nach seinem hoch gelobten album dripping point (2009), seiner ersten eigenen tacky dream ep und einem schönen remix für marbert rocel auf compost black label, ist der iraner shahrokh dini nun endlich zurück mit einer neuen 12 inch. für diese ep hat er sich mit dem production mastermind jan krause von beanfield zusammengetan. *shayan* ist ein mächtiger, düster swingender groover, der mit einem prägnanten cello thema überzeugt. die b-seite enthält zwei wahre deephouse monster! man wird durch hypnotische synthi-flächen und orgel-verspieltheit in den bann gezogen!

new yorks kim ann foxman steps up for the next instalment of heidi presents jackathon jams with a helping hand from bostons favourite duo soul clap and polish heavyweights catz n dogz. the aside features the deep and hypnotic be mine followed by the equally intoxicating club jam let me be the one (new york club mix). on the bside soul clap deliver a spaced out remix of let me be the one while catz n dogz add a dose of acid to their rolling version of the track.

the album astral traveling by innerspace halflife is among us with 9 tunes straight from the universal psyche, yet articulated with the tools of human perception through waveforms. deeper and deeper the tunes take a listener on a journey of spacey pads, longing melodies, electronic bass notes, and jacking drum programming. in terms of human understanding, the universe is infinite which makes any scenario one can think of possible. with this in mind, astral traveling was composed and explores the deepness of creativity as innerspace halflife reaches down to pull out sounds using various techniques. the story begins with teardrop from nebula 1122+22. straight from a far away point in space which can serve as the beginning or end of a journey.

cyber dance records are back on the attack with a fresh release from the legendary perseus traxx aka nigel rogers, a 4-track ep entitled after recent scientific developments an apparent horizon . its a firmly machine-based and totally jam-packed affair reflecting diverse sounds from the uk s own rich history of electronic dance music, with elements from the classic warp -deep space sound- prominent as much as the more usual 303-jacking acid house grooves in the vein of baby ford or bam bam. lost dreams opens the record with a floaty dream-like hipnosis from the depths of space and sets the tone in magnificent style, followed up on side a with the irresistible roll of reverse the trend that takes the groove harder, further and deeperstraight off to the beyond. dark strings reminiscent of old lfo, b-12 or autechre vinyls from the early 90s propel us into side b on darkness stalks , and then we re transported onto the concluding track on the ep, distances , an epic closer that opens with beautiful reverbed claps and acid squelches before diving into an inky black void of timeless space-travelling and slow-building tension that could surely echo hauntingly around any m25 rave in the depths of a late 1980s night.

ladies and gentleman, aliens and extraterrestrials, im:ltd finally make their 2014 come back with the intergalactic perspectives. rolling at 140 beats-per-lightyear, our cadet kantyze has knocked us into hyperspeed with a dubstep album that can only be described as from the deepest, bassiest, and funkiest quadrants of outer space. going where no producer has gone before, they have put together 12 tracks which would have the whole mos eisley cantina calling for rewinds and firing their blasters at the ceiling. one things for sure, you wont be phoning home - youll be calling your local record store for this one.

we have reached number 10. time to celebrate with a remix edition of the deep88 & melchior sultana project. awaiting the album release (later 2014) we asked 2 of our heroes if they would like to make a remix for us. with a lot a lot (and a lot) of happiness we announce the nightwave remix by ben >cozmo d< cenac, formerly known as dream 2 science (and sha-lor and newcleus and the cellar boyz), that made us a wonderful space trip with his dreamy synths and stylish drums. the other remix is >yo house< treated by the excellent australian producer andras fox, that converts the song into a super classy deep house one with a lot of hiss and love. the man behind > running late> really made some magic over the melody of yo house, as usual with the aim of analogue warm-tape-feel and his crazy skills.

fifth from this ace label out of vaasa, finland. deep dub-techno, intently varied, its heart on its sleeve for basic channel tradition, but with strong nordic flavours to its murk. melodic soul and space to the max...

