for the latest slice of magic on the evermore impressive fina white, the organ grinder, aka cayne ramos, continues with a prolific run of releases which has planted his expansive productions straight in the bags of discerning club commanders like move d, brawther, and laurent garnier. showcasing a broad, tasteful musical pallet, studied studio skills, and a sharp ear in the mix, the daily struggles ep is a fine arrangement of house and techno that will find itself at home on the uncompromising warehouse floors, the sun drenched courtyards, and in the darker, seedier moments of the night, when only the strong remain, and the weak have long since departed

the summer heat is still on our minds and we all do miss the sunny days, the beaches and the endless open air parties… thanks sascha dive for the right soundtrack and this summer flashback: dives new release for cocoon beams us back to the high days of the summer of 2015: especially into the woods seems to be the perfect sound for all these deeply missed summervibes. into the woods is a pristine tech-house production that comes with a cool straight forward beat programming, very nice reverse strings-sounds and hypnotic house chords. a nicely flavoured chicago club housefeeling and exactly how we like it! werewolf appears slightly more spaced out, however we are still deep in the house universe here. dive is pushing it a bit harder now - he uses crazy chord sounds and turns the track into an 11 minutetech house journey. after the summer flashback with into the woods this one beams us definitely more into the darker and hotter inner city clubs. a massive tech-house-striker by the diver and we are proud to say it is one of his strongest works so far!

the untold stories returns with another double vinyl collection, this time divided into two chapters: chapter iii and chapter iv. all begins with an extended work by denis kaznacheev. then tracks by vlad caia and kaitaro complete the first record. the second record, chapter iv, begins with a warm and laid-back work by ivan lopez, followed by a distinct andrey zots remix. the final side, begins with a track both playful and eccentric by zefzeed, and the chapter is complete with an ethereal lightness from verrina & ventura. so as a collection, 3 darker moodier tracks on the black chapter iii record, and four lighter tracks on the transparent yellow record of chapter iv, make for another exciting release from the untold stories

official re-issue of larry heards the housefactors project!another one of his classics!raw and relentless tracks that went so far from any electronic dance music from that period that to date this is still recognized as larry heards signature sound. with his mr fingers and fingers inc. projects going towards club use, this and his gherkin jerks showed another side of him maybe a darker side,but for sure a more raw and different side with music that sounds as if it came from another planet.jacking tracks that to date only larry heard have made like this. many producers have been inspired or tried imitate his sound with all good intentions, but still, gherkin jerks and the housefactors are some of the most unique projects in house music history. play it loud originally came out in 1988 (!) on black market records. and how cool is it to see an official re-issue on the original label by the original guys who did this almost 25 years ago!eternal respect to larry heard and a big thanks to black market records for making this important record available again.

marco niemerski, aka german dj and producer tensnake is set to release his keep on talking / the walk ep via his own imprint, true romance on june 8th 2015.‘keep on talking is a tingling and infectious cut, defined by an exuberant bassline and lush wandering synths that hark back to an era gone by, while the walk takes a darker, more minimalist tone with slinky, staggered house beats

*in the beginning* is the inaugural release of romanian vinyl­-only imprint we play wax, that joins the italian giovanni damico and his close english friend tomson for a special 12 inch release that has both artists remixing each others original tracks. with a vocal featuring by keter darker and a beautifully designed dj­friendly package by romanian artist lar pavel, *in the beginning* is already making a buzz. out on the first day of summer on heavyweight 180­ gram black vinyl!

amazing record! re-release of a classic sebastien san track, with some excellent remixes from deepchord.

a collaborative effort from label bosses taelue & chicagodeep under the guise ghosts of the sky, offering a darker tinge to their style of house & techno while remaining in the realm of deep.

a new exciting release on ausland records! the new dimension goes into the darker corners of electronic jazz and beyond. a limited run of 300 records that are hand printed, hand numbered by artist. roberto auser and his collaborators deliver a cinematic, breathtaking atmosphere and ambiance!

