the best of cypriss hill with spanish lyrics. audiophile pressing on 180 gram vinyl.

12 classic rolling stones recordings from the early 60’s.

limited picture vinyl release for rsd 2018.

obscure dutch private pressing from 1977. laid-back instrumental psychedelic / progressive sounds with jazz-funk-groove and abstract / experimental / latin-indigenous touches. stoned homemade atmosphere with treated / distorted electric & acoustic guitars, flute, electric piano, primitive drum machines / homemade electronics. much in the vein of the experimental-underground scene of france & germany during the early 70s but actually recorded and released in holland.

sprechen sie rhythm? its time for a new dance. welcome to the wonderful weird of talking drums an unsafe space for poorly executed dance moves, misjudged vibes and narcotic bravery. semi-cosmic, way wonky and oozing grooves, this is music for the fringe class. the party starts with a tripped out tribute to an italian inspiration. c60 lato a sees the crew pluck a couple of killers off a well worn cosmic tape, leave them out in the sun a little too long then stick them back together with an experimental blend of uhu and fufu. springy bass, spangled brass and mangled electronics make for a motherlode of funk, fried just long enough to make the walls melt. bendy.... over on the b-side the crew come through with a little bath-salt boogie, pitched down and loved up for all the slow dancers and romancers out there. strutting like a stoned fox, get serious wraps rubber-limbed bass around propulsive percussion, gets hooky with the horns then slaps you silly with its x-rated synth-smut. pinched from the pound bin and taped over a ch 5 classic, this disco drooler will loosen up even the stickiest floors. freshly dressed and pressed to impress, the drums are talking

time for a cheeky, under the radar one from new delusions signing flight mode. one track either side for extra-loud full-fatness. two variations on a theme, taking us on a deep, dubby, disco tip. a crisp, rolling groove and echoing stabs swirling around one of the best bass lines ever produced. global communications getting stoned with dj pierre on the a side. carl craig and moroder hanging out in the kitchen of the after party on the flip side. play loud, live long and prosper!

the debut ep from aussie producers turner street sound has finally blossomed! the duo comprised of rory mcpike (aka rings around saturn) and ryan hunter (aka midnighttenderness) first collaborated on stoned mix for domestic documents vol.1 in 2016, shaking bass bins in its path. the collection of tracks on bunsen vol.1 recorded between 2014 and 2017 encapsulate the boys influences with a turner street twist

1971 album from the doors back on 180 gram vinyl, housed in a gatefold sleeve.

a real hip hop classic, back on 180 gram double vinyl

huge 1991 classic , pressed on 180gr vinyl.

robert rental was the stage name of robert donnachie (1952?2000), a british pioneer of post-punk, diy, and industrial music. originally from port glasgow, scotland, he moved to the south of england with thomas leer in the late 1970s where he met glenn michael wallis. glenn was recording music with the group heute and leaving to start his solo projects nkvd and konstruktivists. both were heavily involved with throbbing gristle and the industrial records crew. in the summer of 1979, robert invited glenn to his studio in battersea to jam. robert on guitar and glenn on an edp wasp synthesizer. for each session that summer they would play for about 40 minutes, maybe longer, stoned. robert suggested they record it, many times erasing and over recording one session for the next. the music had no titles, as they were never intended to be released. on these recordings, robert enjoyed playing like robert fripp of king crimson, while glenn channeled wolfgang flur of kraftwerk. influenced by krautrock bands like can, neu!, cluster/harmonia, as well as terry riley and brian eno the duo forged a unqiue brand of industrial music. tape loops and synthesizer sounds played backward conjure dark ambient moods. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. the lp is housed in a jacket that features a drawing by robert rental from glenn?s archives as well as a handwritten note from robert to glenn. each copy includes 2 photo postcards featuring a transcription of robert?s letter and liner notes from glenn wallis.

four slow-burning bombs that perfectly encapsulate how far that slow motion, slo-mo sound can be stretched.

