ssaliva (aka cupp cave) has been very active lately with releases on vlek & ramp as cupp cave, the previous ssaliva out on vlek earlier this year, a rbma participation & lots of live gigs all over europe. this is ssalivas second ep on vlek. as its little brother it is a perfect display of how he mastered the magic of wows and flutters. 8 tracks of a vibe thats been dubbed by xlr8r as soaked in codeine and smoked to the gills. the sleeve was made on a full analog letterpress with an original artwork by dimitri runkkari (responsible for the critically acclaimed first ssalivas cover). bright pink vinyl, limited edition.

recent songs is the sixth studio album by leonard cohen, released in 1979. it was a return to cohens acoustic folk music after the phil spector experimentation of death of a ladies man, (movlp476) but now with many jazz and oriental influences.
pressing on 180 gram audiophile vinyl.

nice price deal !!! a uk dance music legend and pioneer, wookie returns with his first new material in 6 years with >2 us<. first making a dent with big club tracks such as >scrappy< and >storm<, his crowning achievement was top 10 hit >battle<, brand new label space + time snapped up >2 us< to be its first release as soon as they heard it. radio support has come from: annie mac, skream & benga, rob da bank, toddla t, nick grimshaw & friction.
the legend is back! – annie mac
set to be one of the tunes of the summer – mistajam
a massive influence on us both – skream & benga

over the past few years we have seen a surge of artists, music and labels coming out of romania and, whilst not seen as a traditional hotbed of house music, this new wave of movers and shakers are working together to create their own lasting musical legacy. the latest in the busy line of producers is 22 year old bacau born, marcman. behind the decks at 14 and studying his art from 18 the young man with a love for angry kicks and heavy baselines has already graced the likes of quanticman, plant 74 and esperanza with his music. now hes set to join the bass culture family as he presents his debut release for the label the in trecere ep. >i was actually sent some marcman tracks about a year ago by franco cinelli< says bass culture label chief djulz. i instantly loved his beats and groove and i played them immediately on the circoloco terrace. i got in touch and asked him to work on an ep for bass culture. i specifically wanted it for this summer because his beats are exactly what i love to play in ibiza. marcmans 4 track >in trecere< ep sees him sandwiching the deep dubby sounds of rutina and the percussive guitar licked dansand, with the chicagoesque numbers levier and in trecere.

schwindelig from kollektiv turmstrasse was definitely the most successful track from their album rebellion der träumer... on the 12 inch vinyl remix ep vol.3 youll find three fresh remixes

hailing from an era still ripe with optimism, nate tinsleys sole ep on music station, under the moniker nathaniel x project, is one of the dopest 12 inches of the 1990s. embodying the now fading dreams of a whole generation of club children, the veritable political program was everything deep house strove to be: aspirational, socially-involved, visceral dance music with raw sincerity and unashamed soul.

a dj since 93. a producer since 98. a true student of the music/culture. amir founded vanguard sound in february 2006. after making his presence felt in the chicago club scene via a meteoric rise culminating a dj watch feature in chicagos 5 magazine, he completely disappeared and went beneath the underground to focus solely on advancing his production skills. soon after linking up with g. marcell and hakim murphy he began to release gritty tracks that have been charted and played by underground djs world wide. his fourth release was the sleeper classic >experience ep< a 4 tracker with amir on side a, and g. marcell on side b. encouraged by the feedback, amir then submitted tracks to new york citys plan b recordings. the rest is history as they say. recording under the name amir alexander and the pseudonym guerrilla soul! this cat strives to bring a raw and gritty modern spin on classic detroit, chicago, and new york underground sounds.

it was his birthday a few days ago and to celebrate jaydan has decided to give us all a present, and its a whopper. showcasing the talent of the latest addition to his stable renegade, on the a its the co-lab, master and padwan together give us >dead people<. on the flip renegade steps up solo with >late night flex<.

the byrds were one of the earliest groups who could combine the best of two worlds. they caught on to the energy of the british invasion and combined it with the lyricism & musical elements of the contemporary folk movement. along the way they pioneered psychedelic and country rock, always keeping things recognizable with their vocal harmonies accompanied by their jangly guitars. their 1965 debut mr. tambourine man hit the flower generation like a bombshell. >one of the greatest debuts in the history of rock<, it melds their lyrical prowess with their compelling guitar riffs, and was the blueprint for their future sound. a classic, now back on 180 grams audiophile vinyl!

