feat. marshmellows recordings with their new single til i left the music , the track meanders through toe-tapping rhythms with intricate, ever-building percussion underlined by smooth bass guitar. full press support in dj, idj, mixmag ,m8 ,rip &burn & touch

a massive electronic house monster with techhouse influences, but still grooving and funky - which has become something like a trademark of milk & sugar recordings. the vocals on this record came from julian williams, who is well known as j-luv in the rnb and hiphop scene.

the crumpster yet again takes his very own hump recordings imprint to another level with the stunningly produced 'la la'. awsome beats lay behind a sintilising string pounded along by a typical crump booming bassline. both sides deliver a driving force and hypnotic groove making serious waves across dancefloors worldwide

excellent remixes by tom novy, pleasure bar & erick decks (milk & sugar recordings) , chrissi d!!

hier wird kräfig experimentiert, in allerbester frikelmanier, einmal zweimal dreimal hingehört ... pionierarbeit aus köln

2 phat rockin electro phunk covers !!! for fans of dfa, output recordings and co

another great 3-track-ep. all three tracks are well produced and will make your booty shake on the dancefloor. selmir, his real name, had also releases on djax-up-beats and on the english label eskape recordings.

phat turbo recordings label shirt - tiga s label

the first track deals exactly about this topic and brings forward its problem to our community. isn't music also part of it?'don't slow down' is the party-slammer with the well-known jamaican

tom mudd follows up brass cultures with another collection of genre pushing electronic music. sitting between the hermetic focus of bill orcutts solo guitar recordings and autechre at their most abstract.

masterpiece

thomas blanchot, 40 years old percussionist and drummer, started his production structure mato production in 2001, with which he collaborated and directed for many projects. composer, music publisher and producer of music for tv, advertising, films and records, he also began a career as reggae producer since 2006, under the name -mato-. since then he’s released music through various projects concepts, coming out through labels such as makasound, edr records or big singles. in the meantime he developed a real trademark: taking over classics french, hip-hop, or pop song, into roots reggae-dub new versions. besides since 2010, mato’s built a solid reputation thanks to his many remixes of hip-hop classics on stix records. it is therefore natural to find him back with a new attractive concept on the favorite recordings’ sub-label: seasoning the notorious -homework- by daft punk, with his special reggae-dub sauce. once again mato achieves a brilliant rendition with this homework dub, making almost dreadlocks grow on the french robots’ heads! using kick-effects, delays and roaring bass, he reinvents one of the most famous albums of electronic music, as if it was straight-out from scientist, king tubby or mad professor’ studios in jamaica.

greyscale s next full-length release come from german based artist audhentik. titled hypno , this album encompasses 14 pieces that dive deep into a heavily-based synthetic world of atmospheric ambient and dub. imagine if you took some amazing pictures of a desert island then put on a pair of ambient dub filtered glasses on. a picture-esque nature beach scene has been processed so heavily that they evoke memories of a place you have been before. this is a true artistry in ambience. perspectives combines a wonderful balance of field recordings with washed out chords of grandeur. breathtaking and majestic like looking down on to a city from an amazing view off a mountaintop. period explores an off-kilter dub rhythm while feeling stuck in a languid moment of disorientation as the track disperses the tension near the end. that astounding build leads perfectly in to the title piece. hypno is a 9+ minute journey deep into the abyss with a track of pure aural pleasure. epic is an understatement here. a standout among many other standout s here. infinite edit is one of the key interlude s that link the tracks together on the album. this one provides a thinner airier stratosphere then the previous ones giving you a chance to catch your breath as you prepare for another trek into the depths of static . this one has you feeling adrift in a nautical theme of optimism through the arduous recent events of a shaky future. a wonderful storytelling is evolving on hypno ...

new album from deepchord for soma quality recordings.

a collection of all van der graaf generator albums from 1970-78, two concerts from 1975 & 1976, bbc sessions, studio recordings and videos on 17 cds plus 2 audio blurays and 1 video bluray.

second album from barcelona based drop collective, fusing jamaican influences and jazz.

first-ever solo album by legendary guitarist leo nocentelli of the meters. contains previously unreleased recordings from the early 1970s. the cd includes a 28-page booklet.

the third album from hamburg based bacao rhythm & steel band. the cd release includes 3 bonus tracks.

