, to make one trip and fall in smear of mud or was it blood?

die musik zur tv-serie *deutschland 83* als limitiertes und nummeriertes 4-fach vinyl im klappcover, downloadcode inklusive.

limited white vinyl anniversary release of whitesnakes 1984 album *slide it in*.

sneaker social club follow up a slew of experimental, bass-driven records including neil landstrumm s dragon under lp and 12-s from bass clef, luke s anger and throwing snow with another solid piece of club tackle courtesy of brighton based etch. staying true to form in the follow up to acclaimed releases on soundman chronicles, wisdom teeth and lapsus - etch returns with 4 breaks-laden tracks reminiscent of moving shadow s golden era, rife with brash and burly kick drums, scattered snares and capacious atmospheres showcasing a young artist firmly on the ascent.

berlin producer troy gunner marks a new step in an ascendant career with the introduction of his very own imprint. simply titled ‘gunner’, this project will be predominantly vinyl-focused and will act as a platform for his own productions as well selected peers. it kicks off with 3 of his own tracks - all of which carrying a chilly quality whilst bearing troy s distinctive blend of stiff drums, heady atmospheres and muscular low end. support from resident advisor, dj mag, mixmag, zenker brothers, moxie, hodge, mickey pearce, xxxy, mj cole, john osborn, brendon moeller, carl craig, ivan smagghe, woz, christian martin, claude vonstroke, gorgon city, groove armada, tensnake, james zabiela, richy ahmed, my nu leng, altered natives, danny tenaglia, horse meat disco, huxley, phaeleh, gene farris, eddie temple-morris, shadow child + many more.

incl download code!

born in shreveport, louisiana, reuben bell began singing in local clubs. he first recorded for the local murco label in 1967 before moving to the silver fox and house of orange labels. in 1975 he released his first 45rpm single for alarm records (-superjock- b/w -i still have to say goodbye-) which was produced by wardell quezergue. neither side made any noise back then but 24 years later -superjock- was included in dj shadow & cut chemist s brainfreeze mix. since then it has become a classic and it has been played constantly by hip hop and funk djs all around the world. it has appeared on a handful of (mainly bootleg) compilations over the years so we are proud to present the long-overdue, fully licensed re-issue on its original format. you may check out tramp s -countdown to... soul- (tr-9067) compilation which contains -superjock- as well as some other fine rare grooves.

200x ltd black vinyl edition
the cologne based techno label sector music starts with its first release from sector cologne founder kavaro and two stunning versions of his tracks from nx1 and milton bradley. kavaro started the well known event series sector more than 4 years ago and plays as well as a resident dj there. after many years organizing his events and staying behind the turntables it was time for him to make music itself. at sector he played along james ruskin, rrose, paula temple, dasha rush, ancient methods, inigo kennedy, vatican shadow and many more great artists. milton bradley from berlin played already 3 times at sector and the spanish duo nx1 played live in the first year of the event series. the new record label sector music will always have a connection to the sector events. this release will be first vinyl exclusive because kavaro is known for his excellent all vinyl dj sets and he highly supports other vinyl djs.

soundtrack to director & writer daniela amavia’s first feature film shot in los angeles spring of 2013. starring abigail spencer, cheyenne jackson, collette wolfe, elena satine, & sonja kinski.

2017 repress -- amazing release from legowelt , three tracks full of house and techno vibes, you will not want to miss this one. big, big!riverettes first release sees legowelt delivering one of his best releases blending everything we have come to love from him, 90s vibes check!, house, check! techno, check! arpeggios, dreamy leads, chilling chords, no nonsense sequences check!expect big things from this new spanish label as can only be assume by their mind-blasting first release

following his self titled lp, illa j sometimes known as “john regal” (born october 13.1986 in detroit, michigan) is a singer, songwriter, rapper, producer, multi instrumentalist. he takes us on a trip to his hometown detroit with his third solo album home. his last lp successfully took illa j out of his brother and hiphop legend j dilla‘s shadow to show he is in his own lane. yet, yancey still felt as though he was in a box labeled rapper. teaming up with producer calvin valentine, who entirely produced the album, home is illa j‘s first album to properly showcase the full extent of his vocal range to put him in the singer-songwriter conversation. the listener can feel the soulfulness of this lp through illa j‘s singing and valentines‘ smooth production.