manic street preachers originally gained a loyal following and cult status with their combination of androgynous glam punk imagery, outspoken invective and songs about alienation, boredom and despair. the bands later albums retained a leftist politicization and intellectual lyrical style, while adopting a broader alternative rock sound, especially after the mysterious disappearance of lyricist and rhythm guitarist richey edwards in 1995. >everything must go< is the manics fourth album and was released in 1996, now back on 180 gram audiophile vinyl.

limitiertes doppel-vinyl, weiß & blau marmoriert, inklusive cd-version des albums.
nachdem der albumtrack >henrietta< bereits seit ende mai im internet kursiert und im radio rotiert, erscheint nun das neue werk der brooklyner electro-pop-psychedeliker. und das neue album bleibt nicht hinter den erwartungen zurück! >fragrant world< betreibt genre-mashing mit einem breiten spektrum an quellen. psychedelic pop, indie dance, r n b, digi-funk, exotische synth-experimente, gespenstisch surrende, rückwärts laufende orgeln, ueberschwaengliche baesse. >i wanted to make a record that was legitimately, to use a bad word, funky<, erzählte chris keating zuletzt dem under the radar-magazin.und selbst in den dunkelsten momenten dieser musik behält er recht.mit >fragrant world< liefern uns yeasayer ein fantastisches follow-up zu >odd blood<!

focus on cosmic club !!! for this 12th release, we give you the opportunity to grab 4 fantastic trax done by one of todays hottest producer: june. tasmpikos fronas has been signed this year on argys label these days & delivered one of the most astonishing first album weve heard for a while called cytheria. he has already been remixed by dj sprinkles. he sent us his brand new tracks & we felt it was so good that we decided to release them straight ! his sound is firmly rooted in proto-house and acid. a whirlwind of crystalline electronics , sunshine-bright melodies and playful synthesizer riffs (with a dash of original chi-town jack thrown in),it comes on like a particularly cosmic jam session between plone, daniel wang, claro intellecto and larry heard. on the moon. on this evidence, fronas is clearly one to watch. and to add to the magic, we got an amazing remix done by the great & super talented italian producer: simoncino. this is surely going to be one of the biggest releases this year, stay tuned!

in 2011 it got a little quiet around the co-productions of fraenzen texas and ruede hagelstein aka the cheapers. but since the beginning of the new year the lights dont go out in their studio doing beats and sound. next to releases on areal records and bar25 the uy063 was born. title of the name giving a-side goes back on a quote from paris hilton who wants to tell with >amazeballs< how super cool she finds things. anyway the two artists made it real with their concise bassline which will make the people reliably squeak more than hobby djane hilton. on the b-side things turn a bit more severe: egyptian summer quotes with samples the arabic spring in africa and produces a revolutionary ground mood which has never been heard before. on b2 however there are the cheaperesque absurdities on the microfon like we know them. depositing skillfully their own vocals in the belly of a hungry electro monster.

a long time coming, the first ep from the mysterious duo bernadott finally reaches us. the golem first heard those tracks last summer and noticed his body was moving beyond his control! he therefore decided he should immediately enroll these beat-smiths before the competition took notice. introducing bernadott, the roof of love ep showcases the talent of two underground producers hailing from paris and stockholm, two diggers of the highest order, immersed in musique concrete, italo, free jazz, punk, chicago house and such, two djs devoted to tension, hips & shoulders. with upcoming releases on high profile labels, the golem proudly takes them to the forefront first, unleashing their highly original and leftfield take on the dancefloor. on side a, bernadott turns a white funk forgotten gem, expands it before turning it into a gherkin-esque acid burner with unexpected nods to juke, subtly returning to its post punk roots before you even notice. the golem also wanted to have a nice tune to share with his girlfriend, and he got his wish with side b, another post punk affair autistically turned into a dubby madchester piano choon, a quasi absurd but groovy breezy love song

martin brodins third single from the forthcoming album which is due for this summer. second one for you who forgot was strings attack, with remixes from headman and ilya santana.

played and supported by lucy, chris liebing, speedy j, dvs1, pfirter, bas mooy and more. sonntag morgen was born from the idea of two young italian dj / producers,tracy and mtd. with this label they want to express a musical style witch is not very popular in italy, based primarily on techno / dub but with influences from dark and spooky sounds combined with melodic and defined rhythms, creating a new refined underground beat.after 19 releases in digital format, they have been shown to produce very high quality.this is the first release on vinyl (their great love.) each of the two labels owners shows a track and a tool. the sound is..solid, dark and dynamic. definitely is a big release of contemporary techno.

