welcoming trikk to truesoul, he brings the quality we have come to expect from both label and artist. his ep starts with deeper point, a track that encompasses heavy techno sounds to create a monster of a track. straight circles (beat mix) repeats and detunes a vocal to engrain it into the memory before prominent highs keep this track moving. the final track bliss drive is different to the rest of the ep and has more of a garage feel to it the funky drums, earth shattering bass line and digital bleeps will knock you sideways!

barely has the dust settled on the first cold tonic, yet label boss krystal klear is back already with two more heavy hitters for tonic002. building on the foundations of the debut release, dance 7fs shows a darker shadow rarely seen in previous krystal klear music. moving into lights out, eyes down territorywith the driving breaks of west end disco, this is kk stepping into his own. fumer tue features relics-esque string laden melancholy but never ever goes fully pg. this is r-rated lovers music and, if the feedback is anywhere near the mark, could easily go straight into last-tune-of-the-night-classic territory for the next generation of dance music connoisseurs.

neues album von roddy frame, der mit aztec camera in den 80er jahren mit hits wie -somewhere in my heart-, -oblivious- oder -pillar to post- in indie-kreisen kultstatus erreichte. -seven dials-, sein erstes soloalbum seit -western skies- (2006), beinhaltet zehn wundervolle indie-popsongs, co-produziert von seb lewsley (edwyn collins, proclaimers, robert forster). das album erscheint auf dem aed label seines freundes edwyn collins, die sich bereits aus den frühen 80ern kennen, als aztec camera und orange juice auf dem legendären schottischen indielabel postcard records veröffentlichten.

this is only a usb stick - not a vinyl !!
pets recordings are partying at the very forefront of house music right now… with each release stretching their consistent-yet-excitingly unpredictable remit further into unchartered territories, the latest in their well-established friends will carry you home series compounds their curatorial creativity like never before. now on its third outing, this is the labels largest in the album series so far, tethering its myriad wild talents for one giant audio class photo, label bosses catz n dogz have successfully represented their labels vast remit with clarity and harmony.

ltd nice price
guitar driven house funker with cool male vocals on the flip splashfunk works it into a big room electrohouse affair while marco zappala strips down the original a little bit for a nice club mix

dachshund was born and raised in geneva, switzerland. he got his first introduction to music in the 90 s, playing guitar in reggae bands. that was the beginning of his long lasting love story with dub music. he produced his own dub music in the following years, at the same time learning about every piece of studio equipment. with his roots in dub music, dachshund first experimented with electronic music in 1997, producing his own jungle and drum n bass tracks. his music turned more into house and techhouse and was released on several imprints while playing live sets all over the world. we give him a warm welcome to the 8bit family!

philipp weber is a musician living and working in leipzig, germany. his main focus when creating music is to capture the moment by using all kinds of instruments in a playful and intuitive way, experimenting with rhythms, sounds and melodies. his songs are ideas, emotions and thoughts that he tries to translate into music. »its like speaking a language«, he says, »without knowing its grammar, still trying to find the right words.« philipp is one half of the project webermichelson a two-piece band focused on merg- ing kraut and experimental music through drums, synths and guitars. webermichelson have been a core ingredient of the holger universe from the very start, one of their live shows actually being the moment where it all began. with his first mini album weber now joins the holger family also as a solo artist

hailing from bari, nico lahs has become a beloved member of the stock5 family. on the latest instalment of the label that guy blesses us with his runway ep. but don’t mix up the title with some anorexic chicks that stumble along the catwalk heidi klum sent ‘em on. if there is one direction, it would lead straight into a planetary orbit. the opener “shreder” sets the pace and mood, a decent composition of pulsating synths, a vibrating bass line and a whispering voice, telling us to fasten our seatbelt because our next stop is going to be “orion”. actually this is in one of the biggest astral objects having been discovered yet. nico takes us there on his spaced out trip, while we are watching stars being born and dying in super novas. on the flip we’re finally approaching “runway” the title track. dive into a world that is undiscovered, promising and overwhelming. all in all this ep is way more than “mystic”, which is the last track. we left our planet as humans and we landed as androids in stock5 galaxy, which is ever expanding, crossing boundaries and creating new life on the universal dance floor.

the latest installment from the labels mystery man takes us out of the jungle and into the mountains, where syncopated analog rhythms dance beside electric melodies surrounding a caravan of textures and reflection. not much else needs to be said about this one except its either for you or not, if so, enjoy and elevate.