when the derangement has reached the limitless limits. like the sound of a light-beam reaching the immense gravitational waves of a black hole. is there sound in nothingness? this is your outermost reality.

as part of madhouse records milestone twenty five years in the business the label will be offering up a selection of projects over the next year, ranging from vinyl reissues, events, new releases on madhouse and its madtech sub-label, merchandise and more. here we see the imprint revisit some of its biggest hitters since its inception, delivering a selection of recent output from the like of t williams and james jacob, opolopo and roog and dennis quinn while revisiting one of label-founder kerri chandlers most loved records on the label. up first is roog & dennis quinn feat. berget lewis igohart which saw support from the likes of sante & sidney charles, shadow child and maya jane coles with its raw swing, gritty stab sequences and soaring vocals. the dub mix of opolopos lowlife follows and add a playful bounce to things via wandering organ hooks, spiralling vocals and an infectious musicality with its warm string and bright piano chords. t.williams and james jacob then head back to more direct dance floor vibes with the piano-laden together fuelled by weighty 909’s, string samples and smooth chords before kerris kaoz 6:23 mix of lafayettes better late than never gets a 2017 remaster, bringing even more shine to the soul infused new jersey house classic.

lyon-based beatsmith ethyène has patented a certain style of mid-tempo house music applying a french touch aesthetic to disco, r&b and hip-hop sample references. through releases on longtime underground favorite kolour ltd and upstart labels like kyoku, as well as contributions to his own moonrise hill material, the frenchman has quickly built a sought after discography. his collaboration with better listen comes at an interesting time, as he seems to really be refining his sound, maturing sonically and honing the synthesis of the aforementioned influences to something nicely unique. the playin with fire ep is a deliciously bittersweet four track affair. the a1 slot sees e joining forces with his homie, the much acclaimed folamour, for the superlative why my love. meanwhile, loneliness of the shadow dancer- continues the r&b cream vibes, combining a classic head-nodding hip-hop flip with a soul chorus. the b-side gets a bit moodier, with the title track climatically building on hypnotically deep riffs and vocals and i sold yayo to buy kicks serving as the bob james-esque closer. the package is a cohesive reflection of a pensive and slightly anguished mindstate, with boom bap cultural influences and his familiar philadelphia streets functioning as the canvas. dont be surprised if this record serves as a point of stylistic elevation for the young producer, with plenty more of this new ammunition in the chamber. and you know the saying: if you play with fire, you might turn into a scorching hot phoenix.

uncompromising set of ever forward marching techno bangers - not more, no less.

!! ltd 50% deal !! following up on an excellent 12inch for karakul, a phonica records sub-label, he channels the spirit of legendary rhythm architects herbie hancock, theo parrish, kenny dope and lil louie vega, collating four rough gems made using an mpc, nord lead 2, roland sh101, roland 606, juno 106, jen sx1000, rhodes 88mk1 and with the help of mark hand on keys, misumami on vocals and ian blevins. each track packs incredible punch in the groove stakes, undoubtedly the characteristic that has attracted the likes of moodymann, seven davis jr and gilles peterson to ny*ak s music.

tangerine dream hatten seit ihrer gründung ende der 1960er in westberlin einen massgeblichen einfluss auf die entwicklung der elektronischen musik und galten als einer der führenden vertreter des krautrock. in den 1980ern lieferten sie beachtliche soundtracks zu filmen wie “firestarter”, “risky business”, “near dark”, “thief” und “sorcerer” ab, ihr musikalischer einfluss auf den soundtrack der netflix-kultserie “stranger things” ist enorm. ihr neues doppelalbum “particles” ist eine mischung aus brandneuem material und reinterpretationen, darunter des titelstücks ihres albumklassikers “rubycon” (1975), liveaufnahmen u.a. des titeltracks des “white eagle” albums (1982), sowie eine eigene coverversion des “stranger things” theme.

nice price deal !!! part 1 with 2011 midem hits...

