tough techno two track ep from hot collaboration. attemporal meets ness. att series producers throw it down.bass. “attemporal is maybe the most “in shape” spanish formation of the actual techno scene. since their label att series, and the releases in renowned labels like synewave, they warns us a very promising future.

early feedback from artist like: audiofly, silicon soul, desyn masiello, dj w!ld, danny howells, atfc, chloé, maetrik, stacey pullen, hector couto, el mundo & satori, miguel lobo, yaya, darius syrossian, nic fanciulli, dzeta n basile, mihai popoviciu, david herrero, sergio fernandez, amine edge

through the years, basic soul unit has established a solid following for his quality melodic techno through releases for labels like versatile, ostgut ton, mathematics, crème organization, mule and much more. motional response is a work of art. a finely crafted suite of ten tracks where elaborate techno rhythms battle with intricate synth harmonies to create a genre defining full length. throughout this album, 303s, 909s and 808s are a constant nod to basic soul units detroit and chicago influences without ever compromising his melodic vision in techno and house

delsins sister label ann aimee (pronounce it however you like) has unearthed another techno talent here in the form of yan cook.

welcoming two exciting artists to truesoul, marco faraone and luca agnelli have stormed onto the label with their debut joint ep.

for its 3 years of amazing records part.1 vinyl release, the minicoolboyz label gathers a top quality, high-flying group of world famous producers.

kenneth bagers edit series continues. hand stamped limited white label 12 inch, featuring 3 diverse but delicious edits: a dino paniele edits & extends a funky italian disco cut (sounds a bit like an italian steely dan or quincy jones), escapee and glove is in the air are both edits of australian pop hits, one new and one old.

die songs auf ulrich schnauss viertem soloalbum schweben mühelos zwischen electronica, ambient und shoegaze.

culprits last release of 2012 represents an emphatic statement of creative intent from another young production team whose star is in the rapid ascendancy. swiss duo adriatiques culprit debut, ‘face to face ep feels like a first confident step toward what may become one of the labels defining artistic relationships in the new year.

basswalkers! calling all basswalkers to the isolated system. it is time, time for round two. hope you like yours nice n ravey because aÑas & 785s taking us way way back with this one. please keep your arms and legs inside the time capsule. and strap in, its gonna be a 90s sorta ride. you may remember our last session with henning baer, norman nodge and musk? it turned into a bit of a showdown, with all sorts of basswalks proliferating the floor. well, now its aÑas & 785s turn to take the lead. some of you are new here, so were easing you in gently with break even first. dont be scared, this is a harmless sort of menace—its bark is far worse than its bite. besides, wait til you hear the breakdown. wooh. now youre all warmed up, let it all go with let it go. really, no holds barred please. trust, you will enjoy it all the more. you can collect your things at the end.

karat is going deep in the new house scene with this absolutely delicious release from the new dutch sensation tom ruijg. 2 nice tracks in a totally house vein, classic and modern as we like it. pure delight !

with previous releases on labels like idle hands & horizontal ground manchesters alex coulton drops and impressive ep for hype ltd. he may only be at the end of his teens but the music he makes is way beyond that as this ep clearly shows

vinyl only! we start off our string of releases with a flash back to the groovey days of chi-town, breakin it up and layin it down like it is. and to boot, we got sushitech regular anonym to back us up with a stompin acid rework of a side, just for you.

bass4bots is proud to announce that after several years of searching on distant planets, our research team has finally discovered the missing link to machine consciousness . we are now (for the first time ever), able to provide your machine with a heart. it will not only act human-like, it wil...

limited to 200 copies! vinyl only! not so secret diary founded by laurine frost in 2012. the label is based on works of high qualified international underground musicians and it works like a personal diary. all of these releases will try to express the special relationship, to describe the personal connection and the common influences between the labels owner and the artist in a kind of historical way.

6 years in the making, 15 guest vocalists and 13 brand new tracks later, chop suey the brand new album from dj yoda is out now!

ear spankers are michael kohlbecker and ben dewald. kohlbecker is a well known significant producer in the scene of mainhattan frankfurt since the 90s. ich will is an high recognizable minimal industrial flavoured bassgroove ass-shaker what will set a peak point in many dj sets this winter. in early 2013 is an huge remix package comin from audiophile heroes like swayzak and robert babicz to name a few

phat disco re-issue, well known tracks released in 1979...