1971’s requiem for an almost lady is a personal statement and one of the heaviest break-up albums of all time. there are no lilting strings, sweeping choirs, or dancing trumpets. the arrangements are stripped down to the raw nerve, lee’s emotions are the orchestra here. the listener eavesdrops on a sonic journal of heartbreak. after losing his lady, his record label, and his country, lee etches his woes to wax

pack for all you delicious garden lovers out there - contains four classic releases:
- dg006: se:sa - all together (syke n sugarstarr remix)
- dg008: bimbo jones - dig it (mixes from syke n sugarstarr & phonicfood)
- dg009: leee john - mighty power of love (mixes from syke n sugarstarr & lars behrenroth)
- dg011: mauro mb vs. soho jo - dirty vinyl pusher (mixes from lars behrenroth)

superb album by east los angeles band the village callers, recorded live in 1968 and released on eddie daviss rampart records. seasoned and popular band at all the top venues, the village callers brought many different sounds into the mix: jazz, soul, r&b and lots of latin percussion. their only lp consisted mainly of groove-filled covers such as i heard it through the grapevine, i dont need no doctor, joao donatos the frog and a medley of aretha franklin hits. hector, one of the standout cuts on the lp and its only original song, has been sampled by beastie boys, cypress hill or de la soul among other hip-hop artists.

does the world need more acid? yes it does! the r-a-g trio aka dutch producers ma spaventi, g-string & aroy dee deliver three raw acid-jams with aroy on the couch working the mic. the lyrics of dreadfully nervous are based on a edgar allan poe story. . dreadfully nervous (aryd s acid mix) is a gurgling brew of squelchy acid with dark vocals and pinging cowbells pulling you in all directions. coarse claps and ever more wild synths encourage you to cut loose and make for another timeless cut. dreadfully stoned is more stripped back, with a rubbery arpeggiated synth the main hook over subtle, supple drums. those dark spoken word vocals are back again and the whole thing is freaky and unsettling as a result. last of all is the bright and glistening no soul with metal hits and claps and prickly acid all bursting out of dusty chicago drums. it s raw and sure to fire the synapses just like r-a-g productions always do.

does the world need more acid? yes it does! the r-a-g trio aka dutch producers ma spaventi, g-string & aroy dee deliver three raw acid-jams with aroy on the couch working the mic. the lyrics of dreadfully nervous are based on a edgar allan poe story. dreadfully nervous (aryd s acid mix) is a gurgling brew of squelchy acid with dark vocals and pinging cowbells pulling you in all directions. coarse claps and ever more wild synths encourage you to cut loose and make for another timeless cut. dreadfully stoned is more stripped back, with a rubbery arpeggiated synth the main hook over subtle, supple drums. those dark spoken word vocals are back again and the whole thing is freaky and unsettling as a result. last of all is the bright and glistening no soul with metal hits and claps and prickly acid all bursting out of dusty chicago drums. it s raw and sure to fire the synapses just like r-a-g productions always do.

antideepressant records, where jazzy house, nudisco, techno meets deep and creates the eclectique spiritual grooves for your mind, body & soul. listen to lola allen s deep-afro stripped back but emotionally resonant track. the idris rises is really a classic beautiful track, so relaxing and spiritual, freakin great latin influenced house, while mille & hirsch made a uplifting deep dancerfloor killer. this ep will help save hot energy on any party, festival or just stoned you at home.

the classic 1970 album *moondance* by van morrisson back on 180 gram vinyl in gatefold sleeve.

