amazing vocal release by the mighty ralphi rosario featuring donna blakely with her superb voice coming in three different great mixes

cool spiritual uk indy influenced electronixx

c-rock aka dubstar is responsible for the original version of 'take my hand (àpromised land)'. powered by rollings beats and a hypnotic acid licks it mutates into a mighty dancefloor weapon. cheekily the ambo guys drop most of the acid references, yet delight us with oldschool percussions and nuff twisted quirkness. if you arent already there since 1988 this one might lead you to the promised land!

ultraphat phreakin hardgroovin techno with electro punk attitude

limited upfront promo !! pumping bigroom houser in a steve angello style

take me to heaven begins the latest journey. deep house grooves with dancehall bass drums,tom loops and staccato acid hook. gene lefosse (convolute) co-produces this one as you will hear on the vocal effects. timely track for the summer sets. turn down the lights features the voice of gigolo s acid maria.abe breaks out the 808 for another acid house classic. this one builds and climbs up as duque tweaks to perfection

two groovin vocalhouse tunes feat. jennifer c

strong discohouse from england..

die housebombe für den sommer von ziv shalit..excellente remixe von zigi..supported by victor calderone,marcelo castelli,mike morales,paul huges and many others!!

excellent deeper groovy tribal house

take this for a ride on the floor..funky house tune in three mixes..

catchy bassline, boogie down drums and those very special stabs, we all missed for so long. masterpiece! on the flip men of the moment dirt crew aka james flavour and break 3000 take the chance and rub down the original into one of their most floor-friendly outings to date

incl reeloop rmx! orig vocals! strong new house, tribal and tech-house mx + reuter & schleis remix!

cool modern & dark electro / techhouse tunes

drei neue tracks des kanadiers mit fläche, atmosphäre & poppigem knarz appeal, die nicht nur der disko gut tun, sondern auch im wohnzimmer funktionieren

one of the fastest rising star from the parisian scene strikes back with a vengeance, and she does it with style a killer, dark, yet strangely addictive take careep. abe duque provide us with the re-touched version dubby, clubby, classy do you want more...played by laurent garnier, ewan pearson, ivan smagghe, steve bug, ricardo villalobos, luciano, kiki, james holden, ellen alien.

ultraphat groovin deep tribal house

brill deeper soulful jazzy vocal house ...very smoothie

slamming vocal disco monster , incl mauve vocal mix & d-bop remix!!

ultraphat rockin floormonster with new remixes + timeless original (is take from the famous longplay >supa feeling<)

slamming funky filtered housefloor puncher

phat phreakin monster bass bangin techno…incl oscar mulero & christian wünsch rmxs

>this 1st release is offering what people are expecting from french house music, a strong production, with character, loyalty, sensitivity & sensuality. think >intro< by alan braxe

excellent funky vocal house with electro touch

phat stompin filter house cuts !!

cool funky house with chris simmonds rmx (aka bomb the bass !!!)

brill funky house

2cd set , one cd = unmixed , 2nd is mixed

2cd set (1x mixed , 1 unmixed)

2xcd compilation! cd 1 mixed, cd 2 unmixed

cd, (original 1981 debut album) 2019 re - remastered+bonus tracks - first time ever on cd!

the take kontrol album by roni size

the prodig s seventh studio album, no tourists will be released on their take me to the hospital label via bmg. in a career approaching 30 unpredictable, uncompromising years, the prodigy have become that rare artist whose influence can be felt across all walks of life. continually defining (and re-defining) electronic music, the band have clocked up a staggering 6 number 1 albums, played to many millions around the world, and remain as relevant and respected as ever. though much has changed in the musical and social landscape, what remains a constant is the prodigy s resolute focus on following their own path, their own way. this, perhaps, is the true meaning of no tourists , and in 2018 the anger, urgency, and irrepressible spirit of the prodigy has no doubt never been more needed