nelistening back, ‘interlude’ will feel like the perfect opening to ‘skylax’. a jazzy encore crawls in, morphing into a skippy hip-hop instrumental with jason’s signature flourishes all over it. aptly named as it is, this is the breathing space between whatever came before in your day, and the eleven deep house gems that are to follow. speaking of, ‘the love’ will have you gripped from the first bar. it glides the listener in, then subtly drops that signature, tightly-tuned bassline of jason’s and continues onto soulful vocals from there. ‘old dayz’ touches on a bit of a nostalgic note. the spoken vox cuts harken back to 90s hip-hop joints, playing over a looped latin sample-led beat. from there, ‘rawkicks 2’ shows jason’s rough and ready sampling style in action. a seemingly simple track, but one which has that special something which guarantees to keep people on the floor moving for its duration. ‘cut b’ contrasts this nicely, being a much cleaner production with tight drum programming and synth work. that said, it still has the classic jg atmosphere we love. closing out the first half of the album, ‘definition’ slows the pace ever so slightly, with its eternal pad structure that builds up the track’s momentum into something very mellow and deep.bringing in the second half of ‘skylax’, ‘john blue’ takes things back a notch further. a deeper tune, yet one that shows off an uncharacteristically punchy bass hit from jason. ‘last night’ is a track more reminiscent of jason’s first lost cuts ep on wax classic, sounding as if it had been freshly taken off an old tape with its sample-led beat and background hiss. the last four tracks of the album see a return to the ‘mastercuts’ and ‘lovedits’ series which fans will recognize from the ‘lost cuts’ records, with ‘lovedits 7’ and ‘mastercut 5’ respectively. the former is a laid back female vocal edit with the entire suite of signature jg touches while the latter is a garage house hit more crafted for the club. ‘bb’ brings the album to a close, twisting a disco/funksample over a pallet of drums and effects for the near six-minute duration of the track.all in all, this is the perfect follow up to jason’s debut album ‘313.4.ever’, with tracks for both the club and home listening. if you happened to miss the first album back in 2012, don’t forget that now you have the chance to grab it in a special double pack with ‘skylax’ on cd!so, needless to say, this timeless record is a must purchase for all collectors and djs out there

considering the combined talents of detroit veteran terrence dixon and black jazz consortium man fred p, you d expect this split ep for finale sessions to be a lesson in warm, soul-flecked depth. pleasingly, that s exactly what it delivers. dixon excels with the sub-sporting alien futurism of -to the bridge- - the aural equivalent of staring into space while dancing to electronic jazz - and the sumptuous, minor key bliss of the casual deep house jam -starting over-. fred p, meanwhile, delivers two contrasting cuts. there s some acid-fuelled deep house futurism in the shape of -circuit-, and a chunk of bongo-laden dancefloor humidity in -the road-, whose rising strings and sweet melodies are arguably the highlight of a superb ep.

played by: bas mooy, chad osborn, dolgener, drumcomplex, elektor, empty_room, flex, forest people, gery otis, joseph capriati, krenzlin, mtd, niereich, octave, primal beat, rvde, ryuji takeuchi, slam, space djz, stevie wilson, submerge, the welderz, unam zetineb, uun...
morgan tomas is a dj/producer from france, who also runs the label reloading records along with a weekly podcast. in the past years, he has had several releases out on labels such as sleaze, nachtstrom schallplatten, prosthetic pressings and silent steps. he has been supported by great artists who often play his tracks. his music is a deep rooted techno, dark and energetic. with this album, he tried to reflect on several types of techno, using different environments, with a wide range of musical styles.

title track don t stop is a loose and playful thing that chucks loopy, circular drums, little vocal riffs, synth stabs and tumbling toms into the mix and lets them all groove along for almost six infectious minutes. its a spritely, silvery and slithering concoction that makes you shake your every limb. stare is a deeper, darker thing with rattling snares rolling over flappy kick drums and wobbling synths ducking in and out of the space left behind. its a tumultuous, drum lead affair that toys with your expectation, threatening to drop or explode but never quite doing so, instead keeping you right on the edge of your seat throughout. the final offering is nian which again has super well defined drums and hits all tumbling and sparking off each other. it s spacious stuff, too, and the indecipherable foreign language vocals add another layer of intrigue to what is already a fascinating cut.