this june session victim return to delusions of grandeur imprint with their third studio album.listen to your heartis the result of a year of cross-continental scripting, started in their hamburg studio and wrapped up stateside in san francisco’s room g studios where the duo had worked on their 2014 lpsee you when you get there. here we present the first of three lp samplers containing four tracks each, cut nice and loud for the vinyl crew. bring it back gets things rolling with session victim’s trademark live drum breaks, looped up pads and hooky vocal samples. only good vibes here, with uplifting keys bringing a warm and soulful edge whilst shimmering juno notes add a floaty element to get lost in. next up we have if we can make it here, the title being something of an in-joke with the boys when they find themselves in the more remote or far-flung corners of the world performing their music to an appreciating crowd. the track is based around a simple yet beautiful 4-bar chord progression repeating throughout and shows svm in a playful and jazzy mood, managing to include soloing flute and marching snare drum rhythms without as much of a flinch!moons and flowers is up next, another sublime slice of hazy house music with a wonderful organic and live sound palette. echoing rhodes licks join dubby synth fx, adding waves of colour whilst the gentle vocal provides the icing on the space-cake. lastly we have the hatch, which winds things down somewhat for a lovely, somewhat stoned interlude track which is over all too soon. an impeccable demonstration of retro-inspired yet forward thinking house,listen to your heartsees session victim at the top of their game.

toy tonics mushroom house series brings together different shades of afro-weirdo-psychedelic vibes in dance music. all tracks have been made exclusively for toy tonics. the musical range is wide: the third ep goes from arabic guitars to nubian chants and looots of percussions. the bass drum is four-on-the-floor, but switches from midtempo (kiwi: we are here) to classic new york lofi disco grooves (ponty mython) the other 2 tracks on the ep feature an emptier vibe: less toms more drum machines. more techno. red axes deliever probably one of their weirdest works. their munk rework is pure craziness. the melodies come from another space. the last track on the ep is made by old toy tonics friends from milano: the barking dogs. they teamed up with tom trago in the basement studio of the great record store they run in milan: serendeepity records. they are known for selling obscure, but classy music for dance floors and thats what they do when the make music on their own. like on your high: an obscure groove meets a sloppy bassline and stoned vocals.

released three years after stoned raiders movlp1727, latino hip hop group cypress hill returned in 2004 with their seventh studio album “till death do us part”. on this album they flirt with reggae, particularly on “what’s your number” sampling the clash’s “the guns of brixton” plus “ganja bus” featuring vocals from damian marley. “latin thugs” is a characteristic cypress hill latin-mariachi rap and b-real rocks with a clever cover of the beastie boys “paul revere” retitled “busted in the hood”. awarded with 4 stars out of 5 by rolling stone magazine, “till death do us reached #21 on the billboard 200 albums chart and #23 an the top r&b/hip-hop albums chart.
pressing on 180 gram audiophile vinyl.

celebrating 25 years of foxbase alpha with this faithful reissue of the classic 1991 debut album with original inner sleeve artwork. includes download code.

disco tech returns with volume 4! once again delivering those dancefloor ready edits that has become his trademark. starting off with dr packer s rework of the famous stevie wonder summer anthem and disco techs own edit of a rare cover version of papa was a rollin stone. the flip side takes on a more funky twist delivered by the italian disco legend ltj as well as the mexican funk don the funk district.

only 1 per customer, heady, head in the burbs techno culminations from newcastle, australia and producer jordon alexander who dips back into an insanely prolific production spell earlier this year (and follows up an ep on collect call) with four new tracks. mall grab’s ethereality is shadowy, mixed with familiar night drive sensations and drugged out strictly rhythm vibes, mildly celestial “hella stoned” introspections that pay homage to old three 6 mafia mixtapes as much as more recent astral experiences in house and techno. starting off with the faded menace of vocal track “awake”, which builds in steps into heavy, lo-fi 4/4 120 techno, the ep moves into hazy, sweaty and pumping zones on “elegy” and then to the b-side with the sunnier/just-woke-up feelings of “never”, before blurring into the melodic drift of slow burner “drive”, nostalgia-coated, hybridized and heavy all the way.credits

the second of two zentrum spinoffs is with us! as with the first, it comes loaded with four remixes. octo octa, vito & druzzi, cooper saver and turbotito, and lemonade all handed in top-notch reimaginings of tracks off jacques renault s debut lp, which came out just under a year ago, and they all somehow manage to be unique unto themselves while also sublimely bleeding into one another. octo octas rendering of mi casa samba serves as a propulsive beginning thats as dark and druggy as it is sharp and focused. vito & druzzis take on faith runs in a similar vein, but in a more stripped-back, drawn-out, and patient sort of way, it is nearly ten minutes long, so this is perhaps not a surprise. the b s remixes are brighter, sunnier, though that s not to say they re not bold. cooper saver and turbotito s redo of words has a certain funky swing to it that, paired with spacey synths and balearic bells and whistles, makes it ideal daytime disco fodder. the lemonade boys close the ep with their vibey take on faith. pads for days, a plump bass, and a focus on the original s sax make you wonder if the song itself somehow got stoned from a couple extra giant bong rips. a fitting way to end both the 12inch and the summer.

