dixie yure is the incarnation of contemporary oldschool house music from seville. after some digital only releases it is about time for some haptic experience. with the 10“ record „show me satisfaction“ on berlin-based label fenou his sound is rotating on turntables for the first time. monotonous minimalism ain’t dixie yures world. the sound tends more towards 2step and builds a homogeneous and pleasant mixture with classical house elements and vocal parts. you just cant deny yourself dancing the >chicken dance< and stepping like hell! thanks to the funky improvisations extending over the whole track you wont get bored even after listening to >show me< for the hundredth time. the a-side is just fun - in the club as well as on your couch. you wont miss the low-pitched vocals on the b-side either as they are typical for the spanish producer. >satisfaction< is a little more reduced than >show me< but is enhanced with jazz elements such as pianos and saxophones. it shows that wind instruments in electronic music dont have to be annoying tribal elements. in this example acoustic instruments do not just get mixed up with house music but merge to one groove – absolutely rocking tune!

the first edition of the unirhythm green series. two brand new, smooth as ice tracks from the motor city madman marcellus pittman. the a-side is >tom remix<, a dynamic dj tool that will keep the heads bouncing in the club. the b-side, >if the earth could talk<, is equal parts deep and dubby, but still has that lo-fi detroit grit in the sound. this is a record that will stick around in many djs crates for a long time. this record is the first of a series of collaborations between unirhythm and fit.

slamming four track ep , this is part 1 of two parts, taken from the huge tensnake in the house cd , on defected !! special decks tip !!

slamming four track ep , this is the 2nd part of two parts, taken from the huge tensnake in the house cd , on defected !! special decks tip !!

the journey begins with lose my life. lady blacktronika lays down her soulful vocals, deep bass and moody keys over simple and captivating motorcity beats. deep, groovy and hypnotic, the overall sound is far more than the sum of its parts.

nice price deal !!! for their fifth release todd bodine (highgrade, treibstoff, mothership) joined the cologne based label klangfarbe schallplatten and created a high-quality ep, which is hard to find today. duplexer (a1) initially allocates with bongos in space, to furthermore stabilize itself with more bass, percussion and volume, which leads into a durable, massive flow that s willing to persist bigger club duties as well. alpha (b2) is structurized akin to duplexer, but celebrates the true force, the true might of minimal by the use of consistently repetition of beat- and sound patterns as also psychedelic acid-parts in good, old plastikman tradition. morning breeze on b2 finally starts warmer and more housy, in a deep and easy lean-back manner, to distinctly cool down after a while and to approach the previous tracks. after all, the from nowhere to somewhere ep constitutes an extremely coherent ep, where it s obvious, that all three tracks mate together - as they are

field records fourth ep features differentiating interpretations on contemporary techno music by the likes of ohrwert, duplex (!) and delta funktionen. what can we say... another exciting and fresh techno release from the northern parts of the netherlands.

dont miss out groovers parts 2! n1 in safras & broom charts tiger stripes, wally lopez, strict b, simone tavazzi? all in!

phonica records limited offshoot returns with a second 12 inch from the man that kickstarted the label iori. the okinawan producer, whose >galaxy / urge< 12 inch won praise from across the board, has been working prolifically and this is only a brief glimpse of things to come. first up is >spatiotemporal< - a ten and a half techno odyssey towards the deeper echelons of the genre. starting off as a simple drum attern, >spatiotemporal< slowly but steadily builds up, with iori bringing layer after layer of synths proper mid-paced cosmic techno!! its definitely one of those tracks that need to be left to do their work preferably on a loud soundsystem! on the flip, weve secured the remix talents of one of the hottest names in techno at the moment. all the way from cold sweden, skudge have made quite a name for themselves in the last year, with solid releases on their own imprint. their remix of >grit< more than exceeded our expectations. its a masterpiece of stripped down techno that brings to the fore all the parts we like from the original, while taking it in a completely different direction. special artwork by pedro carvalho de almeida.

