die debüt-ep der 19-jährigen londonerin suzie mcdermott aka suzi wu klingt laut britischer presse wie ein berauschender cocktail aus der feurigkeit einer m.i.a. und dem lyrischen schwung eines king krule und inspiriert durch die tiefe verbindungen zwischen pop, performance, selbstermõchtigung und autodidakt. limitiertes cremefarbenes vinyl.

romanian artist dragutesku’s “convalescent” steadily builds from clicks and crackles to full speed rumble, squelchy bass paired with spacey pads and crisp percussion. cali native rithma responds with “watsonville”, thrusting the ripped-cone kick to the front before the softer side slides beneath the rhythm for an all-night drive. russian producer saktu starts the flipside with “veidi”, a neon-soaked breakbeat floater pulling the low end out for the midsection’s chirrupy synth-chat before turning on the jets. from berlin via budapest comes giash’s “new things”, a frictionless ride on a hypersonic rail across a bubbling, tonal landscape.

since his last appearance on hemlock (2015 s double ep hek025) hodge has produced a seemingly effortless sequence of celebrated eps and collaborations for livity sound, berceuse heroique and no corner. equally comfortable squaring up with heavyweights such as randomer and peder mannerfelt as he is maintaining a prolific solo production output, hodge has cemented himself as a leading voice in uk dance music and a champion of the elusive sweet spot where functional techno resonates with soundsystem culture. a quick listen through his recent ra mix is a great way to keep up to speed with his recent output. one for the hemlock fans who have been patiently tolerating this year s more experimental cuts. swing for the fences is straight down to business getting the kicks in below one of those ear-wormer percussive atonal toplines hodge does so well… the drop is one of the heaviest we ve heard this year and tipped to raise some fingers, open mouths and spill drinks across dancefloors and tv studios worldwide. less pool cue more pool party aomame is a breezy melodic (patio) heater powered by tough drums and intricate percussive work. arranged for both the dancers and the heads it freely refreshes and translates the main theme with a precision and playfulness that few producers can match. medway will warm up or cool out the dance with big room sirens and some rude detuned drum work. still no messing about on the b2: it s a hodge thing all the way.

this is my best album for sure, says todd. we cant be exactly sure on that one, all three albums from todd bodine have been great. forms however, is perhaps the most complex and mature album that the berlin producer and dj has accomplished to date. and its also out with us! todd has worked at full speed over the last six months to bring us this fine piece of work. as a dj playing around the world and as a producer in the highest ranks of consistency, todd bodine has constantly developed as an artist. releases and remixes on respected labels, and collaborations with various artists have made him an internationally popular electronic musician. in 2007 he finally began to perform as a live act, and what club would better fit todds new live premiere than the panorama bar in berlin!? todd shows with forms, his innate knowledge of the two sides of electronic dance music. this is a meeting of peaktime euphoria with the relaxing bliss of the hazy morning light. a meeting of hypnotic natural rhythms and driving cut-up sounds. todd can impress you with dancefloor bombs and also with his sophisticated sound visions. the sound of detroit would probably be the best comparison.

it was a free mixtape download in 2008, but this is the first time it has been available as physical release and the first time the instrumentals (on disc 2) have been available period. produced by nick speed, except *head* produced by quelle chris and *lets go* produced by danny brown / featuring rapper big pooh, marv won, chips d nero, o-dash and others. the double 12 inch lp comes in gatefold sleeve with an exclusive 7 inch.

this is my best album for sure, says todd. we cant be exactly sure on that one, all three albums from todd bodine have been great. forms however, is perhaps the most complex and mature album that the berlin producer and dj has accomplished to date. and its also out with us! todd has worked at full speed over the last six months to bring us this fine piece of work. as a dj playing around the world and as a producer in the highest ranks of consistency, todd bodine has constantly developed as an artist. releases and remixes on respected labels, and collaborations with various artists have made him an internationally popular electronic musician. in 2007 he finally began to perform as a live act, and what club would better fit todds new live premiere than the panorama bar in berlin!? todd shows with forms, his innate knowledge of the two sides of electronic dance music. this is a meeting of peaktime euphoria with the relaxing bliss of the hazy morning light. a meeting of hypnotic natural rhythms and driving cut-up sounds. todd can impress you with dancefloor bombs and also with his sophisticated sound visions. the sound of detroit would probably be the best comparison.

