london based james what is a well known musician treading the more left-field and creative end of the tech house spectrum. his numerous eps alongside dan berkson have become poker flat classics in recent years and so we are happy to welcome him in his first solo effort for the label. lead cut >it feels wrong< fuses classic analog bass with lively synth work and satisfyingly complex question-answer passages that whisk us away into a sweaty, late night vibe immediately. berlin based lord of the witching hour lee curtiss adds his touch on the remix side with a killer acidic treatment of >it feels wrong<. tense, soulful and teasing, this warm and super playable version will no doubt find its way to freaky dancefloors everywhere. >in the dark< slowly builds edgy, spooky elements in a deep, dark and sexy trip. combining smooth chords and keys, with trippy synths and sinister vocal snippets, whats bright and clear production works wonders in this slow-burner.

the advanced human - >air< ep is the latest deep offering from gynoid audio. rich with dub chords, atmosphere and reflection it is truly a celebration of living.....and breathing. the original offers up rolling dub keys surrounded by intricate percussion and a drive aimed at the dance floor. the ground loop remix finds itself rich with space and atmosphere while still lending from the dub influence of the original. markus suckut brings to the table a hypnotic dub influenced version to die for, all pushed a long nicely by a fat, low slung bassline and held in tension by the comings and goings of timely atmospherics. the raiz boys, as expected, move things back in a peak time direction by stepping up the rolling dub chords and putting the funk in the percussion. air. breathe. enjoy.
supported by: james ruskin, par grindvik, pfirter, ben sims, dustin zahn, nihad tule (drumcode), donor, audio injection, pacou, patrick lindsey, 88uw, mattias fridell and various others.

after the last release for ec and paul ritchs quartz label, michel de hey and m.i.r.k.o. are back on hey! joining the forces are none less than rodriguez jr and juan sanchez. after a great summer for michel with his hey! events in clubs, beaches and festivals, it was time to deliver that vibe to the label again. with this new ep that mission is easily accomplished. the original tracks are typical for michel, tough but funky and made for the dancefloor. all tracks have proven their value at numerous nights, with >give me a light< as an anthem for (the now closed) catwalk in rotterdam, whilst the original version of >waiting and waiting< has proven to be a great closer to his festival sets.

terranova are hardly a new name on the scene. fetisch, its leader has lived on the international nightlife circuit since punk took over london. remember lcd soundsystems >losing my edge<? well, he was there. and he is still hungry. heralding the new terranova album (out early 2012), this double-headed single has classic written all over it. >i wanna go out< is an acid house anthem of the highest caliber, an ode to nightlife, a possibel mantra for all of us. >take my hand< features khan on vocals and takes you down a darker road. its clanging metallic percussions makes us think of einstuerzende neubauten in bed with herberts radioboy/wishmountain project. its deep, its good and it leaves us craving for more... welcome on board: terranova!

the acronym lfo is normally used for >light fuel oil<, but what robert stolt presents with his new release is truly nutritious fuel for the dancefloor. >beyond lfo< developed a groove like chiseled, massive, overwhelming, heated up and extremely intense. a track that could easily run more and more and leaves you breathless and speechless as soon as the last bass drum is faded away. two remixes come from the feather of the well-known pig & dan guys. a steppin and ever-shifting rhythm is the foundation on which a swinging guitar melody unfolds their poignant effect and transform force into playful clarity. a suitable outdoor summer hit. in their second version, the melodic superstructure is purified rigorously, the residual remain compacted and the driving rhythmic moment dressed in a hypnotic dub garb. the clearly breaks infected track >monster< is inspired by the aesthetics of american b-movie monster movies from the 50s. varying, cinematic sound cascades and these wonderful bleeps over all have a direct path into the heads own sound cinema.

