this is a physical release of a four track ep. it contains music tracks intended for social settings. suitable for dj sets of varying styles in the range of 125 — 135 bpm. the material presented here is also available digitally. all tracks produced, mixed, and stripped by stripper™ using digital synthesizers and sequencers. remix and additional production on a2 by exal.

mick has been active in the seedier corners of electronic music for more than 30 years, first immersing himself in the world of hi-nrg and new wave before embracing the house, techno, acid and electro explosion of the late 1980s. aligned with dj hell in the 90s and more recently the intergalactic fm crew, hes the quintessential selector. a life spent digging in the undergrowth for deviant dance music has given him the edge that makes a truly gifted spinner, without riding on hype or studio productions. however, mick isnt adverse to the odd outing on vinyl, having previously appeared on international dj gigolos both solo and as the kinky lovers with sometime partner isabella venis, but these moments are few and far between. for this release on arma, mick has given us two edits that speak to his distinctive style as a dj the original tracks are cult choices re-moulded into deadly, subversive club weapons. the brooding darkwave of himmelfahrt 89 is enough to turn the most indifferent bar crowd into swaying, baying denizens of the night, while stay silent pummels out a relentless electro motif that teeters on the edge of destruction for 11 thrilling minutes. these arent crowd-pleasing dj tools, and neither are they slick and easy edits of obvious classics. this is a peek into the inner workings of a man with decades of experience working masses of flesh into a sweaty fever pitch using sounds youve never heard before. the mastering on micks edits was undertaken by none other than dutch electro legend rude 66, while the striking artwork on the sleeve sees arma reach out for the first time to french artist judex. the nerve-shredding, broken op-art assault was originally found in a book published by cult illustrator sam rictus.

jamie jones, reboot, jc fousdelamer remixes + original ...
the latest instalment on christian burkhardt s retrospective/future-focussed c&b sessions projects sees him returning to one of the pivotal tracks of his career: doubledub released in 2009 but still slapping with finesse almost ten years later with its low-swung bassline, latent funk and evocative vocal, its elements resonate perfectly with everything going on in house and techno right now. these remixes couldn t have landed at a better time... jamie jones rolls in with a timeless rolling gem that gradually builds into an impeccable late night jack-out laced with surprise acid tendrils. jc fousdelamer brings the feels with a much slower, cosmic trip that lingers softly with spellbinding dubbed-out magic while reboot unearths the techno beast that was always lurking beneath christian s funk. stripped back machine funk at its finest, reboot never disappoints. naturally christian has also provided the original source material for those who want to kick it 2000s-style and for those who weren t old enough to catch it the last time around. join in if you know the chorus, doobie doobie...

coloured double vinyl pressing.

on “rest in space”, his first full length outing for music for dreams, the lp keeps a steady pace of around 90-95 bpm, but never gets repetitive with islandman taking us on a rich and ever surprising journey, full of quirky turns and mysterious instrumentations. the opener “rest in space” treats us to a funky percussion-thick rhythm that lounges into a pool of playful & jazzy horn & flute arrangements. this is followed by the epic “night wind” which sweeps across cinematic desert landscapes of synth layers and falls into a dark night time groove reminiscent of nicolas jaar & dave harrington’s darkside project. “seikleos” centers around a motorik electronic rhythm pattern (not unlike the classic electro-pop classic “popcorn”) that develops into a chugging balearic house jam while stand out track “future days” brings in a female guest vocalist to complete the album with a breezy full on groover that echoes of both sheila chandra and tom tom club. also included is the previously released digital single “agit” as well as a remix by berlin-based m.rux, toning down the heavy guitar of the original in favor of a more bouncier interpretation. the stunning “ikaru” wades in through chunks of jungle ambiance and watery percussion to lounge along on a rubbery funk bassline, coupled with a heavy laid back beat and wobbly derelict synth figures. “tawhid” is an odd mix of new wave brilliance and prog momentum that breaks into a cascade of pouring rain and surprising percussion breaks. lastly comes gorgeous eastern guitar opus “the true word of the wind” and the warm vibey dreamscape “following”. as a whole, islandman delivers a delicate buffet of influences - spanning the spectrum from hazy balearic pop to tropical new age flirts to deep spiritual psychedelic jamming.