the 4th studio album from kutiman, based on field recordings from tanzania.

kruder & dorfmeister’s mix from 1996 is a timeless classic in !k7’s dj-kicks series.

great new album by four tet.

the first compilation of modern era recordings from detroit jazz collective tribe, presented by strut and art yard.

previously unreleased material from steves private recordings, remastered from the original masters

the radical discovery by amir abdullah of 5 two-track master tapes in the care of hermine brooks Ð widow of innovative detroit drummer roy brooks Ð of the charles mingus quintet recorded live in detroit at strata concert gallery is cause for some serious celebration. these electrifying recordings took place during mingusÕ week-long residency in february 1973. they were broadcast live by drummer/producer and broadcaster robert ÒbudÓ spangler for wdet fm Ð a public radio station dedicated to jazz Ð from kenny and barbara coxÕs multi-purpose home for strata records at 46 selden. entrance to the gig was $5 dollars in advance and $6 on the door.

beathazard recordings releases the first album of kapis alter ego, downrocks, straight from barcelona, deep into the electro funk.

uk-technohead paul woolford meldet sich unter seinem special request-alias zurŸck. nach seinen gefeierten longplayern soul music (2013, houndtooth), modern warfare (2015, xl recordings) und belief system (2017, houndstooth), sowie der fabric mix-cd (2017), liefert woolford mit vortex neun definitive, neue, direkt in die magengrube zielende banger ab, die alle subgenres tangieren, wofŸr der producer steht: von acid Ÿber jungle/hardcore bis detroit

2018 repress - after gaining high praise for his previous productions on both the firecracker recordings 10inch series and prime numbers e.ps including tracks such as >miles away<, >r.i.p<, >piece of mind< & >lost experiment< we release >system<, the debut album from nick moore aka linkwood.

a-sun amissa is a project formed out of leeds, uk in 2011 by members of glissando and the rustle of the stars. built on the foundations of the unknown, a project that encompasses minimalist drones, modern-classical movements and avant-garde tendencies. richard knox (glissando, the rustle of the stars, of thread & mist) & angela chan (glissando, the rustle of the stars, ten, tomorrow we sail) began forming the initial ideas in the autumn of 2011, moving away from the piano-led ambience of previous outputs. new album you stood up for victory, we stood up for less sees a-sun amissa moving in a more dense direction, the drones are heavier, the sound thicker and with the added bass-clarinet of gareth davis there a new slightly darker jazz element now to the music. the two tracks were conceived initially as two drone guitar pieces, following that, work was done on the composition and atmosphere of the tracks adding the bass-clarinet, viola, vocals, field recordings and piano. the finished works produce an unsettling but hypnotic listen with melodies moving in and out of the mix throughout these two pieces. you stood up for victory, we stood up for less is released a year on from a-sun amissas debut desperate in her heavy sleep (gizeh). the band will tour the uk and europe in february and also play a handful of uk dates with barn owl in april. recorded at cloud blunt moon and city 1, leeds in october & november 2012. mixed by richard knox. mastered by james plotkin. photography by frŽdŽric d. oberland. layout & design by richard knox

the music contained in this album invokes the vibes and spirit that were so crucial to much of the music recorded during the 1960s & 70s in jamaica. if you talk to the musicians and singers of this era, they will tell you that the driving force behind the songs they created was the sheer love of music. this is one of the reasons these recordings are so powerful and move listeners to this day. music like this can only be made by those who were schooled in the studios and yards around kingston and is not something that can be easily reproduced outside jamaica. the kingston all stars represent some of the most legendary musicians to ever grace the little island & it is thanks to their passion and dedication that we have a lifetime of music to enjoy.

this collection of rare and previously unreleased recordings pays homage to the life and jazz of jack sels.

loke rahbek returns with his fifth album under the croatian amor alias with love means taking action, recently premiered at the 2016 edition of berlin atonal where it was considered by many as one of the festival highlights. although not as harsh and abrasive as previous albums, such as genitalia garden or last years the wild palms, rahbeck still manages to execute a polarising opus, comprised of short ambient journeys which incorporate various sonic influences and clever use of sampling outside of his usual employment of textural noise treatments. field recordings, immaculate synthesis and emotional vocal snippets are interspersed throughout this exploration of love and human connection. the title track, in particular, could well be one of our favourite songs this year. quite simply: breathtaking.