first on decks.de !!! heavy beats with an analog feel and loud drums keep spinning and building around noisy crisp techno athmospheres until furious hi hats unleash the very last drop of energy around. the titel track >12 monkeys< appears in three mixes. the rawdub is maybe the toughest emerson track for many years. he already produced a whole series of rawdub techno remixes that will be released soon and this is somehow the blueprint for his new rawdub techno project. the original track sports industrial fueled beats and soundscapes. cut b1 is a remix by the one and only argentinian stallion juan pablo pfirter. he had his latest outings on labels like figure, clr, stockholm ltd & his very own mind trip music, his latest addition to the infamous clr compilation called miestudio had him supported all across the board. here he delievers an outstanding rework playing around with the beats and parts from the original forming it up to a deeper techno anthem with huge impact on the floor. supported by: oliver ho, slam, technasia, terence fixmer, lucy, mark henning, two em, pig & dan, cio d or, danny howells, daniel sanchez, echologist, ...

the third and final installment of spectral sounds document 12inch series offers four choice cuts from our era-defining, ryan elliott-curated label comp. kassem mosses remix of lawrences >divided< is a fiendishly tight slow-burner, fitting its ricky-ticky hi-hats and sharp-edged snares together like cogs in a swiss watch. the german producer twists parts around, testing various permutations, and rewards his patient listeners with a dusting of synthesized bliss at the end. heiroglyphic beings rust-flecked >got no place to go< traffics in humid ambience and smoggy gestures, evoking a post-apocalyptic dawn, distant bird calls and all. on the flip, spectral newcomer gadi mizrahis masterful >she only looks at you< hints at krautrock and tech-house while a thoughtful organ hums in the background, and kate simkos buoyant >zhivago< plays ping-pong with a bucket of electronic toms while a crowd-revving synth swell makes itself useful at just the right moment.

mike simonetti of italians do it better and perseo fame going wild on the edit-front. hot stuff!

fresh up is the top secret, just-for-fun label started by a legendary electronic producer based in the uk who has close ties to the rephlex camp. think kraftwerk, giorgio moroder, george clinton and dam funk in equal parts and you are on the right path. this is the first release from the new label which will specialise in strictly limited edition 45rpm singles showcasing the finest in new-old-sounding library funk, moog disco and vocoder boogie sounds.

nice price deal !!! back in zantiago is a live recorded ep, based on marcs current live-act with that he is touring starting in december 2009. using the parts of his past ostwind a1-tracks from 2007 (ex) and 2009 (from zantiago to zaire), marc goes the way straight back to his own tech roots, back to zantiago. big with monika kruse, stephan bodzin, marco bailey, webbha, electric rescue, maxime dangles

incl collection cd with the most popular ostwind tracks and remixes from marc depulse releases. also maxi cd only track included! back in zantiago is a live recorded ep, based on marcs current live-act with that he is touring starting in december 2009. using the parts of his past ostwind a1-tracks from 2007 (ex) and 2009 (from zantiago to zaire), marc goes the way straight back to his own tech roots, back to zantiago. big with monika kruse, stephan bodzin, marco bailey, webbha, electric rescue, maxime dangles

the longawaited counterpart to the world famous: eve by day !! big with: anja schneider, adam beyer, joris voorn, steve bug, joel mull, dominik eulberg, james holden, laurent garnier, solomun, ripperton after admired releases on poker flat and of course connaisseur, things were a bit quiet around patrick chardronnet. these days are over now! patrick returns with a big bang offering this wonderful double a-side on connaisseur recordings and opens a new chapter of his delightfully, trippy & emotional adventures. enchanting, mesmeric and deeply touching, these two up-building tracks are reinforcing chardronnets hypnotic side once again. boggler is a simple and reduced spacer that features wonderfully processed drums and an endless arpeggio hypnosis. the track works highly effective only with a few elements until the beat comes back after a massive break. underlined with a strong sub-bassline, the whole track starts to fly away and is taking the whole dancing crowd with on its journey. eve by night – a counterpart to >eve by day<, patricks biggest hit so far, starts rather smoothly and upbuilding. then the track turns to a skipping, complex and meandering monster, which is jacked-up with some dirty hats and a playful synth theme. the theme deconstructs more and more and a logarithm assembles the parts of the theme to a new and unexpected melody experience. sophisticated !

