brainwaltzera debuts on film. the anonymous producer, whose work has has already received online approval from legendary british idm auteur aphex twin, offers up an extended ep for the berlin based imprint. in 2015 a soundcloud profile under the name user18081971 - now identified as belonging to richard d. james, commented on curious brainwaltzera upload quilat spring 1 outtake. the move prompted speculation as to who exactly is behind the music. exquisitely produced and executed in such fine fashion so as to decry pure imitation - there’s plenty to theorise here. regardless of their true creator - which will undoubtedly remain a secret for the time being, the compositions on film006 are of similarly high calibre. varied in approach and marrying both electronic & acoustic elements with ease, the six tracks that comprise the record range from yearning ambient segues and dreamy down tempo grooves to otherworldly krautrock and more direct, dance floor fare - but remain bound tight as a cohesive and functional body of work by a glorious, arcane musicality. whether weaving soft electronic tones in and amongst snappy breaks or detuned drum-machine strikes, the artist’s ear for acoustic harmony is perhaps the pervading theme across the six tracks that make up the aecoba ep, marking it out as an excellent addition to the film labels growing catalogue

at a recent gig in macedonia, he played an incredible “live pure data” set, using real-time graphical data flow programming to create all his own sounds. with this huge wealth of knowledge and a hard drive stacked with unreleased productions, his ‘spookz ep’ is long overdue. he describes his music as industropical or funkyndustrial and when you hear his two original cuts on this ep, these descriptions become more apparent. ‘spookz’ is dappled and harmonious with sweeping electronics and in-depth grooves. ‘prance for me’ is atmospheric and quaking in its deliverance, showing all his innovation and creativity. the ep comes with two stellar remixes. the first is by el prevost who delivers a grinding reworking of ‘prance for me’. el prevost has been forging his sound over the last decade, gradually shifting into the house and techno scene in particular for uk label, third ear and his most recent self-run label, no speakers, which boasts a varied artist roster that includes doorly, red rack em, wbeeza, 65d mavericks and gabbi lopez. rommek’s remix of ‘spookz’ follows and shows why this recently emerging artist is fast becoming a definitive force on the techno scene. fellow loose lips collective member, rommek made his production debut on weekend circuit, before joining james ruskin’s iconic blueprint label who released his ‘moth hole ep’, plus an appearance on their 20th anniversary compilation, ‘structures and solutions’ gaining him an admirable reputation for textured sound designs.

two floor-smashing highlights from the gnarliest corner of the spectral sound library get a welcome reissue on the first limited addendum 12” to the dope jams nyc volume 1: 2005-2012 compilation. first up is futuristic acid banger “poison dart” by 2 am/fm, the double-headed beast of ann arbor’s d’marc cantu and james t. cotton. beginning with an eerie synth coiling endlessly around a shuffling, anxious beat, the track unexpectedly blasts off with one of the nastiest acid basslines since “washing machine.” commanding, otherworldly, and freaky to the core. on the flip, cotton flies solo and tosses listeners headfirst into his chaotic and terrifying “bizarre carnival.” pounding kicks, blown-out bass and frenzied synths relentlessly collide with one another, creating an endless nightmare of a world on the verge of machine-induced annihilation.

label honcho bloody mary returns to the helm for the 34th release on dame-music, two original tracks knockout and no feeling is final are backed with a huge remix from none other than berghain resident, label boss & renowned producer marcel fengler. alien electronics, ominous pads and a heavy dose of acid craft unmistakably analog cuts that tread the line between electro and techno. ‘knockout stretches across the a-side, a pulsating, incessant acid line snakes its way about the raw 909 drums, tweaked and breaking in a series of hat and crash rolls reminiscent of classic chicago joints. on the flip, marcel fengler masterfully re-imagines knockout in to a driving percussive, workout, subtly adding and removing elements into a hypnotic, frenetic cut worthy of the dance floor. finally, no feeling is final slows the pace, haunting metallic strings rise and fall between twisted circuitry, an emotive number that could just as easily warm the crowd early as it could jerk tears at close. dj support: marcel dettmann laurent garnier maceo plex / maetrik kiki bpitch control orde meikle erol alkan luke slater jonas kopp chris liebing richie hawtin monika kruse james zabiela

from another mind, founded in 2014, presents its fourth and most capacious release to date. having started off initially as a south-german party series, this release sees commanders-in-chief shdw & obscure shape invite back previous guests from the clubnight, just this time using their talents as remixers to breathe new life into the first three much praised from another mind records.

