this will be the first time the albums have been pressed to vinyl, following their debut 2008 (the sound of trees falling on people) and 2011 (+dome) releases, and marks the milestone signing to australia and electronic musics front running, award-winning label future classic (flume, flight facilities, jagwar ma). 30 tracks across two critically acclaimed albums, now featuring two unreleased vinyl-only locked grooves. it is a surprise that this album of sharp-edged, glacial, organic electronica, hails from sunny sydney, australia.

bolder is martin maischein who used to record as henrich at hart on position chrome and peter votava also known as pure who has recorded previously for mego and was half of ilsa gold. with their combined background in electronic music of all angles bolder introduces a significant proposition to the current experimental electronic boom. blurring the lines between industrial, techno, dub, ambient and narrative forms, the work on bolders debut presents a dance amongst the abyss, a world where organic rhythms provide the path amongst a swarm of foreboding electronics. herein lurks an atmosphere where hostile electronics weigh the hope and paranoia of todays climate. one humans listen is another humans challenge.

berliners dirk leyers and nomad expressed their hard earned musical freedom in a dogma: the use of a roland tr-808 analog drum machine in every single track. they programmed the machine to lay poly-rhythms over multicultural drum and percussion tracks, fascinated -and sometimes puzzled- by its own characteristically sudden swing and accent changes, and named it: africaine 808 - their third and first female band member. in the first year of their musical joint venture, the three spent quite some time in remixing and editing some of their favourite african and island funk tunes, transforming the old gold into modern dj and dancefloor friendly tunes. the sound of organic grooves mixed with 808-beats and analogue synthesizer basslines became soon a trademark sound, and more and more samples got replaced by live played guitar, bass, organ and percussion. the trio experimented with different tempos and styles ranging from slow cumbia and exotic rumba themes to island-funk and percussive disco, electro and house. in spring 2012 they first took the project to another level, turning their tracks into a full live act at one of the vulkandance nights in berlin. today the project is growing and integrating guest musicians, drummers, percussionists and vocalists - for live performances as well as for recording in the studio. 100% sonic voodoo golf channel every time!

vinyl only! the third release of nssd comes from suburbs. the reason why i choosed them is simple: this beautiful, pure and organic sound.

the - allein ep is the first single ep of plunk.ton. all the tracks are driven by the deep mood of winterdays containing the warm vocals of plunk.ton himself. combined with organic orchestral sounds they raise the hope of spring approaching.

clekclekbooms co-founder and leading artist french fries is ready to release his very first long player on 180 gram double vinyl. *kepler* narrates a futuristic outer space sci-fi story throughout 13 cutting edge tracks.

the second release in 2014 is yet another debut on local talk, the german trio tim vita, oliver gehrmann, xaver hirsh serve up their take on house music, jazzy and deep , warm & organic-sounding tracks. from the energetic yet jazzy opening track jazzclub to the to the forward pushing street sounds, they’ll have you smiling and vibing in no time. the flip, blessed munchkin, cleverly drawing things to a close and showcasing their jazz influences. simply put, their trinity ep is inspirational house music down to its soul. local talk is talking to you!

russian producer neotnas deliveres >slow & steady<, his first ep on soundtravels (st006). we have already introduced him on our first various artist ep >point of view part 1< (st005). typical for his sound is that warm, organic feel all over his house and dubtechno productions. very often accompanied by female vocals and its almost like you hear somebody play a live instrument if you listen carefully. the ep kicks off with the massive floorfiller >trunk party<. an energetic, solid built up track with that bassline killer hook. >user mood< has that typical basic channel touch. dubby techno guided by a floating bassline and little pleasant delays. we are slowly moving forward with evolving sticky, dubby beats in the title track >slow & steady<. this one will warm up every dancefloor, but is also very welcome in the afterhours. the last addition to this ep is >hold<, a warm deephouse track with moody, hopeful and sensitive sounds which reflect beautiful emotions. timeless material again which covers you up like a warm blanket. enjoy!

robosonic has been a pivotal part of off recordings roster, their releases being highly expected every time and usually meaning instant dancefloor melting magic. with a hip hop and techno background and adding many frequent flyer miles with worldwide gig schedule, the pair shows no sign of stopping. this time is no exception, cord and sacha get back in their creative roll of sample wizardry to provide two mouth watering jams. they once again prove their love for organic sounds and reivindicate the use of the turntable as an instrument, adding that old-school vibe to their trademark beats. macho madness is quite a trip, sweet rhodes over a bouncy bassline, great sample work adding guitars and an insane speech. as always, breakdowns are intense and its impossible not to dance to the groove!for the second track, robosonic joins another off family team, mat.joe and together they go deep into their hip hop influences again working the samples as only they could, a little disco flavor, a driving bass...all the ingredients are there for another instant classic and a respectful shout out to detroit producer legend j dilla, who left the game too early. r.i.p!