ellum audio are back for another killer release with a double sided, two track bomb which sees shall ocin take the a-side and fiberroot take the b-side. shall ocins lurking wolves hits with a thundering bass and driving force with trippy melodies and sonic fx zooming through the atmospherics with powerful impact, while fiberroots space localizer rumbles and grumbles in the lower end, building into emotive warm keys before kicking straight back into the deep groove.

over the course of four eps for numbers and creation of his own label ‘total fantasy’, deadboy has charted his own path far beyond the deep black space of mediocrity with previous records ‘if u want me’, ‘here’ & ‘blaquewerk’. on ‘return’ deadboy journeys further into uncharted territories, taking his music to the darkest recesses of disco and extraterrestrial synth-werk. the opening track ‘return’ finds the london-based producer taking cues from the likes of tangerine dream and klaus schulze with a gentle ambient opener that unwraps to reveal a beautiful and moving track. ‘des niles’ is a shimmering disco track built around an 80s boogie bassline, plus those killer deadboy vocal chop-ups that take us even deeper into the producers nighttime world. samples are worked to within an inch of their life on the floor-ready ‘yhvh’, whilst punchy bass and synth stabs take care of the rest. things then move swiftly on to ‘life code’, with the deadboy once again notching the tempo down and letting the track’s wistful oriental melodies ride out into the dark.

building on the momentum of 2013s two excellent split eps from andy ash/circular rhythms and deep space orchestra/bantam lions, scenery records now serves up a full ep from liverpools much loved house and techno inventor, john heckle.

usb stick - kein vinyl !! (usb stick - no vinyl)
2014 is the year of degree records first anniversary celebration. after three highly successful eps, which all hit the top 10, the label owners veitengruber and 212fahrenheit give their love back to the audience with the most sustainable and utterly stylish gimmick - a wooden 8 gb space to race usb flash drive with 16 exclusive tracks by the best national and international deep house and techhouse artists. it will be delivered in a precious box together with a necklace.

ltd 2014 repress !!
debut release from an edinburgh based producer on his own self funded and manufactured label. is001 is already on heavy rotation from the likes of linkwood, fudge fingas, deep space orchestra and jus ed whos been playing it on his underground quality radio show. the a side nocturnal wave draws on different forms of dance music and attempting to fuse them into one unique sound. roots in the sky is a piece of bass heavy house music in an omar s meets mr fingers vibe. hot!

ether003 is a four track release by helsinki based dj/producer kitkatone. the release includes two original tracks with two remixes by techno masters woo york and attemporal. starting off the release, a1, oppressor, is a slightly old school tune - raw and beautiful blend between house and techno. the following woo york remix turns the track to a ruthless techno beast with a hint of industrial vibe. b1, remainder, presents a darker atmosphere with crude and fierce banging and mid-winter gloominess. the closing track attemporal remix brings in a deep and spacey brooding, bonding the release into an extremely sterling techno pack.

following on from his 2012 autoreply debut the model steps up again with a precise, deadly-effective two tracker. as a producer he can never be pigeon-holed serving up his mysterious blends of deep, robotic, space- funk across labels like traum schallplatten, crosstown rebels and his own clone powered adult central imprint. night times the right time finds the romanian in fine-form laying down punchy drums with pulsating-bass, persistent chords and analog synth tension. flip the disc for wolf and you get a darker, dub-driven take over the same infectious, floor-shaking beats. long tracks, mastered to perfection and playable to the max - check it.

sunkissed italohouse, hippierock and melancholic slowcore, hamburg based flamingo dj-outfit rss disco are inviting you to their musical journey very 2. this time they take you to dance into the endless summer on an exotic planet floating in deep space. vinyl comes in beautiful turquoise silk screen sleeve.

