the french duo of eric guillanton and seb fouble are remote, a pair charged with serving up the next release on the ever-excellent meant label. this twosome has been active for more than a decade now, releasing lps and eps on labels like kill the dj, zone and fondation as well of course meant to which they return now two years after their label debut. here they serve up two new ghetto tinged, darkened electro tracks that come complete with remixes from fairmont and headman.

dj support so far: tensnake, deetron, huxley, joris voorn, ben westbeech, george fitzgerald...
having produced some stellar jams for labels like somethink sounds, and giles petersons brownswood, eliphino aka tom wrankmore, debuts for hypercolour this autumn, opening up the labels new term with this solid two track release. i dont care opens the account, all chopped up rnb vox and rolling beats, wrapped up in a super smooth melody. already road tested by the hypercolour firm over the last few months, this deep garage vibe hits the sweet spot for sure. on the flip, understand further plunders eliphinos love of rugged garage beats and an ear for a catchy hook. a feverish interplay of vocal chops, keys and organ stabs keeps up the ante, with some decidedly trancey synth parts ramping up the 90s house influences here, and once again a cut that most definitely brings the heat to the dancefloor.

jessy lanza s debut album *pull my hair back*, co-written and co-produced with jeremy greenspan from junior boys, is a 2013 flagship for what electronic pop could sound like, stripped of bloated, behaviourist impulses that treat listeners like lab rats. it is graceful and erotic without the gratuitous close ups, icey and sensual, sweet without rotting your teeth, emotional but with enough blue glow to pull your heart strings. jessys voice flutters through the synths seductively, insistent without the over-singing and grating choruses that plague so much contemporary pop. jessy lanza has a background as a singer and skilled piano scholar, and the duo share a mutual love of collecting the old hardware synths and drum machines that grace this collection of songs. transecting r&b, house, disco and 80s studio rock, the production is immaculate, reminiscent of early junior boys, treading that fine line between cold futurism and the r&b that jessy and jeremy are infatuated with.

the first release for the duo wot 2 browns (uncle dog & mirco berti) - a fine example of their pure house sound, deep grooves and haunting, soulful vocals. sure to be a successful union for many more hip-shaking tracks like this one, a sure dance floor filler!supported by: marco caro

if you like disco house this is the real deal!!

what a year for lake people so far. apart from several excellent releases and remixes, like his outstanding interpretation for chymeras classic >caprica burning<, the leipzig-based act is busy playing gigs around the globe. earlier this year, he had his first south-america tour, north america is following this summer. his lowkey and touching live-performances obviously work excellently. we are now more than happy to present the next lake people ep. four tracks, no remixes and each of them a pearl on its own. >into< goes a bit in the direction of his hit >point in time< on krakatau, while >stepwise< and >come over later< reminds of the timeless electronic approach of acid jesus or soylent green releases on klang elektonik

napolicenco artist tuccillo return to the electronic sheepfold in order to pronounce with authority in house music area. take the classic house of chicago, turn into contemporary, provide it of balearic freshness and make it a powerfull club sound. all this is the greatest passion of the italian music producer tuccillo who feel like at home in ibiza between sheperds. the first surprise is resolution which begin 4x4 beat. suddenly it turn in unusual percussion which provide playfull spirit to the track. the tracks deep house progress, with some ad-hoc vocals and submerged melodies wich rise the track in a common and delicious place. the track sounds like broke by these brittle rhythm, constant and rebel which provide it an special and different sound.

some two years in the making, glide time is the brand new studio album from is it balearic..? recordings head boys coyote. eight tracks deep, this album sees ampo and timm sure further perfect their approach to modern balearica, ambling from moments of incandescent calm such as the expansive opening track *california jam* and *feel beautiful* to euphoria inducing cuts like the chuggy *swimming* and acid tinged *break on through*. look out for the guitar playing skills of is it balearic...? stalwart max essa too. it is indeed time to glide. switch on and feel the new balearic beat at its best.