to commemorate our 10 year anniversary celebration, this new release comes in the form of our beloved deepchord presents echospace project. the set was recorded live at ghost in the sound on 05/26/2013 a few miles away from hart plaza. an official movement after party curated by the detroit paranormal society in association with echospace, and now re-mastered by rod modell. from the second the bass dropped, it stole the breath from the room! this duo started off as barely more than a rumor supported mostly by the continous scarcity of their records. the duo comprised of detroits rod modell and steven hitchell have spent nearly two decades producing low-key electronic music both bordering on the verge of myth. theyre considered by many the most noted producers operating in the dub-infused aftermath of the basic channel axis and all its myriad offshoots. once their critically-acclaimed the coldest season emerged on one the uk based modern love imprint, the curtain was unveiled and the sound of echospace was born. they ve often been coined the true heirs to the basic channel legacy but their work finds a home somewhere on the outskirts of the galaxy, where detroit soul ties to jamaican roots played through a tunnel in deep space. this evocative, immersive sound that is echospace was born out of a love and passion for analog circuitry, sound design, field recordings and non-conventional methods of recording. but its also work thats quintessentially building upon the detroit electronic scene where it was born, and that divine marriage of roots and vision make the work at once so highly considered, so pertinent and so timeless. this is the first new album from the echospace duo since the critically-acclaimed silent world (ost) 3lp/cd set dropped 5 years ago, it features live renditions of some of their classics as well as unreleased material. expect gorgeous plumes of sound deeper than the ocean floor, a rich analog tapestry made and performed in the heart of detroit, techno city!

efficient space is honoured to share the little-heard recordings of three yolngu songmen from northeast arnhem land - bobby bunnungurr, jimmy djamunba and peter milaynga (d. 2007) - working in collaboration with victorian musician peter mumme. yolngu are the indigenous peoples of arnhem land in northern territory, australia, their clans are the marangu and malabirr, the languages djinang and gannalbingu. their songs are of instruction, story and ceremony.

discover le deltaplane, fifth album by andre solomko, and third produced on favorite recordings, pursuing a collaboration that started more than 5 years ago. born in ukraine in 1965 and now based in finland, andre solomko is primarily a rich and engaging personality, but above all, a brilliant saxophonist, composer and engineer, whose contagious passion cannot leave anyone indifferent. between 2012 and 2014, he and favorite recordings released 2 albums, o� es-tu maintenant ? and le polaroid, hailed by many tastemakers and meeting notable success in japan. following le premier disco sans toi, an acclaimed single unveiling two new compositions with disco flavors, andre solomko and favorite recordings also proudly present le deltaplane. fully composed and arranged by andre solomko, the 6 tracks of the album are deeply infused with his longtime passion for jazz-funk and movie-soundtracks, this time also injecting more influences from westcoast and modern-soul music. andre solomko, an artist who spreads love like in the good old days!

oddball space disco/funk tracks, composed between 1970 and 1985. big tip! a master of the mixing board, from the late 60s until the 90s bernard estardy was the wizard of french musical recordings. as head of cbe studios, he shaped everything from gŽrard mansets concept albums to claude fran�ois hit singles, fran�oise hardys delicate tear-jerkers and michel sardous soul-stirrers. this giant had his hand in the whole range of mainstream french music by making his studio a veritable playground for experimentation. his legendary album la formule du baron, released in 1969, and the eight lps of production music he made between 1974 and 1978 for tele music are vivid proof. in the cbe studio, which she runs today, his daughter julie estardy discussed his singular career.

since his emergence in 2010, madben s melodic, detroit-inspired techno evolved, with various releases on caduceus, astropolis records, off recordings, inflyte and bedrock. nowadays, the paris-based artist remains a key figure in france s new generation of techno producers, with an upcoming debut lp on astropolis records. swinging from atmospheric sounds to techno, madben produces an alchemy of rave anthems, hardware material and groovy, emotional music. with support from france s favourite laurent garnier, manu le malin and rebekah warrior, frŽquence(s) unveils his skillfull, mature universe.