deep house/us garage veterans mateo & matos have been around longer than the ark. yet they remain capable of great things, as >want u tonight< proves. its a deliciously dizzy deep house concoction that marries contemporary production (see the beefy bottom end) with the twittering synth melodies and loopy organ hooks of old new york house and garage (think nu groove meets henry street). studio54s remix is classic new york deep disco house, while trevor loveys version has more of a uk jazzy house swing. all the mixes are wonderfully slick and groovesome. swayzak & phreek plus one deep symphoniac mixes is wonderful for morning and chill gigs.

re-issue of the classic electronic warfare double pack downsized to the favorite 5 tracks of which some come in a slightly different edit version. recut and remastered!

luis flores delievers a great techno ep for micro.fon. packed with good stuff the two originals come along with 2 tool edits and two fat remixes. audio injection from the usa delievered a dubby dirty gritty stripped down tech version of >love your machine<. veteran of mexicos techno scene and years of pushing innovating and non-conforming concepts, luis has developed his own production style that is precise and hypnotic with a healthy degree of dance floor groove. his first release on droid recordings was enthusiastically lauded and put into heavy rotation by the likes of chris liebing and speedy j. already gaining momentum with interest from dj heavyweights and international tours in europe, china, the u.s. and elsewhere, he now offers 3 slabs of pure sizzling dark groove for micro.fons latest, including a remix by super-in-demand audio injection. support by: andreas henneberg, daniel sanchez, danilo vigorito, dj murphy, drumcell, jeremy p caulfield, joseph capriati, klein & meister, paco osuna, thomas krome, tommy four seven, tony rohr & many more.

it has been a head-spinning couple of months for miracle. the new ldn/nyc synth-pop duo comprising singer daniel osullivan and synth overlord steve moore have released their debut ep on house anxiety (the big pink, zoo kid etc) to fevered critical acclaim, notably wowing the likes of wire, nme, dazed and confused and pitchfork in rare, uniting form. they then made their live debut with a series of shows with likeminds darkstar and blondes, before premiering their stunning debut video for the eps leviathan lead track >the visitor<, in the us via pitchfork and then in europe via dazed. now to tie a ribbon around this meteoric first chapter, they are releasing a limited edition double 12-inch vinyl ep, collecting together on physical release for the first time the comprehensive, dazzling selection of mixes and reworkings that >the visitor< was treated to.

after their first cooperation on bigm in the previous year, prosper and rory hoy are back delivering an unbelieveable six pack of vintage styled powerful cheeky breaks and smooth cool grooving nufunk. with its variety this is a bomb on many floors and with 6 tunes an offer you shouldnt miss. so get dat boogie chase ep! rock n roll!

the album also features a song co-written by agnetha fältskog. although she had composed much of her swedish solo output, the song disillusion , for which she wrote the music, is the only song released on an abba album to feature a songwriting contribution from her.

nachdem die gruppe 1973 von ihrem sommerurlaub zurückgekehrt war, widmeten sich benny andersson und björn ulvaeus der komposition neuer lieder. der erste song, der in diesen sessions aufgenommen wurde, war dance (while the music still goes on), welcher sehr von den aufnahmen von phil spector inspiriert war. es folgten im oktober die aufnahmen für my mama said, honey honey, what about livingstone und suzy-hang-around. im november wurde lediglich der king kong song aufgenommen, der später von vielen fans als „der albernste song, den die band jemals produziert hat“ bezeichnet wurde.

edition without picture sleeve but with a new printed insert. blackest ever black return following tropic of cancers recent hit (blackest003). blackest ever black is proud to present in a syrian tongue: karl o connors first solo ep as regis in ten years. on the a-side is >blood witness<, is sleek, predatory techno for sex workers and serial killers, on the b-side a slower, noisier live edit of the same track by o connor and mick harris (aka scorn) that accentuates its rugged breakbeat architecture, and then >blinding horses<, a suitably pummelling, punishing hymn to desert conflict ancient and modern. across these three tracks, regis showcases a sound that delivers the industrial intensity of his vintage downwards work, the elegance and swing of his sandwell district contributions, and a seemingly new ingredient: something powerfully, irreducibly blackest ever black. blackest ever black is a london-based label home to releases from raime, regis and tropic of cancer. this is regiss second contribution to its catalogue, following his remix of raimes >this foundry< (blackest002).