repress 2014
morphology, a new collaboration from finland consisting of michael diekmann who records under the alias crc and matti turunen otherwise known as näköradiomies. morphology fuses early electro sounds with haunting melodies to create a deep blend of atmospheric future funk.

back with a bang and brandishing four deep house cuts, london upstart label five fold records welcomes the adroit dokta venom o the fold. returning to his love of dirty twisted deep house, having grown up listening to mr.fingers, frankie knuckles and moodyman, the burnt roses ep is drenched in the gritty soul influence of the detroit & chicago house movements.
support from: dam swindle, laurent garnier, jimpster, osunlade, paul mac, rainer truby, anthony nicholson etc

nice price deal !!! bio rhythm seems to be spiralling deeper & deeper into the rabbit hole. six brand new tracks by villa abo (a frak side project) and his first release since the 1997 borft releases. actually the short sound clips here dont do justice. fix yourself the full-length audio package and get lost on the other side through these six little scandinavian fairy tales full of desolate techno mysticizm, pressed on 2x12inch for maximum dj delight. the spirits have spoken. sky channel is all you need! limited to 300 copies.

following their acclaimed debut album, migration, on prins thomas internasjonal label in 2012, jamie paton and nigel hoyle (aka nigel of bermondsey) have seemed relatively quiet save for the odd remix here and there. tucked away deep in their south east london base though, a series of remixes and solo projects have been steadily forming. with new c&a material planned for 2014, plus more to come from jamies new solo efforts, as well as nigel making a long overdue reappearance in maurice & charles, now seems the right time to draw a line under their collective work to date. here then are a collection of unreleased interpretatons, including the sought after vocal remix of psychedlic darlings, in goats anthemic run to your mama. this is followed by a late night dub of 80s pop duo blancmange that mixes strings, guitar and some dub bass with a dose of space echo before bringing neil arthur s classicly recognisable refrain shining through. to finish is a remix of goats label mates teeth of the sea. fx-soundtrack vocal, bubbling 303 and 808 combine on a proper 3am dub that builds beyond some mere drug-chug.

third 12 inch of the wiener dog wonder series. 4 dope edits/remixes from chi-town: do me like is a floor stomping update on a long lost boogie gem while deep space takes a classic flips it into orbit and rinses it with toxic space dust plus 2 tugboat classics. hand stamped & numbered.

gerome sportelli presents sporty limited, a new record label managed by himself as a limited vinyl series. after big success with his krax records in 2004, veteran gerome sportelli is back with a new label project. the genre of the label swings between dance floor oriented house and techno, with a touch of acid and of course some dusty old school flavours. gerome’s already active in the music industry since the early 90’s as a producer, dj, label manager, party promoter and graphic designer. his music ‘smells’ old school, just like the early age of acid house, but infused with today’s intelligent constructions and an engaged vision on music. gerome’s music is made from bronze age analogue synths, love, passion and modern digital mixing techniques.for this first sporty limited release, gerome comes out with three stylish tracks. the first track, a side “drive”, is a fat house stomper with strong stabs and female voice hits. the break is intense and works effectively on packed dance floors. b1 is called “free range” and feels like summer. it’s full of classic house sounds, filtered strings and hypnotic loops. this is a chicago­styled, disco sampled, deep and classy house track we love and cherish. the b2 track, “don’t go”, is composed with a classic house bass, shuffled 909 drums and dark space strings. you’ll immediately recognize the deep and melodic detroit house sound.

teng returns with the *grand statement* ep by veteran techno producer, paul mac, backed with a rework from paul under his jorge zamacona, guise. teng records takes the step from fledgling imprint to fully-fledged label here, after marking a milestone with a full length for its tenth release. since launching the label has found affirmation in its intentions by picking up support from some key underground artists in the industry, such as christopher rau, tazz, azuni and deep space orchestra.