this is the second of two vinyl parts, showcasing some of the exclusive new tracks chosen for ben klocks forthcoming berghain 04 mix compliation. part ii features a couple of vertebrae from the backbone of uk techno today, james ruskin and kevin gorman.

remixes by vince watson alexander kowalski / d_func... strike nr. 3 on the alexander kowalski label features remixes of track >loco< written by the berlin bar25 resident dirty doering. vince watson reworked the track to a massive detroitish anthem that brings the melodies of the original to a new level. kowalski himself created a tech-house stomper thats live-set approved and damaged a lot of floors all over europe. the d_func. stripped to the bones-mix takes the track in parts and rearranges it to a raw & dirty techno-mix. all together this a perfect release to be played at all the big festivals and open-air events this summer

matt moroder - one half of the team that brought you the short-lived but no less notorious glossy series - unearthes his new ambitious -little leaf- project compiling other producers and his own reworks of songs that are not your usual disco/ boogie fare but demand a true diggers and imaginative djs mind to spot their dancefloor potential. matt moroder proves this ability right away with the blinding, hypnotizing >secret secret< - an interpretation of a cut by one the biggest, most avantgardistic 70s rock/ pop icons. he extends a short portion of the originals beat, loops the jagged guitar riff and throws in more layers of congas, shaker, handclaps etc before revealing the tracks secret by throwing in parts of the chorus sung by this totally distinctive, instantly recognizable voice. flip over for spanish producer nelues take on >porque te vas< - a one hit wonder song that had worldwide success after being the main theme in carlos saura cannes-winning movie >cria cuervos<. already an unusual mixture in its original form - breathy lolitaesque vocals gel ingeniously with a more 60s bubblegum orchestration of horns, big beats and folky guitar - nelue does a great job with sublte loops and additional bubbly synth overdubs while keeping the sing-a-long charm intact. both tracks already recieve well-desereved support from mark-e, gilb-r ( chateau flight ), beppe loda, tim sweeney and more main players. these two big cuts shouldnt need extra arguments, but since mr moroder is a generous guy he also throws in some extra special, lush artwork for this vinyl only release

duijn & douglas return to nowar for their second release >quiche l hik<, this time teaming up with vocalist berenice, and anonym on remix duty on the flipside. >quiche l hik< is a solid dancefloor work-out that will get you hooked from the very first beat. the rolling bassline simply sucks you into a hipshaking groove, funked up by tight oldksool tush-moving hihats. the whole thing builds up to berenices warm and sexy vocals and a most funky chord progression that will glue you to the dancefloor. this cut is a full body and soul work-out! on the flipside detroits anonym pushes it into a more throbbing affair. raw, stripped to its sexiest parts and with slightly warped chords, the remix is a sweaty and sultry groover, mentally gripping, simply good ol fashioned house! this release perfectly reflects what nowar is about, deep and raw house music.

the droids beamed down to planet earth in the year 1978. yves hayat aka droids, was a young label manager at the seminal french disco label barclay in the seventies. >star peace<, originally released in 1979 is his concept to the classic sci fi movie >star wars< out that year. featuring the french space synth classic >(do you have) the force<, in both parts, this lp goes from strength to strength with spaced out lullabys >inner space< & >tchough fou<, before kicking back into the groove with >be happy< an assault to the senses with its manic synth lines running riot over heavy funk overtones. the flip kicks off with >shanti dance< parts 1 & 2, sleezy robot-funk work outs that are inter-joined to make a 6 minute continually evolving piece of music. the closing eight-and-a-half- minute >renaissance de l amour< is a tour de force of cinematic synthscapes, bleeps, bloops and world rhythms, before dropping in the drums 6 minutes in to ignite any dancefloor. this is light years ahead of its time.