popof’s illustrious label form music is set to release a special vinyl only compilation showcasing some of the imprint’s most exciting artists entitled, ‘reformers’.
since its formation in 2009, form music has rapidly established itself as one of the most innovative and ambitious dance labels, working alongside both established and new artists including julian jeweil, sébastien léger, animal & me, mendo, philip bader, petar dundov, dj fronter and jay lumen as well as the label’s head honcho himself, popof.
kicking the four track package off is popof’s sublime rework of julian jeweil’s acclaimed dancefloor destroyer ‘chrome’, which is perfectly followed by the pounding drum-and-bass-tinged-techno workout ‘shadow tactics’, created by slovenia’s pioneering dj/producer umek.
julian jeweil’s ‘midi’ continues the release, seeing the talented frenchman utilising synths with real expertise and blending electronic nuances with melodic percussive elements to bring us nicely on to the compilation’s closing track, the deep and trippy tech house gem ‘slush fund’ by berlin-based simina grigoriu.

endlich! das 2008er deb?t erstmalig auf vinyl erh§ltlich! hellsingland undergrounds deb?t tritt uns als echtes album alter schule entgegen, mit feinem flow, gen?gend abwechslung und vor allen dingen mit keinem einzigem l?ckenf?ller. daf?r aber mit f?nf oder sechs wahrhaftigen topsongs, die gleich h§ngenbleiben und mit fortschreitender zeit zu vermeintlichen klassikern mutieren ... g§be es noch vern?nftige plattenl§den, w?rde ich empfehlen: leute, rennt zum plattenh§ndler eures vertrauens und kauft euch dieses album, ihr werdet es lieben. und vergesst nicht, eure freunde einzuweihen. hellsingland underground sind die band der stunde. hooked-on-music

dream raw recordings team up with paradiso rhythm, axefield, raär and joakim hellgrene to put out this fuzzed out and fuggy comp. real, raw and blurry, this dreamy 12” is for all the shadow dancers and all the mirage dance floors.

the 1991 album from grateful dead drummer mickey heart back on double vinyl, housed in a gatefold sleeve.

plexus records & meyso present m.a.j.. this is the first full length effort by french producer meyso, after a bunch of projects and collaborations including productions for lomepal, fixpen sill, equipto, sameer ahmad and more! meyso first appeared on plexus records cassette project from 2013, then on the kapla album on the same label with mr hone, maodea and oteest. hes been since producing for several french and belgian rappers and started to be the dj on tour for famous french rapper lomepal. on m.a.j., meyso confirms his skills and delivers a very rich and dense album. influenced at first by producers such as dilla, madlib and dj shadow, he develops now his own modern approach of beatmaking, incorporating elements of trap and electronic music. with guests such as caballero, jeanjass, veerus or ndobo emma, the album balances between deep instrumentals made of rare vinyl samples and some catchy rap and soulful tracks. this lp comes in a limited edition of 500 copies, all hand-numbered and pressed on 180gr, 12x12inch insert included. original art is a painting made by natosito

the swedish offworldcolonies ltd label puts forward a blistering 12inch from lyss:is with 3 slabs of deep, propulsive techno and a dark cloud ambient closer. limited to 100 copies.

another piece in the anom vitruv puzzle. might be something about what it s like to be a shadow. who can flip it like this??

after only two years since their first release on cyclone, amoss have become one of the most exciting and forward thinking names in drum & bass. a love of music stretching back into both their pasts, the duo have amazed audiences across the globe with the style, panache and variation which has characterised their work. taking a lead from names such as renegade hardware and moving shadow, james and andrew have successfully moulded their influences into a futuristic, genre-defining sound.
now they are ready to step up a notch, delivering a new release for the mighty horizons label. bumbaclart and dilate will go a long way to cementing their reputation for big, bad and heavy d&b, which has seen them being supported by spectrasoul, london elektricity, storm, loxy and more. amoss are known for their involving, evolving blend of beats and bass and their in-depth knowledge of the technical side of production, and the two tracks on show here are markers of their intention, in two markedly different ways.