12 inch with 1 new quehenberger original (uffuff) and a trio of near remixes from his latest album hazard (released as laton 047 in 2009). patrick pulsinger tackles new beat, in his unique future funk sound. a welcome return of elin (who hasnt been on a mego record since 1995, check mego 003). he slurps out a version of hey gert, making it into an slamming slowed down twister of a track. this leaves the pumping excess of altroys (minimal sould) keep talking remix.

here are the long awaited remixes of sascha dives >restless nights< album. >jam sessions #1< is the first out of two 12s that will be released on deep vibes. on a1 french deep house grandeur franck roger comes up with a supreme dark but warm remix of >drums of the jungle<. a2 features a remix by nycs sole channel boss alix alvarez. his remix of >the jam< is sexy as hell and works perfectly on the dance floor. on b1 sascha dive gave his 2010 ueber-hit >jus groove< a treatment. the new >dub version< is just as catchy as the original and works with full effect

first 500 pieces only in limited printed sleeve - first come first served. second edition repress will ship at the same time without picture sleeve but with a new printed insert. blackest ever black return following tropic of cancers recent hit (blackest003). blackest ever black is proud to present in a syrian tongue: karl o connors first solo ep as regis in ten years. on the a-side is >blood witness<, is sleek, predatory techno for sex workers and serial killers, on the b-side a slower, noisier live edit of the same track by o connor and mick harris (aka scorn) that accentuates its rugged breakbeat architecture, and then >blinding horses<, a suitably pummelling, punishing hymn to desert conflict ancient and modern. across these three tracks, regis showcases a sound that delivers the industrial intensity of his vintage downwards work, the elegance and swing of his sandwell district contributions, and a seemingly new ingredient: something powerfully, irreducibly blackest ever black. blackest ever black is a london-based label home to releases from raime, regis and tropic of cancer. this is regiss second contribution to its catalogue, following his remix of raimes >this foundry< (blackest002).

electric deluxe is proud to present the new terence fixmer ep le terrible. and as the name already suggests this ep is up for some serious damage. a side kicks off with le terrible a dynamic and powerful monster of a techno track which pumps up your adrenaline with its pounding bass drum and hypnotic built ups. gut feeling! b1: concept c is a strong track in which terence fixmer works his production magic with more experimental elements such as drone sounds and his ragged and slightly distorted signature bass. nonetheless creating a high energy level tune ready to be unleashed on the dancefloor. b2: last with the vinyl version dance like paranoid (marcel dettmann remix). marcel dettmanns remix wins you over by its carefully arranged melody and drum pattern which creates a melancholic and timeless rave anthem. bliss!

extremely welcome reissue of one of the shining stars of the boogie firmament - the hugely funky >its you thats happening< from little known band exquisite taste. originally released on tiny new york label starlite back in 1984, this was exquisite tastes only output but what the band lacked in quantity they made up for in quality. a near-perfect example of that early 80s boogie sound, this has it all - insistent mesmerising moog synth riffs, clean crisp percussion, layers of summery vibes and superb catchy vocals combine to make this an unstoppable dancefloor sensation. and thats just the vocal... on the flip, the instrumental is stunning with a sparser arrangement which highlights the grooving bassline, funky guitar work and echoing hypnotic drumwork. with the original 12” virtually impossible to get hold of, this quality reissue is an absolute must-have!