1st on side a: big disco boogie re-edited, kicks off with guitar riff building up with female vocal, filtered breaks then comes into main vocal parts.
2nd tune on side a: summery disco with breezing feel, uptempo percussion intro, funky boogie riff into catchy horn section with leads synth… one for the beach session!
1st on side b: mighty disco edit. after the first break the tune really kicks into funky groove with strong female vocal with infectious chorus. keep your attention high!
2nd tune on side b: slowly build up track with big synth lead brings >oh baby< chorus, it holds groovy riff all the way through.

bovie and rox have been blazing a trail at strictly rhythm with their own productions >stop playing with my mind< and >love me< as well as a superb remix of south st players classic >(who?) keeps changing your mind<. for this second bite of >love me we have handed the precious parts to atfc, who continues a rich vein of form with a clubbed up soultek vocal mix and a tough, trademark lektrotek dub.

we are honored to present to you themas first full length ù and our 20th release ù mossas >festine<. the cd version offers the full range of expressions, with the sexiest, floor-friendly bits featured over 2 separate 12 inches, parts 1 and 2. the first slab is a true dancefloor beast! its not what you would have come to expect from previous mossa material but we sure are glad to feature such a bold body of work ù with 2 power house collaborations with non other than mathias kaden and mike shannon, just to make it that much more delectable!

parts i & ii of friday 14th were previously released on french label astrolab but these two new versions evolved through playing the track in our live set. while in la last year, we were asked to go into the studio and record something... this is what came from that session. also on the release is a great dubby-proto-house remix from roots unit, and most excellent it is too.

ltd 2010 repress !!! marco carolas string of recent releases on plus8 and his own 2m imprint are now effortlessly hurtling forward under the weight of their own momentum and the bloody cash ep shows no sign of relenting. in fact if its possible, this collection of four new combustible tunes adds another dimension to his already substantial repertoire. on the title track bloody cash, carola immediately shows his intent, letting fly with a spiraling tribal groove full of bright, crisp percussive elements that stretch skywards towards the sun. the tough, earthy beats keep everything rooted to the ground as he taps into some age-old hedonistic urge, creating a universal groove that rolls out across the oceans before breaking on the shores of each continent with an all encompassing call to dance. the main body of the track incorporates a straight synth stab doused in reverb that sets the scene for the finely crafted main keyboard riff, which is an accomplishment in itself. alternating between two complimentary parts, it elevates the backing track to another level. perfectly balanced and enhanced for maximum danceability, its without doubt one of carolas finest works to date

royal oak with futuristic house sounds from one of hollands longest running house producers gerd. some gorgeous warm rhodes driven tracks with interstellar melodies. two tracks that sound like a stream of fresh air. friendly fire has an incredible drive with its warm rhodes chords and a deep sub bass. unique track that gives the traditional house ingredients a twist. vibration on the flip (which is actually a studio jam with the friendly fire parts) goes in a slightly slower house pace and is combines bleepy melodies with a deep powerful drive that reveals its nature once played out loud.

truly beautiful deep house records are things to be treasured, akin to proper songs that will last the test of time, not made to meet a fleeting fad. this is one of those records and a real pinnacle & departure for blm & pawas. although the term deep is an oft overused one, >waiting game< personifies the genres true key traits with a subtly moving groove that gradually builds, using layers of subtle percussion and a rich, warm synth motif to make a rich tapestry of sounds before finally introducing the beautiful female vocal that gives the track its name. patrice scott liked the track so much that he agreed to remix it - his first ever outside of his own, excellent, sistrum label. using plenty of the original track parts but taking it a different direction, patrice really has come up with something special. the track moves along with snippets of the main vocal and clever use of the main synth, the groove being underpinned by patrice s classic sense of production before moving into a more classic >detroit< ending - a mindset with a bigger, more dramatic sensibility

the italian giussepe tuccillo who now lives in ibiza still remembers when as a child he heard patty pravo singing at the san remo festival. the impression made on him by the italian diva was so great that he decided to dedicate a tribute to her most important song, la bambola, by making a remix using the original parts of the original recording.

dj tasaka is the busiest, known as mix master of japanese techno scene, he mixes techno, minimal, house, disco, electro any records, any genre he feels like.
appeared on mueller records already in 2000 with his mix cd and received lots of attentions followed by many successfull gigs such as mayday, love parade and other well known events and clubs in germany and europe. during the last years he spend his time producing trax with japans top dj takkyu ishino and started a major cooperation with the upcoming big talent kagami. grown up in the regend club yellow ,he belongs to the solid parts of japans techno and house scene and therefore became a resident dj on asia s the biggest indoor festival >wire<.
right now in this very moment he presents newest solo album on berlin s straight techno classic label muller records. he established a reputation by own unique style of mix with tricky scratches, he can make up peek point in the floor, this needs to be mentioned definetely.this album you will find already in the cases of laurent garnier, frank mueller , cocoon djs and many others.