• finally out ! the 4th outing for this well established uk artist
• hand stamped sleeve
• a darker take on the uk techno / bass sound.

a1, entitled the weapon, is a pushy tune driven by sheer 909 rawness and that legendary dx7 bass we have come to love on many of jacob s tracks. a2, appropriately titled -from the underground (jmf s fatty rub), remixed by the english producer, jmf. keeping up with the energy of this release, a2 brings a tech-like jack vibe to the table. b1, entitled from the underground, is the original mix from which jmf reworked on side a. this track brings a tougher, darker vibe to the mix with a strong bass and steady pumping 909 riffs. b2, warehouse stomp, doesn t fall shy of its name.

launched last summer, the 124black series has been a fine addition to the more established 124recordings label that promotes a darker, harder sound whilst remaining firmly rooted in the underground. a third release on the series retains the focus on new and upcoming producers with demuja, the knight cats, tijn, and jekyll all present. building on the raw and crisp style of house shown on numerous digi releases, demuja sets the tone perfectly with the stripped back throbbing delight that is everytime, whilst paris duo the knight cats add some 90s flavour with the excellent we know that. tijn arrives on 124black after impressing with a recent outing on djebali and diss you is a fine b side burner along with jekylls rattling transition dub.

the nose of clarity (one + two) is obscure and mystical techno with a hypnotism rhythm construct. part one is coming for the long nights in the clubs and bringing darkness dance moves. part two is more deeper and darker with a slowly trippy and layered loop sound. on the flip side the obsession (from don«t«be on acid ) dwntmpos rework is downtempo sound in perfection. the rhythm is going straight in the head and bring the deepness with a slowly pitched vocal in front of all understanding. the second rework is more dub influenced with warm chords, delays and echos from a other galaxy. the vinyl is hand stamped and numbered and comes with a a4 graphic art print. mastering by xergio c—rdoba at eternal midnight mastering studio madrid, spain

bringing you our third release, this solo ep comes from the leeds-based producer david moran. giving you a raw flavour with plenty of punchy bass that will undoubtably destroy any dancefloor. destroy the dancefloor shows a darker, dirty side from david and is an ep that shouldn t be taken lightly.

the come up ep is the third release on seth troxler and the martinez brothers hot as hell tuskegee imprint. a showcase four tracker of three burgeoning tuskegee artists with some heavyweight jams perfect for the come up! the a side features londons ibellini on a bumping house-strormer thats right, hooky as hell and twice as funky. next up is martinez brother homeboy jesse calosso with two hot licks of ruff ass tech-n-groove. the a side features serving size a jackin off kilter groove workout for the heads. on the flip and jesse lays down the law with whatever right now, serious business for serious floor. finally new yorks finest filsonik delivers royce five another great underground cut perfect for those darker moments, heads down for a full house! a killer four tracker that is destined to cause dance-floor madness this holiday season!

what better way to follow up andy meechams (chicken lips / emperor machine) huge gino fontaine originals than a duo of remixes from balearic chieftains pete herbert & stratus as one half of reverso 68 alongside phil mison, and in his own right pete has been behind a ton of mesmerising sunrise and sunset workouts, and he’s more than delivered here - crisp and club ready percussion, those stark punk-funkin’ guitars and his trademark synth work all conspire to cook up a storm on the floor martin jenkins and mat anthonys stratus outfit (remember their superb *spring tide ep* on aficionado last year ?) take a pop at the sublime konkondo on the flip and what a masterpiece it is ! a ten minute, utterly absorbing and expertly evolving piece, which flips the darker elements of the original into a mesmerising, cinematic, early 90s style balearic epic.

nice price deal !!! raw waxes continues the release number four with one more original track from the noisemaker. the edition 4.2 is enriched by the remixes of korova, duo who were protagonists of our first release, and inigo kennedy, old school artist truly appreciated by raw waxes. on side c, point x15 advances as an acid robot going ahead with swollen broken baselines covering sinister and rough ambients. the rhythm gets darker and nimbler as far as the stylus moves on the decks. on the side d, korova delivers the mirror of their hypnotic and straight techno soul. drums play hard, ambients are kept happily enjoyable, while the acid synths and chords go with the flow embellishing the original version. inigo kennedy’s reinterpretation seems to come from early ’90 productions on missile records. acid elements and palpitating hi-hats, followed by the syncopated bass drum, gradually fire the minds up and accelerate the roll of weird but deep moments. pure industrial machine guns.

the original, with a well-constructed bassline incorporates a warm up melody that begins to set the tone for the night ahead. each layer is distinct as the track begins to build itself right to its crescendo when each of those individual layers collectively come together. you can distinctly hear the 80 s like synths that are cleverly inserted into the track which are highlighted by the female vocal samples. the grittier elements add a touch of darkness and instantly transport you to a warehouse club with an intimate atmosphere. the remix, done by the widely loved tech-house duo pleasurekraft jack up the tempo a notch, and add a bouncy groove to the track. where the original brought out a darker side, the remix is more upbeat and settles in well for a peak hour set. bringing that crisp bassline to the fore, and tuning out the melodies to make them a tad subtler it showcases a more tech-house version of the original. there s an added element a slightly more haunted vibe which is coupled together with those gritty and harder elements. all i can conclude is what a tech-house bomb this is from the highly talented pleasurekraft. they always manage to bring something new and unique to every single track they ve ever remixed which truly shows their remarkability as consistently good producers.