wonderful remastered reissue of the hugely indemand biljuma records 12 inch release of billy frazier & friends disco funk masterpiece billy who? originally released in back in 1980, this killer track with its awesome phat disco b-line, sexy vocals and gorgeous strings sounds amazing on a big system which made it a huge hit on the underground scene and a staple at legendary clubs like the paradise garage, the loft and chicagos warehouse. an absolute classic and a must have for any collection.to get peoples bodies moving

the future of hidden recordings is vibrantly on display with the young producers m.a.d.a. & plankton, who are already a hot property these days with crucial releases on tanz factory, naked lunch, phobiq, sleaze, eminor and more. it seems only natural that the duo would eventually cross paths with the high flying new york city based hidden recordings, a label soaring on the success of its previous two releases - 013hrwolkenreise and 012hrthe great lawn. the union here is a blast of refined techno in the form of antiz. the ep is as dark as midnight and heavy as a load of bricks with a musical character that is memorable and distinct. hidden once again shows its commitment to releasing quality dance floor music with a hard-hitting original and a hand-picked collection of remixes from other well-respected new techno stars including: sasha carassi, alejandro trebor, felix bernhardt, mike wall, michael schwarz, and hidden founders deepak sharma & dieter krause. hidden recordings once more delivers a massive release, this time to celebrate the next generation of producers forthcoming on the label.

we have been waiting a long time for the bmg debut album. in the beginning of august the wait will finally be rewarded: >master of the universe< will be available both as vinyl and digital version on abstract records. who expects the typical album exploring the whole bandwidth of electronic music, will be deliberately disappointed. all eight tracks are definitely made for the dancefloor with familiar bmg relentlessness. stomping basslines, smashing snares, gloomy vocals and the typical synths make this album one of a kind. in addition you will get the wistfully expected bmg hymn in a wicked live version. bmg at its very best

supported by: richie hawtin, timo maas, gel abril, joris voorn, stacey pullen, butch, kabale und liebe ...
cocoonclub-resident skai and label scenery darling m.in acclaimed for his work on labels like loco dices desolat and off join the circus records family with the release of their mediterranean flavoured ultima tromba ep. the release sets off a new era reviving the label itself in cooperation with darmstadt based club magenta, skais home for his monthly event re:fresh. with a stunning original gaining early support from the likes of alex flatner and mark reeve the ep is backed with three remixes. whilst dragosh serves us with a reduced version of the original in his hailed desolat style, remercs approach finalises with a tech-house bomb in the way his recent productions on labels such as trapez or off jar the dancefloors. label-head mikel closes the package with an accentuated make-over of the original version representing the house heads on this ep.

this double a sided release finds us in a mellow mood as we couple joshua moses >pretty girl< with sharon bengamins >mr guy<.
>mr guy< is a lovely slice of lovers rock and somewhat overlooked when released in 1980 but it has become a firm favourite with us here at bristol archive. >pretty girl< finds roots singer joshua moses showing his softer side, it was something of a hit on the original release and makes a natural pairing with sharons tune.
both tracks were originally released as singles on bristol label shoc-wave records some thirty years ago and were given their first digital release with their well deserved inclusion on >the bristol reggae explosion 1978 ¹ 1983<. >mr guy< also made it onto the limited vinyl version of the album, but running time constraints meant there was no room for >pretty girl< something we a very pleased to rectify with this vinyl release.

quality reissue of the mega-rare blow up records release of the italo masterpiece pink footpath by loui$. originally released in 1985, this gem has become one of the most highly sought after italo disco tracks around. on the a side is magic dance which is good, but it’s the instrumental version of the track pink footpath that really gets the disco djs drooling. with its killer analogue b-line, dreamy synths and balearic guitar riffs, its easy to see why it became such an anthem at the early ibiza parties as well as a late night favourite in chicago and new york. highly recommended.