headed by a carioca who was blessed with the name of his own city, moodisco contains a 3-track bomb from leo janeiro with doc label boss gui boratto and a very special remix by french act rodriguez jr. this could just be a happy coincidence, were itÆs not for the fact that leoÆs trajectory made him a protagonist of the electronic music scene in his hometown, rio de janeiro. he built a career dedicated to music. in a city with so many daytime attractions, it is the night and electronic music that has been blessed with his talent. he has compiled an impressive list of residencies and performances globally. known as one of the ambassadors for brazilian electronic music, leo has the ability to combine originality to a universal language. just like his hometown. on this limited edition vinyl and digital release, leo janeiro, gui boratto and rodriguez jr. presents a serious track sequence of techno and house beats. each artist has kept its own trademark. öi had a lot of ideas and one of them was to have a remix by an artist that i admire, respect and have a personal relationshipö, says leo janeiro. rodriguez jr. (oliver mateu), shared his unique talent creating a remix for moodisco. he is the one half of french electro act the youngsters û best known for their two studio albums and singles for laurent garnierÆs label. rodriguez jr. reveals a different incarnation of mateuÆs musical psyche, moving through shimmering, contemplative electronica, to deep and urgent techno, leftfield melodic accents and quirky pop refrains. a perfect blend for this project. moodisco is a combination of artists and friends on the move. they are tireless in enthusiasm and are bursting with new tunes and projects. a straight punch ep release with serious beats, deep melodies and the synth keys we just love to listen over and over!

originally released in 1982, including tracks written for crosstalk (a science fiction thriller film made in australia) and other electronic themes, it was written, performed and recorded by chris neal in his home studio, using roland system 700 and roland mc8. in 1982 there were only a few system 700s ever produced and roland was more interested in promoting their more commercial system 100m (that s why it was credited on the 1982 original cover to give them a plug). the system 700 was developed by taro kakahashi and his team in japan as a direct challenger to the moog modular system. the orbeatize remastered reissue also includes a special bonus track remixed and produced in 2017 by jolly mare.

deepchord co-founder mike schommer is back from a 15 year hiatus with an entrancing 12 on steve o sullivan s mosaic records. after withdrawing from production for an extended period, the enigmatic producer revives his legacy with an unrestrained session using analog synths, drum machines and cavernous sound manipulations. invitation to love uses minimalist 4/4 percussion and unfurling delays whilst remember when explores echoed synth stabs in a broken beat framework. lastly, tranquil stepper into the night carries floating chords and cyclical melodies through airy acoustics. anamnesis presents three quintessential dub techno methods - offering a masterfully engineered package by one of the genres most revered figures

brain machines peaks lp was a highlight of the emotional response catalogue last year, and its only right that the album gets a high-class set of remixes to accompany it. the label have pulled out the stops here with an all-star cast, leading in with salon des amateurs dreamweaver toulouse low trax who drops a pinging, plucking version of light space. then gigi masin steps up with an illustrious revision of crystal clouds, while harmonious thelonious brings a heavy yet measured, techno-minded presence to traces. ronny & renzo round the package out with playful synth splashes on their version of eclipse predictions.

chicago’s carington pierre, also known as lanzo, has bestowed evidence of his cosmic hip hop beatology to the cold busted label in the form of a new album, omnipotent. previously recording for blvnt records and the natural selection label, lanzo specializes in a style of experimental hip hop that draws from boom-bap, soulful downtempo, and atmospheres that lean toward the celestial. lanzo and his trusty mpc 1000 have been actively producing since 2008 and omnipotent confrms his upward trajectory, presenting ffteen tasty sonic morsels that groove in a confdent but abstract fashion. highlights include “comfort zone” which envelopes a swinging rhythm in dreamy strings, distant voices, and rolling bass, and the odd but appealing “gutter balls”, featuring some deliciously drunken synths. there’s also the melancholy quiet storm of “colours”, “against the wall” and its heavily processed beat magic, and the loping sci-f jazz of “between friends”. omnipotent is a heady listen, displaying textures and swirls that accentuate the sturdiness of its drum beats. lanzo has provided a distinctive soundtrack that’s ready-made for day blazing or night groovin’.