inspired by the teachings of the earons (thats .22, .18, .33, .69 and .28 to the uninitiated, see www.earons.net for more background), a splinter group was formed earlier this year, with the express mission to bring back the message and connect it to a whole new audience. >land of hunger< is given a 2012 reconstruction from the cosmologist, a sturdy rework performed by the mysteriously concealed outfit, who identify themselves only as .40, and .44. whilst they are heavily influenced by earons beliefs on positive energy, which they seek to share, .40 + .44 are quick to point out they have no links with the earlier incarnation from 28 years ago, but felt a compelling force to unearth it once more. the universe knows when the time is right, and frankly the original broadcast was just too good to not want to fashion a 2012 edit, so a new chapter begins ...

6 unreleased lost house tracks from the jackin era. anonymous tracks from an old white label that was never officially released.

inspired by artists such as mr g, baby ford, ricardo villalobos, derrick carter & rhythm & sound, anthea has created a sound somewhere lodged between house and techno, that is deep, warm and bassline fueled.
and if the original was note dope enough this package comes complete with two heavy weight remixes from two in demand high flyers: dan ghenacia & subb-an.

we call it hard records is a digital and physical audio label.the label was found by andreas florin and toni drogemeyer (userkiller). in september 2009 they had the idea to create a new label. both are well known as producers and djs. machienecode aka dean rodell vs current value,patrick dsp,a-brothers,kuniaki takenaka,vegim and brad lee are just a view artists of the label. the concept of we call it hard records is not only to release audio. they are going to start a party series at the tresor in berlin germany. we call it hard is allready supported by dave clarke. woddy mc bride, dj murphy ,sven wittekind ,glenn wilson ,dave the drummer , a-brothers, submerge, the anxious, 88uw, mad max, space djs, patrick dsp, david christoph, dj mita and more

if >dream tennis< was any indication, heatsick has struck a nerve with his singles that stretch preset washes of polyphony through sunset-hued landscapes of disco and house. equipped with only a casio keyboard, he has played alongside everyone from omar souleyman to dj harvey, daniel wang and legowelt, and has demonstrated his ability not only to extend his keyboard to its limits, but to transcend its musical territory, opening up a diverse range of styles, genres and gestures to his dance-addled mimicries and musings.

while his debut album by your sides release was announced for september the 17th, breakbot introduces the fruity one out of two featuring the faithful vocal performer, irfane, embellished with remixes from dj sneak, oliver and get a room! the french tv show, le grand journal, selected this track as the sound signature for the cannes festival. the vinyl includes also program, a tiny biscuit sound, unveiled online on the occasion of his first live performance at the coachella festival. breakbots shiny funky pop will rock 2012s summer, waiting for the album and next live shows in festivals (calvi, dour, les vieilles charues, we love green).
code for mp3 download of the full release included.

2012 sees detroit label, kms records, celebrating its 25th anniversary. founded in 1987, by kevin maurice saunderson, his first release was triangle of love produced by,kreem, (just one of his many guises), little did saunderson know, at that time, that two and a half decades later, he would still be releasing music on his kms label.

2012 sees detroit label, kms records, celebrating its 25th anniversary. founded in 1987, by kevin maurice saunderson, his first release was triangle of love produced by, kreem, (just one of his many guises), little did saunderson know, at that time, that two and a half decades later, he would still be releasing music on his kms label.

2012 sees detroit label, kms records, celebrating its 25th anniversary. founded in 1987, by kevin maurice saunderson, his first release was triangle of love produced by, kreem, (just one of his many guises), little did saunderson know, at that time, that two and a half decades later, he would still be releasing music on his kms label.

a new musical life-sign by our beloved stereociti from tokyo.after gracing us with his fabulous debut kawasaki, some fresh sonic pieces are about to rock your world! the opener dialog is a ten minute epic journey of finest deep house and is showing that stereociti is constantly improving his sound and taking it to the next level! the b-side brings us jellyfish a poetic house jam with some dark driving moods, which was recently released as a part of the japanese exclusive mix-cd called never trust a dj mixed by stereociti himself! the last track mosaic is a fantastic contemporary turn on jacking chicago house, so get your dancing shoes ready! available as limited 12inch with the unique mojuba sleeve-design.