taiki and nulight or to their friends rowan harrington and erka chinbayer have both been djing/producing for many years both in very different circles. taikis career started back in 2008 under his old alias name site 1 who was a house/electro producer. they joined forces and started working together in 2011 which now seems like a lifetime ago considering on what they have achieved in such a short time. when they first started out working together they were making a lot of dubstep, house and electro influenced bass music as we call it now. being heavily into garage, house and electronic dance music there sound heavily progressed across the spectrum of dance music. taiki and nulight released their first ep in february 2012 on subway recordings which gained a lot of support from the likes of mistajam, crookers, herve zinc, redlight, foamo, roska, benga, skream, adam f, hatcha, n type and more. gaining them a lot of frequent airtime on bbc radio 1, 1xtra, kiss 100 and rinse fm. now nearly a year and a half since they have joined forces, they have received massive support from some of the most respected djs out there not to mention air time nearly every week on radio 1 and kiss 100. with their next release on the horizon and due to drop december time 2012 on bengas very well respected label benga beats there is so much more that you will see from these boys and so much new material to hear.

new ep from anhura vinyl, now the artist of this solid ep are dsan powell and gil montiel, 3 original bombs plus remixes from the big artists like inxec and jonny cruz

when 2 become 1: >just wanna feel< is gush-worthy, hype-topping, expectation-shattering perfect house pop from blonde disco don, magic touch, and heavenly weirdo wizardress sapphire slows. the single is singular, like early st. germain mornings, breezy, bright, and breathtaking. b side, >when i see you<, is pure piano pleasure, from opposite sides of the pacific, touch and slows have created coastal holiday sand n? sea sweet sensuality. the 12 inch also includes end-of-days echo-ccordian, slippery dark nights risin? rubix remix by outside-the-box beat bester i:cube, as well as a dub-do-over from m. touch himself. a match made for the internet age, a flawless faraway coolaboration with the best of both and mucho more. all design by effortless art hooligan bobby houlihan.

alex costa is a simple but very talented guy from torino italy! in 2005 he started to produce deep- tribal and tech house and made very shortly his first releases on labels like intacto, time has changed, alchemy, bitten, potobolo and many more. we are very happy to present you his first ep on kd music!

double 12 inch, one black & one white vinyl + download card.
>stereotype< the second single from bristol industrial dub pioneer mark stewarts recent album the politics of envy gets reworked by a host of guest producers. hyper dub duo hype williams unravel stereotype into a fiercely breath taking dub-spectacle, unfolding three-quarters of the way through into a sky-bound grand finale. fred venturas italoconnection remix radiates with a cosmic-coated, sugary burst of popular 80s synth and as expected plenty of italo spark & flair. daniel b of front 242 pulls the originals fuse, and rewires it into what you would kinda imagine a 31st century electronica frankenstein would sound like. renowned techno figure perc gets angst and intense with a heavy, mechanical but beautifully crafted remix destined for the most no-nonsense of floors. chicago native chrissy murderbot channels the same high impact baltimore sound that you will find in machinedrum and schlachthofbronx productions, carrying us out guns blazing with ballistic footwork drum beat firing. finally, mark stewarts dub version of the song and a taster from his upcoming >exorcism of envy< lp to be released later in the autumn.

40th anniversary edition in gatefold sleeve, includes new introduction by elektra records founder jac holzman and new liner notes by original producer / compiler lenny kaye. mastered from the original analog album master and pressed on heavyweight 180 gram double 12 inch vinyl.

we welcome traumfabrik (ton liebt klang, gris musique) – michael & florian are presenting their new sound with the darkroom honey ep. its all about riveting melodies, beats and vocals – a great mixture between electro and tech house. for people who like anthony rothers stuff

in 2007 nick curly and marc scholl started cecille records, 2008 the sublabel numbers and now 5 years later comes cic (sik). cic records will be melodic and song like. the first release guilty pleasures ep comes from the portugal based artists johnwaynes which already released on cecille in 2011. the ep starts with >wild west<, sik vocals accompanied with a dark groove and a touch of special. second track >show me that you mean it< together with the voice from stee downes shows the melodic side of cic and tells a story about meaning and truth. third track >wet< starts with a naked direct groove and the offensive vocals from sonja james.

for our second record, we would like to introduce you to fonos, after quality releases on labels like workbench, doeasy & agarics imprint weare he joins goldmin music

bulgarian l 33 is one of the revelations of 2012. with hard technical dnb sound he set many dancefloors on fire and has earned releases on renowned labels like rise audio / syndrome / subculture / close 2 death / icarus audio & sinuous records.

vinyl only, 180 gramm pressing, blue vinyl and strong limited. >primary colours< life begins with the echo inspectors creation, lunar shadows. exploring the depths of space, lunar shadowÊs form begins humble, discreet, with its stealth like kick forming structure around dark matter, playful hats, deep sub and intertwining textures and layered frequencies.over the ages the moon has helped us describe everything from rarity, love and lunacy. this release is another interpretation by of the over-standing sphere in the sky.