the one-two kick drum beat that starts “in the dark of the night” functions as a bit of a tease. instead of merely establishing the languid pace of the track, it has the power of suggestion, and its stark nakedness raises the question of what will happen after the music fully launches. a few seconds later, a punch-drunk, flanging keyboard is the first clue that the listener is in for an off-kilter ride, the sauntering bassline that next appears adds a springy, funk bounce. but it’s the tripped-out, multi-tracked vocals of fernando miranda rios, aka michoacan, the producer behind this slow reveal, that give the song its peculiar, space-yvibe. it’s like david byrne with funk aspirations and a vaguely cosmic feel. the b-side remix, courtesy of italy’s clap rules, feels like more of a re-build. the song has been taken apart and put back together with brand new parts. instead of more relaxed, dazed funk at the core, it’s a glittery, disco-ball splattered track with glossy keys all around.

the return of putsch 79! after their big momentum a couple of years ago the guys have been busy remixing and producing others. after been out of the music scene for some months doing some fishing and catching butterflies in the northern parts of finland they are back with a big bad disco monster! comes with a possibly even a bigger alden tyrell disco monster remix as we haven t heard from him in a while! peak time material!

australias simon digby gets remixed by valentino kanzyani, who delivers a techno-storm in two parts on this 2001 wet music release.

1995 classic!

classic bob marley tracks revisited by jimpster, meek, filter section and trio eletrico!! includes parts of a 1975 radio interview!!

the duo from uruguay monoblock are back with another deadly combination of tracks. finally the time has come to release (on vinyl only) the bootleg entitled >in-tensiones<. a complex remix using several horn parts and held together by a labyrinth of percussion. the result is a monster of a groove backed by samples from one of jazzs all time greats.
next up is >soul whispers<. looking for a dark groove that fuses fine minor chords and sultry whisper like vocals then look no further. monoblock again create a shaker of a groove that keeps things flexing all whilst keeping the floor pondering and guessing at whats to come. a super funky combo that monoblock have built their reputation on!

supported by: laurent garnier, richiehawtin, shinedoe, luke slater, joshwink, len faki, agoria, surgeon, perc,someone else, heiko laux, alexi delano, shlomi aber, danny tenaglia, jens zimmermann, speedy j, phil kieran, sasse ...
savas pascalidis presents the second release on his new label sweatshop. after the bomb that was >deep insideyour eyes<, 002 comes fresh with a huge remix from nyc legend abe duque, plus two essential new cuts in the shape of >the final phase parts 1 & 2<. >the final phase - part 1< infuses a tight and tough analogue drum workout with savas favourite ingredient - a tasty hit of acid! this fresh, hypnotic and sharp modern acid track embodies everything that is tingling and addictive about the music of savas pascalidis. quite simply a raw, must have weapon for every occasion!

seit mehr als 12 jahren gehören die aus stuttgart stammenden gebrüder alexander und sebastian schwarz zu den international angesehensten protagonisten eines innovativen house-verständnisses einfach dazu. mit ihrer vorliebe für deepen und dennoch fordernden house zwischen tradition und moderne können die beiden auf eine schier endlose liste an koproduktionen und remixes zurückblicken, bei denen zusammenarbeiten mit den masters at work, underworld, missy elliott, madonna und depeche mode nur die prominente spitze des eisbergs darstellen. nach dem beitrag zu den >cocoon morphs tokyo<-eps aus dem vergangenen jahr (liquid cherries) setzen tiefschwarz diesmal auf perkussive reduktion mit schneidenden handclaps und starken vocal-samples (fall in). eine wahre perle liefern die beiden aber vor allem mit keep on ab, das zunächst mit delay-vocals und überraschenden noise-effekten dem bass die regie überlässt, um dann aber doch mit orgel und xylophon-parts sehr organische und jazzige elemente in den vordergrund zu rücken. so setzen tiefschwarz mit deeper und klaustrophobischer darkness einen ersten maßstab für modernen house-sound im jahr 2010

