zk bucket with his label zaun is the newest addition for our distribution. his first release contains four dark tracks to get lost in. -kutsche- drives you into the night and -reptile wins- is the last track before losing consciousness. dixon has played -let your body ctrl the beat- for some weeks now and if kristian opened panoramabar for one time and not like always closed it you could hear him playing some downtempodarkness too.. now this is finally available for everybody!! lennart

first pressing of 1000 numbered copies on purple & gold mixed 180 gram audiophile vinyl.
dances with wolves is the original soundtrack of the 1990 academy award and golden globe winning film dances with wolves, produced, directed, and starring kevin costner. the original score and songs were composed and conducted by john barry. barry won the 1991 academy award for best original score and the 1992 grammy award for -best instrumental composition written for a motion picture or for television.- john barrys fifth oscar-winning score is a profoundly moving body of music.

top show-b remixes , carl craig like

novoline makes music with equipment that was manufactured in 1988 and 1989, controlled via midi by two atari sts. as a sequencer he is using an algorithmic composition program that is 25 years old. with this program he creates sequences that he modulates live by shifting numbers and settings while recording. the process is improvised and contains a good portion of randomly generated melodies and drums, carefully selected and combined by novoline. the result sounds a little like something between a dark 80’s sci-fi soundtrack and an endless marching new beat extended version.

strut present an inspired new afro-electronic project for 2016, kondi band, a collaboration between sierra leonean kondi (thumb piano) player sorie kondi and us producer / dj chief boima, who himself has sierra leonean roots. the project was spawned after boima happened upon an online video of one of sories original tracks. sorie kondi is a blind musician with a will to thrive like no person i have met before, explains boima. my work with him began with a youtube link. i spotted the video for his track without money no family and was struck by his beautiful vocals and socially-conscious lyrics. these incredible melodies he was playing on his namesake thumb piano (the kondi) sealed the deal: i immediately decided to remix it.

dba present another vinyl-only various artists excursion, once again mixing new arrivals to the label like london’s karen gwyer, raven cru and italys dukwa, with established label favourite lily.

it was only a matter of time before the detroit / sheffield music connection was made again, this time with annie hall taking a break from co-running detroit underground to make an appearance on like minded sheffield label central processing unit. annie dedicates this e.p. to women in science (marie curie, lise meitner, elizabeth arden and caroline herschel) when tenured positions for women working in the field were extremely rare. although the tracks appear to be straight from the science lab, don t let that fool you as each track is brimming with laid back computer funk with subtle melodies that keep you hooked. annie has deviated from her signature fractured beats and delivered an easy listening electro affair that s equally at home on the dancefloor as it is chilling in high fidelity. tenured positions is a limited edition (300 copies worldwide) 12- vinyl with printed sleeve, paper inner and shrinkwrapped.

already one of the secret weapons in the bags of djs like solomun, dixon, derrick may, josh wink and osunlade,pentimento by yotam avni gets an official release on rebirth this summer.

in this offering by the berlin-based and made in the middle east label disco halal, we urge you to meet nadav spiegel, better known as autarkic. autarkic is a self-sufficient artist and live virtuoso, he is the first member of the disco halal family which will be releasing his music in spring 2016. “can you pass the knife?” is about the struggle being stucked in a gap between longing to his homeland and what it could have been like and a heavy criticism on what it actually became. it will be a mini-lp containing 6 mesmerizing songs, “asi keta g”, “solo gun”, “watch out”, “the misorientation of autarkic”, “ufo (space version)” and “tender lies”. that might sound like only a combination of random words now, but after being heard, these songs will help you to enter the embodiment of autarkic​ and allow you to save a piece of his soul on your shelf. shimmering melodies, gibberish language, haunting vocals, extended beat programming and one-take recordings, should mark the beginning of a new disco halal phase. after releasing mainly edits from around the transcultural hemmesphere, the transition to original exquisite music seems to be a necessity.

been to long - the well remebered chorus of a successfull parisian duos single hit comes easily to mind while thinking of the latest internasjonal release. after a long hiatus - which feels like surely way long - we restart with one half of the formerly well known milanese pair - boogie drama - and it s very own lele sacchi. deejaying since 1995 sacchi has been and is still one of italys and especially milans musical icons - at least for electronic and alternative worlds, presents himself in his signature style. high on the heals of the success with rebirths smash lele sacchi vs blonde redhead - youre only kosmiquest is dark and cryptic, with a mean but very neat and elegant bassline plus an unmatched groove and feel for the floor. this time well balanced with a tad into psycheledic strinig heaven, wich combined with electronic effects is his ultimate kosmische quest. the whole thing is contered by an airy and superbright no less danceable lauer version and a fantatsic relaxed italo take on kraut which can propably be non done much better than byprins thomas walking on that lunga strada!

