wagon repair welcome a new artist to their ranks in the form of italian minimal master luca bacchetti. after a host of releases on italian label tenax, spawned from the cult club of the same name, this is a heavy dose of entrancing minimal - equally suited for the dancefloor or the late train ride home. a side >rolling brooklyn< pushes the envelope a bit further, a busy and investigatory track driven by sniffing snare sounds, moist synth balloons and screeching metallic accents. ascending from chaos to minimal bliss. distinctly urban, b side >what ever< progresses defiantly amidst reverb laden howls and sirens, throbbing to climax with stabbed bass and rolling percussion in an inpenetrable surge to the senses. final cut >flat mates< keeps up the pace. led by a dizzy synth haze and fueled by a tight house rhythm, luca adds acoustic metal drum sounds into the mix to broaden the tone.

a new project from elusive musical tag team duo alexis taylor and joe godard of hot chip. doubleshaw is an anthem of love and disbelief for a dear friend of theirs, a party animal of great intelligence and wit. twist myself again is about legal highs and super hero hulk out lows. two brilliant sides of jerking, surging, electronic madness with a myriad of vocal gyrations and mutations plus plenty of acoustic instrumention to ground things a bit

lush deep jazz house recontructed by anthony nicholson and william kurk. stellar group of accomplished musicians wrap themselves around the trumpet playing of duke jones himself a veteran who has worked with a diverse a set of groups as dr.buzzard savanna

finest detroit influenced minimal techno tracks produced by bjoern stolpmann from onitor/kailash/tongut! incl. ivo >he s a dancing machine< deutschmann remix! >since i began to be< is a huge techno stomper with deep freakin sounds. after a little break bjoern show s us his interpretation of acoustic weapons for the dancefloor! ivo deutschmann (one of the tracks from his first ep on karateklub was signed by minus for magda s mix compilation) did a great remix-job of the main song. on the flipside you will find two excellent and beautyfull rocking tracks but more minimal. karateklub welcomes bjoern stolpmann!...played by delon & dalcan (boxer), electric indigo, karotte, markus lange (craft , pocketgame), prins thomas

first single from the up and coming new full length aquarian angel. written by jay denes and featuring lisa shaw the track is an amalgam of afro brazilian and electronic rhythms and textures with a haunting vocal by lisa. jays own bahia vocal mix is a driving carnivale inspired floor filler while the original mix is a seductive slow burner. on the b side erics 5rw vocal mix is a peak time electro inspired crowd pleaser and the final mix is mcs acoustic dub a maze of intertwined organic rhythms and deep synth washes

on the second release from its remix imprint vr, berlins vakant label comes with the goods, turning out what might be its most far-out release to date - and at the same time, its most punishingly effective. going head to head, glasgows alex smoke and paris man tolga fidan tackle each others tracks, twisting up knotty rhythms and gauzy electro-acoustic sounds into a battered syntax that expresses one thing, move !!

remember the infamous scene from the movie deliverance? the one with the retarded kid and the grown man going all out in a play off, an acoustic guitar vs a banjo… anyway, lindstrom finally got around to play & record the banjo he bought in nyc last summer. it takes time to practise & learn to play the banjo. lindstrom needed a year to make the simple banjo-lick used on >the contemporary fix<, the 9th feedelity release. you might think the use of banjo, autoharp & clavinet together with acid squiggles on top of live disco-drums is a most unusual combination? well, here s the soundtrack to deliverance 2006

stil vor talent introduces this month another newcomer called freska from the beautiful murmansk in russia.. he reaches this unique atmosphere by using his acoustic guitar and his love for deep electro, which he proofs with this release called >some turns inside< and which has already been charted by well known artists like carl cox and kiki..

a beautiful electronic folk journey, a strangely interwoven thing, an acoustic spinning, a patchwork rug made of fictional stories and pseudo-scientific hoaxes in a time obsessed by authenticity. this 12inch comes with 3 versions/remixes of dial rec. label mates carsten jost, efdemin, pantha du prince and raboisen.