the return of wasserfall to the workshop brings a bunch of well-informed, beautifully executed & idiosyncratic tunes that represent our man so well. charlie, the opener is kind of oddball, jazzed out, abstract house with a strange charlie parker homage. stoned mumbles murk around ideally tuned rimshots and double bass flecks that cheekily plod about sounding like a stumbling one man band.

tk lawrence supplies four dancefloor tracks spanning from the stoned lurch of plastic crowns to the entrancing, snake charming level 5 dungeon. the ep is a hazy late night crawl through tk’s influences, from masters at work and new york jazz to the synthy soundtrack of his favourite atari arcade game marble madness.

the first volume in an ongoing series compiled by butter sessions & noise in my head, domestic documents surveys independent artists who are living and producing electronic abstraction in australia far from a complete guide to the country s burgeoning scene, the 2lp set presents a cross-section of wide ranging sounds and ideas, travelling the endless highways between brisbane, sydney, canberra, melbourne & adelaide as well as regional towns, ballarat and keyneton. featuring exclusive tracks from daze, mic mills, albrecht la brooy, lucy cliche and more, the comp also marks the first vinyl outing for newcomers chiara kickdrum, ben keynes & a fresh dan white / ryan hunter collaboration turner street sound. stay tuned for volume 2, coming late 2016!

brimming with offbeat beauty, elusives new album textures features a unique electronic warmth that is created with an infinity of unusual sounds. dissected vocals and the crackle of lo-fi static permeate the release with layers of soul, a showcase for elusives artful, abundant and multi-layered approach to production. with over 20 releases in his collection since the 90s, elusive has personified instrumental music culture in california for two decades now. textures comes at a creative spurt in his career and has a breakthrough sound from beginning to end.
the vinyl release includes a download code.

extrem limitierte 7 inch vinyl-single von danjus erster single “für mama”.

nice price deal !!! the brstl label reaches its tenth release with a return to where it started with a 12 inch from october & borai. the label was set up by rhythmic theory, chris farrell and shanti celeste in 2011 from the idle hands record shop as a means to showcase the finest house and techno being produced in their city, bristol. octobers * head 4 phuture* is a nod to the acid pioneers without resorting to revivalism. instead a heady groove is teased out over several minutes, perfect dj gear. october & borai * too high the future* is a heady stoned house groove, from bristols highest producers – with some weighty sub to propel things along.

communist dub is pan sonic member ilpo väisänen’s second solo album for editions mego (asuma having appeared 2001). this striking new release is a statement against technocracy and the erosion of human community.

4th vinyl with 4 more tracks, taken from son of sounds self-titled debut album.

we left herva & dukwa with a bunch of bangers with their latest ep -it fell down-… we found em back only after few months with their first lifes track longer player featuring an impressive variety of styles but always with their unmissable, raw and twisted up touch. this album of 8 tracks, spread in one twelve and a seven inches, starts on a side with the funky break of -needed-, continuing with the deep driving moment of -amore- and the hip hop beat of -put it on-. on the flip side instead we find the catchy vocal riff of the stomping roller called -freak with us- followed by the soulful ghetto tech vibe of “call it you” and the melancholic, romantic, stoned and rotten lullaby of -tired brass-. more tasty and unusual grooves are included in the tiny wax which close the record up, on a side the peaceful, abstract, suspended and atmospheric dimensions of * play with me* and on the other the glow-fi-sh and -emo--tech wave of -venere-. unmissible!