there is a long-standing love affair between dj harvey and pikes, ibiza. as well as coming back for his third consecutive ‘mercury rising’ residency, the legendary ‘djs’ dj has been appointed ‘cultural attaché’ for pikes, meaning his magic touch and feel-good presence will create even more special moments at pikes this summer, including the launch of new label, pikes records.
in 2015 dj harvey made his hugely anticipated return to ibiza and made pikes his home for his mercury rising debut, a concept inspired by the beauty of the real ibiza, the incredible history of pikes and a genuine love for music. the love, the dancing, the music and the balearic spirit perfectly and poetically encapsulated by dj harvey has seen mercury rising widely recognised as the most special night to embrace the island in over a decade.
the next step in the harvey and pikes story sees him launch pikes records – the first record label founded by pikes owners and ibiza rocks co-founders andy mckay and dawn hindle. on the label, harvey explains: i see so many avenues to work together to release music, everything from live recordings from ibiza rocks and pikes, mix tapes, original productions, showcasing new artists, theres all sorts of avenues to open up. with the finer details still under wraps, its safe to say fans can look forward to the first release being harveys very own mercury rising compilation. but what can we expect from the third instalment of mercury rising? putting it quite simply, just a serious good time really says harvey.

first release on his new home mad recordings is by ortella, as an engaged manifesto, music is my shelter is a statement in a pure garage house classic style, 3 versions of the same hit flavored with some mad rhodes by françois a.
ortella, -the king of clubbing in lyon- is back with a new record label, merging all the projects they starts with his partner kaïs in one unique home, mad recordings. the first release on the platform is by the french man himself, served as an engaged manifesto, music is my shelter is a statement for all the house producers around the world, talking about the years of struggle, the faith in the music as an art and the joy to see one day dreams comes true. no surprise about the style, it s a pure garage house ep released in the old style way, with 3 versions of the same hit! original de luxe is a classic extended cut, club friendly, rich of flavor with flying and crying rhodes keyboards by the talented françois a. an anthem that transports you to a time where house music was a religion and clubs were churches. intro de luxe version is a shortened version, perfect to starts a night with the right mood without announcing too much, just enough to warm-up the dance floor with some emotion. dub de luxe is for more modern purists, putting aside for a short period the piano rolls and focusing on what ortella do the best, percussive drums with no compromise, made for releasing the energy level straight from dancers to the floor.

spearhead records label boss steve bcee returns with his 4th studio album, and itÆs safe to say that itÆs his best one yet. not just a solo affair, bcee has also drafted in some of the finest vocal and production talent around. with features from two time best d&b vocalist winner riya and d&b legend logistics being just the start. northpoint is bcee at his most diverse. from the early 90s hardocre influenced keep moving on to the jungle roots of hollow eyes this is an album that really showcases how broad the d&b spectrum can be while still keeping to the spearhead ethos of being uplifting musical d&b packed full of heart & soul. bcee said i wanted to make an album packed full of d&b that would work in a club just as well as it would in the car. no fillers, no showcasing how i can produce house or hip-hop or whatever, just pure no nonsense drum & bass. with bceeÆs spearhead presents brand regularly selling out shows at clubs like the legendary egg in kings cross & shoreditchs village underground, plus his growing dj & production schedule and the vanguard project his alias as a duo with fellow d&b produced villem, itÆs safe to say that even though bcee has been in the game for 16 years, heÆs only just getting started. support from friction, mistajam, metrik, technimatic, s.p.y, nu:tone, logistics, london elektricity and a whole load more

metempsychosis vinyl 001 invites you to the sonic soundscapes of tapefeed along with a remix by vril. here, we are presented with the unfolding of both legend and reality, abstract and matter, sound and touch. a journey, a mythical trip into the japanese tale of amaterasu, goddess of the sun and susanoo, god of chaos narrated through the literature of pulsing drum kicks, transcendental snares and atmospheric drones. through the evolution of the tracks we are invited to retrace the steps taken by the gods from the darkness, disorder and dismay created by susanoo to the lucidity, light and ultimate return of order as the gleaming amaterasu re-emerges from her cave. this story, visualised by sound is to be perceived through the unrestrained movement of your body, in the same way the dawn goddess ame-no-uzume danced, luring the sun back into the sky. here, we ask you to let go, abandon yourself and embrace the dawn at the end of the eclipse.