2 tracks of island-inflected chicago house from chicago based producer inspired by his visit to antigua, guatemala. frankfurts d. soul takes 1 into synth space, gonzo gonzo slows it down adding market sounds with lighter synth lines.

defeating apathy by creating his own world, abdulla rashims music thinks before it speaks. untangeled energy and drive breathes life into the rigid rhythmic structures, where the wild, almost primal, core illuminates the heartfelt and soulful layers within in his music. this musical contradiction between thought and letting go, acts as the base foundation in abdulla rashims music.

limited coloured vinyl , only 1 per customer / nur max 1 platte pro kunde !
the next instalment of this nine part series sees mosaic take a diversion into darker techno territory with contributions from ed davenport, aubrey and ozka.

the next instalment of this nine part series sees mosaic take a diversion into darker techno territory with contributions from ed davenport, aubrey and ozka.

relating back to the etui records roots of monomood, abstract animal presents the remixes of absolute control that originally appeared on etuiltd 003. who can be more suitable for transforming the heavy chord sounds of the original into a forward pushing floor behemoth than 50 weapons multi talented sound artist benjamin damage? in addition to that monomood took a re-edit of his own track and put a even more dark and industrial feel on it. to close the circle etui records mastermind and dresdens very own insect o. converts the originals four to floor rhythm to a broken beat machine funk monster.

no doubt about it, hypeltd are on a bit of a roll at the moment, recent releases from the likes of joefarr, the analogue cops and marco bernardi have helped shape the hypercolour sub-label into a consistent purveyor of raw and rootsy techno music.

frankfurts frank heinrich aka reboot was raised on a diet of real techno, gorging on many nights at sven väths legendary omen club. today he gathers influence far and wide for his own productions, often delving into the realms of world music and jazz, and combining them with his unique and relentless dancefloor rhythms. now one of the most in demand producers on the scene, reboots music regularly features on labels such as supplement facts, moon harbour, cadenza and cocoon.
reboot makes his circus recordings debut with two new cuts that encompass a desire to own the dancefloor, coupled with his micro-particular drum programming and relentless demonised funk. label mate harry romero returns to lend a hand on remix duties, stripping samson of his locks and replacing it with loopy techno. another huge ep from circus recordings.
pressing on translucent blue vinyl.

2014 continues in funky style with the latest release from one of paris finest purveyors of high quality underground electronic music.

sarcastic and obscure neo-italo-wave band cristalli liquidi once again steps into limelight with a third single on the equally mysterious artifact imprint.

the main idea for the luxxury edit series was to take overplayed and/or uncool songs and turn them into tracks that i myself would want to dj. initially the plan was to do this exclusively using the sounds from the original multi tracks, rather than the typical throw a new beat and some swooshes on it kind of re-edit.

title track don t stop is a loose and playful thing that chucks loopy, circular drums, little vocal riffs, synth stabs and tumbling toms into the mix and lets them all groove along for almost six infectious minutes. its a spritely, silvery and slithering concoction that makes you shake your every limb. stare is a deeper, darker thing with rattling snares rolling over flappy kick drums and wobbling synths ducking in and out of the space left behind. its a tumultuous, drum lead affair that toys with your expectation, threatening to drop or explode but never quite doing so, instead keeping you right on the edge of your seat throughout. the final offering is nian which again has super well defined drums and hits all tumbling and sparking off each other. it s spacious stuff, too, and the indecipherable foreign language vocals add another layer of intrigue to what is already a fascinating cut.

killekill is proud to present eomac’s “spectre”, the debut album from dublin-based producer ian mcdon- nell, a rising star in the techno scene. spectre also marks the label’s first full-length album release. ian is better-known as half of the irish duo lakker and this album is certainly carved from the same cold slab of stone. his music has already gained huge support from the likes of tommy four seven, ellen allien, thom yorke and the one and only aphex twin himself. bleepy, slo-mo synth lines, dense textures, saturated bassdrums and hand-sliced vocals dunked in cavern- ous reverb – spectre is all about eomac doing what he does best, taking our concepts of club sound and contorting them into something that is truly his own. the melodies are slo-mo and lo-fi, the pads, exquisitely lush and textured. ian’s amazing sound-design (bordering on the intense in some places) and incredible attention to detail makes this an album where each listen reveals a deeper layer. spatters of noise, shards of broken beat and relentlessly pounding techno rhythms also make it a dancefloor-decimating weapon.