this exceedingly creative and talented recording artist from italy now presents his first release for last known trajectory with a stunning five-track ep of stark, cinematic, ice-cold electronix, sounding as if created from deep within the science laboratories of space. stunning work from this upcoming and clearly gifted and artistic individual. limited pressing

stephan laubner aka stl is a myth. a legend. releasing music on perlon, smallville and his own label something, he became a secret star to the worlwide scene of contemporary techno and house music. but still he seems to be an unknown person. on his new album release on smallville records, stl is back with a deep excursion into dubbed out science of sound.

antoni maiovvis career began with a quite frankly amazing lie. in reality maiovvi is not an original italo producer from the 1980s come back to reclaim his crown, but a project started at the end of 2006 by composer anton maiof to explore a world made of synth pop, hi-nrg and horror soundtracks. the cry of >lets dance! lets kill!< somehow struck a chord among the followers of the new cosmic disco movement and has lead to a prolific discography. he is producer, dj, film composer and co-owner of giallo disco records. musically, maiovvi takes as many cues from john carpenter and goblin as he does from italian electro and san francisco hi-nrg right through experimental electronics and krautrock. in short antoni maiovvi makes epic horror disco. he follows his releases on deathwaltz, jam traxx and his own co-run giallo disco records with a journey into the furthest reaches of deep space with >monoceroticism< on flight recorder. four tracks inflected with slowmo detroit jams, new beat trash, spooktactual ebm and hyperborean prog

discrete formants ii zooms the audience deep into underwater landscapes, from bizarre and seemingly endless open space down to the finest organized microcosms. five tracks full of analogue warmth and idiosyncratic modular synthesizer interaction that are driven by semantic coupling between major phases and small details. as most dscrt acoustic patterns are growing characteristic complexity by situational combination and permutation of interacting sound sets, the 300 copies of this release are double-stamped, hand numbered and pressed in blue marbled vinyl, returning each piece of them to the product of a unique moment in space and time.

the spanish duo exium and french artist elyas present a special split ep presenting a funk fused space journey and go deeper into the sound of functional grey area techno. sonically the release pushes the listener into what currently identifies the label’s sound introducing various works that are made for a wide range of facilities and situations and continue to shed light on what is ahead

the follow up to marios highly successful remix for downtown party networks vocal beauty space me out on best kept secrets mother label silence music, machinarium is a four track ep, which delves even deeper into dream like soundscapes where pop heroes meet for a collective dance on the dance floor of a distant space station.

fasaan records from malmö / sweden present their 5th release. once again the label has dug deep and unearthed this wigged out and powerful duo of space-disco anthems from nemas problemas (kool dj dust & the keep). limited to 200 copies on 7 inch vinyl.

one per customer ... limited repress. slow life are a berlin collective with an insatiable diggers philosophy, with african percussion master s.moreira heading up the production/machining side. diverse deep sounding tracks with space-out atmospheres and kicking rhythms, plus an extra laid back journey. mastered by mark richardson. 180g vinyl-only!

submersible machines resurfaces on lunar disko records with more underwater soundscapes from the third coast.. the 5 track isobaths once again explores the sensuous melodies and rhythmic intricacies found in the works of the mysterious submersible machines. drifting between house and techno, waves of ethereal electro flow throughout this gracefully crafted ep.after the highly acclaimed debut ep, submersible machines delivers more timeless cuts immersed in an atmospheric aqua-space.. for lovers of deep electronics.

the return of the dutch masters of deep! rotterdam techno veterans duplex show how its done with three lush & warm interstellar techno tracks from that forgotten future... pure, dedicated and very well-crafted. this will orbit the dancefloor straight into outer space. and as an extra the steven tang remix of jx3po to heat things even more up. well done dolly!