alpenglühen, the madrid-based monthly nights, focused in ambient techno, emerges in september,2014, inspired by the film -dogville- and the optical phenomenon happening when the last ray of sunshine slowly disappears over the mountains, now, with the moto -exploring the thin line between darkness and light-, alpenglühen, the label, is born, influenced by those sessions. the first installment is produced by the duo, pajaro dune. a young project formed by two well known talented producers from valencia, who gives us a promising kick off release. 4 highly crafted tracks which are somewhere between techno (in its deepest and atmospheric stage), contemporary music and impressionistic electronics. partially inspired on the research by konstantin batygin and michael e. brown on the evidence for a planet the size of uranus between 200 and 1000 au far away from the sun. the titles of the tracks are all but one real objects of our solar system whose movement is theoretically affected by the presence of a distant giant planet yet to be discovered.

london based club night and newly formed label snap crackle & pop s third releases comes in the form of a dark take on new wave influenced techno from berlin based new yorker curses. side a kicks off with a hypnotic techno stomper another view which playfully tips its hat to early electro albeit through a visor of coldwave inspired guitars. together in the dark delves into even darker territores with ice cold organs reaching for the light through the grinding ambient yet groovy undertones. on the b-side inga mauer ramps up the dancefloor tension with her machine like acid rework pulsating and crashing urgently together in the dark, whilst the golden filter turn out a low slung trip of brooding synths and haunting vocals before cascading down the rabbit hole in a swell of industrial motorik beats and percussive explosions in their take on another view

joe claussell joined the mushroom house series! the new york city dj and music originator made one of his rare remixes. for the toy tonics series. claussell is a pioneer. blending african and brazilian rhythms with disco and house since the early 1990ies. inspiring the music world with his labels spiritual life music and ibadan records and with his legendary body & soul parties that he run for 6 years with francois k and danny krivit in nyc. for toy tonics he remixed an obscure afro funk song by german afro - kraut band karl hector & the malcouns and nicolas tounga, singer from burkina faso.

well sea - a splashing, refreshing new series from rss discoÆs mireia records. on this second entry marcus worgull and johannes klingebiel scout out the most euphoric and simultaneously intimate moments of the night. double a! visually, mireia records is always on the lookout for the extraordinary. well sea offers beautifully marbled turquoise vinyl, housed in a heavy clear sleeve, hand stamped labels and a sticker. sales points you know marcus from his work as a part of innervisions and the band vermont (together with motor city drum ensemble) - you know johannes from his hit-release nightlife on mireia records earlier this year and the bands vimes and c.a.r.? you know the record is going to be great

kiiler new label from norwegian festival sommeroya!

perfectionist comprehensive techno compilation - warmly recommended! (played by nastia, r.hawtin...)

solar phenomena is a brand new label on an exciting astral crusade. the take-off pilot for our virgin mission is none other than decorated polish producer echoplex. one of the country’s first breakthrough international techno artists, his body of work dates back almost 20 years while often taking us 20.000 light years forward. this is no exception.

15 years of pornographic is now limited available as 4 separate 12” vinyl.

emotional rescue and malka tuti recognise their shared passion for globe-trotting sounds and team up to present this album from c cat trance, a project from john rees lewis who was formerly of post punkers medium medium. it s no surprise to learn that this was a project of the 1980s, as all the hallmarks are there. with the same outernational attitude that made the work of eno, hassell, czukay, wobble and scores more so alluring, this collection shines a light on a true gem of the era and provides a fresh pressing of some stone cold leftfield party groovers like shake the mind.

2diy4 (to die for), das sublabel von diynamic music, geht neue wege. mit dem neuen release beginnt 2diy4 ein neues kapitel, in dem es sich vom klassischen 4/4 house-schema wegbewegt und stattdessen in die gefilde von indie-downtempo-electronica wagt. mit hohem künstlerischen anspruch versehen, zeichnet 2diy4 ein ganzheitliches bild von sich auf auditiver und visueller ebene. der rote faden, der sich dabei durch alle releases zieht, ist die zentrale frage what would you die for?, welche auf kreativem wege von den künstlern beantwortet wird. die ersten künstler der neuen label-identität sind die zwillingsbrüder emre und mert aus istanbul. ihre antwort lautet: we would die for each other, so the first thing comes to mind is twinhood. zusammen mit october’s child aus l.a. on vocals liefern sie die erste von vielen chilligen electronica-eps für 2diy4.