this four track 12 inch is the 5th release from the album and includes the title track from the artists debut album blue eye blak feat. rasiyah, the acclaimed flowriders remix, an acoustic rendition from the blue eye blak live tour and delgui?s 4lux remix of save a prayer

killahurtz is made up of mick park of tilt fame and leigh kenny aka kenny shifter. here with maria nayler they deliver the totally summer sounding 21st century lover. the track itself sounds on paper to be crazy. electro basslines and grooves meets housey synths meets strummy acoustic guitars. however, thrown in marias voice to the mix and a hooky vocal you have all the makings of an ibiza summer smash

classy house booty with a cool acoustic guitar breakdown and jills sweet sweet vocals

tolle platte die basic channel & modernen minimal ala num auf beeindruckende art zusammenführt !!

funky vocal house stomper with a nice male vocal and a cool acoustic guitar breakdown in the original mix (sb)

giving a fresh new sound each time they play signal electrique diffuse a non stop flow of sonic information, following a mysterious path which combines acoustic improvisations and digital programming, humour and broken beats. 'a cocktail which is sometimes electro, sometimes post rock sometimes definitely punk or even funk eighties film porno like- shouts' trax

this time a mega-deep, vast kick-drum, crisp crackles and loads of weird samples are causing a 'sunstroke' on the a-side. a deep masculine hum floats over the tune and the skillfully arranged track plays around with reverb rooms so cleverly leading one into a world of acoustic hallucinations. the 'minimal fox' on the b-side carefully stalks from behind before it unfolds into an incredible drive. only a few producers manage to create such a tight buildup of suspense with such a sparse instrumentation like trentemøller and the new ep is definitely another proof of his outstanding production skills.

nice sounding sunrising tribal groover with brill female vocals !!!

rockin indy / electro rock styled vocal track >> stardust singer !!

brill french funky house with 80s flavours...incl joachim garraud remix

versatiles chateau flight with a midtempo builder featuring strong detroit references while maurice fulton rocks it in his typical own outerworldly style

uk trance classix from the 90s !

acoustic sources-only mix

goth rock

twelve artists pay their tribute to the music of daft punk.

electronic explorations and slolo acoustic piano works from bruno bavota.

synth ambiences, acoustic landscapes

complete remastered singles

complete remastered singles

electro-acoustic manipulations and layered neo-classical drone works.

one of the most widely respected names in drum & bass, the brookes brothers are gearing up to release their second album, Ôorange lane, a 13-track lp filled to the brim with upbeat and soulful production. * now, six years after their first album was released on fresh and adam fs breakbeat kaos label, the brookes brothers have returned with their long-awaited sophomore lp, Ôorange lane, another masterpiece that showcases the brothers unmatched musicality and diversity. * the album features a variety of vocalists, including: shezars soulful vocals and bossman birdies smooth rap breakdown complementing the empowering sounds of Ôflashing lights - while industry favourite charlotte haining lends her grace and charm to Ôwaiting right here, and pierre da silva adds a warmth to the acoustic sounds of Ôtimes of trouble, as well as the album closer Ôwe got love. * combining soul, funk, disco and a whole lot more in a way no one else can, the brookes brothers have truly reached new heights with this lp. Ôorange lane is destined to be a modern classic.

the new album from danish electronic trio system is a special kind of collaborative effort with piano magician nils frahm. his purpose-built improvisations on synth, organ and piano served as source material for the members of system (thomas knak, anders remmer & jesper skaaning), who merged his warm acoustic tones with their minimalist digitalism and set out to translate their distinctive clicks ÕnÕ cuts electronics into vivid soundscapes. over two years in the making, the resulting nine tracks are as sonically intriguing as they are touching. ranging from the mellow bliss of the title track to echoes of 90Õs and 2000Õs electronica and ambient sequences frequented by mesmerizing movements and sounds. the blending of piano and digital tones and noises into emotive pieces might instantly recall the work of alva noto and ryuichi sakamoto, though system and frahm come to quite different results.