alex troubetzkoy’s oneiric ep is a complex mix of organics textures, acoustic studio recordings and hyper-intricate rhythmic patterns that will beautifully integrate the intimacy and vibe of the mesma house. made in france with love, again. supported and played by : vinyl speed adjust (bodyparts, pressure traxx), vid (andromeda), cosmjn (subtil records), diogo (gua limited).

australian release - limited to 100 - 1 sided. tracklist a. sharpshooter shortinfo: brand new sharpshooter from melbourne artist nerve. sequencer-driven, high-speed modern elektro mutation for the 6am crowd. super limited, single-sided 12&#8243,,,, cut proper by helmut erler at dubplates & mastering

its just over a year since we started our new label, real balearic. for our second artist album we are really pleased (and honoured) to welcome one of the few djs who can claim to be one of the founders of the eclectic balearic sound. take a trip back to the 70s and 80s in northern italy and you will fine daniele baldelli mixing up electronic, african and slo-mo disco records to co-create the electronica meccanica sub genre. records often would be played at the wrong or variable speed to be made to fit into a wide aural tapestry of his unexpected-but-seamlessly-flowing dj sets. this of course is an aesthetic close to us here at real balearic. a sound we are ever so pleased to have as part of the mixing pot for our new balearic label. for the album he pairs up with fellow italian dj rocca to serve up an eclectic â€,“, electronic â€,“, balearic feast.

brian eno’s 1975 album back on double vinyl, housed in a gatefold sleeve. high quality half speed mastered at abbey road studios, cut at 45rpm.

brian eno’s 1977 album back on double vinyl, housed in a gatefold sleeve. high quality half speed mastered at abbey road studios, cut at 45rpm.

limited numbered reissue on 180 gram double vinyl. 45rpm half-speed remaster, code for hi-res download included.

limited numbered reissue, 45rpm half-speed remastered. pressing on triple 180 gram vinyl with etching on side f, housed in a gatefold sleeve with download code included.

limited numbered reissue, 45rpm half-speed remastered. pressing on double 180 gram vinyl, housed in a gatefold sleeve with download code included.

brian eno’s 1973 album back on double vinyl, housed in a gatefold sleeve. high quality half speed mastered at abbey road studios, cut at 45rpm.

brian eno’s 1974 album back on double vinyl, housed in a gatefold sleeve. high quality half speed mastered at abbey road studios, cut at 45rpm.

deleted - classic debut album repressed in colour vinyl with bonus 7 inch! produced by 9th wonder, vocals by big pooh & phonte.

turbo recordings is proud to present a release a full year in the making. a&rÆd by turbo elder thomas von party, gender embodies the adventurous spirit of his own multi culti label, and marks a return to the kind of mega remix pack we used to make when the world was young and an alternate dub rework was all you needed to get by. germanys skinnerbox sets the template with a high-speed jungle rave banger, which is an accurate enough description but not something we would expect you to ever repeat out loud. the 12-inch also features versions by swedish nice guy axel boman, who missed the submission deadline by 13 minutes but still managed to turn in a 12-minute epic jam, and glasgows auntie flo, who somehow harnessed the siren song of the iphone with a marimba-heavy mix.

frankfurt super-talent luz1e finally makes her vinyl debut on lobster import label ugongetit. huge stomping 90’s house traxx from the raw. life-affirming vocals, crunchy drums and speed jams on the flip.
the a-side channels sweet soothing vocals over a clattering, percussive drum underlay, whilst the flip eschews the sweet-as-a-nut vox for hi tempos and crispy mpc hammer-time. absolute fiyah straight from the heart of frankfurt & proper hatchback bizz for hazy summer days.