darauf haben die vinylliebhaber unter den pink-floyd-fans sehnsüchtig gewartet. die rocklegenden veröffentlichen all ihre alben nach und nach wieder als lps. im juni 2016 ging es bereits mit den ersten vier platten der band los, nach und nach folgten weitere alben. 2017 wird die reihe weiter fortgeführt, und zwar mit »a momentary lapse of reason«. die songs der neuauflage wurden von james guthrie, joel plante und bernie grundman neu gemastert. alle reissues der reihe erscheinen auf 180 g schwerem vinyl. beim coverartwork handelt es sich jeweils um das originaldesign.

driven by the common 80 s diy-attitude, the 4th istheway release happens to be a cooperation for an absolute one-side vinyl, shinoby vs hypnobeat (james dean brown + helena hauff). the one-track (9:19min) is rooted in the concept of a -neo-tribal” approach, compressing electronics into an emotional, hypnotic and rhythmic core. the energy and the emotional impact of polyrhythms and the track turned out to be centered around the inimitable sound of the roland tr-808 plus a wide range of analogues gear including up to eight synchronized rhythm machines. vinyl only!

ltd 20216 repress ! italian producers steve murphy and dj octopus are regular collaborators, and earlier this year released an excellent split ep on chiwax. here, they return to the much adored german imprint with a proper collaborative four-tracker. theres much to admire, from the rush-inducing bounce of opener track 1 and mr lee-ish cheekiness of track 2 (check the 89 style riff, snappy drum machine groove and cut-up vocal samples), to the impeccable depth and sun-drenched warmth of the decidedly wide-eyed track 3. arguably best of all, though, is track 4, which reimagines sir james 1990 strictly rhythm classic special as an immersive chicago deep house jam.

he cd included in this vinyl edition features the 14 tracks in the same order short info: cerrone is one of the main architects of disco music. his influence is well known around the world and a new release will soon be added to the monument that his discography represents. during 3 years, he travelled back and forth to london, paris and new-york to record ‘red lips’, working with some the most promising young artists (kiesza, yasmin, brendan reilly), collaborating with well-established stars (aloe blacc, alexis taylor from ‘hot chip’) and also worldwide famous legends nile rodgers and tony allen. get ready to dance, the king of the night is ready to claim back his throne.

new granulart release, pressed on limited coloured vinyl. gltd005 is a split ep from label boss kessell and emerging artist eric fetcher with recent releases on aine and children of tomorrow.
early feedbacks from oscar mulero, luke slater, dvs1, pfirter, jonas kopp, peter van hoesen, paul mac, angel molina, eric cloutier, shlomo, blawan, truncate, jeroen search, kwartz, birth of frequency, ben sims, samuli kemppi, vince watson, answer code request, dimi angelis, marcel dettmann, tommy four seven, alexander kowalski, slam, raiz, developer, james ruskin, francois x, zadig, kirk degiorgio ...

jerome hill returns to super rhythm trax with four tracks displaying one of his biggest influences that of mid nineties chicago labels like relief and dance mania. its time for the has been slaying crowds for the last year with its own no nonsense take on cajmeres much sampled perculator track. a hefty dose of fun and playability is injected into this ep and all 4 tracks are designed for maximum body jacking and involuntary head nodding, each bringing something a little different to the table. support coming already from : annie mac/radio 1, justin robertson, john heckle, ben sims, mark archer, perc, groove armada, jd twitch, locodice, dj tlr, craig richards, wncl, james ruskin, pangaea, phil kieren, lukes anger, posthuman, bleaching agent

played by: craig bratley, jonny 5, benjamin fröhlich, james friedman
gone beyond. that s what they say when an (astro) pilot crashes to earth and takes the journey into the big sky. when juan trippe took that last flight little did he know that his re-incarnated self would be an electronic pioneer. in tandem with his co-pilot guido zen (his own father also a pilot) and kyle martin (from the land of light) they formed brain machine and scaled the highest peaks to bring back music both unearthly and intensely human. are we all not stardust anyway? this music proves it, takes you out flips you over and rolls you in stardust. don t try and think it through, make sense of it, grasp it - just wander in wonder and bask in beauty. get lost again.