archeo recordings is a reissue record label that regenerates old, lost, obscure (and forgotten) rare gems of italian music of the 70s and 80s, and not only. all outputs are licensed by the artists and the vintage labels audio tracks are remastered in their original form, the sleeves and center labels are graphically recreated for today but all based on the original images. archeo would like to make the music available to a wider audience of collectors, djs, music lovers of a forgotten time. all releases are hand-numbered limited edition vinyl. the first 100 copies of each release are pressed in coloured vinyls. this release is individually 500 hand-numbered limited edition. the first 100 copies are pressed on white vinyls (lp ar007).

about a year ago nico stojan and acid pauli met at the studio to record some music. while doing so they discovered their common love for sample based production. so they were basically digging into old vinyls and eventually these three tracks came along. nothing more to say, but enjoy. call of the valley is the first release on the new label ouie: there has been a shift in this tiny piece of massive world and, like all other shifts, they are documented by those who were there. ouie is the label to do just that, created by the people who were there, making those shifts.

truck is a buzzing analogue moog droning bass riff over disco-tic handclap beats with cb radio vocals by the one and only frontman of the b-52 s fred , think homage to movies like convoy and smokey & the bandit turned into pulsing dubbed up soundtrack to hitting the road and hitting the caffeine. in flagranti pump up the beats and claps and give it a nyc 80 s b-boy twist that just builds and builds in to a euphoric percussive groove in their own usual trademark style.

after rebolledo’s successful debut album super vato (cÓmeme cd lp 01) from two thousand eleven, his highly praised mix cd momento drive (kompakt cd 117) from two thousand fourteen, and all-around mayhem during his adventures as one half of the pachanga boys, xalapa s finest returns with his second solo album mondo alterado: a recollection of moments and experiences from recent years, colorful mnemonics encompassing the brightest and the darkest. the result is a kind of soundtrack for a movie that doesn t exist, a sonic journey designed like a mixtape that faithfully reflects rebolledo s background as dj and producer. nine tracks connect for one overarching narrative, sharing elements, motives, details, as they blend together. the artist s signature can be found all over the place, roaming between straight, rock-drenched drumming, sinister atmospheres, raw synth textures, exciting peaks and foggy bottoms - but always following the kinetic flow and relentless drive which are such a big part of rebolledo s compelling charme.

your silent faces second release – the first on his own label tethys records – continues the deep, brooding techno trajectory set by his first track on fiedeltwo, a place where arms bend backwards. title track red rain is urgent yet considered: subtle acid lines swirl and build against bright defined percussion while the bassline builds towards infinity. it reveals ysf’s inspirations from motorik music, early industrial bands like nitzer ebb and deep techno heroes including sandwell district and rrose.kleinian transform takes techno to a place where georgio moroder meets front 242 and basic channel, creating robotic space-tracks with dub disco melodies, insistent bassline and mighty crescendos. its a late night dancefloor track influenced by dj hell and francois k, but equally by coil and new order. scorched earth closes the red rain ep with a post–apocalyptic melancholy, a soundscape which nods to kraftwerk and boards of canada. this is the track ysf wants you to hear at the end of times, recalling the blistering winds of post-nuclear fallout: darkly spacious, with a questioning melody. the ep was mastered by keith tenniswood at curvepusher.

after his turn in conga radio, roberto makes his debut on good timin with four-tracks of classy bangers. leading the charge is the shuffling -junk rudder,- a piece of flanged out club gear that has the grace and grit to take any party to -that next level.- meanwhile, -atomic- is a not-quite peak-hour stomper, while -oceanic- is the sound of goa trance if the drug of choice was high-end coconut water. finally, -twilight- sounds like something bruce hornsby might cook up if he got arrested and could only talk to his lawyer through a broken moog.