keep up! records unveils brand new signing bestboygrip complete with his debut ep fonck. those with their ears to the ground will be aware that the germany-based bestboy is well-known within the drum n bass world under a different moniker. but this is the bestboy cutting loose for a minute and kicking out some modern disco jams with one foot in the past and the other in the future. this is the sound of an 80s boogie, synthesizer, library music and b-movie obsessive. fonck is the slow-paced opener with heavy-hitting synth drums but reflective keyboard narrative. one of keep up! recordsfavourite producers architeq provides a dubby, spacey remix sounding like something luke vibert might have included on his nuggets library compilations. on the flipside the pace quickens with the flexible bassline but tight groove of copyright. the ep closes with the house-tinged cross my mind, which builds on the strong melody-lead theme of the other tracks even further with the aid of catchy synth lead and vocal hooks. the fonck ep sits comfortably next to artists such as faze action, lcd soundsystem and ilija rudman. just the way keep up! likes its modern disco. bestboygrip is aiming to expand his sound even further, this time onto the stage with a full live band. keep an eye out for roland and his crack team of musicians visiting your town.

here is the next instalment in kat records, sub-label kat45. this time sees rossoulano from the blackbeard camp, who were infamous in the early noughties with their soulful re-workings of stateside nu soul & hip hop originals into a more organic sound and championed by the like of giles peterson.
first up here we have rossoulano’s extended version of the supremes – stormy. originally produced by henry cosby in 1968, the man behind motown classics stevie wonders ‘my cherie amour’& smokey robinson & the miracles tears of a clown, stormy is one of the hidden gems from diana ross’s supremes. released on vinyl for the first time here and sounding all the mightier for it…
on the flip we have an the mysterious friends in lo places… an rnb/neo soul melter that harks back to blackbeards edit hey day and acts as a nice reminder as to why the name still rings true to many a soul aficionado.

london based label ism serves up a massive ep with three tracks from russian disco producer volta cab, all of which offer some seriously downtempo grooves. >play on< and >magic in your eyes< nail the classic sub 110bpm disco sound with its lush live instrumentation. however its the shining 80s feel of >hes a bad mutha< that is the most impressive, melding a sleazy vocal with a heart-rending combination of synths and horns. label bosses yam who? offer two remixes, with their version of >play on< a cosmic uptempo version of the original, with an ascending synth bass that elevates the original vocal to new heights. their remix of >hes a bad mutha< adds a similar amount of extra dancefloor kick, removing the originals yearning melody for something a little more forceful.

supported by tornado wallace (delusions of grandeur), pete herbert (reverso 68/dance disorder)... when jay shepheard launched retrofit in early 2010, deep house with a splash of disco was on the menu. six releases later and the quality of music hasnt faltered once. jays own work has always been the main focus on all five releases but for retrofit 6, rudys midnight machine, (who is in fact robin lee of faze action) takes to the stage alongside an appearance from shepheard (as ee_ef_ex) on remixing duties. >ecstatic love glow< kicks off the ep, diving head first into the disco and synth heavy realm that we expect from retrofit (and, for that matter, from mr lee), whose house outputs with faze action as far back as 97 speak for themselves. the intro of tip tapping hats and congas leads into a penetrating bass guitar, a riff that goes on to be cleverly mirrored by keyboards and later, by what sounds like a scratchy lakland guitar. wooden hats, sirens and a plethora of cosmic elements boogie their way around until the tracks dominant synth parades in and takes over the arrangement, striking a dramatic and smug pose at the close of each stab. the second track of >east side good living< sticks with its predecessors groove, cosmic sirens, electronic whistles and metallic drum taps yet again highlighting rudys modern disco sound

solomon s remix is already rated one of his best to date and perfectly refletcs his flair for the sub-heavy downtempo funk and club-feel. expect the cool underground clubs to have the solomun remixes running for the entire summer season 2011.

special 150 limited and hand stamped white label copies!

one of vahagns best friends (tiago from dfa, clearmont 56, golf channel, etc), has a residency at lisbons top club lux called trust. after attending one of these trust nights, this lisbon-based armenian musician arrived in his studio right after the club night and wrote the original material for this record in the course of a few hours. the result was so special, that soon groovement had it signed upon hearing, and contacted tiago to be the remixer for the track dedicated to him. a record with a story like this is bound to be good!