support by dave clarke, efdemin, jonas kopp, dj hyperactive, truncate, rolando, mark broom, raiz, kyle geiger, green velvet, marcel fengler, marcelus, submerge, electric rescue, the advent, ben long, dan curtin, sasha carassi, hd substance, paul mac, turbo turbognd label head s-file returns with his new two track techno banger release digital disorder and transmission. his last release spandau90 and bleaching was a charted in all digital and vinyl shop sales charts and was supported from ben sims, dave clarke, marcel dettmann, laurent garnier, james ...

marcus lambkin aka shit robot returns with his third full length album for dfa records, entitled what follows. the 11-track album was conceived and recorded at marcus’ home studio in a small town outside stuttgart, worked on in various new york studios and then mixed over the course of 11 intense & coffee-fuelled days in dfa label mate juan maclean’s new hampshire studio. the album follows lambkin’s previous long-players, from the cradle to the rave (2010) and we got a love (2014), which drew plaudits from the likes of the guardian and pitchfork, and featured reggie watts and james murphy among the array of contributors.
the double vinyl lp comes in a gatefold sleeve with download code included.

the second 12inch part of damian lazarus & the ancient moons – remixes from the other side project, the tracks from the compelling artist album message the other side have been reinterpreted by an assortment of producers for a remix album. this second remix 12inch, remixes from the other side (part ii), featuring remixes from juan atkins and kimyon huggins, kölsch, drumtalk and gorgon city. 2015 saw damian lazarus create his most ambitious project to date in the ancient moons, producing a full-length album ‘message from the other side co-produced by james ford (simian mobile disco, arctic monkeys, florence & the machine), with a wide assortment of vocalists and collaborators from around the world. they went on to support roisin murphy on tour

in seiner glanzvollen karriere remixte er bereits lcd soundsystem, depeche mode, coldcut, the xx, moby und viele andere. mit seinem label turbo verhalf er neuen künstlern wie duke dumont, chromeo, gesaffelstein oder boyz noize zum durchbruch. außerdem arbeitete er regelmäßig mit koryphäen wie james murphy und pusha t zusammen. auf no fantasy required erhält er nun verstärkung von hudson mohawke und jake shears von den scissor sisters. mit no fantasy required hat tiga in zusammenarbeit mit erfolgsproduzent matthew dear und dem finnischen genie jori hulkkonen (der auch live mit ihm performt) eine platte geschaffen, auf der er sich ehrlicher, offener und verspielter fühlt, wie er sagt. es hat immer eine sehr fruchtbare kreative spannung im herzen von tigas musik gegeben: auf der einen seite ist er der underground techno don, auf der anderen seite wohnt ihm eine pop-sensibilität inne, die es ihm ermöglicht herausragende songs zu schreiben. es ist diese dualität, die ihn zu einem der fesselndsten charaktere der elektronischen musik macht.

2015 saw damian lazarus create his most ambitious project to date in the ancient moons, producing a full-length album message from the other side co-produced by james ford (simian mobile disco, arctic monkeys, florence & the machine), with a wide assortment of vocalists and collaborators from around the world. they went on to support roisin murphy on tour, gain wide acclaim from the likes and lazarus became the final cover-star of the year in the uks mixmag magazine. now the tracks from message the other side have been reinterpreted by an assortment of producers for a remix album. three of these remixes will be released as an ep entitled remixes from the other side (part i), featuring remixes from red axes, acid pauli and mehmet asian. the second remix ep will following in a few weeks.