wilson records is back with a branding spanking new, special printed-screen edition celebrating label head, fabio monesis first solo ep. the succession of the label and fabios sound has been ever so apparent. a manifestation into something much more darker and refined, something represented crystal clear in the riveting rhythms of the a side with *gotta blaser* & *djago*. on the flip, the b side is a declaration of love, if you will, to the mother of it all, chicagos house music.

to accompany the release of especial s compilation mix cd, -eleccio- - offering of a snapshot of the first 9 eps on the label - a limited edition sampler ep is being released featuring 4 unreleased remixes from the label s roster to date. ever since the first white labels appeared at the end of summer 2013, emotional especial has had a busy release schedule, putting out music that are a slightly warped take on club music. mixing the influences of dub, electro, disco, proto-house, house and techno, a feeling, a sound, a vibe has appeared without any preordained plan. with the release of ees10cd - a dj meets studio compilation mix created by label mainstay and handyman, jamie paton - to mark the end of first series of the label, it was decided to included a couple of specal unreleased remixes to add a bit of new with the old in the mix. to that end this limited edition vinyl sampler was created to include the two remixes, plus the inclusion of another two gems that simply needed to see the light of day. first is the alternative -member- remix of inhalt by black merlin - a strings meets leather bar club-dub-out that takes things deeper and darker than before. this is followed by jamie delivering his own take of khidja s massive mustafa, with a warped, swamped out dub. next is another mix from cage & aviary of their pals, blancemange. brooding low-slung rerub dub anyone? finally there is a very special remix by khidja of the ganges orchestra. reissued on emotional rescue in 2013, this special remix takes the vocal mantra of the original and creates a balearic-raga tale that perfectly rounds off especial to date.

following on from his 2012 autoreply debut the model steps up again with a precise, deadly-effective two tracker. as a producer he can never be pigeon-holed serving up his mysterious blends of deep, robotic, space- funk across labels like traum schallplatten, crosstown rebels and his own clone powered adult central imprint. night times the right time finds the romanian in fine-form laying down punchy drums with pulsating-bass, persistent chords and analog synth tension. flip the disc for wolf and you get a darker, dub-driven take over the same infectious, floor-shaking beats. long tracks, mastered to perfection and playable to the max - check it.

roots for bloom bring in four new faces for the seventh release. we see label boss jamie trench deliver an edit and remix of daniel curpen - daddy was a thug, and david moran teams up with albert vogt for their track cut loose and then collabs with mark crumbs for tha bassment. the a side sees jamie bring a rolling dub edit to daniels original and then takes things a little darker for the a2 remix. david morans cut loose shows off the vocal talents of albert vogt which grooves along seductively, then tha bassment as expected brings things a little harder and more for those after hour spots.

sai with his debut release for rondenions ragrange label. four of the highest quality house tracks with yoshimitsu interpretering it from a more darker approach with sub heavy basslines and deep hypnotic organ synths on his truth of tweets remix. highly recommended!

ltd backstock !!
let us say it right away, >the praetorian / rq-170< is breaking new grounds for artist & label equally. stagnation equals death. this to many new side of shed probably presents one of the darker and more experimental sounds of 50 weapons. its not techno. its not dubstep. its not breakcore. its not jungle. its not ambient. its not chill out. its not glitch. its not drone. what is it? epic bass!

debut release on mira from the kvbs new project
full colour, stickered picture sleeve designed by silent servant aka juan mendez
this release again incorporates the bands nostalgic, shimmering guitar sound but also treads a darker more dubbed feel across its 3 unnerving tracks.

flexing a glittering discography on influential imprints such as boka and black acre, von d has remained a consummate ambassador of the low-end movement since he emerged in 2009 … and we are proud to have him on board for our long-awaited seventh release.

parassela is the studio and live project of blawan and the analogue cops. their first release on their own label with the same name has become a collectors item in less than 40 days. now the project lands on restoration, featuring the appearance of pariah on track a1, a crossover monster of techno and garage. getting darker, a2 is an unfriendly radio-activity with a gloomy chicagoid reminiscence.