vigorous and electronic workout by fader! zoovox version turns the shavings into a more laidback organic exploration

a monster rolling dubby track clocking in at over 8 minutes. amazing production work. play loud! mr beatnicks signature organic drum work, coupled with additional melodies and beautiful strings take this track somewhere completely new, while still retaining the feel of the original. 400 hand printed sleeves, made using raised wood grains.

at the center of anything lies its core. whether mechanical, organic, global, or human, the core presents an essence around which objects and systems unfold. this ep is the inaugural seed of the vrv concept. four tracks here display varying degrees of aggressive, essential techno, with stripped-down elements containing measured amounts of grit, power and depth. the eps use of tension and dynamics continues to propel the music forward, building to an epic finale, a great closer.

released on defected, no doubt is exemplary of south africas cueburs ability to construct the organic and cheerful sounds prominent within the flourishing south african house scene. throughout the track is a blend of raw sounding percussion that when combined with marrisa guzmans delicate yet captivating voice results in a warm and leisurely anthem. on remix duties is the prestigious shlomi aber whose rendition still utilises guzmans mesmerising vocals whilst making use of his signature techno elements to create a more innovative twist.

you have got to love a label sampler where the artist field says various. it simply means you are not going to get any padding. you wont find any pointless stuff on your plate, just a collection of a-sides from different producers and in this case, the four servings of meat on this one dish are of particularly high, organic value.

moss co. is a new creative venture from the founders of moscow records. the label releases intelligent underground music, focused around minimalistic combinations of groove and emotion. the first offering is a split release from label owner archie hamilton, and young romanian talent hozoc. hamilton pulls rank and leads with *celines dub* which is ethereal, groove-led and filled with tension. delicate tones, snappy percussion and warm bass fill the spectrum to gratifying effect. on the flip hozoc is in heads-down mode on *drama* taking you on a bewitching 10 minute trip, packed with organic instruments and syncopated rhythms.

take away is delighted and privileged to presents so nice by manuel belgrano fantastic deep organic vinyl pack which definitely can be the next weekends weapons. manuel belgrano is one of the argentines producers that we hear about more lately.

new label back to the balearics follow up the superb maricopa ep with a stunner from berlin based live music collective spleen. part one in their musical odyssey *fusionary* consists of live jams and instrumentation over computer-based syncopation, their music has a strange yet organic flow to it, which is both hypnotic and rhythmic. think kraut influenced, psychedelic dub funk with a touch of alt pop and you will be on the right road, but still miles away. music is better than words ... spleen prove that. limited edition vinyl with beautiful printed sleeves.

playmore terrys dam burnouts ep on translucent, orangered coloured vinyl.

limited edition of 300 copies on blue vinyl. 200 black is a new vinyl series focusing on organic and analogue techno. our second release comes from detroits reference (brian kage and luke hess). reference released on planet e and beretta music before – and now we are glad to bring two superb tracks on 200 black to you.

cumpa limited is a vinyl and digital chilean label company. it is born in 2013 under the motivation of a group of friends and lovers of electronic dance music for dance floor. our label constantly looks for an harmonic fusion of organic melodies and synthetic textures through voices and folk roots sounds, managing to deliver a spatial personality to our rhythms.
this label has a strong tendency for the rescue of our electronic sound culture, which has enabled us to enter in the sets of recognized djs and be identified worldwide as the chilestyle sound. cumpa limited requires to all producers to have a special personality in order to become a real cumpa (friend).

christoph el truentos debut album, what we used to know, is born of change and confusion, and sounds utterly incredible for it. the deeply talented 24-year-old new zealander started writing back in 2011 at the time his son was born. tired fatherhood, personal upheaval and artistic indecision would actually help show christoph a clear path towards completing the record – a transcendant sweep of synths, samples, organic instrumentation and window ledge field recording that gently reveals new layers of sonic texture and emotion to the listener.