repress - aller guten dinge sind drei. shuko & f. of audiotreats sind wieder da. im rucksack haben sie den dritten teil der cookies & cream -serie. seit der letzten cookies & cream lp ist vor allem bei platin-produzent shuko wieder viel passiert. der gebürtige mainzer, der im letzten jahr mit produktionen für talib kweli und für die platinalben von 1995, sowie sexion d assault glänzte, konnte auch dieses jahr wieder edelmetall in seinem studioflur auhängen. es enstanden produktionen für den rap-shooting star cro, die nr. 1-Überraschung des sommers, genetikk und das jbg2-album der gangstar-rap supergroup kollegah & farid bang, dass in der ersten woche mehr als 80.000 einheiten über selfmade records verkaufte. außerdem enstanden kollaborationen mit dem westcoast-mc blu für eine weitere jakarta records veröffentlichung als limitierte 10inch und beiträge auf dem aktuellen ra the rugged man album. f von den audiotreats hat in der vergangenheit für künstler wie chima, dendemann und joy denalane produktionen beigesteuert. cookies & cream 3 fügt sich nahtlos in die reihe der beiden vorgänger lps ein. soulfull und feingliedrige hip hop-beats als instrumentale, die auch auf albumlänge funktionieren. ein deutscher beitrag zu der z.zt florierenden beatscene, die weltweit die aufmerksamkeit der major labels erweckt. die vinylversion des albums ist auf 300 kopien limitiert.

jeroen search needs no introductions, he is one of the netherlandss leading techno producers who maintains his unique style within the studio, stripped back modern techno with a self assured addition of soul. ravages of time is a deep space exploration of analogue synthesis, taking us back to the future with four retro fuelled techno cuts.

spaced out disco-funk meets elaborate deepness on this new release from tiago.

people must jam is our sydney based warehouse party that we have been running for five years. the ethos behind the night initially, was to bring djs to australia that we wanted to hear but that had never been, and to put them on in intimate spaces and let them dig deep into their collections to play whatever they wanted. over the years we have brought rahaan, al kent, leo zero, mark seven, trusme, frank booker and more to australia for the first time to play. floor jammers vol. 1 is the first in a series of eps from some of our favourite past and future guests. the record is pressed on 180gm vinyl and strictly limited to 300 copies.

baby ford and zip need little introduction and debut on trelik as > bfz< featuring co-conspiritor thomas melchior. the trio originally appeared on the 1999 >perlondon< 12 inch for perlon with ford and zip re-uniting for the >glidin along the riverbed< release then 2010s >clean hands< on pal sl. thomas melchior recently appearing on his own aspect music kicks off the 12 inch with a floor friendly up-beat 9 minute >melchior productions ltd< edit remix of >uff<. an >uffapella< closes the a-side featuring abstract sound design and textured vocals. side-bs >so they say< creates a feeling of space and unhurried rhythmatics whilst the title track >uff< combines deep instrumentals, chord and haunting vox with subtle bass and modulating kick. recorded in london and berlin. mastered at d & m

akra, otherwise known as nick woolfson, is one half of mock & toof and has built a reputation for producing quality underground deep house and nu-disco, releasing with the likes of mule musiq, rvng intl, dfa and his own imprint tiny sticks / m&t inc, as well as remixing reputable artists such as scissor sisters, groove armada, zero 7, hot chip and ladyhawke. now woolfson moves into techno territory with his new side project as akra having already impressed the likes of kink, chicago damn, ame, sasse, dj deep and deep space orchestra

slamming house tracks, hese tracks have been jamies secret battle weapons all summer. tapping into a dark sider but with that distinctive jamie jones melody and drive that are a signature feature of his dj sets. title track planets, spaceships features vocalist daniela caldellas from digitaria, who has an album planned for hot creations in the new year, whilst cookie monster, starp trek and sticktake things even deeper with vocal snatches and crisp claps

merkur releases its 6th ep which has a new, different approach compared to the last eps for which it has gained much praise during the past 5 years. the a-side >theme of mercury< was produced by label founder shingo suwa and akirahawks, who is known for the unique re-edit label house mannequin. the two of them mainly perform at homopatik in berlin. theme of mercury is a hypnotic track which was created with some broken old synth and sends your mind on an intergalactic odyssey, before diving into the deepest ocean on a journey to forget about space and time. the first track of the b-side is a remix from ducerey ada nexino aka yuji kondo, also known for his work under both his own name and as a half of steven porter on semantica. the remix fastens up the mix by repetitive pulsating synths, giving the beat an industrial modern atmosphere and letting the crowd heating up. the second track on the flip-side, called >barsoom<, is a solo production by shingo and completes the whole package. the functional work of a cut up 303 acid line with raw bass and a running groove creates an insistent and deeply pressured feeling. vinyl only, limited to 300 copies.