rising bristol production team forget me not deliver 3 tracks that ride a wave of bristol-bass, steeped in a classic house sound road tested thoroughly at recent alfresco parties. the lead track *only you* draws you in with modulating pads and haunting vocals underpinned by heavy sub bass. the mix of organic and urban sounds creates an atmosphere perfect for alfrescos first release. on the flip they take the bumping classic house-meets-bass formula and apply it to *club shaker*. this time with classic chords and chopped vocals, they make dance floor magic on this head summer tinged club banger. alfresco disco co-founder luke turner aka lukas remixes *only you* making the track a more sprawling, acid tinged journey, a bit darker than the original. the vinyl of the release is truly one for the collectors.

early support from: chris liebing, the advent, richie hawtin, adam beyer, slam, joel mull, psyk, jonas kopp, sasha carassi, joseph capriati, space djz, gary beck, mark broom, edit select, dubfire, audio injection, electric indigo, axel bartsch, alan fitzpatrick, angel molina, marko nastic ...

tone control music proudly introduces our new signing thatmanmonkz. this debut ep, the man explores detroit inspired deep house with jazz, disco and soul influences apparent throughout. several tracks feature vocalist and multi-instrumentalist, pete simpson (sunburst band) while title track, the man takes a heavier sampler/drum machine based route for darker tastes. ross orton (arctic monkeys/m.i.a.) helps out on mix duties to complete this steel city showcase.

rugged/troubles is a double a that lives up to its name in every way. if we wrote cliched press releases we would say the release >does what it says on the tin< but getdarker dont deal in hackneyed, meaningless sayings, we deal in undiluted, speaker-banging platters. and they dont bang much harder than this pair of purist party-starters. troubles follows. in more ways than one.

a made up sound aka 2562 and dexter deliver two remixes for arttu featuring jerry the cat. nuclear funk and get up off it get transformed from raw chicago influenced cuts into darker electro/techno hybrids by these two dutch techno wizzards. both known for their sharp productions that cross over between techno, electro and bass music they have a fresh take on the original versions. by the choice of remixers we didnt expect the standard house remixes, something more challenging would fit the spirit of the originals. this remix 12 inch might be is somewhat of a dark horse in the house orientated clone royal oak catalogue, but expectations are to there be messed up.

meander continues the killer project from mike shannon and dewalta with a superb record of pure analog synth-funk. the creative cooperation between these two inventive minds deliver a pretty unusual adventure. wandering via a deep forest of sounds saint jack de smoove guides you powerful and reverberating through the darker territories of time and space. mike, known for his outputs on respected labels like plus 8, force inc., wagon repair and cynosure already worked with dewalta for releases on haunt and their first record for the same project on cynosure. their second offering goes a huge step further into sounddesign and warm black grooves making it a perfect record for the house meander is. saint jack de smoove welcomes you to join him on his incredible voyage into altered states.

here we have the next instalment from the ever popular underground music imprint. this time they bring the 145bpm pressure and take things a little darker by signing two monster tracks from monstroso.

bestworks records proudly presents the debut of two young aspiring producers from berlin: felix fisher and fabian dikof. several years ago both of them learned their first skills in a youth project which was developed and run by non other than label owner and producer andre lodemann in a small town erkner on the outskirts of berlin, germany. this release is a beautiful connection between andre lodemanns former job as a street/social-worker and his work today as a producer and dj on the international circuit. the track by felix fisher is a more detroit orientated tech-house track with a darker approach and fabian dikofs is more dubby-house influenced. christian prommer and phoniques remixes give the release a great twist in other musical directions.

another raw techno basics va for the collection. four names that are currently really doing well within the sound. if youre into that peek time dark and funky techno this is a release for you. the a side contains david moleon and iago de la vega teaming up for some funky action while the b side contains a darker daisychain track and an anthem by thermo.

new kanada welcomes the mole back into the fold with a heavy image two-tracker from deep in the forest. the slo-mo a-side “dog river” is heavy and raw and dripping with calcified disco echoes. tweaking distant bass, tugging percussion and psyched vocal loops. a serious main-floor builder. on the b-side, colin gets tougher and darker and crafts a potential blackout bomb. grinding pads mix with a morphing bassline to form a dubbed out late-night track - made for the mix.