nice price deal !!! kumquat went deep into the suburbs of buenos aires and hunted oswld. on a period of intense creativity and under a new moniker. 04lm project was launched. with eponymous name the 12 ep release explores a deeper side of techno, harmonious and combined with melodic synth patches. oswld put his imprint of the remix, rhythmic with detroit techno influences, whose past releases at non series got strong support by representative of the genre such as ben klock, dustin zahn, chris liebing, truncate, jonas kopp, and more. member of the dub techno community, the new york based south african brendon moeller aka echologist put his signature on two driving remixes with organic sounds and experimental approach.

future ghetto output by mr. corcos quite french filtered bangalter inflected house inspired, but remoderned into a fresh & organic production: buzzing synths, rotative pannings, high pressurizedpumping sound, with a pretty unique esthetic and powerful result.on the a side you have the vocal ironic version of *reliable & immature*, and the instrumental extremized immatool version for quicker djs. on the b side two special revisitations neverless than detroits last man standing & soundvisionary gari romalis. totally in the spirit of the original both garis versions are fresh & bouncy, raw and driving. be childish on this one!

a future nu disco classic from italys the zars on chicagos own smooth agent records. the zars are producers alexander giampaolo tessarolo & alessandro la padula. their sound is somewhere between classic deep house and nu disco. we just call this good music. the uks ooft! kicks things off with a deep and atmospheric mix with a touch of acid followed by the original mix. b/w a luminodisco remix with a soulful and more organic mix plus the bonus cut saxa rubina.

rroxymores music is a intriguing one-off blend of contrasting textures - organic and synthetic, icy and warm - a fresh future step in dance music. rroxymore, aka hermione frank, released her epic 10 minute debut *wheel of fortune” in the summer of 2012, which came via a split 12 inch alongside planningtorocks *patriarchy over & out* (human level / dfa records). returning to planningtorocks human level label, rroxymore will release her first official ep entitled *precarious/precious*, featuring four tracks that combine nervous grooves, witchy cosmic synth lines, twisted snippets of acoustic instruments, and other signature sounds.

leave your body and transcend to another experience. go beyond the organic and explore the 3o nature with this classy old school techno release by the transhumans.

bitchin bajas, das electro-duo aus chicago, meldet sich mit einem neuen werk zurück - bitchitronics. und sie erreichen damit eine völlig neue dimension der ambient/post-organic/electronic und drone-musik. das neue album kommt als lp und tape bei drag city heraus.

achim maerz takes electronic abstraction back to a state of organic harmony and rythm. his ep >long time no see< reveals a soundscape of intimacy and evolving grooves. reduction broadens its horizon. all sounds are carefully placed and a sustaining atmosphere keeps developing from song to song. still each one is an individual scenery of its own. >keys of my soul< delicatly moves through wide rooms while >shake, shake, shake< leads closer to the core of groove. the backbeat driven >system< already possesses a pushing groove which mutualy connects it to >long time no see< with its warm pulsating baseline. achim maerz approach to house shows how much is possible if self-limitation leads to creativity.

after 10 years of existence in berlins ambitious music scene, golden gate club has achieved cult status in his own right through out the world. it is a very special place with its own living soul. yet a small venue it shows a high profile, distinct character and a very original and authentic spirit. to manifest this state, the golden gate club establishes ist own record label >ggcr<. the opening release carries the characteristic name >golden era< by swedish dj and producer anders hellberg. still a new member of the underground, his style strikingly represents what golden gate stands for. namely an impassioned, intense and organic sound with high recognition value. four tracks with the same ingredients but different prescriptions. an analog production through and through, with 303 based rhythms and blazing 80s pads. very intense and haunting but still guarding a sweet and hypnotic atmosphere.

with the tropical interlune lp, a wonderful package full of high-level soulful analog house grooves (reminding of early theo parrish / 3chairs stuff), rio padices purpose is to bring us into a journey to celebrate 70s atmospheres and sounds. far away from the common precepts of modern edm but not forgetting his dance roots, his efforts lead us to a concept of funky and organic cuts assembled in a wise perspective of his musical evolution.

hot on the heels of the release of neville watsons songs to elevate pure hearts album, crme organization releases a three track ep of remixes from the longplayer. drawing on diverse names, each of the remixers transforms their given track into something quite different from the original. the first is by watsons frequent collaborator, bulgarian producer and live specialist kink. he tackles songs to elevate pure hearts and laces it up with some lazy old rave breakbeats and plenty of lucid synth and melody pattern before fast rising dixon avenue basement jams associate marquis hawkes takes on against the tide . he imbues it with what is fast become a trademark sonic weirdness, with wrought iron synth bars interlocking with molten synth lines and a slow, purposeful and predatory mood. finally, american moon b turns in a trippy outsider house version of son of house with off kilter claps, see-sawing synths and organic drums.