the la based artist kauf has been honing his own dark twist on modern electronic music since 2011, with heavy drum production, dense, cinematic synth buildups and high-pitched, echo-laden vocals. his aesthetic lies somewhere in between the worlds of slow house, industrial dance and drony avant-pop earning comparisons with the likes of caribou, matthew dear and toro y moi.
the as much again ep is kaufs most substantial release to date and (much like the artwork) paints a dark, but distinctive picture of the man himself, as a unique and undeniable talent.

we call it hard ltd vol.2 with more pounding techno

ltd yellow vinyl 2013 repress !!!
the title track tin of worms showcases crisp, tight linear drum programming a ribcage shaking sub base & supernatural sounding synth sounds which build & drop in a question & answer format over its 8 minute cycle displaying the original principles of minimal techno alongside forward thinking sound design.
for the flip side we proudly introduce westway which is original baby ford material written on the eve of the millennium, recorded on fordÆs now defunkt hardware set up and mastered from dat. this track conjours images of smoky late night jazz clubs with its smooth intermittent piano chords & strings that seem to float in an out of the mix like the warm breeze on a long summers evening set starter, nightclub techno lesson, afterparty showpiece the choice is yours!

the most people know his snork enterprises releases under his alias laufmasche, the *deep lay e.p.*, the *foreign funk* release or the *talk like a fool* 12 inch. he also hit the streets with his tracks for relax2000 records or hamburg based eminor, and played dj or live sets from frankfurt, kassel, berlin, hamburg all over germany or also up to peking which was really a special experience for him. now he is back on snork enterprises, the first time with his alter ego samuel fach! get freaked!

the seventh instalment in lo sheas series of 10 vinyl only releases on seaghdha. you know by now how this goes - precision club workouts, which ricochet between uk flavoured jams, to clean cut techno & stripped down house. vasquez leads the charge here, less about the legendary captain of the soundfactory, and more the soundtrack to a drug deal gone bad in downtown miami. like her flails around a bowel troubling low end and crisp snare double act, piling on the pressure with an unrelenting groove and some deftly applied distortion. elsewhere 365247 is in more familiar lo shea / seaghdha territory, with some expertly manipulated, atmospheric sampling laid over a spare, shuffle-happy herbertesque workout. finally flash gives us a glimpse into sleepless basement, inhabited by addled humanoids, playing glass bottles.

the first collaboration from seasoned chicago electronic artists k-rad (chris grabowski) and opcode66 (todd mariana), kno-001 is a deep and techy ride through space and sound. *from dark to light* offers a tasteful, musical journey geared toward experienced listeners and late night party people. reminiscent of watching the night sky transform into sunrise, *from dark to light* captures and explores this glorious experience. with simple, driving bass, an edgy monosynth riff and well-crafted sounds, strings help carry the piece through its musical transition as it builds and ends with great energy. *dream about* subtly addresses concepts of isolation and futility as realities. listeners may contemplate the relationship between reality and dreams (and the necessary functions of each) while immersed in slowly-evolving melodies. with many incidental sounds worked into the fabric of the piece, simple and satisfying percussion, and lush effects trails, *dream about* playfully and defiantly transfigures reality into something dream-like.

mondo the name mondo has its roots in mondo movies, an italian movie genre born in the 60s. mondo movies are characterized by documentary-like content that addresses several topics from around the world (mondo). the mondo label has the goal to produce music that is descriptive of concepts, images and environments. mondo is inspired by library music, a genre frequently used as theme or background music in radio, film and television in that very same period.

incl. mp3 download code. exclusive selection of old chicago warehouse classics that are currently out of print. incl: aquarius warehouse anthem, jam to it again, originally out on city limits in 1990, still sounds like a jolt of adrenaline to the system.

>simple setup< in fact, this fine tune could have the capability of becoming a true >summer hit< – unfortunately we will release it not until september 2013. but maybe you like its loose and uplifting atmosphere anyway. christopher rau must have produced this good-humoured work with a big smile in his face. >save the energy< attentive boys and girls surely realize that we made a misspelling on the label! so what! more unlucky would be if we release a bad track. but christopher turns out in an experienced way what he knows best: relaxed deep house with a melancholic touch.>athens< what a rumbling tune! one definitively should play >athens< on a good sound system to enjoy its profound sub bass. and dear djs, please dont underrate it just because we placed it on position b2. played at the right time this track can work on the floor as well as the other ones.