new granulart limited release from label boss valentin corujo aka kessell. four tracks of modern techno, as on previous limited serie, pressed on colored solid blue, black & clear mixed vinyl.
early support from oscar mulero, answer code request, reeko, samuli kemppi, pfirter, lewis fautzi, peter van hoesen, rodhad, antigone, birth of frequency, inigo kennedy, zadig, paul mac, brendon moeller, angel molina, raiz, discknocked, blndr, mental resonance, alexander kowalski, quail, jose pouj, ame, etapp kyle, eric cloutier, ben sims, ness, hector oaks, nx1, developer, arnaud le texier, james ruskin, henning baer, kwartz, vince watson, victor martinez, kike pravda, amandra, andrea, marcel heese, p.e.a.r.l., sigha, marcel dettmann, dj pete aka substance, slam, aiken, dj rolando, w.i.r.e., xhei, kr!z

midwich is proud to present magas’s heads plus, the first proper vinyl release from james marlon magas since 2009’s violent arp. for the past several years, magas has been concentrating on instrumental production, eschewing vocal histrionics of previous work, in favor of moodier, more open-ended composition. this focus has resulted in the bombastic and hallucinatory heads plus, an all-instrumental wallop that fuses howling arp odyssey, capricious juno funk and fuzzed rhodes anchored to the ever-present throb of the roland tr-808 drum machine. freed from vocal constraints, heads plus conjures a cinematic ambience where light and dark wrangle for dominance in a dystopian post-techno near-future. plowing ahead with gleeful abandon, this 5-track ep is a take-no-prisoners statement of intent. heads plus is mastered by ruud lekx (rude 66) and cut by josh bonati at bonati mastering in nyc and comes housed in a eye-popping full-color uv gloss jacket featuring artwork by renowned sci-fi illustrator, mark salwowski. layout by designer beth hall. the vinyl release includes a download code.

melting pot music veröffentlicht. die juice vergibt 5 von 6 kronen, macht die platte zum album des monats und stellt fest: *Österreich hat einen neuen rapmessias.* noisy erklärt den jungen mc aus salzburger zum *könig des progressiven alpenswags* und sieht in *kirsch* *nicht weniger als die blaupause für deutschsprachigen based-rap vor. ein magnum opus des swag-rap.* und was macht crack ignaz? er verzieht sich mit superproducer wandl ins lab und veröffentlicht keine sechs monate nach *kirsch* ein zweites album. die platte heißt *geld leben* und wird einige leute hart vor den kopf stoßen. statt mehr autotune, mehr cloudige synthflächen und mehr trapbeats schneidert wandl ihm einen samplelastigen soundteppich der mehr *pinata* als *hotline bling* ist. warum macht crack ignaz das? weil er es kann und zwar so gut, wie gerade kaum ein anderer deutschsprachiger mc. und weil er einen dings drauf gibt, was dein bruder und dein vater dazu sagen. swag!
die vinyl-lp erscheint inklusive download-code.

james -j dilla / jay dee- yancey leaves behind an impression on hip hop that will last the test of time. a bridge between hip hop’s underground and mainstream, dilla’s contributions ranged from single handedly defining detroit hip hop as a founding member of slum village to providing his production talents to common, d’angelo, busta rhymes, erykah badu, a tribe called quest, the pharcyde, the roots, janet jackson and macy gray.

chuuwee and jr & ph7 pay tribute to sactown with the south sac mack. jr & ph7 and chuuwee are pleased to announce news of their collaborative lp, the south sac mack. the project brings the german production duo together with the sacremento spitter for 17 breezy tracks that epitomize the sound of the new west. the south sac mack will give listeners a street level perspective of sactown.

the prolific production partnerships of greg wilson & derek kaye, timo maas & james teej and the solo force of citizenn take roisin murphys jealousy to new levels with fresh remixes of the smash single released earlier this year.

first time ever re-issue. born and raised in the musical magical cauldron of washington d.c., wicked witch combines elements from alchemical mentors parliament, funkadelic, sun ra, esg, run dmc, james brown and jimi hendrix to cast a crazed spell on the innocent listener with a evil mass of machine-funk with lashings of rhythm and blues, punk funk and fusion. trained by masters at the duke ellington school of the arts, wicked witch is in full control of his art he plays all, knows all, tells all. his message will not be denied. believe your ears - believe your eyes: the wicked witch does indeed exist

the first in a series of vinyl and digital releases from the invisible cities collective (i.e.: luca c & brigante + cosmic guests). moments in between brings back the folk vocals of zeben jameson (a mountain of one) and the release includes a remix and a dub from ivan smagghe. the original would fit perfectly on a baldelli cassette. electronic piano grooves and vintage drum machines support zebs soaring vocals throughout before a classic drum machine break and future space jazz outro. check morning sun from invisible cities first ep (2011) for more z. jameson