nach zahlreichen reissues seiner werke auf all saints, glitterbeat, light in the attic, stones throw und soul jazz records begab sich electronic-mystiker laraaji im august 2016 wieder ins studio, um mit engineer davey jewell (flaming lips, peaking lights) und mixer carlos nino (leaving records) gleich zwei neue alben aufzunehmen (letzterer wird ihn auch auf seiner neuen live-tour begleiten). -sun gong- besteht aus zwei längeren drone-epen und erscheint vorab als limitierte lp auf klarem vinyl, bevor dann zwei wochen später das hauptalbum -bring on the sun- als doppel-lp.

white double vinyl plus 16 unique emblem stickers and download code.
seattle rapper/producer grieves emerged in 2007 with his independently released album, irreversible. in the years that followed, he wholly devoted himself to touring, writing and recording, honing his craft and defining his sound. his 2011 rhymesayers debut, together/apart, was a career landmark and a testament to his growth in both, his writing and delivery, and this progression was re-affirmed by his follow-up, winter & the wolves, in 2014. now, after three years, grieves prepares to reveal further evolution with the release of his new full-length album, running wild.
on running wild, grieves teamed up with swedish producer chords. together, the two have produced a modernized sound that is lush and intoxicating, pairing punchy drums with thick layers of synths and warm bass lines, all accented by soulful keys, horns, or guitars. whether dark and moody, or upbeat and jazzy, grieves navigates and complements the soundscape, penning verses that range from vulnerable and confessional, to fun and carefree. grieves is most certainly breaking boundaries, truly running wild, all while remaining honest to himself.

2017 repress !! slammin chicago house four track vinyl

best of ... woowwww

the companion album to the ron howard film “eight days a week - the touring years”. remixed from the original multi-track, featuring previously unreleased tracks. housed in a gatefold sleeve.

streng limitierte lp-veröffentlichung des für vinyl sorgfältig remasterten soundtracks von kenji kawai zum 1987’er animationsvideo “devilman”, basierend auf dem populären manga-klassiker von go nagai aus den frühen 1970 ern, der 2004 auch als japanischer realfilm erschien. schwarzes 180g vinyl im gatefold inkl. poster.

over his twenty year the hacker has traversed a spread of styles, from frosted electro to raging techno slammers. -midnight bliss- shows another side of this multitalented artist. warmth flows from the title piece. clean rhythm patterns are spiked by synthlines as liquid melodies are swirled into a carefree cocktail that simply radiates. -heavy duty disco- takes over the flip and runs headlong into speakers. the hacker builds a track of generous proportions. textured keys weave through columns of toms and snapping beats before bruising basslines descend for a late night encounter of formidable intent. without doubt, a future classic from a classic creator.

durchsichtiges doppel-vinyl im gatefold inklusive downloadcode
das grammy-nominierte produzentenduo odesza (harrison mills und clayton knight) gelten zurecht als eine der populärsten gruppen im bereich der elektronischen musik und haben den ruf, ihre fans auf ihren regelmäßig ausverkauften live-konzerten besonders glücklich zu machen. anfang september 2017 veröffentlichen sie ihr neues, 16 stücke langes album „a moment apart“ welches über das ninja tune-sublabel counter records erscheint. anschließend präsentieren sie ihrem publikum das neue material auf einer ausgedehnten welttournee. „a moment apart“ präsentiert sich gereift, ein sound, der insbesondere auf atmosphäre setzt, auf funkelnde synth-lines – und auf gefühle wie nostalgie, zuversicht und hoffnung. die namhaften gäste auf dem album sind u.a. leon bridges, regina sektor und ry x.

for the a side, the young italian producer provides two heaters with acid lines tax-experts previously thought not possible. on the flip, strictly business with versatile tools designed for a bullish friday night after a long day of aggressive downsizing. buy low, sell high.

lkr records proudly welcomes vienna’s talented fingers of god to the family, presenting a debut ep which takes you on a journey to discover all the wonderfully dark, mysterious and sometimes beautiful moments of his unique and experimental techno productions. slick rhythms, encapsulating synths and personal flair light up the labels fourth edition.