ltd warehouse found! were excited to announce that our new limited vinyl series will raid the record stores soon. the first release produced by marc neyen is limited to 200 copies and a must-have for music lovers and vinyl collectors alike. aside you is a beautifully designed piece where multiple layers of organic sounds merge with twisted synths to create a warm, melancholic atmosphere developing throughout the whole arrangement. a composition full of emotions and subtle details that let the mind wander. thoughts flow, time bends and youll slowly escape reality. the perfect tune for late hours

phonica records welcome the latest addition to their ever-growing stable of talent, pick a piper! the brainchild of one brad weber, usually found behind the drum-kit at caribous live shows, angus fraser and dan roberts, pick a piper combines dance-music structures, polyrhythmic percussion, atmospheric sound design, loopy melodies and a focus on electronics and production technique to create a sound poised between the organic and the synthetic and phonica white have been blessed with two killer remixes to release on a limited stamped and numbered 12.

making a clean break with the poisonous digital dubstep rhythms in his first ep, dogboy’s basement to the attic is an fearless musical odyssey where the confines of this world end in intriguing organic sounds. in a way that wishmountain or burnt friedman would, dogboy scrutinizes the boundaries between experimentation and pure dance music. using recordings made in the different rooms of his family home, the four tracks on the ep start with laying down the subtitle emotional cool yet wobbly riddim card on the table, before gradually rising the subs and the pressure into a rave like burst of pride. futuristic, organic, progressive and utterly baffling, what makes basement to the attic so successful is it is purely unique.
pressing on 180 gram vinyl, free download card included.

comes with remixes by lil mark and flapjackers. pressing on blue coloured & marbled vinyl.

olin inaugurates the god particle party into orbit with the title track. sassmouths remix stays true to the original, but adds organic percussive touches. the b goes into darker warehouse territory riding between gritty punch & deep groove.

with his second ep planet g, hxb weaves a deep and progressive techno whose architecture a mesh of dense, lush and organic sonic material. a constant line of tension runs throught this opus. acid bass lines and stratospheric chords constantly thwart the dark side and uncanny that lies in the atmosphere of this planet g.

no digital release and no digital promotion! again subotnik comes with a great deep techhouse dj weapon! this time by ugur project (polluted, impulsa, ostwind)

rising bristol production team forget me not deliver 3 tracks that ride a wave of bristol-bass, steeped in a classic house sound road tested thoroughly at recent alfresco parties. the lead track *only you* draws you in with modulating pads and haunting vocals underpinned by heavy sub bass. the mix of organic and urban sounds creates an atmosphere perfect for alfrescos first release. on the flip they take the bumping classic house-meets-bass formula and apply it to *club shaker*. this time with classic chords and chopped vocals, they make dance floor magic on this head summer tinged club banger. alfresco disco co-founder luke turner aka lukas remixes *only you* making the track a more sprawling, acid tinged journey, a bit darker than the original. the vinyl of the release is truly one for the collectors.

here we go with three new tracks by jens zimmermann on snork enterprises records. this release is mechanic and organic in one way, also kind of robotic and humanoid. roboter eins and roboter zwei are two zimmermann subbass movers for the clubs. thrust and power on each side of the vinyl release

as if our recent releases hadnt already been spreading the sound of circus company into new and exciting places, now our very own silver-tongued enchanter jaw emerges with the first details of his own autonomous project. somewhere in between the electronic drive of his day job in dop and the folky, organic instrumentation of les fils du calvaire, jaw shares with us a new venture that has thrust him into the studio with lebanese musician kevork keshishian.

back once again we serve the incredible, embracing the world of electronic dance clubs and open air raves with heartfelt warmth, organic basslines and a whole lotta love as the people out there simply deserve that. what does that mean at all? for the third time youre entering the musical realms ruled by the stiff little spinners collective which is represening a unique but shared musical vision on limited 12inch