1cd digipak, running back welcomes andreas grosser for the start of its non-dancefloor series running back incantations. released in 1981 on uks york house recordings as a cassette tape only. for the first time transferred onto compact disc É it features the previously unreleased and not less mesmerizing the quantum jump

in the mid 90s, while playing in bands, max wŸrden started to record ideas on 4-track tapes. amongst other instruments the guitar was his favourite. since then the guitar is a steady constant during his sound production. predominantly he utilizes the intrument in experimental ways: he sticks screws and metal pieces between the strings or let s marbles run down the guitar neck, triggering a feedback, which becomes the foundation of a track. on his album momentum he went beyond the guitar, but he placed the intrument into focus of the production. max creates energyladen and experimental ambient music that always aims for what genre listeners looking for: the ultimate relaxation moment. the tracks are carried by slowly building string-generated sounds. live recordings and complex arrangements find a delicate symbiosis of ambient and strings.

spacetalk is proud to reveal its most exciting release to date: a collection of long-lost recordings from forgotten californian duo morrison kincannon, rescued from the dusty tape archives of the pairÕs lead songwriter, norman morrison... with only a handful of sought-after private press 7Ó singles to their name, morrison kincannon are all but unknown outside record collecting circles. yet norman morrison and terry kincannon wrote and recorded some superb songs during the 1970s and early Ô80s, desperately hoping for the break that would see them released on vinyl. now, at last, their time has finally come.

described wholly accurately by boiler room as one of the best producers and arrangers of disco music to have ever done it, bronx native john morales has more than three decades of hits and over 800 remixes to his credit. this 4th volume of m&m mixes on bbe is without doubt the most ambitious yet, containing gems from barry white, diana ross, level 42, teddy pendergrass and eddie kendricks among others, all woven together with that special, intricate m&m magic. gaining unprecedented access to original multitrack recordings from the vaults of sony and universal records, john has once again upped the ante, going where no dj has gone before. accept no imitations, nobody does remixes quite like john morales. previously unreleased m&m mixes featuring globally renowned artists barry white, diana ross & cher among others.

guaranteed to add drama to home video recordings, multimedia projects and websites

a remastered version of shenzhou on triple vinyl and double cd with the bonus album-the samphire tower. paul cooper, pitchfork: shenzhou, aside from being the name of the chinese manned-spaceflight vehicles, means magic vessel, and i cant imagine a more apt description for geir jenssen s latest excursion into ambient deep listening. after following an aphexian trajectory with his releases on apollo, the ambient sublabel of belgiums r&s records, jenssen veered from the padded sci-fi-inspired techno of microgravity and patashnik with 1997s substrata, a genre-defining exploration of drifting soundscapes. substrata remains for many the album that perfectly expresses the serenity and intensity of arctic wildernesses, a landscape jenssen knows intimately, having spent much of his life in the norwegian arctic circle. in 2000, jenssen nearly eclipsed the success of substrata with cirque, a frequently frosty submerging of excerpted conversations and found environmental sounds that rivals wolfgang voigts gas project in its rumbling, gauzy beauty. jenssen again relies on found sound as source material for shenzhou, but this time, the found sound is old vinyl recordings of the orchestral works of french impressionist composer and ambient precursor, claude debussy. jenssen lifts fragments of these scratched records in a similar manner as he did for cirques black lamb grey falcon and iberia eterea

migration cinema is a new moniker of the sonic practitioner and composer el’as merino. grisaille, his release for e/c, adopts a varied approach to the pattern of emergence within merinoÕs work. these seven recordings present not only electronic, but mostly instrumental trajectories, whose densities are unfolded through a huge collection of music performers. migration cinema creates a situation for the musicians in which they navigate a resonant and responsive compositional space, while the space itself is treated as a plastic medium. * grisaille suggests an unconventional view of chamber and instrumental contemporary music from a culture alien in both space and time, heard through the filter or sieve of iannis xenakisÕ architectural and physical approach to sound. alternating between opacity and translucency, monochrome and colour, grisaille conjures a spectral palette reminiscent of fredrich cerha, but with an approach to instrumental hybridisation more reminiscent of the electroacoustic worlds of ana maria avram and iancu dumitrescu. * grisaille was written, recorded, and produced by el’as merino between 2013 and 2016 in spain and england, and includes across its seven tracks more than 24 performers and a student choir. all the instrumentation has been written, scored and orchestrated through computer music methodologies such as algorithmic and generative systems. grisaille swims into hybrid spaces from acoustic reverberations captured by the artist itself at notre dame (paris, france), basilica di sant eustachio, (rome, italy), and eglise st. laurent, (marseilles, france).