almost 2 years after the success of the album the tony allen experiments and a few months after the release of the 7inch amore, nu guinea return to the scene with a new lp published by their newborn label ng records. after touring the world looking for sounds suitable for their vibrations, nu guinea decided to go back to square one, napoli, where massimo di lena and lucio aquilina were born and raised. they watched their city from a distance reconstructing its energy from their studio in berlin, calibrating the synths on the meridian of vesuvius, the volcano that has always protected and threatened napoli. nuova napoli is the result of a long musical research that has become a historical investigation on the sound that shaped napoli during the 70s and 80s, starting from the contamination of genres (disco, jazz-funk, african rhythms) which ended up in nu guineas dna. in this album the synthesizers fill the spaces between the past and the future, tightening in a single body acoustic instruments, electronics and voices in neapolitan dialect

¥ exclusive collaboration between henrik schwarz & metropole orkest ¥ conducted by jules buckley ¥ scripted orkestra showcases henrik schwarzÕs orchestral talent and the incomparable thrill of acoustic performance seamlessly blending with computer generated music. ¥ ben westbeech & bugge wesseltoft feature on Òcounter cultureÓ
for fans of ryuichi sakamoto, max richter, jonny greenwood

french + english liner notes poster inlay folded to digipack format, hype sticker - les shadoks soundtrack by robert cohen-solal available for the first time ever in its entirety, cut and mastered from the original reels, made in cooperation with the artist. - for fans of musique concr�te, electro-acoustic, psychedelic, early electronics, experimental, soundtrack, library, oddities, cartoons, 60s and 70s music, prospective 21�me si�cle series, bernard parmegiani, jean-jacques perrey, luc ferrari, pierre schaeffer, pierre henry, bruno spoerri, groupe de recherches musicales (grm). wrwtfww records is delighted to announce the release of the complete soundtrack of cult french animated tv series les shadoks (1968-1974) by robert cohen-solal, available for the first time ever in its entirety.

migration cinema is a new moniker of the sonic practitioner and composer el’as merino. grisaille, his release for e/c, adopts a varied approach to the pattern of emergence within merinoÕs work. these seven recordings present not only electronic, but mostly instrumental trajectories, whose densities are unfolded through a huge collection of music performers. migration cinema creates a situation for the musicians in which they navigate a resonant and responsive compositional space, while the space itself is treated as a plastic medium. * grisaille suggests an unconventional view of chamber and instrumental contemporary music from a culture alien in both space and time, heard through the filter or sieve of iannis xenakisÕ architectural and physical approach to sound. alternating between opacity and translucency, monochrome and colour, grisaille conjures a spectral palette reminiscent of fredrich cerha, but with an approach to instrumental hybridisation more reminiscent of the electroacoustic worlds of ana maria avram and iancu dumitrescu. * grisaille was written, recorded, and produced by el’as merino between 2013 and 2016 in spain and england, and includes across its seven tracks more than 24 performers and a student choir. all the instrumentation has been written, scored and orchestrated through computer music methodologies such as algorithmic and generative systems. grisaille swims into hybrid spaces from acoustic reverberations captured by the artist itself at notre dame (paris, france), basilica di sant eustachio, (rome, italy), and eglise st. laurent, (marseilles, france).

cd jewel-box with 12 pages stapled booklet. keziah jones (born olufemi sanyaolu on 10 january 1968) is a nigerian singer-songwriter and guitarist. he describes his musical style as blufunk, which is a fusion between raw blues elements and hard, edgy funk rhythms. also his nigerian roots in yoruba music and soul music can be considered a major influence on his sound. he is known for his distinctive style of guitar playing, including his percussive right-hand technique which is similar to a bass guitaristÕs slapping technique. his music blends sounds and influences from many sources, including fela kuti, miles davis or jimi hendrix.