this is the first part (of four) of the much anticipated reissue series of drexciya s early catalogue, marking 20 years since the release of their first ep deep sea dweller , and 10 years since their final album grava 4 . one of the most influential techno acts ever, and part of the heritage of detroits underground resistance, drexciya explored techno like no-one else before: raw and uncompromising music that reflected the harsh environment of the city where drexciya was conceived, with a mythical approach that only added to their cult appeal. drexciya arguably stands for the darker side of techno and electro, made not only for the club scene, but a further development of the music as an expression and extension of the mind. journey of the deep sea dweller is a near-complete collection of their early works, released in four parts, with all audio remastered from the original master tapes. since the original releases have such a strong character and stand on their own, these reissue can never recreate the magic of those originals. instead, clone have stirred up the catalogue, taking tracks out of their original context, giving the committed fan a fresh experience and the new listener a document that is the best possible introduction to the aquatic world of drexciya.

on the a-side we have the cheeky >24 hour party sausage<, where garry takes us back to the sounds of the early 90s uk rave scene. its a peak time old school vocal affair with a raw, analog bassline, stuttered drums and chopped up stabbed vocals. stepping up for remix duty on this future classic is the mole who flips the original on its head and creates a dancefloor creeper for those darker club moments. winding the bassline and metallic beats between the rawness of the original groove and imparting his trademark spooky percussion, rhythms and eerie vocals. b-side >vacation in sunderland< is a love story with a firm salute to the classic down tempo us house of the 90s. its time to dust off those shell suits, high top sneakers and cazal shades and get ready for another slung back, funked out garry todd house jam with growling, rolling bass and seductive vocals and keys. on the remix front fellow illusion family members death on the balcony step up with a classic house masterstroke that compliments garrys slower and sleazier original. here dotb pick up the pace in a brilliantly original rework that accentuates the vocals and piano hook to create a summer house anthem - a stylish finish to another diverse installment from the illusion crew.

even those of you living in a cave in the last couple of years have heard of azari & iii, the celebrated production duo from toronto. best known as their founding member, alphonse alixander lanza iii is an old timer with his earliest productions dating back to the raving 90’,s. on gtcm08, alixander iii flies solo and delivers a superb ep that showcases his darker, edgier side. with three origi¬nal tracks each more harrowing than the other, iii expands and enhances the gtcm signature sound. this here is an ep for discerning djs who refuse to fall for the cliches of mainstream dance music and who have the confidence to unleash such powerful tracks on the dancefloor.
support from laurent garnier, stephan bodzin, slam, troy pierce, brodinski, dj hell, mr g, deetron, lee curtiss, nuno dos santos, erol alkan, paul woolford, master h, the hacker, arnaud le texier ...

asiko disko - jt uses classic drum machines, sneaky acid lines and a mike dunn-esqe vocal to create this underground gem.
gaia - this track is sure to be a dj favorite. pounding tribal rhythms, hypnotic chants and an arrangement demanding to stay in the mix. this is a dj weapon.
asiko disko (dave aju remix) - having been a fan of dave aju for a while we thought it would be a hoot to get a remix from him. the result is a slow burning, shimmering remix that takes the original and shoots into space.
gaia (lance desardi remix) - our main man lance desardi turns in a electric remix. taking the original and delving into darker territory. new sonic creatures rotate around deep bass tones, hypnotic chants and new directions.

carefully caressing your back whilst whispering sweet nothings into your ear, pillowtalk join the life and death family with their modern dance soul hybrid, >the come back ep<. despite the name, its actually a debut ep -- and one that quickly establishes pillowtalks unique sound as an important voice in the new generation of contemporary dance music. already getting serious play (and props) from a wide range of djs, from the deep & soulful wolf + lamb and soul clap crews all the way to the banging bass centric justin martin, >the come back< finds life and death once again crossing the conventional genre descriptions with a true dancefloor bomb that everyone can get behind. imagine motown and classic doo-wop blended with a modern dance sensibility and you may start to get an idea of the pillowtalk sound. but its better to stop imagining and just have a listen because what these guys are doing is so genuinely unique, its not an easy one to pigeonhole with words and genre titles alone. the ep includes >the come back<, >soft< and >long lost friends< as well as a life and death remix of >soft<. put together in the life and death laboratories it brings a darker, deeper take on this beautiful and already incredibly sentimental dancefloor serenade.