hailing from cheshire, submerse is an esteemed producer/dj with a distinct and recognisable sound that traverses beat music, ambient, 2-step and autonomic whilst being punctuated by a myriad of unique and personal influences. the past year has seen him at his most prolific, releasing tracks & remixes with r&s sister label apollo records, med school and many more. submerse was featured by pioneer japan and was also named band of the week in the guardian newspaper (2012).
amidst a plenitude of productions, submerse has also seen support emerge from influential media titans such as dj mag, xlr8r, big up, bbc radio 1 and bbc radio 1xtra.

first new album from the echospace duo since the critically acclaimed >liumin< double album on manchesters beloved modern love imprint. the sonic structure of this album was the basis for what later became >liumin< released on modern love but this exploration is something all together different, left untreated and unprocessed from its original 1/2 inch tape to preserve the natural organic state of the recording.
released as a triple lp set with custom printed, matte finished over sized lp sleeves, black retro inserts all housed in a resealable poly sleeve. pressed on 160 gram, splattered mixed color vinyl. contains the audio cd housed in a gloss finished card stock sleeve. limited edition of 500 copies.

now eternal basement returns to his spiritual home, harthouse mannheim (the mannheim was added after the labels 2005 re-launch) for the release of a brand new album that is set to re-affirm his position in the labels history.zustandsgeber is a journey through the sonic soundscapes of deep electronica, acidic techno and futuristic minimal, reaching out beyond the confines of any particular style to deliver a startlingly good album.

morgan geists project storm queen marks a return to his roots with an analog approach towards modern house music with a disco pedigree. >lets make mistakes< once again features the vocal talents of damon c. scott. storm queens debut of 2010, >look right through<, became an underground hit and was reissued as a remix package by defected records. 2011s >it goes on< nearly outstripped storm queens debut in popularity and was featured in countless radio and club dj sets and charts. >lets make mistakes< extends the storm queen continuum at 117 bpm, slowing down and emptying out to form a sinewy, building sound sculpture with a pop song nestled at its core. storm queen physical releases will be limited-edition 12 inches only. storm queen is made for djs, but doesnt sacrifice atmosphere and songwriting. storm queen owes a debt to classic house music from new york, chicago and detroit, as well as disco and boogie. s t o r m q u e e n i s a l e a p o f f a i t h .

short version: swedish new school electronic disco music. one side with vocals by kicki halmos and a melancholic swing, the other one is slightly man parrish-ish and features viking muscle beats. both tweaked, edited and mixed by a certain terje olsen from another viking country. long version: during a long and cold night in stockholm some moons ago, a mysterious 7? was given to running backs chief a&r. he liked it so much that he wanted to convince the world of its greatness, got more copies, played them back to back, gave it out to djs and producers and there a certain terje olsen decided that he could prolong the all too short 7inch versions into a 12inch. and here we are. original versions released on drifter sthlm by samo forsberg. do some popping, locking & down-dogging!

apparel music gives life to a catalog of small size, aplmini, 7-inch format. kisk gathers the first duet and this time they are young artists, a talented russian guy, maxim buldakov, and stefano esposito, only twenty years, naples, italy. the work was built to give the feeling of listening to an old-school funk track, reworked. to get a perfect project was also required to give a warm voice that unmistakable taste. so funkin on contains a special sample of the recording pushin on performed by the quantic soul orchestra feat. alice russell, timeless, used with permission by tru thoughts ltd. enjoy!

the dawn ep is the debut release of markey alias sander markey. who recently settled down in berlin, after he was living and working as dj and producer in gent, belgium. now he comes up with four really playful tracks. here he shows his affection for funky grooves and soulful voices. with support from mz. sunday luv, who gave her voice for a freaky intermezzo on dawn, the ep starts offensively. the repetitive groove and the marching 303 bass drum toped with a dark demanding voice have a mystic massage. as contradiction to it you hear a charming dirty string ensemble and an odd delayed snare crushing the monotony. spring break as well as in the shade, the last made in coop with robyns alias yannick robyns, have definitely the warmer funky attitude. playing around with a bobby mcferrin vocal sample and bringing out the soul. facing the clouds is closing the ep as rather melodic and atmospheric track.