secret release with three punchy groovy tracks.

already supported by:
sepp, arapu, nu zau, ada kaleh, nima gorji, io mulen, dubsons, romar, vincent iulian, seb zito , janeret , funk e, vinyl speed adjust, cosmjn, lowris, faster, nektar agu, politics of dancing, yaroslav lenzyak, dragutesku.

eat x changers comes back to you with our new release, introducing young and gifted canadian producer ferness. matthew joined the beat x crew following what has become a classical path to the producers of the labels. after joining the forum in 2015, he shared a collab with frakktale on speed luanda which got our attention with its deep, broken and melodic structure. today we can proudly introduce you to his first release - internet/dreams/deception – which will take you in a soft and beautiful daydream tinted with a 80 s grain. you ll be guided all along of this trip by a strong and powerful rhythmic, full of house, broken beats & bass influence. beat x changers at its best

part 1/3! several shades of the same color is patricias first album for spectral sound, produced in conjunction with his own label active cultures.

this grouping of audio recordings is for aural use only. any emotional content perceived herein is borne of its listener, and is in no way intended by its author. any sounds resembling speech are not intended to convey meaning. several shades of the same color is patricia s first album for spectral sound — produced in conjunction with his own label active cultures. tips for listeners: consider the moment in which you exist, pay attention to how these sounds evoke physiological (rather than cognitive) responses. listeners may find themselves deriving immense physical pleasure from exposure to these sounds. inability to achieve such pleasure is likely attributable to over-analysis of the aforementioned audio content — or to improper amplification. each of shades three lps features suites of tracks that, considered alone, comprise their own distinct, unique worlds. disc one opens with -i know the face, but not the name,- an unabashedly plaintive trip through classic electro rhythms, flip it over for -the words are only sounds,- a haunting affair for synthesizer and voice. disc two s -the electric eye is upon me- swirls endlessly, while -shiba inu dub- is cut for the floor and coy as its namesake. disc three s jackin -feel your body- will cause you to do just that, -german friendship- sounds like d.a.f. on dissociatives. any emotional associations incurred while listening come at the listener s discretion. furthermore, the identity of the author and/or their passions regarding the recordings herein shall bear no weight on the listener s experience. this body of work is not intended to generate ideas, rather, its goal is to produce physical sensations in the listener.

south african house and synth-funk from the kwaito era by the legendary senyaka kekana. the unexpected deep house jam bayanyonyoba (1993) and the illustrious soul song dont judge me bad (1987) are big rh favorites. original copies are absolutely impossible to find, now released on 12inch for the first time. beautiful sleeve by stenze quo! esa williams i had the pleasure of performing alongside senyaka at the alexander theatre, johannesburg back in 2012 which would have probably been his last most iconic gig before his passing in 2015. these two tracks really showcase the sounds of south africa around the early to late 80’s, the influences from american synth pop and house that would then lead later into many of these records being played at the wrong speed which ultimately became the original kwaito sound from south africa

limited edition of 500 copies on one-sided, red coloured 10 inch vinyl.
calypso! calypso! two rare high-speed calypso instrumentals from the vault of miss pottinger, including a wicked cut of 1928 cuban jazz classic el manisero aka peanut vendor. it’s jump up time when baba brooks plays ska-lip-so!