*** vinyl only release, no digital release***
after sides from matthew burton, seuil and albert schwartz, sammy dees ultrastretch label returns in 2013 with volkan akin. a regular presence at berlin institutions like club der visionäre, akin has been slowly rolling out his brand of prickly, spaced-out club tracks since the end of the last decade, both under his own name and as v for volkan. but if volkan akin has up until now been unfamiliar beyond germany, his ultrastretch debut, voltage, featuring an absolute beast of a ricardo villalobos remix, stands to turn more than a few heads in his direction. densely packed and intricately constructed, voltage is an extended groove you can get lost in. cymbals ring softly amidst whirrs of faintly melodic clicks, scratches and voices. but at the center of akins churning, percussive arrangement lies a warm and weighty kick sure to keep dancers pinned to the floor. like so many great perlon records, voltage can be taken as a deeply considered exercise in sound design or as a deadly club track simultaneously, with akins musical sophistication and knack for an inviting beat working hand-in-hand. the original mix spends over 11 minutes unraveling, but as you fall further into the swirl of akins interlocking rhythms, youre likely to stop counting. a shorter constant voltage mix evokes sunrise, pulling back the originals heft to reveal gorgeous pads and hints of organic rhythm. ricardo villalobos, sammys longtime label mate at perlon and a producer who likely needs no introduction, digs deeper into the thump at the heart of voltage on his acdc remix. focusing on the originals wisps of melody, villalobos turns in a warm, zoned-in remix that feels of a piece with the singular techno trips found on his recent lp dependent and happy

wild oats is proud to present the kmfh debut album the boat party. after a year of collaborative releases, kyle hall, under the alias kmfh, has produced a debut album, a fusion of original work, sample tracks, and raw edits. the boat party album artwork pokes fun at european summer boat parties and juxtaposes the destitute state of detroit and its recent proneness to discarded luxury in financial crises. mainly, the inability to leave and the sometimes pleasant isolation of a boat party is what the album exudes. the listener has a certain commitment to the material which definitely has its place on the dance floor. you can find tracks that have soulful, funky, and organic feels, while others have a more abstract, mechanical, and robotic sentiments. the boat party was carefully constructed which makes the album a cohesive mix of soulful etherealness and roughly raw sounds, kmfhs cueing into the true aspects of detroit.

rob duke is back on the field with several new weapons to spin out! three original track and one featuring with noon. this new ep represents a nice form of the fusion between house and tech house. a great journey into a deep addictive groove surrounded by fat bass line and surprising organic sound

turquoise blue has come a long way since its launch, welcoming the likes of djebali, manik, laura jones, boris horel and alex arnout onto its roster. here the label welcomes back special case following their remix of scarlett ninas the end on the imprints preceding record.
title track niribu opens the release here, a low-slung, tripped-out house number employing insistent drum programming and dark, atmospheric synthesizers as its driving force. the trio continue down their path of tasteful, intelligently crafted productions, instilling subtle production nuances through filters, delays and reverbs in to the cut while a tight blend of gritty electronic and warm organic sounds creates a heady peak-time cut.

anyone familiar with mop mop will already know that their refined style has already lend them a unique place somewhere between the worlds of jazz, funk, latin and the italian postmodern style allowed the band to achieve the international film business as part of woody allens to rome with love movie soundtrack. but with this latest lp isle of magic, mop mop digs even deeper to bring us one of their most engaging and organic records yet.
the vinyl lp includes a download code.

geno presents its first record from label head, aaron hedges. aaron has been very busy djing in berlins best venues: kater holzig, prince charles, arena/badeschiff, and his bi-monthly residency at klangsuchts gegen kultur party. when aaron is not playing, he is been locked away in his studio working on a full length album and numerous forth coming vinyl/club oriented eps.
the title track, blasta, is a sleek and modern tech house stormer. blasta contains well blended and diverse influences, such as african jazz, jamaican dub, and german and french house. it is this unique and normally disparate genres of music and production styles that makes blasta a unique gem. the b side, collapsed caldera, is a break beat oriented, organic house song. guitar, harp, and vocals gently guide over complex yet natural percussive rhythms.

emerging from their recent album release beautiful searching, organic house band ananda project gets an ep with mixes that are bound to get the heads all abuzz. uk soulful house producer sean mccabe whips up a wicked dub on love like this feat. sepsenahki, complete with all its bouncing baseline, funky guitar licks and perfect rhythm. in addition, the world renowned 718 session / body & soul resident danny krivit teams up with japanese producers dazzle drums, and their collaborative efforts on heaven is right here fully enwrap aks sensuous vocal to create a masterfully crafted & beautiful song. last south american deep house producer fabian argomedo remixes menage a trois for a truly deep & moody affair