>seleccion natural< is a project made by the cream of spanish techno, this four part work has seen the light on different labels and now its time for warm up.
oscar mulero delivers the original parts and version for this tune, reworked and revisited by the rest of the partners in crime: christian wunsch, exium and reeko, each one giving their own vision on the noises made by oscar.
original mix kicks off with broken rhythms, crunchy and industrial like, with a heavy synth line approaching till sweeping drones and abstract textures bring to an epic breakdown that will sure destroy more than one bass speaker. another energetic piece of intelligent dance floor techno.
wunschs work is more direct and 4x4 based, taking the synth line from the original and adding detroit flavoured stabs and sharp claps to make a massive techno tool.
exium offers a completely different vision, using the drones and textures as starring, plus arpeggiated synths and baroque percussions fills the arrangement. energy is the word for this remake.
closing release reekos version recreate the spirit of the original, with broken drums again, using the synths on a clever way, extending the arrangement longer on an epic development till the bass drum comes in after 3 minutes of metallic madness. the ultimate release of a series on the most eclectic way. absolute quality.

quintessentials is celebrating its 10th release with a compilation of deep, raw and real house music! splitted in 2 parts, >deep, raw and real< features some of the hottest producers around presenting their vision of current house music. part 1 features exclusive tracks by motor city drum ensemble (unstoppable with his own label and countless top remixes), anton zap (the quintessentials homie with a deep dubby track), knarf skipson (still in good shape after his latest 12 inch) and kasper (another top newcomer and name to watch). we say too: thanks for purchasing a real copy! part 2 coming soon: jagged, the zohar, stl, vakula

repress , back in stock !!!including anja schneider remix of >three weeks<. part 2 of his album released on three 12 inches. massive top dj support!
the choice of anja schneider for remix duties was an obvious one, the pair first met on a shuttle bus to an event and in short stead paul was co-writing for anja, becoming part of the driving force behind her huge debut album ‘beyond the valley’, now she pulls out all the stops to reciprocate with this standout reworking.
first up on the package is the anja schneider remix of ‘three weeks’, the opening cut from paul’s recent album. here the pair, deconstruct the parts and rebuild things into a deep and hypnotic version that has instant dancefloor appeal stamped all over it. solid, chunky drums rub up against simple spacey synth lines and warm pads to huge effect. bearing in mind the superb quality of the original this is a job well done, and a real addition to this great package.
next we have the original of ‘three weeks’, a track named after the extensive time it took to record. paul had originally intended to record the album in 6-8 weeks, then ended up spending nearly half of his allocated time on this opener. but it has to be said it was worth the effort. this is a slice of solid tech inspired house with subtle vocal elements and a musicality that cuts through the records club based nature. excellent stuff.
finally we have diamant flute, another winner from the ‘me, myself and live’ album. deep and highly engaging this again displays paul outstanding talents as a producer, weaving melodic elements deep into the mix and retaining an incredible underground electronic sound.

rune lindbaeks most recent output include the meanderthals album, made together with the idjut boys, as well as numerous edits and dj gigs around the stranger parts of the world. now he returns on lf with a fantastic & special ep!!!

a bomb in the making, holger and dave teams up w ith richard davis for a vocal gem out of this w orld ! deep, yet driving smooth house production mixed w ith richards heavenly vocals, this is hot ! on the remix tip the ever reliable kiki doing his w onders, keeping the vocal parts intact but turning the techno scale a few notches, this w ill appeal on all floors. also included the original dub version for the vocal-shy djs around !

the travel reports of the wilderness ep part 1 & 2 follows a documentation of a time when the cheapers were together in a dark vault and they were only attending the on going outer world through a >white hole<. in chapter a1 they report about the mondane mess that interfuses through the small opening into their facultative dungeon. they aim towards their profile and fill their surface with melody and intoxication. b1 describes basseruptions in front of the white house and while buzzing, pouring oil onto the strings of their piano, to proove the efficiency of renewable soundenergies. their mission was succesfully kept a secret until rising winds released the manuskript blowing them out of the darkness to the cd of the current groove-magazine. finally all parts are official and available on upon you records.