180g of the unexplained. mariin and mihigh team up for this mysterious journey.
3 segments of confusing beauty created for maniacs.

before coming back in september for a new year of new releases, lddlm gives you their current mood and state of affairs in the form of a sampler 12inch grieve not, but try again. luke abbot s mix of easters champagne has been in our drawers since the very early days of the label but still shines as new. no dust gathered. easters synth pop is turned into a slow, yet nor chugging, futuristic r n b number. this is our conception of sunrise music. tom of england grasps the metallic fury of mutado pintado s classic lazy boy and chops it in a grinder. decomposition / re-composition with of high industrial standard. a scene from a future, a from-a-lost-tape edit by our underbuy manfredas has been one of our biggest club tracks for the last year. check his recent boiler room ending to know how warped yet strangely hit-like it is. finally, cowboy rhythmbox decided of their own accord to do a club edit of golden bugs physical disco. we liked it, we release it. simple and effective. jugular attack

galaxies in our universe seem to be achieving an impossible feat. they are rotating with such speed that the gravity generated by their observable matter could not possibly hold them together, they should have torn themselves apart long ago. this leads us to believe that something we cannot see is at work. this strange and unknown matter is called “dark matter” since it is not visible.
dark matter affects the speed, structure and evolution of everything, yet its nature remains a mystery we are yet to explore. this potent, affecting darkness is paralleled in dewalta s newest creation, a double 12“ vinyl release on amphia.

after one year of high energy industrial and punk-leaning music, kess kill presents something slightly more contemplative: the vinyl debut of the swedish act grand mal x. the solna based duo started in 2010 and was first known from the cassette scene, which was also where we stumbled across their work. drawing from a long and wide palette of influences — from osho dynamic meditation and eu highways, to artists like suicide, coil and rune lindblad — their music breathes an ethereal yet catchy air, a difficult line to tread. the fact that one of the members is active at the legendary experimental ems studios in stockholm might be the reason for the unusual amount of depth and maturity, steering the music sternly away from the plainly accessible. opener ‘late night call’ is a brooding and growling number perfect for setting the mood in any room or occasion needing an infusion of sweaty sexual energy. ‘speed of light’, the record’s most up-tempo song, leans towards both synth pop and electro-punk. on the flip ‘the trip’ does the exact opposite of the opener, winding things down both emotionally and energy wise, replacing sex appeal with lithium-lined angst, not unlike alan wilder at his deepest. ending the ep is ‘rabbit’, an unadulterated trip down a similarly named hole for those who feel like falling. summed up it’s the most abstract but surprisingly catchy kess kill release to date, an essential beacon in grasping the label’s concept.

london-based producer, turntablist and artist touchy subject (numbers, astrophonica, medallion sound) unites dancefloor energy, technical wizardry and dub reggae movements on a 4 track release for irish imprint rua sound. the skyward ep draws on high speed riddims, junglist bloodlines, crunchy glitch and grinding low end pressure to deliver a fresh, creative 12inch full of tantalizing detail. support form fracture, sam binga, tmsv, moresounds, sam binga, itoa, jon1st, etch.

dreamboy from gothenburg begifts world with completely enchanting ep four tracks ranging from look-ma-no-kick-drum club heaters to spirit-world ambience and some real swedish reggae. starting off with his studio barnhus debut, ishi vu is set to blow up 2017 with a string of releases on select world-renowned labels.

the fifth record on new york trax is by løt.te, the turkish-born, brooklyn-based dj, producer and designer affiliated with the bunker new york by virtue of two well-received vinyl releases. this politically charged ep titled ‘state of exception’ is løt.te’s personal reflection on the current social and political climate in turkey. with rhythmic synths brought to the foreground, løt.te committed a masterpiece that only a skilled and thoughtful artist like himself can. the opening ‘ultra vires’ is a relentless synth-driven warehouse track mercilessly rolling at the speed of 140bpm. the deeper ausnahmezustand follows, it is a reflective and rhythmical piece perfect for both home listening and the dance floor. 15.07.2016 opens the b side with its tense yet playful atmosphere and numerous constantly evolving layers of sound. finally, graft is a shockingly intense introspective piece. crafted with japanese taiko drums and digital synthesizers pushed to their limits, it is a lesson in perfect sound design

chapter 6: in taxon he intertwined saxophone, free voices, funk, jazzy and electronics. kevlar is headed by a strident and wandering guitar on a carpet of percussion. 33vs45 is a piece composed to be played at 33rpm but also lends itself to be proposed in 45rpm in daniele baldelli’s style, accustomed to propose records played at the wrong speed for unforeseen effects.