- superb new label project from shifted & sigha...
- features full picture outer sleeve and printed innersleeve. a fusion of like minds, shared ideals and distorted electronics.

special hand stamped white label release - more info to follow, an acid tinged club track, distorted broken beats and a pulsating driver make up the debut papers ep, papers is made up of two brothers from london who like paper in all its forms.

after his eternamente ep on mathematics, giorgio luceri returns with an amazing debut full length album. combining classical keys with the old and new sounds of electronic music, he creates an atmosphere perfect for dark club floors, open air festivals, and afterhours. 10 tracks total. comes as black vinyl double 12 inch in a mathematics die cut sleeve.

plan b recordings’ lola aka dakini9 returns with another 10 inch in her series of favorite formats. fans of her work will enjoy these two deep tracks with an outer-planetary vibe. *kuiper belt* pumps along with synths and sounds appearing at random like asteroids in space while *plutonian moon* plumbs the depths of inner and outer space with deep basslines, samples, and chords.

keeping up a high rate of release but just as high level of quality, the cinematic label turns to german dj, producer and exploration label boss johannes volk for its next ep, with a typically idiosyncratic remix from greek dub techno man xdb. volk has been producing conceptual techno since 2006, debuting with a fine ep on the revered axis label run by techno royalty jeff mills. since then he has continued to evolve on labels like steffis dolly as well as his own vinyl only imprint, and does so once again on this release.

ontology is the beginning of reality. pulsing rhythms as categories of being are acting like entities in a dusty void. sparkles of light underlines the times of creation, where nothing existed before. since nothing really existed for the human being, silence was full of noises.pulsation as the archaic form of life.
the ontology remix is made by bruno sacco, perfectly in line with coals original. a vision in a techno rough structure, with more bpm. the remix doesnt alter the original but approach it from another point of view. a vision in perfect parisian techno style.

kelpe makes his first outing on don’t be afraid as part of their coveted dba dubs series. monte verità sees the london based beat veteran at his housiest (sic) yet. the track sports a low slung four to the floor and a deadly analogue funk bassline. kevin reynolds improvises on the original with a more upbeat outsider house groove and an acid line guaranteed to bring the dancefloor to its knees. since coming to the attention of dc recordings in early 2003 kelpe has released three albums, the latest of which *the golden eagle* dropped this year to critical acclaim. detroits kevin reynolds has consistently turned heads with his unique take on the modern house sound. as well as releases on his own nsyde recordings he has appeared on cult us imprints like todchai and love what you feel.

pole jam vinyl is a brand new vinyl record label brought to you by two well established labels in the digital domain: pole position recordings and glam jam artists. glam jam artists is the imprint of german producer satin jackets (dikso / house of disco). along with welsh based label pole position recordings their aim is to their bring their trademark glossy, deep and blissful nu disco & deep house sounds to vinyl with a real emphasis on quality, original new music. this new supercluster label pole jam vinyl is about to get turbo-charged with more horsepower than the calgary stampede! their debut lap around the track is an all russian affair, with both contributing artists having already established themselves in the digital music world. pole jam vinyl thought it was high time they got the chance to shine in the physical world too. with their debut, fuel injected joint venture, each team provides two slick-tyred, finely tuned masterpieces eagerly awaiting the green light to demonstrate what life is like at 33 revs per minute.

paul ritch is no stranger to drumcode and has returned with an outstanding single featuring three tracks that will dominate dj sets. the first track >run baby run< entertains us with an arpeggiated chord sequence that is accompanied by percussion-like synth sounds before bursting into a thick-layered sequence of sound. the dark and dubby side of the single sees pauls > astral< bring a funky sleazed out groovy track that also uses a discerning melody.

sql has been touring the globe and releasing steadily for a few years now. after a lot of great releases and remixes, some of which topped the charts, we believe that this is his best ep so far! if you like warm techno and tech house that combines melody with powerful grooves, this one is for you.