limitierte wiederveröffentlichung des 1995er albums als 180g schwere vinyl-edition. nach dem moby über nacht mit seinem track go die techno-szene mit einem der großen hits dieser phase versorgte und schnell zwei compilations mit frühwerken des künstlers auf den markt geworfen wurden, sollte everything is wrong sein erstes richtiges album werden. frisch bei dem label mute unter vertrag, zeigte sich moby musikalisch erstaunlich facettenreich. auf der einen seite stehen dancefloor-hymnen wie das überdrehte -feeling so real oder die single every time you touch me, auf der anderen seite überraschte moby mit ambient und filigranem pop. when its cold id like to die mit gast-sängerin mimi goese klingt ganz so als würde moby die frühwerke des labels 4ad (cocteau twins, dead can dance) außerordentlich schätzen. mit dieser varianz nimmt er seinen weiteren werdegang voraus, bei dem er noch häufiger überraschen sollte.

leo martera and riccardo sodi present two power tracks equipped with the right measure of steam and chicago house elements. shame feels like a sunrise with the beams of sonic rays atop of a floating, intense drum track. timeless chicago house ! up woman- is deep, grounded and esoteric, bringing the entire essence of night to the mornin.

the first compilation on the dresden based label shtum unites three label regulars and one newbie with four tracks suitable for rampant basements. -motorcity racers- has been on rotation for quite some time amongst the label heads and is the first sign from poland s chino on shtum. it floats somewhere between dirty detroit and the rough corners of the netherlands. leibniz delivers the -real life-, a relatively straight follow-up to his latest ep, while jaures hit their drum machines like there is no tomorrow. perm s cut is all loopy and succeeds in creating an irresistible atmosphere with just a few elements. the artwork comes courtesy of carl-johannes schulze.

record kicks are extremely proud to present one of the hottest new names on the retro soul scene, the tibbs! proceeded by the smashing single next time , the tibbs debut album takin over will hit the streets on may 20. produced by paul willemsen (zuco 103 / lefties soul connection), recorded at the electric monkey studio in amsterdam using only vintage gear and mastered in nashville by soul veteran bob ohlsson (the guy who took care of mastering for many motown hits), takin over is indeed a breath of fresh air! from floor-shaking soul tunes like dog days , get back tuesday and next time , to the deep soul of wild way and funk stormer suffocated , singer elsa bekman - supported by a super tight big band - will impress everybody with her unique raw, gritty vocals that do not fear comparison with big names such as amy winehouse and duffy. based around amsterdam and founded by a bunch of northern-soul and funk disciples, the tibbs started in 2012 taking inspiration from the golden age of soul music. in 2014 they self-released a demo ep and they also released a 45 vinyl on german funk label tramp records. now, after a few exciting years turning heads and spreading soul tunes all around the country - including appearances at the legendary north sea jazz club and a live performances at national radio 6 - the tibbs are finally ready to make their official debut on record kicks. take notice, because the tibbs are the new name to watch!

jonathan vandenbroeck alias milow präsentiert 2016 sein neues, mittlerweile sechstes studioalbum »modern heart«. die vinyl-lp erscheint inklusive downloadcode für die deluxe-version des albums.

musik als katharsis: entschleunigte, aus der krise geformte breitwand-electronica. die vinyl lp erscheint inklusive album-cd.

paris-based beat x changers brings up to you a new record with a collaborative project in the shape of classic cuts.our new release introduces two new french artists brought together on a split ep: tell from paris and name from the sunny avignon city, both of them backed- up by exclusive remixes from three of our historical beat x producers: neue grafik and pulkone (aka x_1 & monomite). on the a-side, discover tell - a 20-year old jazz drummer - who releases two soulful and melodic tracks. you’ll recognize the heat of the mpc grain, obsessing samples and uplifting breaks. on the b-side, southern producer name offers a disco-like and funky house music via two dancing tracks with a clear reference to the clubbing universe of new york and chicago. this activist dj and experimented producer – he is an ableton teacher on the side – gained recognition in the south of france music scene in the last decade and reached the ears of producer kink.grand Écart (i.e. wide gap or split) recalls the time it took to release this ep. it’s also a geographical gap, a gap between the ideas of the five artists brought together on this release, a gap between our expectations and the reality of some passed – or cancelled – venues in paris. we have always believed in this project and in our flexibility!