adventurous electro project 2 years in the making featuring works from ian martin, shemale, federico leocata, das muster, obergman, koova, linear synthesis (new project from kobol electronics and heinrich dressel), dmx krew, elec pt.1 and dj stingray. think kraftwerk, drexciya, dopplereffekt and bunker-style dark basement vibes all rolled into one neatly presented package and that’s pretty much what is on offer here. a fine selection of tracks which successfully presents fresh sounds by tried-and-tested names, while simultaneously introducing upcoming and arguably lesser known, but by no means any less talented artists. thoroughly essential for all electro fans out there. limited edition vinyl pressing

following hollowed - the yorkshire based producers debut ep for sonic router - and his successive collaborative ep with vocalist segilola for the king deluxe label, bambooman returns with a reinvigorated arsenal of productions on the dulcet ep. pouring a lot of ideas into the seven original tracks he tackles numerous tempos, contorting his trademark brittle percussion and his command of bounding melodies across several different forms.

monaco a go-go is singer/songwriter jobst miksche from hamburg/germany and persimmon lane ep is his debut release (for couldnt care more). with dance around yourself and machines it offers two slow intimate folk songs full of beauty and melancholia but also a certain easiness. on the b-side aera (who runs the aleph label) translates .dance around yourself. into an exotica infused cumbia acid mix that makes you feel quite the same than dj kozes adventures on. amygdala. do: dizzy, weird and sublime.

confidently striding into his third musical decade, luke solomons influence stretches far and wide across a scene that has been embedded in his dna since the early 90s. now harnessing that wealth of experience and unmatched passion for music, solomon presents his next undertaking, positioning himself as the dj/shop assistant/curator you always dreamt about

lux rec continue their endless research at the margins of music, what is underground, at every latitude, to find rough gems and bring them to light. after a series of releases which explore techno in various ways, they turned their attention to another field. that of the cold electronics and new wave movement, and french musical existentialism. cold colors comes from bordeaux, france. to lux rec he is the best expression of and a new take on that type of music. a sense of solitude is the first reaction to his music. melodic longings for something that is not there, unreachable. four songs to depict a hopeless stare into emptiness. shadows of a love long gone.

ambareesh invites you into a paradoxical fusion of murky sound that pushes boundaries beyond banality. the juxtaposed *emotionless sensitivity* penetrates the senses creating a canal for deep sensitivity that runs contrary to indifference. between the rugged, jagged appearance lay the intricate essence of hidden quality as tracks reveal provoking denotation. *illusion* reveals the deep trudging that cuts through the whipping vibe. *bipolar nervous system* brings a sense of suffocation as the tormenting tandem of fragmented sound haunts the solar plexus. *walking through sand dunes* is a carefully constructed piece, stimulating successive pulsation as frightful ambience permeates. virile, cagey crawling sensations infuse as ambareesh concludes with *dehydrated*, a hollow, sterile piece of synthetic techno. this second ep by ambareesh on amba amba records is truly a careful union of tumultuous sound, provoking rowdy sensation that stimulates visceral response.

this is essential house music. the 2nd ep by the obscure · n s y d e · family members project01. on the flipside africaine 808 is evolving the groove into a mesmerising floorpiece of an extraordinary quality and challenging the best jazz&house dancers out there on the dancefloor.
support by: simbad, isoul8 aka volcov, ... and many more!

ahead of the release of their third studio album ‘you play’ - out on visionquest in may - rework drop the rise and fall ep featuring two compelling tracks from the album plus a brand new track on the b-side. rise and fall is a full blown dancefloor workout of driving intensity, hypnotic drum patterns and rhythmic vox while ask you demonstrates the bands propensity for a chugging colourful, cosmic groove and a dash of signature anglo-french modern sass. im waiting provides a glimpse into the talented trios deeper style with a moody soundbed of dubby textures and kicking grooves

one of these things is not like the others. put veteran producer and general madman eddie ruscha (aka secret circuit, laughing light of plenty, dadamunchamunky) in a studio with the spritely whipper-snapper diego herrera (aka suzanne kraft & 1/3 pharaohs) and your results will be nothing less than an epic jam. as the name blasé suggests, their laxadasical style and confident panache is abundant. the duo ease into their productions with a cool hand and an open mind, letting the moment take them somewhere foreign to bask in surreal surroundings, but not without documenting the trip.

ellum audio are back for another killer release with a double sided, two track bomb which sees shall ocin take the a-side and fiberroot take the b-side. shall ocins lurking wolves hits with a thundering bass and driving force with trippy melodies and sonic fx zooming through the atmospherics with powerful impact, while fiberroots space localizer rumbles and grumbles in the lower end, building into emotive warm keys before kicking straight back into the deep groove.