deadmau5 usa journey, from electro house to electronic dance music, for fans only

ltd summer sales - nice price
a retrospective tone of synthesizers reminiscent of ymo, a bouncy rhythm with the structureof click house, a familiar vocoder vocal, a nostalgic melody sense of 80s disco pop, the title track, >you are always on my mind< is just like giving you the answer of the idea if ymo covered daft punk >one more time<. it was the tune heavily played for several music scenes in japan when the album was released, and immediately became a favorite track for djs but has never been released

hailing from the bairros of lisbon, the portugese duo sabre take the helm of tasteful nudes second single. the young pair follow up an ep for w.t. records by expressing adoration for german proto-techno on a majestic scale across a sub-tropical backdrop. bali comes on like a strong cup of psychedelic tea, leaping from a tapestry of gamelan plucks to gigantic, growling bass lines and prismatic synth arpeggios. ging channels manuel goettschings hypnotic synth lines with the dance floor in mind, rubbing shoulders with a gregarious 303 bass line.

due to its black color, the raven was often a harbinger of death in western culture, brought to you in conjunction with dark deeds. but according to native american medicine teachings, light comes out of darkness and the color black is associated with the source of all energy, creating new realities - with the raven as its messenger. silky raven, namely jakob seidensticker and henrik raabe, have dedicated their work to this process with projects like the havana boys, seidensticker/salour and wareika. on the remix duties we first have october, who delivers an homage to the lfo-influenced sound of the 90ies, raw and pure. and second we have a remix by visionquests shaun reeves and jay haze, who join forces to create a dubtechno- influenced pearl, perfectly rounding up the package.

mansion music is proud to present ivory d or a self-confessed, techno and all-round groove merchant. ivory d or is a st. lucian born, london raised producer & dj who has been making music from the tender age of 17, still only 18, ivory has been busy over the last year developing and honing his skills and delivers his infectious debut ep, flashback. from the subtle build on tracks like flashback to witch doctors dark & troublesome drop this ep is full of unexpected rhythmic twists and infectious groove.ivory d’or has been receiving early radio support so far from b.traits & toddla t (bbc radio 1), foamo (rinse fm), rattus rattus (kiss100) and dj support from the likes of ac slater (mad decent), breach & route 94.

nice price deal !!! no-neck blues bands pat muranos rigorous & freewheeling cavalcade of bizarre sound events baffle & beguile. 21-min a-side is a fungal, fractured, dream-fever soundtrack. 20-min flip starts like a minimal techno banger & morphs into ruptured ambiance

not long after panta rhei gives birth to its first work, she will arise, not only to admonish, but to reign in white splendour, white, like the geese on capitoline hill, as white as carrara marble, white, like cliffs of dover, like herself, iuno. panta rhei 001 is strictly limited to 101 white-coloured 7 inch -vinyl & will not be released digitally.

inmotion music welcomes its 39 release by the hands of marco effe. marco again shows us his unique skills, setting up a heavy bass track and trademarking it with his own unmistakable house/tech-house style. after releases on labels like break new soil, cecille, sci+tec or cocoon recordings

neustadtmusik nm005-g003 brought to you by simon slice (also known as khainz) surprises not only with amazing original tracks like hear me and rewinder but also the diversified remixes from kellerkind and sous sol round off this release perfectly!

been a long time since we ve heard anything out of miami like this! producer greg beato follows up his blazing ep for funkineven s apron records with another killer three tracker....serious shit, 100% tip!beato somehow just knows how to get it right combining all the crucial electronic elements, creating three absolutely monsterous tracks that will crush the dancefloor. sure it s been said before, but the music does the talking and this ep is a pure unharnessed example of such. guaranteed to be in every djs bag this summer. further proof it s game over for weak watered down dance music.

the fearless leader steve washington (george clinton, slave, civil attack, aurra, salsoul) produced 4 aurra albums in the 1980s, but there was an unreleased 5th album. 2 exclusive instrumentals on b, silk screen sleeve. tip!!satisfaction was recorded in 1984 and set for release on quincy jones qwest label. the album was cancelled due to legal matters. family groove records is making this music available for the first time. the full-length satisfaction album is due out this summe

aluna george are excited to present their hotly anticipated debut album. featuring the brilliant your drums, your love, just a touch and the anthemic you know you like it the duos debut has proven to be one of the most eagerly awaited albums for 2013. its been a massive year for the london based band following their mobo, brits critics choice and bbc sound of 2013 nominations with only two official releases in the bag.