das 3lp-package im klappcover, mit großartigen fotos und ausführlichen liner notes von dave hendley, ist in limitierter auflage für kurze zeit wieder erhältlich! mit dieser veröffentlichung von 36 essentiellen aufnahmen hatte vp records bereits im jahr 2004 der jamaikanischen institution ein würdiges denkmal gesetzt, war doch channel one für fast 10 jahre (1974 - 1984) die absolute nr.1 unter den studios der insel und hatte mit seinen produktionen einfluss auf die musikhistorie, die der von studio one und treasure isle der 60er jahre in nichts nachstehen. hier finden sich originale von den großen künstlern wie barrington levy, delroy wilson, dillinger, clint eastwood, the mighty diamonds, john holt, yellowman und vielen mehr, sowie die aufnahmen der allerersten 12-inch maxi-single, die in jamaika erschien, die extended versions von the jays & ranking trevor - truly deejay mix (coverversion des marcia griffiths klassiker) und queen majesty, die reggae-version des curtis mayfield songs.

adding on to his extensive discography, reboot has curated a fresh journey through his world with the alive lp on get physical music. a diverse selection worthy of the international dancefloor, the lp contains the culmination of the artist’s long career and the many experiences, stories and inspirations that come with that.the lp includes a free download code for the full digital album + remixes from ricardo villalobos, kölsch, anna & nakadia.

it really feels like we (aka mad mats & tooli) have been around way longer than 5 1/2 years with local talk, but it s really true what they say, time flies when you re having fun! from what started as a somewhat simple and almost primitive urge to create a small house imprint has now grown into a much bigger affair. we really tried hard to keep the label from getting stuck in any genre (remember 90s house?) and to always keep the local talk relevant, curious, diverse and with a healthy dose of underground mentality. from our very first release with bassfort s excellent moon shadow in the summer of 2011, we had a crystal clear vision of what local talk should represent...house music in any way, shape or form! over the years we released soulful, disco, jack, afro, vocal, deep, jazz, tech, latin, old school, acid, uk, berlin, new jersey, detroit and of course chicago inspired house music. if it made us bump...we put it out! this brings us up to today and about +80 releases later. we thought about how we best could sum up these first 5 1/2 years and immediately the image of blaze s classic album 25 years later popped up. besides the fact that it s an amazing album cover it also a good representation when different musical genres fuse together. it s not strictly a house album but just as well a r&b, reggae and soul album. this fusion and variation of house sounds is something that we ve tried to capture on our 5 1/2 years later compilation, split into two parts. on part 2 you ll find a high energy disco rub from parisian s3a, a truly deep and soulful vocal jam from boddhi satva & sly johnson, a deep uk garage production from smbd (aka simbad), a dark and electronic affair from toto chiavetta (yoruba) and finally a musical acid number with that magical bristol touch from newcomer marcel lune. all in all we think we got most angles covered and hopefully this album will make you spread that chalk on the dance floor and get down...local talk style

the 3rd release from detroit influenced japanese techno label select kashiwa. derrick may s already played a1.twilight and shadow. a2.life sounds like mixture of japanese game and animation music plus detroit techno. and anacatesthesia track b1.walking on the cloud. all three tracks consist of japanese sensitivity and detroit style funkiness + soulful sound. this is more classic detroit than recent tracks from detroit.

the mystical label :move and understand: returns with another eclectic vinyl only ep. their third release comes again from label chief mau. who delivers a very versatile solo ep

following up from his stupid advert ep, gary beck continues his output on bek with this storming selection of 4 tracks, each varied in style, yet sticking to the true beck style.

elephant moon proudly presents russian producer plantae (artyom zlobin).. his love for contemporary electronic music came a little later in life, with early influences coming from the worlds of old rock, jazz, hip-hop and older electronic recordings. he has a deep-seated love for nature, and counts art, design, books and film among his inspirations outside of music. on this ep he channels all his influences into four nuanced cuts, straight from his laboratory to john dimas, the head scientist at elephant moon.

hot on the heals of his ethereal, raw & scrunchy ep for the lobster theremin main label, stu robinson aka asok returns with a quick fire reply via lt sub-label mörk.
applying a similar template of contradictory elements, cobbled into a melded, half-melted mass of aquatic techno, proto-rave and depth-charged deep house, inner circle is the transformation complete. a step into the unknown without a shadow of doubt.