kink spent years of backwards-engineering the sounds of detroit, chicago and early warp. tweaking whatever software was available, he learned all the sideways possibilities of hacking into the sonics of analog classics with the beauty of digital degradation: alias noise, bit crush, noisy fft grains - his one-of-a-kind results electrified dance floors all over the world ever since. now, all the elements of kinks live sets have been bundled like a laser beam in his debut album

we are back for the first release of the year - a nice mixed bag as ever - featuring label partner prima s first solo effort - grooves effortlessly and into darkest africa , other half of lht alphonse brings the drama with - acid melody - youngest member jamie blanco makes a welcome return - with his trippy little black jack and finally newest recruit asok crunches out this classic sounding piece of 4 to the floor goodness. limited to 200 copies: act fast

hetem releases 20 minutes of raw, menacing, evolving 4x4 sound for new york based label grinch productions. this release is treating techno as more than just a style of dance music, for hetem this is a soundtrack for long, hot, humid summer spent in belgrade suburbs. this 3 track ep will immerse you into the melancholy filled streets of one of the biggest eastern european cities with a thriving electronic music and clubbing scene. birth of trust will engulf you with its pure analogue darkness, hypnotizing you until you move.

if you re going to launch a label, it s always wise to start with a bang. that s exactly what newcomers audio visual have done here, recruiting detroit veteran terrence dixon and chez damier cohort michael zucker (boss of finale recordings, no less) for a four-track trip into deep techno and intergalactic house. dixon goes deep into the groove on the hissing, intoxicating deep techno roller -mta-, before delivering a touch more melody on the retro-futurist gem -over the top-. zucker, on the other hand, opts for a jaydee-does-deep house feel to -foundation (part 1)-, before setting off towards the heavens with the deliciously deep, smooth reflections

• follow up release to last year s side project by uk producer shifted
• full colour mira jacket design from silent servant...
revealed last year as a side project by uk producer shifted, covered in sand now returns with a new ep: crescent shaped scars will be released on the sister label of his own avian imprint mira, which serves as an outlet for the more experimental and duskier side of electronic music. the release features three abrasive noise workouts. thud of drums and ritualistic rhythms define the opener luarica on the a-side alongside a near-melodic whine that stays present throughout the tracks. orapa (an interview) on the flip swallows and evokes scuffed voices of a conversation, striving into isolation, while venetia resumes the haunting rhythm and layers of distortion. as per previous mira releases, the artwork is done by juan mendez aka silent servant

last magpie makes his electric minds debut with the *influences* ep in april. the eps three original tracks combine the producers knack for punchy uk club tracks with elements of the pioneering electronic music that have informed his music tastes. inspirations from classic hardcore, jungle and garage loom large on ep opener *mirdad*, while *pledge* takes things on an electro tip with nods to the sounds leading mid-2000s exponents. *i love me* juxtaposes light and moody elements for a heavier take on disco and chicago house, while the ep is completed by a sublime trevino remix, as the soulr boss reshapes *pledge* into the kind of tough, hypnotic house he has made his forte.

over the course of four eps for numbers and creation of his own label ‘total fantasy’, deadboy has charted his own path far beyond the deep black space of mediocrity with previous records ‘if u want me’, ‘here’ & ‘blaquewerk’. on ‘return’ deadboy journeys further into uncharted territories, taking his music to the darkest recesses of disco and extraterrestrial synth-werk. the opening track ‘return’ finds the london-based producer taking cues from the likes of tangerine dream and klaus schulze with a gentle ambient opener that unwraps to reveal a beautiful and moving track. ‘des niles’ is a shimmering disco track built around an 80s boogie bassline, plus those killer deadboy vocal chop-ups that take us even deeper into the producers nighttime world. samples are worked to within an inch of their life on the floor-ready ‘yhvh’, whilst punchy bass and synth stabs take care of the rest. things then move swiftly on to ‘life code’, with the deadboy once again notching the tempo down and letting the track’s wistful oriental melodies ride out into the dark.

comprised of eight tracks, periscope blues is the culmination of a mission gone wrong. music for the stranded, the lost, those backed into a corner with nowhere to go, or maybe a reflection of sad individuals panicking on a tropical vacation gone awry. somber yet very tense drifting off radar machine electronics that feel like a blistering sun beating down on decaying beach remains as time crawls on. that or the equivalent to working the grill summers at jones beach and stealing from the register just to get a little more…
pressing on grey coloured vinyl.