almost a year has passed since the ghost of serena butler made its appearance on the realms of eerie - techno oddball marco shuttle’s label. now s/he and other beings gave birth to a new continuum, bene tleilax, where serena’s second ep, “from the cloud to our bodies”, has been conceived.
dub visions and found sound sculptures float over a maelstrom of skeletal techno remains, together with delicate melodies and vocal swarms from a realm where nothing is so sacred that it cannot be reengineered and transformed. this is a release which seizes alienation as impetus to generate new worlds while remaining still counter-trend to certain dark souls in modern electronic music. another biomechanical effort which sounds like the perfect nexus of fluid hopes and unparalleled roles.

art-aud is back to present his second release of the main series, after booming with the secret rave one. this release comes from a really important icon in the italian electronic-techno scene, a person that from the beginning of the 90s helped form what we enjoy now through his music, parties and writings. his name is andrea benedetti, aka sprawl. over the years he provided help to lory d in creating sounds never seen, founded his label plasmek, created a fanzine called tunnel and a distribution company with marco passarani, to name a few. this ep contains three tracks of pure electronic excursion and a remix by the rephlex-twins darcangelo. the track electrome was originally released in 1994 on his own label and now, after nearly 23 years, sees the light again with a remaster

yet more proof that rodents rule ok! those anonymous rework masters of the night the secret squirrels unleash two more mighty weapons of dance floor destruction. as is their custom they zig-zag across the boundaries of disco, italo, house and acid inspired squelch as they exorcise their dance floor demons. the results might just drive your dancers wild! dig in.

jerome derradjis past due records is proud to announce the first part in a reissue series of lee moore’s rarest and meanest boogie funk tracks, originally produced for his labels score records and lm records, circa 1981-85. alien changing times was produced by lee moore and paul zaleski for score records out of memphis. double sided 12inch, it is one of these future funk instrumentals that will light a fire on any dance floor. never reissued before today remastered. rarer than rare and so good!

the revenge is back at the controls for home taping!!! the scottish dj and producer kicked things off on the imprint back in 2009 with his forever in their debt release, which grabbed the attention of house djs around the globe. now he drops another timeless ep of killer house music on the imprint lost grooves part one demonstrating his musical depth and amazing production skills as he drifts effortlessly between jackin dancefloor trax, deep house grooves and looped up disco business. the result is a totally authentic and raw sounding homage to house music delivered by someone who has lived and breathed it over the last decade or so. home taping all night long!

hyenah, has, over the last few years helped forge strong ties between the deep house mecca of johannesburg and the cutting edge electronic scene in europe. with a handful of influential and pivotal releases and remixes on a few key labels (objektivity, drumpoet, poker flat, toytonics) hyenah has established himself as a major talent to follow. with his residency and label night rise at berlin institution watergate going from strength to strength, a busy touring schedule taking in ibiza, angola, asia and the u.s, we’re very pleased hyenah still found time to get into the studio so we can present you with the next instalment, the usuthu ep. lead track usuthu featuring the vocals of b’utiza opens the release in fine style with crisp, percussive beats laying the foundation for the precision synths and trademark hyenah afro vibes. those who loved the wish, tale of the dirt and the idea will love this worthy follow up! next up is a second original entitled phases featuring the hypnotic tones of nonku, a much deeper affair but with no less energy and atmosphere. just a more heads down groove for the warm ups and wind downs, nonku’s wonderful vocal elements adding the perfect soulful touch. flipping over we have a wonderful remix from the inimitable mr raoul k. the ivory coast native now residing in berlin has continually wowed us here at freerange with his boabab and mule musiq releases. with his collaborative release alongside manoo just about to drop on innervisions (including a killer dixon edit!), we’re excited to bring you an epic mr raoul k remix of title track usuthu. setting the mood with lush strings and a beautifully paced, beatless intro, raoul k slowly introduces the beats and keyboard parts, layering up the elements and building the energy in the process, resulting in a very special, dynamic version that will connect on a deep level with all who experience it on the dance floor.