granulart recordings new serie, on limited coloured 12 inch vinyl. the first release comes from eric fetcher, inspired by the sound of detroit, is full of 909 action and hypnotic leads.
early support by dvs1, darko esser - tripeo, paul mac, antigone, svreca, jeroen search, sleeparchive, samuli kemppi, etapp kyle, arnaud le texier, answer code request, truncate, raiz, pfirter, angel molina, aiken, marcel dettmann, ness, blndr, james ruskin, vince watson, andrea, efdemin, ame, inigo kennedy, peter van hoesen, joachim spieth...

the excellent meant label now offers up two new original cuts from maxime & remain complete with a stellar remix package from kasper bjorke and jackethat & lipelis.
already support by sid lerock, acid washed, maceo plex, sean johnston, acid washed scratch massive, rework, pulp disco and the outcast, click box, gabriel ferreira, matt walsh, chloé, ivan smagghe, tim paris, timo maas, my favorite robot, markus gibb, club bizarre, botin, demian, bufi, alvaro cabana, monoblok&pslktr, tronik youth, gameboyz, james friedman ...

the long awaited ms 08 is a split e.p between techno-rave unit minimum syndicat and the kosmik kommando, aka mike dred (rephlex, r&s, machine codes), one of the true creators of acid techno, once called the jimi hendrix of the tb-303, and partner of richard d. james within the legendary universal indicator project. no beardy hipster techno, no bullshits, just pure analog strobe-jams from the vault of rave.

+++ len faki / the hacker / bodyjack / dj haus rmx +++
chambrays rub ep made the club go boom, the remixes of chambrays rub ep will make the club go bang.support from dvs1, adam beyer, perc, deetron, maceo plex, and james zabiela to eric duncan

returning to cadenza records after two previous singles (the motorglider ep and precursors ep), eduardo de la calle drops the methodical machines ep this december on lucianos imprint. across two pieces of vinyl, and five tracks, eduardo flexes his unique sound design of minimal and soulful grooves.

a lot of water has passed under the bridge since the release of etienne jaumet’s night music, dating from october 2009. his hypnotizing music and enchanting live performances put him directly on the map. it’s just him who is in control of his ship. he moves without complexes from his saxophone to his drum machine (his beloved tr 808) while turning knobs modulating synths, and sending his voice through an echo.la visite, etienne’s brand new album, more luminous and jazzy than its predecessor, has been composed and produced within a two month period in the versatile studio. it became a piece of introspection, mentally as well as physically. in the title track, for which flop wrote the text, we hear etienne travelling through the inside of a body, fantastic voyage style.it is always surprising to see a record taking shape. etienne would arrive at the studio without any precise idea in head, approaching his work rather intuitively. he works standing up, which brings a very different energy than being seated behind a computer polishing up every detail. he is in total mastery of his set-up, ready to capture that short-lived moment of true creation. the only use a computer has for him, is to record his experiments - afterwards being mixed by jerome caron (blackjoy).in between night music and la visite, etienne has not been lazy. not only has he done numerous collaborations (amongst others with joakim, richard pinhas, francois & the atlas mountain) and picked up djing, he has also recorded a new zombie zombie album (rituels d’un nouveau monde) with cosmic neman, as well as the soundtrack loubia hamra. and he worked with artist felicie d estienne d orves on the installation satori. at this very moment, etienne and his saxophone are still part of the tour of james holden.

modelmaker is a new london label from the collective minds of dan berkson and james what. the esteemed house duo has long been garnishing a range of international imprints with their inventive analogue house and techno sounds, but now they are focussing on their own outlet. initially launching with a couple of self penned eps, release number three will be the pair s long-time-in-the-making debut album, and after that a considered selection of other talents will join the ranks as the label pushes on. always primarily focussed on machine made, texturally rich house and techno, each release will come with unique artwork based on works from whats great grandfather, conrad felixmuller, who was a well known german expressionist.