cd includes a 35-minute sound installation audio piece, in dvd case, 48-page booklet. publication is being released as part of the exhibition: wolfgang tillmans: there were 30 years between 1943 and 1973. 30 years from 1973 was the year 2003 at kunstverein in hamburg from 23 september to 12 november 2017. recordings, sleeve and booklet by wolfgang tillmans:

extrawelt are back! although in fairness, they were never gone. on the contrary, since their first release on james holdens border community label dropped in 2005, arne schaffhausen and wayan raabe have been responsible for a plethora of classics including schšne neue extrawelt and in aufruhr, their two seminal albums on cocoon recordings. the duo are one of the most booked live acts worldwide, commanding a huge fan base. their performances are the stuff of legend, making them the absolute highlight at every club and festival they play

following last years compilation of archival recordings by suso saiz titled odisea, music from memory are thrilled to mark their 20th release to date with an album of new works by the spanish electronic music pioneer. recorded in madrid between january and february 2016, this is suso saizs first release of new music in nearly 10 years

there is a long-standing love affair between dj harvey and pikes, ibiza. as well as coming back for his third consecutive Ômercury risingÕ residency, the legendary ÔdjsÕ dj has been appointed Ôcultural attachŽÕ for pikes, meaning his magic touch and feel-good presence will create even more special moments at pikes this summer, including the launch of new label, pikes records.
in 2015 dj harvey made his hugely anticipated return to ibiza and made pikes his home for his mercury rising debut, a concept inspired by the beauty of the real ibiza, the incredible history of pikes and a genuine love for music. the love, the dancing, the music and the balearic spirit perfectly and poetically encapsulated by dj harvey has seen mercury rising widely recognised as the most special night to embrace the island in over a decade.
the next step in the harvey and pikes story sees him launch pikes records Ð the first record label founded by pikes owners and ibiza rocks co-founders andy mckay and dawn hindle. on the label, harvey explains: i see so many avenues to work together to release music, everything from live recordings from ibiza rocks and pikes, mix tapes, original productions, showcasing new artists, theres all sorts of avenues to open up. with the finer details still under wraps, its safe to say fans can look forward to the first release being harveys very own mercury rising compilation. but what can we expect from the third instalment of mercury rising? putting it quite simply, just a serious good time really says harvey.

after showcasing his knack for emotive productions via various eps throughout his career, including chart-topping singles on hot since 82s knee deep in sound and dave seamans selador, the swiss artist several definitions now reveals his first full-length album. it should come as no surprise that the artist found familiarity in what he calls the berlin style of electronic music and notably, that of oliver koletzkis stil vor talent. reborn after the road is an intense and emotional affair, consisting of 14 tracks crafted using field and live recordings, switching between analogue and digital to mould a sonic atmosphere that emblazons the artists core ethos. although the personal experience that sparked the inspiration for the lp is far from pleasant, several definitions style is audibly resolute. reborn after the road, the albums eponymous track, creates a fitting intro for the healing process that is to follow. its airy pads and majestic strings sonically stand at the epicenter of the expressive album. several definitions continues to explore these sounds on vaporous slices like pontce?ard 32 or the more acidical last breath. the mellifluous, feminine vocals of lameduza on learn to feel and her, as well as spanish singer goldsuns crooner talents on the introspective trust, on the other hand, showcase several definitions ability to work the human voice into his musical explorations. taking introspection one step further towards darker realms, senelity then feels like a rite of passage into the deeper and more intense segment at the albums core. over you briefly signals a turning point, with its alarm-like synths and grave leads, which is then followed by the glitchy resistance on modular spaces.

children are laughing and playing in the back, a baby screams happily: handsome field recordings welcome the listener to the final chapter of fred pÕs fp-oner trilogy for mule musiq. the opening tune is called smiles, so children s laughter fit the mode. the idea is that smiles and cries are natural for children and as they grow to adulthood the reality becomes more, therefore the duality of life itself is obvious in the mood of the song. the new york city native that is working on his very own music for almost 20 years explains about the beginning of his new album that features eleven tunes for deep meditative club use and beyond. it brings the listener house music full of cosmic realities, odd jazzing moments, japanese spoken word pop, synth spheres for ambient use and an overall outer-national atmosphere, that handsomely dances between roughness and subtle tuned in deepness.