2014 lieferte sie mit no deal ein beeindruckendes album ab und wurde seitdem europaweit als eine der faszinierendsten neuen stimmen im jazz wahrgenommen. kein wunder also, dass die belgierin 2015 mit dem ebba (european border breakers award) ausgezeichnet wurde. anderthalb jahre nach der albumveröffentlichung von -no deal- erschien durch initiative von gilles peterson ein wundervoller musikalischer nachschlag dieses fantastischen werks: no deal remixed mit reworks von u.a. eels und the cinematic orchestra. nun erscheint mit blackened cities ein episches 25-minütiges werk über das de biasio sagt, i dont think anyone, including me, was expecting a 25-minute piece which wasnt a successor to no deal, or anything other than a collection of new songs. i followed what the music told me, like a gut feeling.

limited vinyl lp in gatefold sleeve with album-cd included.
on the cover of their new album malamore, their first album for because music, lionel and marie limiñanas are back in black, and looking ineffably cool, standing next to a classic silver fifties trailer, shot at a beach festival in the french town of paulilles by the spanish border, just 30 minutes drive from the duo’s home town of perpignan. they’d been playing a dj set, “only with 45 rpm vinyl - sixties punk, italian pop, movie soundtracks and seventies rock tracks,” they recall. “the picture syncs well to the colour of malamore, like the artwork of a movie soundtrack. the lettering on the cover is significant too.

nice price deal !!! it’s been nearly two years since the last sanys record. in the meantime, techno has flirted with noise and industrial, often resulting in gloomy self-indulgence. thankfully, there is no such creative verbiage on this seventh instalment of downfall theory. “seizure” starts the release with a robust, stepping rhythm and relentless stabs playing out against atmospheric, eerie textures. it’s like shed’s wax project jamming with deepchord. next up is ‘natural high’. this is one of sanys’ darkest moments so far, inspired by the depth and length of the st petersburg winter, it sees the russian producer lay down a visceral, muddy rhythm, against which ghostly shrieks and waves of frosty chords, blown in from the baltic sea, meet.

ultratheque pays tribute to glasgow s first ever laser disco and the first dancehall that hifi sean frequented as a teenager. soft cell/the grid analogue keyboard maestro dave ball adds his trademark sound on this solid electro groove making it sound like some lost dub from nyc danceteria days dave himself with skull bandits crank up the electroclash vibes on the remix and turn it into a full on dancefloor onslaught like ultratheque itself was back in those laser-tastic days.

morah’s first release came from helena hauff’s return to disorder label and this time the athenian producer takes the same techno and electro sound and goes completely berserk for berceuse heroique. morah creates some huge waves of feedback on anarchy, which sounds like a techno version of metal machine music, then he takes the old school viewlexx sound and makes it even more confrontational, on you said no and impasse. looking back is a beautiful, melancholic - but still very dysfunctional - version of the death of a rave. one of the strongest points of this new producer is that his music sounds like the city of athens right now: raw energy mixed with manic depression and pessimism.

terrific record! eight charged, intimate meditations by julie normal and olivier demeaux, playing a rickety ondes martenot and an old church harmonium. gripping, detailed, stately improvisation — a bit like the ùrlars in classical bagpipe music — which nervily mixes the sternly doom-laden with precarious, other-worldly wonderment. (the ondes martenot is an amazing twentieth-century instrument — beloved by messiaen, for example, and varese. the theme-song of star trek is a vocal forgery of its sound. ‘j’aime cette fragilité qui côtoie la capacité de te décoller le tympan sur certaines fréquences inopinément,’ says julie. ‘je tiens une bombe dans les mains. j’aime son instabilité, son humanité.’) wood, breath, blood, eggshells… on the night of a purple moon. very warmly recommended.

the expanders new album *hustling culture* is the band s third studio album, but for the band members feels like their first proper album as a cohesive unit.

ext returns with his follow up to the third installment of house shoes reputable “the gift” series with “arts & craft”. ext cleared off his desktop about a year ago and sent me everything he had been working on. all of the tracks were in various stages of development. some loops, some fully fleshed out, some sounded like sketches. it drew my attention because of the resounding innocence of the collection, an innocence that is more or less gone from the industry in 2015. listen and learn what it sounds like to just have the intention to create, not muddled with the star aspirations or big money dreams. just to create.