akurat wurde der jubiläumssampler bleep10 kompiliert, der diverse facetten zeitgenössischer elektronischer musik streift. mit dabei sind kompakts wolfgang voigt mit seinem gas-projekt, starke neuproduktionen von autechre, m-ziq und dabrye, sowie farbenreiche electronica von lone und machinedrum. und während oneohtrix point never dem hörer einen ambienten ruhemoment gewährt, steuern shackleton, untold und modeselektor explosives dancefloormaterial bei

the the second release in the nrr series is here. this time two extraordinary mixes from zoe zoe & enoah ballard. on the a-side zoe zoe takes a classic donny hathaway cut, flips it into orbit and rinses it with innovation and experimentation. on the flip zoe zoe and enoah ballard rework george maple with deep pads and pulsing drums that really makes you love the track more and more each time you play it.

limited slow to speak release !!

cgi is proud to present the debut of 2 new duos who are experts at making their synths and sequencers sweat divine moisture. lyman-alpha forest is a new collaborative project between producers grey people (proper trax, finale sessions) and talk (deconstructure). as a duo they work to bring acid into new territories with their heavy, low-slung approach to producing melodic-and-spacious yet tight-and-focused slow-burning club-weapons. whether or not this is due to a stroke of compositional genius or if it is simply a side effect of the high levels of sizzurp found in the tap water in their hometown of nashville is irrelevant, but the effect is intoxicating all the same. travel 7 hours up i-65 and you will end up somewhere in chicago where afterburner spends long cold winter nights painting vivid synthesized tapestries as epic as the citys skyline. the duo of nicholas reed (windbreaker) and travis thatcher (voice of saturn) employ an aresnal of modular and analog gear to produce lushly cinematic tracks that chug along like classic moroder productions while simultaneously evoking the rich melodicism of kraftwerk. whether you listen to them at home in the headphones or on the dancefloor in the club, these tracks will take you on a wild ride.

scenes from our classic future is the realization of three songs and two projects that came together as one. as young aspiring musicians since the early age of 12, greg paulus and john camp practiced playing jazz standards into the wee small hours of the morning together. eventually the two would find themselves both in new york under new and more electronic circumstances. deeply indebted to the mastery of herbie hancock, paulus and camp would reconnect, this time with synthesizers, and continue on their musical journey together.

following on from the release of innershades no stopping ep on creme organization last summer, the dutch label revisits the a side cut nina with two remixers in tow. those remixers are bristols bass pioneer kowton and the inimitable production duo of tuff city kids. unterton and delsin duo gerd janson & phillip lauer aka tuff city kids turn in a bulky, piano laced and acid riddled remix of nina that is a pure party starter. idle hands and hessle audio man kowton reworks nina into something run through with plenty of sirens, raw, crunchy drum loops and rolling percussive lines. its stormy and tumultuous and is full of frosty textures. these are two abrasive tracks designed for maximum impact on the dancefloor.

wolf music return with the second release on their new vinyl only offshoot, with two upfront peak time tracks. up first is creative swing alliance, a track that has been fully road tested by the wolf guys in the last few months with devastating effect. with cut up vocal snippets of everyones favourite diva, filtered stabs and a killer bassline, this is primed for the peaktime. on the flip lastest pack member thrilogy starts off on a subtler route after an early breakdown, the main rift takes the track up a gear with elements weaving in and out throughout, the drama constantly builds as you get drawn into the track.

it is luke warm making his world debut. it will make your vibes hurt. move your feet and your tribe more alert. dive and lie wrecked in the dirt, ruin your tee shirt… deep into the vibe of house… how will the sentence leak in luke? a sabotage crowns warm before the child. does warm exit? without his skull enters the distinguishing appendix. luke moves warm with the inferior sponsor. a dogma heaps the cry. into warm trips luke. warm tears under luke. warm fears inside a virgin. warm participates on top of the glove. an injury wins luke. why wont a biscuit exist? below luke rages warm. warm partitions a concerto. luke opposes warm. will the powder shift? the curry flashes near warm. below a travelled charm leaks the following optic… an atom covers a spokesman.

after theremynts lp space control – a journey into electronic music offered by jan richard & eva peel, the trip goes on with this new ep talking about human and robot love, one of theremynts favourite theme (rachel rosen - on the first album was inspired from philip k.dick *do androids dream of electric sheep* aka blade runner).

pupkulies & rebecca, a three person musical collective whose members janosch and rebecca blaul as well as sepp singwald reside in würzburg and berlin have developed into a veritable force in the european club scene due to their recent releases and largely through word of mouth.