supported by: ben klock, marcel dettmann, ryan elliot, derrick may, cassy, rhadoo, zip, sven väth, pedro, raresh, dana ruh, davide squillace, radio slave, vera, dorian paic, spencer parker, tato,..edec is back to deliver a second offering of floor destroyers. this ep combines the forces of jon hester and the remix skills of dvs1, two purveyors of rhythm hailing from the hidden techno gem of minneapolis, usa. shouts in the dark (original mix) tough concrete beats pump the speakers with urgent rhythm to get pulses pounding. a danceable jack vibe permeates a punchy kick and ricochet percussion, with building pressure in undercurrent noise setting up a strong break. shouts slice through the percussion to make this an upbeat techno burner. shouts in the dark (dvs1 found the light mix) by adding some moody synths, noise, and reducing the percussion, dvs1 (transmat, klockworks) lifts this interpretation into beams of light. no more words to speak as bright versions of the original sounds weave their way into a tight groove under smooth, shimmering synth waves, punctuated by sharpened claps. shouts in the dark (dvs1 lost in the dark mix) dvs1s darker interpretation strips back to sparse synths, snapping highs, a deep kick, and pushed into the shadows.

fresh from the release of his stunning third album, >inner space break free< on the magic + dreams label, the unique and acclaimed live performer, bass clef delivers an anthemic summer 12 inch for the punch drunk label. an integral piece of bristols musical jigsaw, bass clefs live shows and dj sets have wowed the city for years. his punch drunk 12 inch debut is long over due. rollercoasters of the hearts euphoria fuelled piano refrain combines with dub echoed beats and rolling, ground shaking bass before delving deep into acid bliss, juxtaposing the darker, melancholic yet tough and club ready so cruel on the other side. if you get a chance to catch bass clef live, you wont regret it!

crosstown rebels get set to unleash the power of the model feat. my favourite robot with a vampish feast of 80s proto-house in -still in my heart- followed by a playful epic rework from ivan smagghe and a dose of warped late night techno courtesy of two mesmerising brett johnson remixes. the model makes a storming entrance into the crosstown camp with the original of -still in my heart- spinning a circus of 80s inspired melodies, rave synths, techy bleeps and stabbing bass. my favourite robots soul-penetrating vocals nonchalantly weave a darker thread through the dizzy heights of electro stylings supplying a vein of moody romance

soniculture presents the second and last volume of the >polis< remixes from billy dalessandros latest album, and what a way to end this project in style with four great floor fillers for the most demanding audiences. the ep kicks off with mobilees exercise one, who take >only your touch< through a ride of arpeggiated basslines and dark grooves only to melt later into the melody that is the heart of track, drifting into uplifting moments. an amazing result from this dynamic duo from berlin. americas own jason emsley, known for his releases on platzhirsch, takes a darker path down the techno lane and creates a mind blowing version of >in the red<, with his own processed vocals which end up being the core his message. from siteholder chicago, billys mate, brian ffar, creates a happy and playful version of >alphasex< fooling around with synths in ingenious ways. an amazing track filled with groove and originality that will bring only happiness to the listener. sonicultures label owner expander keeps the hypnotic feeling of >acidburn< but drives it over a stronger bassline towards a point where fine-tuned melodies take over and fill the soul with several sorts of feelings making it ideal for the mind and the soul...

following up his successful foray of sampling on otp party breaks, andy ash finds himself diving head first into the darker outer limits of big room dance music. >another world< nods its head to technos yesteryear, more specifically detroit. imagine a slower version of the motor citys soulful chord pulsing sound and youll find yourself in the right ballpark. add to this andys finishing jacking touch and the result is golden. this time around otps remix work finds italian man of the hour nicholas, from no more hits (label) fame and otps very own marcos cabral

goodvibe records project is an effort to expand the boundaries of hugo, and his favourite producers music, beyond standard nightclub beats. after the bright side, its time to reveal hugos dark side for the second release of his new imprint goodvibe records. hugo takes the listener down the darker alleys of his production and demonstrates to himself that 4/4 beats are made of many different feelings. we are all strongly attracted by the dark side of life, of humor, of music. it doesn’t make us bad persons, but in fact make us as comfortable with ourself as we could possibly be. it lightens the seriousness of subjects dubbed taboo. lets go on the dark side!

the house nerds with 2 killer tracks for lovers of rekids & cabin fever. mystery bells >down deep and dark< went the name of an old strictly rhythm compilation and thats a pretty good description of mystery bells. 909 beats propel this monster along with the payoff coming via a big-room breakdown. follow that with a variety of skippy sp1200 drum programming to finish it off. (did we mention the bells?) huge. library session no. 4 is bouncy proto-garage mixes together with spaced out vocal samples and some serious chordage. channeling old downtown 161 vibes into the present day, the nerds provide a nice counter-measure to the darker sounds of mystery bells.