ladies & gentlemen, lads, kids and ravers.. antipop is back with another tech-house bomb !! uplifting strings and a pumpy bassline are working for it on a straight way..on the flip you will find also a martini brös rmx with funkyiness at the highest level

attention please ! we are about to introduce a new brother to our antipop family, joystick experience, a long time compatriot and musician with c-rock s >release-music< label. after inspiring tunes on trapez rec. and philter rec. (tokyo), joystick experience comes up with his sixth release >dirty fingers< and adds a few new fantastic flavours to the antipop menu. youll find up-to-date minimal techhouse elements combined with funky retro 80ies inspired synthesizer melodies that keep your butts moving ! a nice one

after their stunning first jacktronix release on antipop 002 they are back with two slamming tracks: with a-side s jacktrack they combine todays flavours with typical oldskool elements. kitty kitty bang bang on side-b gives us a chance to look inside jacktronix weird understanding of today s housemusic - with deep synths, cosy hihats and a smart uplifting bassline. jack is back ! played by sven väth, ata, david duriez...

a three intelligent techhouse numbers, combining progressive basslines and laidback synth-melodies, leaving you with no other choice but to dance… stay tuned for more uplifting tracks of munich's fittest house-monster

c-rock aka dubstar is responsible for the original version of 'take my hand (àpromised land)'. powered by rollings beats and a hypnotic acid licks it mutates into a mighty dancefloor weapon. cheekily the ambo guys drop most of the acid references, yet delight us with oldschool percussions and nuff twisted quirkness. if you arent already there since 1988 this one might lead you to the promised land!

not only 'partyf*ck' guarantees some dancefloor arousal but also the music with its gnarly, acid melody, robotic voice, punchy electro-tech drums will send the punters into a sweaty sleaze-feast. peabird displays his hip-hop roots on the flip by lacing some in-yer-face oldschool style rap lines over a bouncer with boogie claps and 80s synth melody