bunkr enslave dust-coated synthesizers, dilapidated drum machines and rusty fx boxes to craft 4/4 tunes for their impatient overlords. their vision is clear they will make techno, they will make house, they will make electronica, and you will listen and dance. its not yet clear if bunkr is the work of one frenzied human or many lazy individuals but we do know one thing - the ringleader is one james dean, who previously released as lost idol on labels such as pork recordings, nature, final frontier and cookshop. following a prolonged spell of writing music at slow tempos, dean initiated bunkr as a reactionary desire to speed things up. too much time had been spent just sitting around - it was time to stop sitting and start dancing. true to their vision, here we have cloud chaser, a bubbling jam backed with a huge remix from shan, who flips the mix with dramatic strings, sprinkles of magic dust and massive amen breaks. no less impressive is junos revenge, a track youd turn up on your headphones while taking a nice afternoon stroll on the moon, on a sunny morning after a long interplanetary rave. igor tipura delivers the rework, complete with a marching percussion workout and acid chemtrails that will send you right back to 1993.

this half-speed, deluxe edition released for rsd 2017 features unseen photography from the recording session in a 16 page full-size booklet. the audio source is the continental tapes, mastered at half-speed by the legendary miles showell at abbey road in london – the most stunning reproduction ever made, accentuating the details and nuances that appear throughout this masterpiece.
in our opinion this record is a true and complete masterpiece in every sense of the word, considered by many people to be one of the greatest ever made, regardless of genre. the original continental versions of the album now fetch around $2000.
the album transcends the genre of brazilian music, and infact all genres. highlighted in part by the number of artists that have sampled from it, mf doom, ludacris & common, little brother, jneiro jarel aka dr who dat?, dibiase and action bronson amongst others.

three gastspiel releases budled up for one special price:
- gsp2-2: dncn & mark henning - we are diep (part 2)
- gsp004: oscar - damage ep
- gsp006: henneberg & stiller - pluracell ep

‘h’ contains work retrieved from body boys’ archive, to be released in march 2017. body boys pulls strains from the past and interiorises the future throughout ‘h : the inaugural release for civilised life. hand stamped on white reverse board. previous work by the artist includes two cassettes and an lp on opal tapes, ‘growth window’ (2013), hood spectrum (2016) and ‘no face’ (2015). other released work includes a range of cassettes for indole, music for downers and strange rules. mastered by beau thomas. artwork by craig gallacher.

new york’s sheik n beik continue to assert themselves as a trusted outlet of chilly, understated techno following up releases from xamiga, keita sano and hermans with a va from family members ivvy, mr dello, og ag and ray rose. first up is mr dello with ‘pilgrims’ - a bold march that propels few finely crafted elements with deft usage of warped analogue fx. intensity snowballs throughout as metallic synths thicken before og ag aka andrew grant follows up with ‘410 prospect’ - an intergalactic transmission rich with bending synth lines. one half of dirk largo, ray rose then casts his eyes down in following up with tight, shuffling drums and buoyant synth tones all suffused with a healthy dose of dub before ivvy - a fresh alias from madison levine. originating from seattle’s burgeoning hardware scene, he offers up ‘shape speed’ - a languid, capacious groove that drives thick drums through dense and dubby textures that round off a solid addition to a catalogue continuing to go from strength to strength.

lehultsub is dedicated to dj-friendly flips, chops and spins, brought to you on a limited edition of hand-stamped white labels. the a-side introduces tony rainwater, who shows us his straight up approach to editing: find an obscure sample, speed it up, make it hit. the second track on this side, lets celebrate less hats loops the dance floor in a frenzy. tony will return for a full 12inch on lehult early 2017. the b-side, my love 4 u will neva die by lucky charms has been played by all of the lehult crew for a year already and has been requested over and over ever since. its rugged, curveball approach catches the crowd by surprise and makes for some unique dance floor moments.