this duo techno project of (denis cast, kilrill sil) as we know by the name of easy changes, who made lot of noise with they back to back two releases on foundsound records continue to develop they unique symbiosis of rhythmical patterns with the world of mysterious sounds and sub minded mood currents. easy changes create unique suspense that catch the ears of techno funs all over the world. as a result core of they music has continues progression, kind of like a story with multi scenarios between current and future life s.

next round for chymeras >death by misadventure< interpretations. this time, both remixes were made for >an island in space<, definitely one of the highlight tracks of the album. on side a, uncanny valleys jacob korn, who just released his debut longplayer >you&me<, turns the tune into an intoxicating hymn somewhere between house and techno. catchy, and with a wonderfully positive atmosphere, the track is pure bliss. on the b, dutch techno veteran orlando voorn delivers a piece of properly driving melodic techno. several melodies entangle to one big sound collage. there is no real beginning or end, like a neverending jam. a very unique track and so much more than a useful tool...

2012 was definitely the year of alex q. combining passion for music and incredible talent, he released not only a series of original ep s for labels like ostwind or his own baby kleinstadtfeeling, but also remixes for world famous artists such as kollektiv turmstraße on the well known - musik gewinnt freunde- imprint. to finalize this years success, iww music is dropping alex s masterpiece „guten morgen rosengarten“. perfectly representing his current style this piece of art contains harmony, melodiy and a thriving mixture of organic and synthetic sounds, that just makes you wanna dance! on the b-side labelheads and artists maxage and fabian kranz are embodying the current sound of iww: oldschool beats and raw synths.

the house duo who have released music on classic, om, icon, etc drop this 3 track ep on four play music. my family takes on the a-side with their signature jazzy, soulful sound. ocean drive is an uptempo cut with a hot rhythm & keys. like there s no tomorrow ends with a serious groove.

the bible machen typisch britische popmusik, die es spielend mit angesagten acts wie coldplay oder travis aufnehmen kann. ende der achtziger waren the bible so was wie the next big thing und verschwanden dann merkwürdigerweise völlig in der versenkung.
neu gemastert und auf 180 gramm doppel-vinyl gepresst, inklusive 5 bonus-tracks.

the 4th album by swedish duo the knife aka karin and olof dreijer as heavyweight double 12 inch vinyl.

this release is vinyl only. black label. black inner bag.no repress.no digital download. hand stickered, stamped & numbered, in a protective plastic sleeve. 2 edits from mango. think:trax, dj international, jack for daze.a side is:lead: sounds distinctly like the prosumer favourite, paris grey (inner city) vocalled dont lead me.b is:move which weve been told is an old esp track.

these redux releases are like buses, we dont hear anything for ages then they hit us with three killer eps in a row. following the grand corporation and machete savane comes the return of phoreski. we have not heard much from phoreski for a little while, but you will soon hear why when you put the needle to the record on these two new tracks. he has been busily building up his studio into an enviable aladdins den of vintage kit, wires and analogue recording equipment. all synths and vocals you hear on these tracks come from phoreski, no samples, no guests, no edits. he has been hinting at this raw, analogue authentic sound for a while, but these tracks showcase a producer at one with the machines. >brown biscuits< comes across like some lost italo/cosmic gem, but via the north east of england rather than the lakes of italy. >machines< flexes tight proto-house rhythms with some bass that will make mince meat of lesser club soundsystems whilst the feuding synth lines fight for attention. this is proper body music, play loud!

3 chairs, omar s and patrice scott. this limited ep is testament to the wild basement energy that has culminated from these nights, beautifully pressed on wax for this first ever vinyl outing. remember is a swinging downbeat vocal track based around a superb vocal improvisation from newcomer chris raine. an ambitious opener, this is fine uk hip soul with warehouse dancefloor swagger to boot. next track, the benji b endorsed cookie strips the vocals right down into a swirling motif of sunrise energy. this track sounds great on the radio, but will also find favour on the more discerning soulful floors. for a contrast flip over for the kraftwerkian micro-tech of contact to hear what a werk party sounds like at a hazy-eyed 3am and finally, as if all this wasnt enough check out the dubby, spaced-out brawn of u&me which sees second outing for vocalist chris.... on this ep which rounds things off nicely. for fans of firecracker, exit records and prime numbers, this exciting and multi-faceted ep marries uk and detroit influences with consumate ease. one to watch... plays/ supported by benji b, rahaan, kev beadle, burnski, kevin reynolds etc.

like their american third stream predecessors, the three musicians on stage, donald chifamba on cello, vimbai mukarati on sax and vocals and his brother tinashe on congas and marimbas, accompanied by the experienced pianist filbert marova, produced a kind of music that resisted any kind of stylistic pigeon-holing. it also mixed the influences of classical music and jazz but added in pop, soul and the melodies of their shona culture.

vol 6 of 6 vinyl samplers taken from john digweeds >live in london< lp. hand picked by the main man himself.