after contributing a smashing remix to the first release on blank, uk producer kalyde is coming back to the emerging german imprint with a fantastic ep of his own. growing up in detroit, he never got involved with electronic music until he went to university in bristol, where he honed his production and dj skills before resettling in london. not long after that crucial step, an impressive string of releases followed on great labels like skint, madtech, avotre and roush. kalyde has rapidly advanced to be one of the most exciting new talents in the uk s modern house & techno scene, and also has become a sure shot on dj sets of big players from the likes of annie mac, loco dice, eats everything and many more

it really feels like we (aka mad mats & tooli) have been around way longer than 5 1/2 years with local talk, but it s really true what they say, time flies when you re having fun! from what started as a somewhat simple and almost primitive urge to create a small house imprint has now grown into a much bigger affair. we really tried hard to keep the label from getting stuck in any genre (remember 90s house?) and to always keep the local talk relevant, curious, diverse and with a healthy dose of underground mentality. from our very first release with bassfort s excellent moon shadow in the summer of 2011, we had a crystal clear vision of what local talk should represent... house music in any way, shape or form! over the years we released soulful, disco, jack, afro, vocal, deep, jazz, tech, latin, old school, acid, uk, berlin, new jersey, detroit and of course chicago inspired house music. if it made us bump...we put it out! this brings us up to today and about +80 releases later. we thought about how we best could sum up these first 5 1/2 years and immediately the image of blaze s classic album 25 years later popped up. besides the fact that it s an amazing album cover it also a good representation when different musical genres fuse together. it s not strictly a house album but just as well a r&b, reggae and soul album. this fusion and variation of house sounds is something that we ve tried to capture on our 5 1/2 years later compilation, split into two parts. on part 1 you ll find a dark bassline driven house jam from art of tones (check the mad sax!), a proper deep journey jam from nyc s dj spinna, a blaze homage with that classic new jersey sound from sean mccabe, and a bumpy world/jazz inspired cut straight outta brescia from wonder kid corrado bucci. all in all we think we got most angles covered and hopefully this album will make you spread that chalk on the dance floor and get down...local talk style!

special summer deal! fresh, jacking & swinging, classic 1990s us house trained, highly effective dj tool set.

left corner is an output platform created by piegaja, to deliver his own sounds and textures. the left corner is something that you missed. the left corner could be a shadow, a cloud, a fog. piegaja tries to tells his message trough techno mixed together with idm using space resonance and time dilatation.

the 2nd solo album from peter gabriel, originally released in 1978 - now back on 180 gram double vinyl in gatefold sleeve, half-speed remastered and with download code included.

grab-bag 12” ep of electro, idm, breaks and house from montreal via ottawa producer riohv (aka braden thompson), which follows up the similarly map-jumping 1080-released “moondance” cassette from back in 2014. finding more confidence and proficiency in his own abilities as a producer, thompson was able to have a lot more fun and subsequently revise and update his sound to reflect his own tastes in records. the ep was made in one burst in montreal over the winter and spring. on “green room, it comes down to creating what he wants to hear—atmosphere through dreamy or moody pads, layered percussive elements, to pay tribute to the euphoria of early rave music.

der britische elektronikguru nathan fake veröffentlicht seine erste ep auf ninja tune! nach dem durchbruch mit seiner 2004er ep the sky was pink auf james holdens label border community sowie einigen weiteren veröffentlichungen auf traum schallplatten und seinem eigenen label cambria instruments, ist er jetzt mit degreelessness feat. prurient / now we know ep zurück. die a-seite, eine kollaboration mit dem new yorker dj und produzenten prurient alias vatican shadow, welcher seinerseits das respektiere label hospital productions führt, ist gleichzeitig der erste song seines kommenden albums. die b-seite now we know wurde 2010 an nur einem nachmittag in london aufgenommen und ist ein traditioneller house-track, der, ausgestattet mit simplen casio keyboard drums und einem fm synthesizer, auf kassette aufgenommen wurde.

antigone joined token in 2015 with his grand double ep cantor dust. he returned again earlier this year with the saudade ep for token59 an overall heavier offering that still manages to retain some of the delicacy of the first. now hes backwith a 3 tracker for token68 where employs an advancement on his usual sonic vocabulary