something stirs in the east. re-edits and reworks exploring beyond the standard disco fodder. synth pop, cold wave, new wave, minimal wave, industrial, new beat, soundtracks and a touch of the original balearics no boundaries ideals.

the supremes, the most commercially successful girl group in pop history, were one of the jewels in motown records artist stable. given wonderful material by motown s amazing songwriters, the group scored numerous number one pop hits, as did singer diana ross when she left the group and went solo, and motowns bright, modern, and uptown image as a label had a lot to do with the way these ladies gracefully and elegantly presented themselves and took over a song. two dozen of those number one hits, both as the supremes and as ross solo, are collected here, including the timeless classics *come see about me*, *you cant hurry love*, *you keep me hangin on* and *stop! in the name of love*. the album also features a bonus remix of *you keep me hangin on*.

wow - black dynamites second strike for tenderpark ventures even more into hip-hop territory than his successful first ep back in 2012. ivano tetelepta, the man behind black dynamite has created three casual and well-hung tracks which form a fascinating hybrid between leftfield house and instrumental hip-hop.

the amen brother disco band step aside for vol. 3 for this 4 track ep of low slung house and psychedelic stoner disco. a man with a similar vision for finding those leftfield dancefloor oddities, he is constantly searching for psyche fused gems and regularly surfaces with a sound that is unique to him and always stand out fresh. sergio is associated with the site prejke.se and runs his own blog diskoakademin, both being a source for his music discovery and crate digging. check it out. big support from psychemagik.

special triple pack for all you suruba lovers out there - contains three classic releases
suruba02: tigerskin - sequenced frame ep
suruba05: ludovic vendi - trhe legend ep
suruba07: e-contact - imagine her stoned (olene kadar remix)

nord records is now ready with their fifth release. nord004r is an ep containing four diverse remixes of nord004 from four different artists ctrls, steven tang, tapirus and antonzap.

bristolian dream team, waifs & strays vs. lukas meets chicago legend, dj sneak sums up the next jackathon jams package from queen of the scene, heidi. loaded with bleeps, bumps and bass, aside >gimme love< is driven by its disco chugging bassline and low slung groove, while the >stokes croft dub< version gives the track a warped, stoned haze. second original dance me (dance you) combines heavy low end with more 90s female vox swagger and dj sneak delivers his unmistakable funked up chicago style in a rendition of gimme luv with strains of boogie.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts. whiskey disco #21 is brought to you by your future lovers, tomas malo, atnarko, andrew clarke and space coast. these folks have futurified some heavy love affairs ranging from disco to rnb. this machine has soul, baby!

dood, the second single from claude vonstrokes forthcoming album, urban animal. dood is inherently dirtybird and the one youve been waiting for if you were expecting something nasty from the project. the heart-squeezing booty-bass-line smacks instantly, while the rumbling drawl of the stoned vocal perfectly encapsulates vonstrokes witty spirit. the track is an homage to the time claude spent in los angeles during the production of the album and really captures the fun, dark edge of that sprawaling so-cal metropolis.

takaaki itoh from sendai/japan returns with a solid 12inch ep on his own wols. 2 brand new tracks on the a-side might work great on the clubfloor, on the other side sleeparchive of berlin delivers 2 rmxs of stoned & banging loopism. enjoy.

born in america, raised in scotland, singing saxophonist amy lyon has been writing and singing music for around 6 years and began playing saxophone at the age of 10. with a love for jazz, funk and soul her influences include ella fitzgerald, otis redding, amy winehouse and erykah badu. with marlon hoffstadt she found an congenial partner to take her songs to the dancefloor. despite his innocent age of 18 years marlon’s productions keep up with those of the well known when it comes to quality. stylistically his sounds are somewhere between pop and house. marlon has that certain “something” that creates its own character and a very distinctive sound. their debut ep “you and a love stoned ghost,” contains four enchanting tracks created by the synergy of marlon’s fresh productions and amy’s energetic voice.

music on vinyl is proud to announce yet another cypress hill classic which has easily stood the test of time. 180 gram vinyl.