dave aju has been a black catalogue homie from nearly the beginning and we are excited to have him on board with this fantastic, wide-ranging ep of underground house bombs. all three tracks invoke underground soul/rnb and house a la detroit legend moodymann, but with that trademark aju twist

our fresh outing for kid caprice ep sees another new face join the dirt crew/ spiel family. our latest artist discovery is bal 5000 out of budapest, hungary. coming from a diverse genre background, his sound ranges from disco to techno, tastefully touched with indie and balearic. the title track, for kid caprice heralds a soulful bass line, easy house stabs, light hearted keys, gently swung percussion and sparkling disco licks, this ones a soundtrack for traversing the cosmos or blissfully swaying on a dance floor. dub version steps the energy up a notch. with its growling lead and steady lathered groove this one is wide and warm. on the b-side, farewell my lovely is melancholic yet uplifting, eerie synths sing over positive key hits and its lithe melodic lines playfully interact with the rolling bass giving this one a live synth-pop feel. wake up! its monday! is bouncing and joyous with a chunky bass at its core. a queasy lead wraps around the central ideas while rising arpeggios elevate the mood. finally, as digital only track, cop is a pumping italo influenced house jam brightened with classic disco elements. boasting a self assured bass and gritty rumbling analogue synths, this one is right at home under the lights.

little creatures returns from a slight vinyl hiatus with 2 big big jams. luke solomons personal hobby label has returned with some music from the vaults. the lead track sees look returning to the studio with his long time freak partner, jonny rock. the 2 were given the parts to a rather well known track and allowed do what they wished with it - they were then told that they were allowed to release - and bingo - mystery track was born. the flip side is lukes recent remix for psychedelic electronic act maiins. this version has been creating all sort of dance floor wobbles world wide

paris-based beat x changers brings up to you a new record with a collaborative project in the shape of classic cuts.our new release introduces two new french artists brought together on a split ep: tell from paris and name from the sunny avignon city, both of them backed- up by exclusive remixes from three of our historical beat x producers: neue grafik and pulkone (aka x_1 & monomite). on the a-side, discover tell - a 20-year old jazz drummer - who releases two soulful and melodic tracks. you’ll recognize the heat of the mpc grain, obsessing samples and uplifting breaks. on the b-side, southern producer name offers a disco-like and funky house music via two dancing tracks with a clear reference to the clubbing universe of new york and chicago. this activist dj and experimented producer – he is an ableton teacher on the side – gained recognition in the south of france music scene in the last decade and reached the ears of producer kink.grand Écart (i.e. wide gap or split) recalls the time it took to release this ep. it’s also a geographical gap, a gap between the ideas of the five artists brought together on this release, a gap between our expectations and the reality of some passed – or cancelled – venues in paris. we have always believed in this project and in our flexibility!

swiss dj & producer, mirko loko, continued to indulge in his intergalactic persuasions on last years long player comet plan. released on cadenza, mirkos second album was enthusiastically received and picked up many fans for its collection of blissfull and wide-eyed electronica and techno sounds. featured guests on the album included dops vocalist, jaw, and francesco tristano.

basement grey 003 by teersom - basement grey - dancing eyes wide shut

the second 12inch part of damian lazarus & the ancient moons – remixes from the other side project, the tracks from the compelling artist album message the other side have been reinterpreted by an assortment of producers for a remix album. this second remix 12inch, remixes from the other side (part ii), featuring remixes from juan atkins and kimyon huggins, kölsch, drumtalk and gorgon city. 2015 saw damian lazarus create his most ambitious project to date in the ancient moons, producing a full-length album ‘message from the other side co-produced by james ford (simian mobile disco, arctic monkeys, florence & the machine), with a wide assortment of vocalists and collaborators from around the world. they went on to support roisin murphy on tour

played by disco halal, red axes, rss disco, benjamin fröhlich, naduve
for its 4th release, malka tuti is welcoming j.a.k.a.m. to its ever-expanding family. born in tokyo japan, j.a.k.a.m. has been been one of the leading figures developing the music scene in japan from the early 90s as a dj, producer and a band member. his wide variety of musical influences ranges from house, hip hop, drum&bass, techno, reggae, jazz, rock and world music. with combining these different styles of inspirations and tradition, he creates the most unique time and space on the dance floor, a kind of fusion of early tribal house (recording live instruments in the studio), world music with a pinch of shamanic spiritual vibes. on his ep for malka tuti he delivers 2 original epic tunes, followed by a smokey dub version by versatile records boss gilb r and a total dance-floor smashing remix by aussie prodigy - dreems.

after his successful remix of orions gravity johannes volk returns to polytone with his debut ep. two excellent techno tracks are in place and a spaced out ambient piece called it could happen describes the mysterious view from a spacecraft cockpit into the wideness of the universe. on the a-side volk blows the whistle of the ep s title -asteroid riding- with funky chords accompanied by a wide deep bassline, short samples, classic percussions and a cropped stomping kick-drum, that let you ride through the orbit. on the b-side -earthbound- pounds with a broad hollow kick, arpeggiated synths, alerting sounds and a harmonically settled type of string-line that eases the elements diversity like the blue planets gravity. within the tracks that have been built to transport the feel of time and space, johannes volk again pushes himself on the cutting edge of electronic music.