after the great success of >fine mouche piano-tango< (check feedback below) by french chanson legend brigitte fontaine and turkish belly dancer khan we are proud to present a bunch of hyper hip remix kids ready to send you into a groovy indian summer.
parisian dop, known for constant touring, vodka consuming, groupie eating, excellent remixing, and great music, immediately called our offices and offered a remix after hearing a promo of ims006. we are now proud to present one of dops greatest swinging house jacks so far.
norways rather shy and mysterious youngster tobii faxed in a request for the remix parts and delivered a stunning psychedelic deep-house anthem that will sure be part of your 2009 post-summer-vacation-trauma. let the leaves turn red and the disco ballshine!
p.s. we forgot to mention the very talented and handsome pianist boris bergmann, featured on all piano-tango versions.

in form and informed moves from the heavy artillery imprint. fresh off the back of a storming garage match up with el b for the soul motive crew, labelhead rossi b and long term cohort luca smack it around some more with some utterly deranged bassline power manoeuvres, completely stripping off any lactic sounds sometimes associated with that scene, all leaving a pristine and utterly rampant rhythm mastery on show. i.d drops a sensual garage mover which delivers equal parts ruffage and sensuality with just the right amount of piquancy for club play, really delicious stuff . 501 runs the dances ragged with a banging rave-ready and heavily synth inflected side long cut for all the half-step massive dem rounding out a confident, varied dances ragged with a banging rave ready and heavily synth inflected side long cut for all the half-step massive dem rounding out a confident, varied and complete package from this fine bristol label.

c series goes big for their 5th release and brings some big peak time mayhem!
c5, omen: doesnt really need much on an introduction, the famous track gets funked up, flipped over and goes flat out for a twisting and turning journey through the well known parts of the original and then bangs on from there in true c series style.
c4, lets go blimey!: lets go, it is techno but mashed up with blimey! exquisitely fused together and a perfect package as a peak time floor stomping monster, what more could you ask for, bring it on!

seth troxlers panic, stop. repeat! ep brings together all facets of the young berlin-via-detroit producers notoriously brilliant/bizarre persona, offering two new tracks (and one house-y remix) of sweaty, ecstatic dance music with a dirty mind and a heart of gold. >panic, stop. repeat!< uses its titular command as a guiding principle, eroding its own immaculate facade through a series of anxious freakouts. the track rolls along like a freight train with aloose screw-designed for precision and speed, but with mechanical parts that constantly jiggle free and whiz off into the stratosphere. as a leathery kick drum and a wickedly simple two-note bassline keep the pace, >panic, stop. repeat!< takes a series of surreal detours involving an ekg machine, a ladys feverish coos, and one particularly old-school sci-fi synth. next up, troxler melds minds with matthew dear on the collaborative >hurt<, a sexy beast of a track featuring bone-dry drum machines, a huge lead tom-tom, and dears terrifyingly deep spoken-word musings. paco osunas remix of >panic, stop. repeat!< rounds out the ep with an exhilarating take on troxlers original, building a subversive house creeper around panics heavy-breathing leading lady.

westpark unit (aka herb lf & ingo saenger) are back with their annual release on farside records after some work for labels like dessous, tjumy, future classic or fear of flying. this time, they provide 4 brandnew trax for the vinyl edition. more forever might be familiar to a few people that followed the music of westpark unit over the years. the tune is a special rework of their first ever limited 12inch release forever back in 2002 on draft recordings. more forever took some of the original deep harmonies, keeps parts of the piano loop and the beautiful sampled hook and should be a soulful bomb on the 2009 floors. even deeper 45 grows and grows with a very intensely chord, takes you on a trip with its driving bassline and is the other dubby deep house tune here. the first demo version received some nice feedback / chartings / plays from djs like dplay, matt flores or shur i kan. while speaking of house (not house), jam hot and familiar sequence are musically caught somewhere in between the styles. jam hot might be more funk than house with sexy 104 bpm, is bouncing like hell and keeps the crowd shaking and moving. familiar sequence appeals to the disco fanatics out there, has a little of a balearic vibe and is also keeping things slow. both tunes are the perfect startup into the night. we think this is the right tempo for party anyway.