last years tbg01 was charted by german djane ellen allien and broadcasted by gilles peterson of bbc-international fame - amongst others. the second installment (with the slightly confusing catalog-number tbg04) changes its appearance from white-label 12 inch in a black & white gatefold cover to heavy white vinyl in a multicolored disco-sleeve. the labels patron arthur boto conley showcases the work of obscure 1980s producer clifford trunk. the lo-fi dance and ambient tracks origin from a tape which was hand to conley by trunk during a brief encounter at düsseldorfs ratinger hof in 1986. depicted on the cover you can see italian designer ettore sottsass work for the fashion company esprits european headquarter which opened up the same year. clifford trunk was working for the sottsass associati from 1982 on and had a leisure time obsession for drum-computers and sample synths. what a serendipity! - limited to 333 records.

the second full-length album is a true reflection of the complexity and simplicity that have come to represent the artist. effortlessly weaving entirely new sub-genres, while daring to convey its fragility she assembles the marcy all-stars, a loose collective term that encompasses her longtime muses, friends, and co-conspirers. the term comes from the marcy hotel in williamsburg, new york - an underground nightclub-come-creative-space and wolf + lamb label studios that gave nicolas jaar his first gig, inspired a multitude of collaborations and reshaped the sound of house music as we know it. available on cd, lp with a special limited edition lenticular cover of the accompanying led sculpture designed by deniz kurtel and brought on the way we live u.s. tour. vital sales points: - second full-length artist album for turkish-born artist - mobile led installation was constructed for the tour, artwork is special multi-frame lenticular - extensive global promo + tour

vinyl only release !!! >> come on, be honest. you also have been waiting for this. for more than seven years now, the 27-year-old frankfurter chris tietjen stands, like hardly any other dj, with his cocoon mix compilations for the sound of this label. apart from sven väth, maybe.. so, it was really time for tietjen to carve his music-aesthetical biases finally into vinyl, because for the value-oriented and highly dedicated dj, its a matter of honour to release his tracks in the traditional ep format only.

ein sommerlicher klanghappen für groove-gourmets, eine augenzwinkernde provokation für schubladendenker. rene bourgeois breitet zum tanz einen elektronischen rhythmusteppich von minimaler, jedoch kurzweiliger eleganz aus. was darauf geschieht, gleicht aber eher einem klassischen song. elke brauweiler verzaubert den zuhörer nämlich mit ihrem lieblich- verträumten gesang, der die stimmung von je danse prägt. nicht zu vergessen die unverkrampfte heiterkeit der irgendwo zwischen fahrstuhl- und filmmusik klimpernden melodie. mollono.bass trommelt seine organischen percussion-samples zusammen und treibt den akzent des originals subtil in richtung rhythmusanimation. und der deep in the club mix von dan caster und rene bourgeois erfüllt schließlich alle erwartungen, die man an einen titel mit solch einem namen hat. zwingender groove, hypnotische atmosphäre und dramatischer aufbau.

grasscuts debut >1 inch: 1/2 mile< was named electronica album of the month in mojo magazine and was one of the sunday telegraphs top 10 pop cds of 2010. if that album featured a mix of songcraft and electronica, follow-up unearth tips the balance towards songs. its a more vocal record and both the legendary robert wyatt and gazelle twin contribute – alongside main vocals from grasscut composer, producer and multi-instrumentalist andrew phillips. unearth proves once again that phillips is a songwriter of note, truly traversing any notion of genre with seeming ease and considerable depth. grasscuts marcus o dair features on double bass, seb rochford of polar bear guests on drums.

dutch master orlando voorn with a two-track release containing some of his pioneering material as format. rightly recognised as one of a handful of artists who built the early, crucial bridges between europe and detroit in the late-eighties and early nineties via collaborations with juan atkins and output for kms, voorn’s legacy is unquestionable. winning hollands dmc championships in 1986 and 1987 was the real career catalyst and there seems to be no let up in quality since then, either as a dj or a multifaceted, multi-genre producer. these two tracks are produced in 1993 and still didnt loose their magic!damn right and jam session have that the raw charm, edge and vibe sounds so current. energetic, melodic and broken, both tracks touch on a myriad of styles but what shines through is how modern electronic styles can be traced back to this sort of fantastic, unique output. format remastered could be sitting snuggly alongside modern house, techno, uk garage, uk funky and many more contemporary styles. this is a rare chance to grab beautifully treated versions of classic voorn material.

jakob seidensticker and bardia salour are running a special path since almost one year, releasing only unique tracks on underground cutting edge labels. we know jakob from the first collaboration on sic008 with wareikas wonderland remix, and since the first meeting we knew there was more to develop together. this time seidensticker comes along with bardia and danilo schneider. both were already tested for the first 2 issues on enough records. the result is a new powerful release for sleep is commercial.