powerdance is a collective formed by luke solomon and nick maurer formed as a reaction to bland soul less dance music that seems to infiltrating nightclubs the world over. luke and nicks comradely stems back many many years to their association with the classic music company a label formed by derrick carter and luke. nick maurer was one half of the then prolific greens keepers. this ep for optimo trax features the wigged epically funkoid gem mysterious space plane who doesn t like songs about space? on the other side is the modern hyper jacking more fire. alongside these are a reprise of mysterious space plane and a bonus beats of more fire for those djs who like to, are able to get creative with their mixing

future times is very happy to announce a new record from rbl, who we haven t heard from since his 7- for ft (the second-ever release on the label) about 7 years back (!).tip once again the songs are split up into dance and romance sides, on the dance side we have -frequency illusion,- a glorious slap of vibro-house for the deejay crew, coming in hot like a rugged pal joey tune, and on the romance side we have the slow hypnotic funk of -number games,- complete with dope mantra vox and italian slo-house chug. this one is a doozy!!

summer, sunshine, feeling good - for their long desired debut album mollono.bass & ava asante take this great essence of life to compose a unique kind of electronic music. by combining the catchiness of their solid grooves with a touching violin and a breathtaking voice they create a magical journey that will make you feel like birds flying high. while some tracks are bursting with euphoria, others swing along with dubby easiness - and all of them will touch your soul deep inside.

with songs for tova dolly introduces a brand new producer called afik naim. this rough diamond was pulled out of a cave near jerusalem. he has a cinematic experimental take on what you would call techno but he is rather hard to classify to be honest. exactly what we like, somebody who stands out with his typical sound pallet! another perfect player on this songs for tova team is the never disappointing kassem mosse with a killer remix to wrap up this high class 4 tracker!

kevin mchugh returns to his delft imprint as la-4a for his & the label’s first artist album. phonautograph represents an artist album in its purest sense: a deeply personal work that feels like the culmination of a lifetime of passion and experience - one that ebbs and flows across a variety of styles and tempos, from the electrifying acid house and electro of resistor, capacitance and dialup to slower tempo ambient and experimental excursions such as frequenzvariabler, blitzlicht and semantron.

it s fair to say that boris bunnik has made an impact in his short career. in less than a decade this dutch man, under monikers like conforce and versalife, has scaled electro and techno with subtle ambient touches and idm echoes. and that s exactly what he s doing for the singularity ep. lush pads and flowing bars punctuated by crisp percussion, -shine eye- sets the scene. -autobots- adopts those same brittle beats, this time using them to send dreaming strings skyward. northern winds swirl around the colder chords of -milnet-, chords that dawn into absorbing swirls of -transgenics.- masterful machine music.

it s moscow disco! russian selector extraordinaire arsenii makes his rnt debut with a 3 tracker of obscure and infinitely groovy edits. from the shaft in-outer-space drama of son of the son,to the proto-balearic lilt of jungle melody to the big band funk of fool like a child, arsenii demonstrates his skill at digging through and slicing up his ample record collection. a pretty yellow 10inch with a classic jazz library label design rounds this one out nicely!

tommy garofalo aka turbojazz returns to local talk after remixing corrado bucci back in 2015. a producer with great versatility that started djing and producing music during the 90 s, heavily inspiried by hip hop. something that would bring him to explore the whole black music culture, from dance floor jazz to rare funk and disco, passing through all things soulful and deep. take all of the above & stir it in a musical pot and you get the unbreakable ep , the debut 12- on local talk from turbojazz. the ep kicks of with please u which features david blank on vocals. a retro-futuristic track with warm chords draping themselves over snappy snares & melodies. on the flip, unicorn rising bounces along with the sort of finesse you d expect from a producer like recloose, it s flavoured with quirky breaks and warm fuzz bass & analogue-sounding keys. last but not least we ve got evm128 on remix duties, a feel-good slice of broken beat anyone ? it s a blinder ladies and gentlemen.

club lonely s first 12 inch coming from san francisco drum machine freak vin sol. vinyl only wild chicago trax for club destruction. west coast producer and clone affiliate vin sol has been steadily banging the box creating his twisted takes on house, techno and whatever weird ass grey area that exists between the two. his sound is uncompromising, carefully crafted trax for the dance floor hinging on raw and stripped back grooves with relentless movement. this sentiment is also expertly conveyed in his dj sets and mixes.with his production getting support from both techno and house heavy hitters like marcel dettmann, larry heard, seth troxler, richie hawtin, len faki, scuba, joey anderson and boddika.