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black ivory was the pride of harlem and new yorks answer to the philly-fine delfonics but with infinitely more teen sex appeal. this silky-smooth 70s harmony trio featured the fabulous falsetto lead of leroy burgess (nephew of philly soul legend, thom bell) and charted four top-40 r&b singles and two top-30 lps under the guiding hand of their manager and today records driving force, patrick adams. songs like, you and i, time is love and dont turn around (which they performed live on soul train) are acknowledged sweet soul classics. and as the decade progressed and tastes changed, they successfully conquered the disco dancefloors with fave-raves like, mainline and walking downtown (saturday night) for buddah records which were liberally sampled by the hip-hop generation a true testament to the staying power of their incessantly soulful sound.

iron curtis back catalogue is a formidable beast within the realms of deep and tech house, touching on labels like morris audio, jackoff, sudden drop and mule electronique. he s intermittently popped up on hudd traxx as well, and he returns with a fulsome new ep that hints at a forthcoming second part.lights- is a bold, chiseled peak timer with some emphatic string stabs coursing through it, while captured takes a slinkier route without dulling the impact of the curtis studio approach. 22 days is a funkier concern that lets the low end synths do the brunt of the work, and then my humming machines rounds the ep off with a warm and bubbling deep house roller for a cosier part of the night.

that crystalline moment we all know too well. what was saturday night has become sunday morning. pleading with sleep to come while piecing together the last few hours of the party you’ve just left. few would claim to be at their most productive at this ungodly hour. not hekkla, this is when he gets down to work.
the nachtbraker ep is the product of several of these post club jam sessions. or in the words of the artist “the same places revisited again and again in the midst of night.” translated from the dutch word “night owl”, hekkla’s latest extended play delivers on it’s promise, serving 4 cuts of floor filling goodness ready for breakfast.

conceptual drum n bass album by kos.mos.music, which has been prepared for several years and consists of tracks united in their unordinary commonness. in a word, the general genre of the album is drum n bass, but all the tracks and each in particular are a mixture of different electronic genres based on drum n bass and jungle rhythm. one can hear sounding of idm, ethnic patterns, feel a strong influence of psychedelic electronics and in patches even some techno.
the album is opened by the harsh reality by loucura & dailiv - a powerful halfstep based on kick and bass, hypnotizing pads and drones with putting in trance melody. further dynamics of the album varies from dancefloor rolling tracks by electrosoul system, liquitek, vortex involute to avant-garde dissident & marginal, deep liquid tracks by nclear, triple sky, nummix, basic maneuver, bop & electrosoul system collab and breakbeat/jungle track by pryzma. the album is closed by shamanic bass track by light monday.
the vinyl version contains exclusive track by m25 & first function with more predominant idm texture and includes a cd-copy of the full album.

a leading light in explorative techno mininalism & drum & bass revivalism at the same time. highly recommended! tip!

if psychic health s self-titled debut album took the lessons the la duo learned in the teeming clubs of berlin and melbourne, their latest lp, exclusion, look inward, a document of the duo tunneling down the studio wormhole. as such, exclusion is a remarkably dynamic effort, adeptly jumping between evocative ambience (-jamaica 88,- -ryso-) and equally expansive dance floor fair. examples of the latter, such as the album s obvious centerpiece and titular track, exclusion, document gabriel mounsey and devon steffens’s harnessing modular beast technology for peak techno utility, finding a clear thoroughfare between the soaring strings of derrick may s classic transmat releases and ostgut ton s current ebm-inflected precision. as you d expect from mounsey s background in film composition, exclusion whirls with imagery. it s a los angeles album, but focuses on raw beauty of the city at night—the lights in the distance, and the desolate downtown streets where kickdrums often waft from disused warehouses. while their debut album opened notable doors for the group, landing distribution from hard wax and featuring in the netflix series sense8, exclusion is an altogether masterful turn for psychic health, their complete studio immersion easing the listener into deeply hypnotic states.

los angeles-born, berlin-based talent huerta unleashes four remarkably rich cuts for three fingerz musique s latest 12inch. this follows an outstanding run of releases on dirt crew, amadeus and let s play house.

dutch producer sota is the latest to be snapped up by ornate music, presenting his second ever release having first come to light with his own talaman label earlier in the year. subsonica rides on a tough house groove, keeping the elements as spartan as possible while heading straight into the deep end of the night. inverse is a skippier affair that deals with heavily processed synth flares and a deadly swinging groove, and then chatka finishes the ep off with a dreamy cut peppered with delay processing for the quintessential dubby trip through refined 4/4 dance music.