good experimental techno from william bennett !!

copenhagen based horse on horse will release its first ep with the copenhagen native vladimir. vladimir is sucking us right back into those parisian house parties, we have all been dying to reenact. strong sample-based melodies, raw production and nostalgic vocals! no questions asked! we say: > m for mike<! horse on horse feels like a high tech missile from the future leaving the orbit of planet earth on its way to destroy a meteor to save human kind!

midnight moves. thats what comes to mind when you listen to cale parks s n1, preferably at an hour long after dusk has settled around you in some beautiful, insomniac city. parks finds – or more aptly, seeks – beauty and grace in ambience and shadows. n1 starts as pure atmosphere – it feels at first like a sort of lovely sonic nothingness slowly taking form – before growing into the darkly lit, gorgeous moodscape it later becomes. a sensual bassline, a pulsing downbeat, a cinematic piano, strains of italo disco, and the sensation of breezing down a lightless road. if you could make sensuous shapes of the night – imagine kneading the dark itself – it might, at the very best, feel like this. the task of remixing parks s original is taken up by french duo paradis, who can otherwise be heard making music on tim sweeney s beats in space label. the paris-based producers shine a brightening light on parks s dusky creation, quickening its pulse and trading in its darkwave undercurrents for enlivening techno and house. theres an element of floating here – a dreaminess in the rhythms, an astral aspect to the keys beaming through the beats. and with the addition of vocals, sung in french – a pop finishing touch on a song that already feels like an earworm – the transformation is complete. this excellent introduction to cale parkss music is also his debut release on the hakt label.

following the success of the consumer ep by fellow label owner james johnston comes the praise ep by alex agore, and its a true return to form for him on no matter what. the record opens with the title track >praise< - an inspired tribute to gospel music, keeping all the soul but reimagining it into something more infectious. uplifting keys combine with vocals that will have you trying your best to sing-a-long, over a bass groove that holds it all together. >falling< is a slower affair, with its dream-like chords, airy synthwork, cowbell hits and seamless hats. a perfect track to start a night or to end one. the b-side completes the package with two undeniable house jams. you will soon realise how much you like >theres no love< when its skippy vocal is stuck in your head, hours after hearing it for the first time. >i can feel you< closes out the ep on a deeper note which will have you thinking of moments when the sun is about to rise, yet the night is far from over.

following on from releases for pomelo and pal sl, ld nero makes a welcome return to trelik, the label that unveiled the project back in 2011. detroit house flavours lace >als ik kan<, as a bleepy synth loudly sounds on the off beat over short stabby chords and shuffling drums. a summery, rhode uplifting house track awaits in >the feel< while a loose > i m burning< almost sounds like ld nero has each of the tracks elements placed on a separate turntable - making sure to keep them beat matched and aligned.

i do not like the day.
i dance, i drink, i kill.
i want her dead for days now.
i want her head.
i am trash.

own label of the american artist r. datri aka realmz producer/dj/frequency architect in the realm of techno, electro, experimental, ambient, post industrial and various other ineffable sound creations.tending toward cinematic, surrealistic, dream like worlds with a strong focus on sound design and vibe.

2013 repress / release number 6 from our label brings us oscar muleros latest work, proof that the new sounds hes experimenting with do not constitute at all a departure from his command of the rawest side of the purest techno. horses, oscar muleros new ep, takes us back to the mulero that the majority of the public will recognise, to the overwhelming sound that has led him straight to the top over the past two decades. the record opens with like a wolf: broken drum beats, sharp hats, fm basses and dynamic white noise drones whose energy never falters throughout the track. horses, the second track, gives the record its name and offers intricate rhythm programming, dark atmospheres and acid sounds that, as a whole, create a mental and hypnotic feeling. the closing track is in a silent way, which runs along similar lines to the previous two, but with less bpms and with an obsessive sequence that mutates and develops throughout the track leaving the listener with a mills aftertaste, but with a berliner touch.