as the world collapses, dragging its unwilling inhabitants into insanity, a few things, fortunately, remain true. the man who s contributed to the development of the jak sound on behalf of the nation community from lake michigan to the dutch west coast, where he became well known for several eps released on creme organization records, is back. after two full-length albums, dozens of eps and action in the 2am/fm project, dmc has gained well-earned respect as an underground artist. we are very pleased to bring this little return to the jak beat style.

the mighty shadeleaf pull in a seriously strong u.s team for their twelfth release damon bell from oakland, is a chief connoisseur at heralded deepblak recordings, and stands strong offering a complex variety of sounds that ebb and flow through all of his productions. known for his polyrhythmic, organic, and soul-filled musical releases on deepblak recordings & sound of speed records japan, he has also scored critically acclaimed releases recently on burek, meda fury, and don t be afraid. this collaborative ep with the vocalist (good friend and former oakland, and now berlin resident) khalil anthony, features a production collaboration with shadeleaf s own thatmanmonkz, and a remix from the mighty afrikan sciences as always, top drawer isht another shadeleaf sureshot

three gastspiel releases bundled up for one special price:
- gsp2-1: dncn - we are diep (part 1)
- gsp2-2: dncn & mark henning - we are diep (part 2)
- gsp3-1: herre & ercolino - ringelpietz mit anfassen ep

lost classics, loft classics and leftfield antics crammed into one double-o dose of good plus plastic! the crew set the gas to a sultry simmer with outer-galactic opener amantes cosmicos , lending a little looped up jump juice to a sci-fi disco favourite. thrusting bass and sequencer sizzle speed the starship ever-onwards, approaching warp speed as the widescreen kalimba unlocks the stargate.

half-speed remastered reissue of peter gabriels 1992 album us. pressing on 180 gram double vinyl, download code included.

the iconic 1982 album avalon from bryan ferry’s roxy music is finally back on vinyl. half speed mastered at abbey road studios, heavyweight vinyl, download code.

basmala is the debut album by the american world music and ambient soul production basmala, released in 2016 on preservation electronic recordings. the album maintains a hip-hop base and ambient or minimal atmospheric sound, which is the unique signature of basmala.

the latest in cold busted’s 7” series – featuring previously digital-only cuts now enshrined on wax – comes from accomplished polish beat-maker emapea. known for his contributions to the iwymi and bust free compilations as well as his widely lauded album seeds, roots & fruits, emapea has been recently selected for inclusion in mark farina’s next mushroom jazz installment. so the time is ripe to get funky and fresh with this prime beat-maker’s new 7” single. this one goes out to the b-boys, as “b-boy stance” grooves with its ‘70s-style car chase guitar, feet-shuffling rhythms, horn splashes, and energetic vocal drops. every b-boy needs a solid b-side, and here you’ll find “b-boy theme”. this one transports the floor to a raucous block party complete with breakneck scratches and energetic drum loops, alongside ‘70s funk flourishes that’ll get any private dick – who’s a sex machine to all the chicks – quickly moving his hips.

sit in the creek, cool yourself, then move. sounds to speed across the noite skies or sink into the soil. take the outer path to the inside and hop on the next flight to phobiza.

first word enters 2017 with a bang: a 28-track album courtesy of eric lau. this, his third instrumental album, is a veritable tapestry of vibes, ranging through hip hop, soul, jazz, funk & brazilian beats. a mere taste into the genius production skills of london’s mr. lau, it’s easy to understand why he’s so revered by djs, artists and producers across the world, including rich medina, 9th wonder, bobbito, dam funk, gilles peterson, james poyser (the roots), phonte and ali shaheed muhammad (a tribe called quest), amongst others.

the 1st solo album from peter gabriel, originally released in 1977 - now back on 180 gram vinyl, half-speed remastered