modelmaker is a new london label from the collective minds of dan berkson and james what. the esteemed house duo has long been garnishing a range of international imprints with their inventive analogue house and techno sounds, but now they are focussing on their own outlet. initially launching with a couple of self penned eps, release number three will be the pair s long-time-in-the-making debut album, and after that a considered selection of other talents will join the ranks as the label pushes on. always primarily focussed on machine made, texturally rich house and techno, each release will come with unique artwork based on works from what s great grandfather, conrad felixmuller, who was a well known german expressionist.

prostitutes – aka cleveland, ohio marauder james donadio - flexes a whole new set of muscles on nouveauree, his first work for night school. sticking to an all-analogue machinebased strategy, donadio has warped and stripped his palette to create a juddering force majeure across 5 tracks and 28 minutes of power play.

airhead is writing big ones now. inspired by afterhours sessions in some of the worlds best and worst nightclubs, hek024 bangs with the best of them and enforces a new weight behind the producers delicate production style. the roughness debuted on this summers *believe* ep for 1-800 dinosaur (a label rob co-runs with james blake and friends) on which he soaked up plenty of influences from us and uk club tracks/trax and effortlessly intertwined them with his measured songwriting and arrangement skills.

there is a common thread that runs through all of brandt brauer fricks music. it is this: interesting things happen at the interface of machine and hand-made music. the berlin trios 2010 album, *you make me real*, fused techno and classical. the 2011 follow-up, *mr machine*, saw them go the whole classical-meets-club hog with a ten-piece ensemble playing dance music live. then, earlier this year, came *miami*, a darker, more song-based collection exploring the same man-machine ideas. the berlin trios instalment of the dj-kicks series does the same thing with a mix.
the double vinyl comes in gatefold sleeve and includes the dj kicks mix-cd.

following on from the white collar boy & somadrone outings for numbers 001 & 002, bodytonic music have called in some friends in high places in the shape of james savage aka naum gabo & l.i.e.s. bossman ron morelli (debuting his ghost 202 project with l.i.e.s. labelmate svengalisghost) to remix the debut release of adultrock, or gav elsted to his postman. a 5 track spaced out funk excursion concocted in gavs secret synth lair in dublin, *chants* is already getting heavy rotation from the likes of james holden, john talabot, pional, annie mac & more.

richard burkinshaw & james rial aka audiojacks standing in electronic music speaks for itself, the pair have been heavily involved since around 2006 and have made quite the impact with releases for 2020 vision, leftroom, get physical and of course their own gruuv label where they return to here.

following up on a stellar 2013, timo maas kick starts the new year with the final vinyl remix sampler taken from his album, lifer. this is his latest offering since tantra ep which was received with rave reviews and featured across rolling stone, xlr8r, clash, as well as played by some of the finest djs on the circuit from seth troxler, maceo plex through to luciano and danny tenaglia.

supported by: blawan, surgeon, dave clarke, james ruskin, tommy four seven, speedy j, chris liebing, joseph capriati, gary beck, perc, and, marcel dettmann, truncate, lucy, pfirter, rebekah, truss, forward strategy group, chris finke, giorgio gigli, the public stand, radial, darko esser, clouds, paul birken, cassegrain, kriz, developer, mr. jones, lag, sunil sharpe, charlton, svreca, boddika, paul mac, henning baer, nx1, joachim spieth, exium, markus suckut, the black dog, xhin, samuli kemppi, hans bouffmyhre, christian wunsch, inigo kennedy, adam x.

with releases to his credit on labels such as warp records, rephlex, planet-mu and ninja tune, its fair to say that luke vibert knows a thing or two about electronic music. now he returns to lo recordings for the third installment of his acclaimed nuggets series, this time delving into the archive of the bruton music library to unearth some of the production music studios choice moments.

another handy 12 inch of dj tools, de- and re-constructed from the raw materials of james holdens *the inheritors* album and thoroughly road-tested in his own dj sets. this time it is the turn of trippy instrumental album interlude *the illuminations*. in its 12 inch version club incarnation, holdens mystical cascading arpeggios are juxtaposed with a skittering detroitian thump to cater for a multitude of bewilderment-inducing dancefloor moments the world over. the drumsolo strips things back to functional old school techno basics as we get to eavesdrop on holden jamming with his modified dr-110 drum machine. finally, the extended arpsolo draws out the melodies of the original into a dreamy boards of canada-esque bonus indulgence.