now keep your eyes and ears peeled for an original hreno! his music is best described when not described. although it has been likened to an unmanned, deep space, probe droid. or an unrelenting pony ride at a petting zoo. experiencing this music is like standing on a rivers edge, or on a vast precipice. either for the bathtub or a spring mounted dance-floor. hreno has opened his vaults. dive into a sonic experience, travel from country to country, forget boarders, feel your heart warm up, suddenly you are completely new. then portage to reach the other side and let yourself get lost ...
pressing on blue, marbled vinyl.

the protagonists of 8. mimique vinyl kanzler & wischnewski from berlin are well known for their releases on ostfunk, karateklub, ton liebt klang and their shows in clubs like the tresor and magdalena club (formerly maria) where they have won the hearts of many listeners.

ftw recordingz proudly presents the first solo release of elia vens!
with making his solo debut on ftw recordingz, elia vens only reveals a small fragment of his musical diversity. on side a, he really pulls out all stops with the track >jamon<. the distinctive baseline and the pumping kicks on this track will definitely light the fire for an inferno on the dance floor. high spirits guaranteed!
in contrast, the flying flute edit doesnt come like a bull at a gate and initially appears slightly atmospheric and subtle. the deep toms and analogous drums still care for a drifty groove and colour the track in a fragile paint of house. emotions culminate in the hypnotic flute playing right in the middle of the track which hijacks you to a journey of elia vens. enjoy your flight!

after almost 4 years of silence tolcha are back with neustadt, another intense and suspensefully cinematic full-length lp. like the title of the record suggests, the berlin based four piece decided to pursue a neo-retro vision of a sonic after-future with this one. what does that mean? the record clearly leans on a motorik aesthetic, but all the while redefining it with modern production techniques and surges of their very own breed of dub, rather than rehashing genre related cliches.

botox present >basement love<, the first part of their second album >sans dormir<. two years after their previous lp >babylon by car<, cosmo vitelli and julien briffaz decided to unveil this new project through six different moments - call them eps - like six volumes forming a single story, each one being released every two months. the slow title-song >basement love< is released as a way of introduction, along three dancefloor remixes that lift this basement up in the air.

back in the 90s orlando voorn was one of the first european producers to establish the bridge between detroit & europe. with countless releases on classic labels like kms, r&s records, clubstitute, international deejay gigolo, ignitor and esp records to name a few, voorn is a important name in the history of electronic music.

dusty baron aka latecomer may be a recent arrival on the scene, but he plays like a true veteran. a mysterious export from the around same eastern latitudes as label boss vakula, his music, much like vs, sounds just as rooted in the post soviet russian landscape as it is in the post industrial north america which gave rise to all the soul and machine funk that is the driving inspiration for so many of todays roots conscious electronic artists. vakula takes the controls on side a with dubwise and exotic production skills whilst side b showcases the barons heavy heavy chops, with drum programming as deft as his keys work, and a sound which is equal parts earthly and heavenly. sides c & d (on bonus 7inch) see v step up to offer two takes on >follow shot<, continuing the theme of techno tinged jazz cosmism. a noble introduction, by way of collaboration, to the dusty baron and his sound, and yet another installment in lelekas continuing contribution to the musical space time continuum.

old apparatus trilogy of solo eps, starting with >realise< and >alfur<, now completes with the >harem< ep by the oa collective member known only as harem. this final ep is probably the most haunted of the records they have done, with an uncanny atmosphere running throughout, albeit one tinted with qualities of depth and beauty, like coming across ancient art in a dark cave. the ep starts with >sunday service<, featuring paperdoll house.

van bonn returns after his release maserung on telrae in april 2011. van bonn has been in the studio a lot since then and has worked on a number of tracks that are highlighted here. onwards i is an excursion into sound. it starts with sounds that interact in a subtle way but then as if by magic, suddenly it rises to a much higher energy level, almost pulling you by the hair. chords now kick in with the full force of brutality, like the strikes of london’s big ben and then you’d think the track will just burst. van bonn makes another turn before he lets the drums break loose. it seems as if van bonn is taming the brutality and direction of his electronic machines. abstract now meets the concrete and whoever wins the fight is up to the listener to decide. the first remix comes by raffaele attanasio who has had considerable success with der pianist and i m a jazzman and has collaborated with trapez ltd artist mihalis safras, a. trebor (trapez), as well as claude young, nic fanciulli and has shown his versatility throughout the last 3 years. juan atkins recently featured raffaele attanasio remix of no mans land by a. trebor in his charts.his remix for van bonn keeps up a strong beat programming right from the beginning. a beat monster so to speak is alive from the beginning and kicking. the track is written in a style that shows expansion and contraction and through that shows an organic breathing quality.