say what you wanna say, but you have to give strahil velchev this: the manÕs a powerhouse. recording and playing live under the kink alias, he went on to become one of finest purveyorÕs of funk in techno and house. what it is, by definition, ainÕt exactly clear. and that is the beauty of it. kinkÕs music is unifying in the best possible way. channeling the spirit and feeling of a time where it didnÕt really matter who the faces behind the music were, kink plays with the elements of genres and sub-genres as if the future of it all is still wide-open. at the same time it could be accused of retro-fetishism, as much as the pope himself is infallible. the pure need to recreate moments, feelings and experience - rather than carbon copies of existing designs - was what started kinkÕs production work. hailing from bulgaria, it was nearly impossible to get your hands on all the records and music that fed into a system of raves, clubs and record shops that seemed far away from sofia, and financially it might as well have meant another galaxy. wanting to dj without having access to the tracks that spun the carousel meant that you had to create them yourselves. so, here we go with a private bootlegger gone public mastermind and one of the loudest voices in house, techno and beyond. from kinkÕs early productions with neville watson to his smash-hit for ovum, a cerebral album for macro, tons of remixes & tracks and his mind-bending live act, playground seems to take all that into a blender. simultaneously a sound-summary, the harvest of a field of ideas, and the exhibition of an artist in his prime, it also works as a sort of kink dictionary: avant-garde soundscapes stand next to boisterous bangers, classic club tracks and peak time emotions

das debŸtalbum von kelela ist ein vielschichtiges, oszillierendes portrŠt, das sich zugleich in die vergangenheit und in die zukunft des r&b erstreckt. was so nach relativ stabilen genregrenzen und zugehšrigkeiten klingt, wird in ihren hŠnden grenzenlos: take me apart steht fŸr sich, es ist ein neues element, das nach eigenen regeln funktioniert, sich aber doch einreihen lŠsst in einen kanon von klangverwandten jŸngeren albummeilensteinen. ehrlichkeit und verletzlichkeit waren schon immer die eckpfeiler ihrer musik auch wenn sie sich gelegentlich gepanzert in avantgardistischen electronica-schichtungen prŠsentiert, und auf take me apart geht sie nun sogar noch deutlich weiter, was den emotionalen tiefgang, wucht und gehalt ihrer message und auch die breite des klanglichen spektrums angeht. nach den lobeshymnen fŸr ihre hallucinogen ep, feature-beitrŠgen fŸr ihre langjŠhrige verbŸndete solange, danny brown oder zuletzt den gorillaz, und nach supportauftritten fŸr the xx, legt kelela mit take me apart den grundstein fŸr eine sehr vielversprechende karriere.

disco-phantasien, dunkles kabarett, die klŠnge des klassischen house und der elektronica, die freude und das leid des puren pop: der titel des albums stammt von einem irischen volkslied, das durch the dubliners populŠr gemacht und von ihrem vater gesungen wurde. ÒitÕs me and my rhythm. itÕs very simple, really - but very complicated.

jk soul had a new vision for his new album take me higher. he wanted to show the world his wide range of production skills and his capability of moving through the different styles of electronic music with class. not a lover of sticking to any stylistic niche to mark his territory. electronic music was always his playground so now house, dubstep, drum & bass, together with touches of reggae and soul are equal parts in his new creations all of which are there to enrich his unique and famous hip hop based beats and soul influenced trip hop trademarks. lala pumpkins voice moves the listener far away, across the european borders and in the west side of the atlantic, sounding so fresh and full of emotion but at the same time strong and certain of the capabilities that carries like a funk diva.

miguel campbell is a burgeoning young star that shot to notoriety in 2011 after something special, his debut release on hot creations became one of the biggest tracks of the year.

come take a journey down memory lane with us on back 2 the old skool garage classics, the greatest collection of garage anthems ever compiled!this essential album retrospectively maps out a journey through garage with over 60 vocal anthems across 3cds and provides a documentary of the seminal tracks which have shaped clubland and beyond. just some of the anthems on this epic anthology include shola ama imagine, monsta boy sorry and tina moore never gonna let you go alongside chart favourites like artful dodger movin too fast, dj luck & mc neat masterblaster, pied piper do you really like it and shanks & bigfoot sweet like chocolate. not forgetting the darker side of the bassline - those with a penchant for mcs can get their fix on early grime foundations from so solid crew 21 seconds,ms dynamite boo and oxide & neutrino bound 4 da reload.

a runaway journey , express beats and global groove, 1st cd = mixed, 2nd cd = unmixed

two years have passed and much has changed since gui boratto shot to prominence with his kompakt debut >chromophobia<. a much needed spot of colour amidst the minimal milieu, guis mixture of fierce production skills and a blissful pop sensibility have characterized his trajectory to the techno heavyweight before us today

limited edition opaque red double vinyl.

classic black double vinyl edition.

soul masterpiece