played and supported by: adam x, ben klock, samuli kemppi, dvs1, edit-select, norman nodge, oliver ho, perc, shifted, cio d or, max_m, lucy and more... m_rec ltd continues to ascend as one of the the most interesting labels in the techno scene. today s release sees giorgio gigli (prologue music, zooloft, electric deluxe, elettronica romana, etc.) sign two original tracks and a remix of one of the most important artists of the past few years: terence fixmer (electric deluxe, prologue music, etc.). together, their approach creates something special and unique. in its original track giorgio gigli delivers the best of its hypnotic and psychedelic techno. a great atmosphere, where the ambient pads meet the dark bass sound which made giorgio one of the most significant artists in the new techno scene. the side closes with an ambient session, a drone of pure electronic,dark synth, making the idea of the state of mind of his own individual unconscious.terence fixmers version is decidedly more rough, stripped of certain atmospheres, highlighting a more hypnotic and repetitive attitude. this rough sounds have for many years marked terence fixmer as an icon of the techno world. this is a great release of modern techno!

>hollywood seven< has been a dance floor weapon of mike simonettis dj sets for almost six years. its one of those tracks people come up to the booth & ask about the most. >whats that song about omaha and the hotel?< we are happy to finally answer that question with this essential release. rescued from the depths of dollar bin obscurity. the a-side here was the closing track on mike & johnnys december 2007 cult mix >albuterol<. titled >disconet dilemma< alluding to mike scoring the disconet promo 12 inch while digging in jersey on one sunny afternoon.

>passion<, einer der clubhits aus dem aktuellen album des italienischen nu-disco-trios phreek plus one, erscheint nun noch einmal als 12 inch mit killer-remixen von dj t. (get physical), toby tobias (rekids) und dem russischen talent sportloto, der gerade vom uk-label tirk gesignt worden ist. an den vocals: mr. white (the sun cant compare).

limited edition triple version of classy ostertag / rrose head to head ! full sleeve art yes, the rumours were true - a full lp here of the latest tête-à-tête between secret artist rrose and experimental maestro bob ostertag. as usual, a very limited 1st run which features (as a bonus 10 inch) the original improvisations by bob ostertag on the classic buchla 200e modular synth.

dj t.s pleasure principle album immerses itself, wholly and rapturously, into electronic musics legacy of authentic soul, helping to usher in a renaissance of groove-heavy house. following the success of the albums singles burning and sense, dj t. turns to the sultry vocal track >city life< to launch into summer anthem mode. dj t.s unconcealed dancefloor curiosity brings his body music instincts to the fore, with the classic sounding house number >city life<, shadowy quirks disarm and charm, while cari goldens uniquely programmed vocals add broad brushstrokes of texture and atmosphere. >city life< recalls the 1980s warehouse era, and finds cari crooning, siren-like >the citys in my veins…<, mixing a rough-round-the edges vocal treatment with hands-in-the-air chord stabs. the >dj t.s rework< spreads the arrangement wider, and dj t. draws even more groove from the original with his dub version. a deep bass swing drives the track, and increases its intensifying atmosphere

fennesz writes: seven stars was recorded in vienna in january 2011. i recorded and mixed the album within 3 weeks. liminal and july were existing pieces which i have reworked. (i wrote an early version of liminal in a hotel room in bali in 2010). there is also a version of liminal that i have been playing live for some time. my friend steven hess, with whom i have worked before, happened to be in vienna at the time of the sessions, so i invited him to join me in the studio. christoph amann recorded the drums using a selection of his great microphones including his amazing new josephson