the cultured minimood extra label introduces london based newcomer tcherneyan with remixes from the mighty och and minimoods own volt.mar on green colour vinyl. the a1 is provided by och, producer of the legendary whalesong, and consists of icy hi-hat ringlets and rippling dub techno chords, which merge into a slice of prime time excellence. next a2 mauvais présage is a deep techno track built around a dumpy kick drum that gets slowly embellished with skating and skirting percussion and distant groaning chords that sound like sad monsters. the b side opens with tcherneyans second original b1 vision, an eerie, vast and empty open space of chilly synths and echoing voices. finally, volt.mar on b2 then reworks mauvais présage into something that lurks with menace in some desolate industrial park where intriguing synth lines weave their own path and white noise blasts occasionally jolt you from your trance. much like the previous release, minimmood have struck stripped back, deep and dubby techno gold with this latest ep. vinyl only / no repress!

rare strictly groove #01 is the first chap. of a series of 12 inches which include the best unreleased tracks from artists already in the labels roster and very close friends. this v/a open with *waltz to share* by avenir, a quite old track from the very superb catalogue of our favorite producer from palermo. modern and fresh deep house, enriched by the beautiful voice of clara and some precise arrangements of space sounds and more vocals. also we find two tracks by salvatore stallone, one of the artist is influencing more at this time, with his unique and amazing jazzy touch and incredible eclectism. *etes* and *brian off* are both very concrete underground pearls, inspired by masterpieces of the past. but the main theme of this release is dedicated to *the king* by daughters & sons. some expert house rhythms and groove with his name looped in an involving memory.

limited edition, 100 copies. release presented exclusively on vinyl. no digital copies!
kolokol production opens for you a new moscow project inner square, which presents its debut vinyl release. the single was produced and recorded by mikhail tisik in collaboration with guitarist dennis suddenly. it represents the novel view on modern electro through the prism of harmony and depth of music ideas. stylistically the record is an attempt on one side to combine deep-house and space-disco, and ambient and progressive rock on the other side.

or the latest apartment release 2 interplanetary gangs come face to face in a techno battle for the ages.hailing from the phantom planet we come across forsh, bin man and the red defender, a trio of rebel outlaws whose spaceship is under fierce attack from the muscle patrol, the hi-tech galaxys ultimate and most fearsome tool of oppression. following wave upon wave of acid attack, the outlaws are forced to eject from their ship, landing on a mysterious jungle planet.. unbeknownst to them, the trio have landed on huguenot, infamous for its ghostly shark creatures which rise up to hunt the living…and they smell fresh meat.. meanwhile, travelling across deepest space aboard the viceroy 9-c we find the dean of threenie and e-d aka the beets. they are 2 disparate characters from the planet tr one, infamous for its greenlight sector, a nefarious haven for low-life traders and smugglers. the duo traverse the galaxy in search of rare treasures to capture and trade back on home soil. unlike the phantom planet outlaws, these two know what awaits them on huguenot…or do they.will the beets save the phantom planet outlaws from the bloodlusting creatures of huguenot? will they sell them out to the muscle patrol? or will they join forces to rid the galaxy of its most fierce oppressors? the black gold sat upon your turntable contains all the answers…and more

authentic pew presents with its fourth release the debut of the collaboration between angel costa & attemporal under the moniker attac. forcing rhythms and well chosen acid ingredients open a wide space for a hypnotising mindtrip. the following remix by perthil & aerts reinvents the previous elements more to the floor. as patria from paris focussing on their 9-minutes-journey the deeper shades of techno, before tomohiko sagae breaks it all down with industrial noises and terrifying beats.