kevin arnemann and daan kemps taped artifact label clocks up its fourth release with a three track offering from outlaw rec boss and key part of the italian serendipity club, namely matthew oh. matthew has previously released on his own label and others like side off, and eloquently marries dub, techno and house into smooth and sensuous sonic landscapes. the opening track psycho hub is an atmospheric and spacious roller with dubbed out drums and pads, coupled with incendiary hi hats urging you along. shroud is seven minutes of slick and spaced out deep techno with liquid synths and clacking hits all racing along and making for a frictionless groove that sucks you right in. finally, get in the fridge slows the tempo down and becomes an even more widescreen and roomy roller with suspensory pads, smeared synths and aqueous sonic details that make you feel like you are floating in sound.

who would have thought that gerd janson and phillipp lauer, aka the tuff city kids, delivering a rocker mix for alter ego, wich is not only one of their best up to this date remixwork, but also probably one of the biggest electro-summerhits in 2016. the tuff city kids production work is quite similary eclectic like in roman flügel and jörn elling wuttkes original version.

billy nasty’s electrix records launches its 2016 schedule by welcoming back the always impressive, carl finlow. carl is one of dance music’s leading lights and a multi-talented producer across a range of genres, with releases stretching back to the early 90s. well known for the 2020 vision label he launched with ralph lawson, his solo work however has often taken an electro route with releases under various guises like random factor, black labs, voice stealer, silicon scally and scarletron (with daz quayle) on labels including warp, fuel, playhouse, paper, trope, sony, klang, arista, soma, scsi, pagan, minifunk, seventh sign and satamile. it’s been almost 3 years since carl appeared on electrix. his ‘boot loop ep’ became the label’s second release after its re-launch in 2013. but it’s definitely been worth the wait. his ‘electricology 4 ep’ once again shows why he’s a master of the genre. from the tough and funked-up ‘lateral thoughts’, speckled and melodic ‘hyperloop’, squelching, bassy ‘suspect reanimation’ and sinister, beat-driven ‘latext’, right through to the playful ‘atomic level’ (a bonus track for the digital release), the ep shines, with a stamp of high quality running though its core.

benales opens the e.p. with radiate, a track where you can clearly hear his influences of the american school of 90s minimal techno. long time dj but new on the production side, this is benales first effort on vinyl. after his initial masterpiece on knotweed records (kw006) and a handful of releases on demented (hiss 1992) and krill, opuswerk is back on knotweed with displacement, a trippy, hard hitting, analogic techno attack: no concession on this one! gonzalo md has already delivered the goods on both knotweed (kw004 and kw011) and decision making theory (dmt 006), as well as a fantastic ep recently on extrasolar. here, with sharp oscillation, he keeps developing his unique style, producing a highly percussive, almost samba-like, piece of techno. label owner philippe petit closes the e.p. with indian summer, a track moving along a warm bassline, bearing some recognisable krautrock influences.

vilena records is 5 years old and decided to celebrate with its first vinyl with 4 tracks. side a is characterized by dub sounds and two tracks: the first one by matt star, german artist who manages repeat music and has productions on labels such as cocoon records, kling klong and many others, the second track is by alex veronesi and paolo mosca aka rejekt. side b is composed of two tech house tracks: the first is by stan garac, spanish artist class 83 that has collaborate with labels like viva music and hall of fame, while the second track is by one of the greatest artists of vilena records, massimo pozzi aka max (italy).

2016 repress! tabla records is a new record label from nuernberg, germany, run by esteemed club promoters and djs, micha klang (also a producer for labels like off, safari, clap your hands) and serdal dincer. the first release comes from established house producer and dutchman ion ludwig.

2016 repress !! german label tabla builds on a solid first two releases from ion ludwig and micha klang & kuroneko with a new four track ep from romanian, little hado. since 2008 little hado has been releasing stripped back minimal house on labels like pleasure zone, soundcrossing and baile musik, always with his own inventive style and kinked sense of groove.

dense lp of fogged samples and who knows what. records like this don’t come along very often, it’s a weird ol ride. self released business from the man himself.

vinyl only release, 180gr pressing
barac returns to cluj’s midi records, this time with a whole release at his disposal. seen and unseen is an unsung rite of passage, marking the moment of stepping out of his confort zone, from the deep waters of house music with a gentle touch of nostalgia, to reveal a tiny bit of his techno subconscious. both tracks are slow cooked under baracs signature jagged groove, balancing the energy between both ends of the frequency spectre like a shaman guiding the crowd from light to darkness and back on every single loop.