all tracks written by mika vainio, except open up and bleed by iggy pop / james williamson. whereas previous works by mika vainio have utilized guitar life (… it eats you up) is the first to use the instrument as its primary sound source. a fascinating, sometimes disturbing and deeply personal work this new 10 track set bears all the hallmarks (exacting attention to detail of tone, rhythm and texture) of vainios previous works with some stunning surprises, such as his cover version of the stooges open up and bleed. tracks such as mining hark bark to the banging beat excesses of pan sonic, with crashed and and give us our daily humiliation and the opening in silence a scream takes a heart reveal a new intensity to vainios work and is yet another superb addition to his already brilliant catalogue

ltd 7 inch ! funk / disco classic

did you ever hear about christian strobe? no? hardly surprising, cause its a brand new solo-project by christian schnall, one half of disco trash music (maximal electro) and spruce (dreamy shoegaze). the german guy is musically rooted in the 80ies and early 90ies and as christian strobe, he combines airy new wave pop, retro-futurism with a pinch of house. the original mix of >midnight call< is full of magic, desire and an airy atmosphere, but still a simple pop song. the nightdrive version is recommended for nightly rides with your ferrari testarossa through big city lights. the italo-disco-pop-masters from codebreaker gives the original a funky french taste and reknowned keenhouse conjured a good-feeling remix with lovley summer-piano-chords. midnight call? you could name it sunshine call! in a more and more digital environment, the warmth of the analog vhs-tape version gives you the relaxing mood you need. the placid >lonesome astronaut< completed the debut-ep and takes you to a cosmic trip though time and space. stay tuned for the upcoming full-length album called >heartworks< in autumn 2011.
comes with code for free digital download of this release.

our japanese dear friend hidenobu ito is definitely overwhelming and it seems almost comically out of place. from alien hydraulics to percussive steel fractals he allows to take shape within the realm of impossibility. so, what follows next on numbolic records is a stunning lesson in subtle buildup of sound design. theres a feeling of constant movement and shaky energy that means his music never quite stands still. highly resonant and rapidly-panning drum hits act like flickering fluorescent lights. the result is a heavily abstracted layering and perhaps our most sonically release to date. every sound, no matter how tiny, is endlessly tweaked and picked apart. the 12 inch ep is rounded off with 2 prickly re-interpretations. dualism turns up the fog with a super-deep captivating and yet lovingly version. while ditch comes up with a characteristic throbbing dirty techno rework. another 4 smashing tracks by hidenobu ito are added digitally as well as two bonus remixes. kai provides a dance floor-approved version and the hungarian newcomer as we said made a cartoon spaceship to the moon. big pulsating bass kicks will drive you in that particular head-space, but before accidentally killing someone in love, we suggest go get this record instead and start dance! be numbolic!

disco classics , back on vinyl

disco classics , back on vinyl

the kid is back... august darnell a.k.a. kid creole returns in style with his first studio album in over 10 years this autumn, i wake up screaming, an epic comeback recorded for strut at kid creoles sweden hq and mixed by brennan green (chinatown records).
in anticipation of this all-new creolian odyssey, strut unleash the opening single, i do believe, a trippy disco stream of consciousness straight from the mind of darnell touching on greek mythology and other fantastical snapshots. alongside the original album with its unmistakeable double harmonies and infectious slap bass groove, the 12 inch features some mouth-watering mixes: brennan green draws on some todd terry techniques for a hypnotic dub, san francisco dj collective 40 thieves (responsible for dance anthem >dont turn it off< on permanent vacation) take the track into chugging electro funk territory, and nu disco pioneers faze action deliver a smacking 4x4 version with an anthemic piano line. the digital release features extra tracks - the faze action dub and the original radio edit of the track co-produced by august darnell and andy butler (of hercules & love affair) and mixed by brennan green.

taken from the full length >africa caribe< project produced by joaquin joe claussell.

old chicago house heads trade mixes with ambient star. shifty sciences take on bvdubs track is euphoric dubbed out chordy house. bvdub does a very house version of shifty sciences track, which is more funky than you wouldd expect. limited hand-stamped release.