back with a renewed energy and purpose, latino-flavored rappers cypress hill climbed back into the ring for another round in the fight for hip-hop supremacy on iv, an album which is as much at home with ghetto street-kids as it is with california surfers.
with right hand man sen dog back in the fold, it completes the circle that b real and dj muggs once drew as one of the most influential groups in rap. with this fourth album, cypress hill managed to hit the #11 spot on the billboard album charts and it was certified gold.

a few years ago i took a journey to europe searching for a new sound. people along the journey had been telling me about this guy from tropea, italy called dj steve (named after his favorite musician, stevie wonder).
he is a butcher there by day, but at night he is the dj at a club called casablanca. i made my way to this tiny town in the south of italy and found dj steve. his 12 hour dj sets opened my eyes. this guy was the real deal. he was playing dubplates, vinyl, cassettes, and reel-to-reels. all special edits he had done over the years. i couldnt believe what i was hearing.

bill withers >live at carnegie hall< was recorded almost 40 years ago on a rainy friday evening, but it is still regarded as one of the best live performances in the history of soul music.
music on vinyl is re-issuing this classic on 180 grams audiophile vinyl for the first time since 1975! comes in gatefold sleeve with printed innersleeves.

after john coltrane and cannonball adderly left the quintet, miles davis was forced to search for new qualified musicians. he found them in hank mobley, wynton kelly, jimmy cobb and paul chambers. in 1961, just two years after recording kind of blue, miles and his new line up started recording energetically and finished someday my prince will come after only three days.
this album is a cross-over from kind of blue (movlp019), which is known for the typical miles davis-tunes, to traditional pop-standards such as the eponymous title track from >snow white and the seven dwarfs<.
music on vinyl turned this classic album, including glaring solos from john coltrane (joining miles on two tracks on this album) and hank mobley, into a true gem! this record is re-mastered on 180 grams audiophile vinyl.

dubbed a structural prodigy by mixmag, south londons joe syntax is back with >modus bass fun<, offering the very best in dancefloor d+b with buckets of bassline bounce.
joe syntax impressed with his med school debut last year, both >signal drop< and >sightlines< were received with rapturous praise from mary anne hobbs (xfm), mistajam (bbc radio 1), marcus intalex, brookes brothers, tc, dj hype and many others. this was followed up by >red rhythm<, an uncompromising collaboration with lung and eleven8, which was released on med schools >blood pressure< compilation earlier this year. joes new ep takes his production to the next level, so prepare to adopt your bassface as we get syntactical.

in june 2011 subtext recordings was restarted after a six year hiatus for the release of the second lp from emptyset, titled >demiurge<. this album represented a transition from the first two subtext releases, a pair of seminal experimental recordings from the groundbreaking duo vexd, switching path into a new terrain that allowed for the distortion and dissolution of the sequencer grid and shifted the focus of the label from the programmed to the composed.
through this development subtext recordings has evolved into a conversation between emptyset, the ex-vexd artist roly porter, and composer paul jebanasam, who has spearheaded the revival of the label. this new release continues this dialogue by commissioning both porter and jebanasam to respond to the material contained within >demiurge< and develop their own interpretations of the original album.

around might come as a surprise for many club-heads as noir usually produces club tracks and is now moving into the electronic songs area. however around makes the perfect transition for noir as it refletcs some of his trademark club-sounds mixed with the new melodic and more in-depth electronic sound.coming out on the 16th july , this 12inch vinyl contains two exclusive remixes from subb-an and the murked vocal mix along with the much loved solomon remix which was one of the hit singles of 2011.

the third ep on visky recordings is brought to you by a fresh and talented upcoming producer, dj and music lover hailing from grodno in belarus. schmoltz has had a long-term affair with music which got him to collecting records and fiddling with music making software and hardware. growing up as a metalhead kid, he came the disco route and later to be mesmerized by the soulful powerful funky and electric sounds of donna summer, gloria gaynor, stars on 45 and whatever else was to be found in the piles of soviet melodiya records. schmoltz delivered three great jazzy, deep & soulful tracks for his debut 12 inch on czech based visky recordings. on top of that the b side offers a remix from ferrispark label head scott ferguson. scott gave to raindrops a totally different feel and energy in a way of his own.

vibe004 is the second and last part of theres enough for all of us remixes. this second part available on colored vinyl, was been touched to explore the deep and intelectual side of vibe me record. incl remixes by deniz kurtel, kisk & kjofol, so inagawa, dustin phil