the rekids-affiliated pyramids of mars imprint is set to really take off in 2013, with a string of unique releases already in the pipeline. for this special remix package, label bosses matt edwards and james masters have brought in nyc house legend joaquin joe claussell to re-imagine the machines debut album redhead from 2010. but make no mistake, this isnt any ordinary remix project all the tracks have been reproduced, rewritten, dubbed, performed and mixed by joe, with the help of a group of musicians.

this big fat bag contains 4 cuts of the finest beef:
- beefep008: manjas - hann
- beefep009: shades of gray - soul machine (transparent vinyl)
- beefep010: jaded & james petrou - tonis pain (transparent vinyl)
- beefcd004: after hours mixed by dj schwa

total control dislocate expectations with this inaugural home loan records 12 inch. not the charged up paranoid vox/guitar/drums combo that we have become accustomed to through their visceral live shows - instead men with machines producing pensive proto-tech experiments and tense industrial wave. includes the original version of carpet rash which was re-recorded in full band mode for henge beat, and two previously unreleased immersive rhythm tracks formed through collaboration between guitarist mikey young and drummer james vinciguerra. vinciguerra would fire deranged beats down the hole while young would jam over them, watching waves in a trance from his perch at phillip island. on the flip we find two reconstructions from home loan manager michael ozone. carpet rash receives the club re-contextualisation with ozone fully utilising its penetrating synth hook, while new age hop climbs the arabic scale.

paul müller introduces himself with a record that sports class and mass alike. its mass is easily explained: it sports three superb remixer. what tells better than some good old namedropping ... jori hulkkonen, lauer and matt walsh. these guys and paul müller are the ones responsible for the releases class by delivering great tracks ranging from tech-house to disco - and whatever you may call joris sound.
early love by: chlo e, the hacker, justin robertson, brodinski, luciano, mandy, maceo plex, laurent garnier, tim sweeney, daniel avery, chaim, crowdpleaser, troy pierce, robert owens, x-press 2, james teej, headman, phonogenic, xenia beliayeva, remain, jeremy p. caulfield, bonar bradberry, wally lopez, alex niggemann, funk d void, mugwump, tim paris, clive henry, shir khan, bubba, bozzwell, tornado wallace, kid who, hannah holland, maxime iko, doomwork, disco bloodbath, silicon soul, slok, richy ahmed, luca c, dj three, justin sloe, the saint and many more ...

next vinyl release from deso records is a va including desos, james johnston, paxton fettel and matthew collins, with releases on labels such as no matter what, kolour, 4lux, wilson, dikso, qn, liebe digital, jazzy butterfly, say ahh, soul sheep, and support from guys like gerd, jimster, soul clap, moodymanc, huxley, maceo plex, elef, samann, washerman, wil maddams, fabio monesi, dam swindle and many more, these guys knows how to produce quality house music.
this vinyl is already supported and charted by guys like washerman, wil maddams, mike w (kolour recordings), fabio monesi (wilson records), giovanni damico (morris audio), bryan agent pepper, kool vibe, deymare, jemaho, james johnston, moodymanc and many more.

citylow - first release for a new vinyl label, 150 copiees world wide. pure analog live (with analog machines: tr606 - tr707 james gramling custom - juno106 - korg ms20 - tetra4) ... no loops or samples.
already supported by: danny tenaglia, luciano, seth troxler, paco osuna, andrew grant, m.a.n.d.y. and dj t., carlos sanchez, dirty channels, greg gow, oscar barila, mulder, luca agnelli, gabriel ananda, sebastian lutz, hanfry martinez, drummer.

a label that prides itself on picking up new talent and letting them shine, electronique digital has made quite a name for itself in a short space of time. the manchester-based label has already been home to one of the years big anthems with finnebassens huge >if you only knew<. but it is not just about anthems and big tunes, there is also a focus on the deeper end of house music whilst retaining labels commitment to disco and summer vibes in every release. in other words, though they specialise in deep house, but it is never too serious or morose.
early dj support from: maceo plex, noir, andre crom, waifs & strays, wildkats, the mekansim, tom budden, giom, seth troxler, maxxi soundsystem, flashmob, miguel puente, cera alba, downtown party network, lula circus, amine edge, maher daniel, jay west & many more!