2015 saw damian lazarus create his most ambitious project to date in the ancient moons, producing a full-length album message from the other side co-produced by james ford (simian mobile disco, arctic monkeys, florence & the machine), with a wide assortment of vocalists and collaborators from around the world. they went on to support roisin murphy on tour, gain wide acclaim from the likes and lazarus became the final cover-star of the year in the uks mixmag magazine. now the tracks from message the other side have been reinterpreted by an assortment of producers for a remix album. three of these remixes will be released as an ep entitled remixes from the other side (part i), featuring remixes from red axes, acid pauli and mehmet asian. the second remix ep will following in a few weeks.

this first release from parisian crew deviant disco, reflects the spirit of their parties and their tastes. open minded diggers, looking for unknown gems to share, this maxi is aimed for djs with a wide range of style : from afrobeat to newbeat, or balearic, italo disco, proto-house, with their french touch and sunny vibe, this tracks will make the dancefloor burn.

after 10 years away from vinyl, 3am wax vol.1 hails a return to 12 on the label, now in its 13th year. the ep features an all-3am regular artist cast, three making their debut on vinyl and one making a return to 12 after a 12 year gap. 3am boss al bradley opens the ep, while label regulars carlo gambino, ben dean and michael scott all return for the 12-. with over 400 releases and remixes between the artists, the ep showcases in-house talent from the label - the emphasis on quality rather than names. ranging from berlin-influenced deepness through to raw analog acid house, the ep has been doing damage at label gigs throughout 2015 including berlin, ibiza, copenhagen, new york, london & label-home leeds, with plaudits and support also coming in from a wide range of djs from the promo

begr-001 by basement grey records is a 3 track 12- ep produced by teersom including a reinterpretation of b1 - waves e by felix k. the ep includes minimalistic and experimental soundscaping through the record made for dark dancefloors. the label and the record keeps an eye on the atmosphere where people enjoy dancing eyes wide shut.

basement grey 002 by teersom tracklist: a1 block6 8:26 b1 pitch blackness 7:32 b2 wheres the sun part 2 5:23 basement grey - dancing eyes wide shut

first light is the first full-length album of original songs from easy star all-stars. the easy star all-stars have built a huge following around the world, having sold over 350.000 records and played shows in over 30 countries on 6 continents. the band - a collective from the nyc scene overseen by producer/guitarist michael goldwasser - has always played original music in its live set, some of which was released on until that day, an original ep in 2008. first light is an important step in the band’s story, demonstrating a wide range of approaches to reggae, from progressive to classic, roots to futurist, confirming the all-stars place as one of the most influential acts on the us reggae scene. the album includes 12 songs and one dub, with guest appearances by the meditations, cas haley, junior jazz, lady ann and tony tuff.
the vinyl release includes a download code.

cellar, the second solo ep from na (daniel pineda of nguzunguzu) on fade to mind, is a kinetic and brooding journey through the ominous side of club music, a personal vision of dystopia and angst. with 5 tracks that showcase nas wide-ranging musical influences, the record provides a personal manifesto for pineda’s vision of club music for darker times.

unequal is a label founded by anselm from frankfurt am main in 2015. ranging from deep, spaced out analog techno to more droning, industrial rough sounds, the aim is to give an impression of whats going on in the ffm underground these days. sophisticated broken beats and modular synths are essential for this project. unequal means not to be just one specified style but an open-minded platform to express a diverse view of music within the techno genre. with his first ep called -gral-, anselm delivers some cold, moody techno tracks with spherical soundscapes as an connecting element. the title track on the a side is a journey through wide open extramundane synth layers and bubbling acid drops covered by a voluminous bass. b1 is a bit more conventional one with driving hi-hats and slightly jacking beat whereas b2 is four-to-the-floor trippy stripped-down minimalism for the heads.

soooo here we are with the tenth and final release, thought it would be nice to finish on a nice zen like number, so this is a extra special release kind of a mini lp almost -opened up by fx mchn flush the trush is an intro to the comp and a reverse funk skittish affair next up is new man on the block for us here we been sitting on a collection of his tracks but felt this one complemented this ep the most, ecco foul, gloss is a sleazy machine groove that does t do much but thats just the way we like it .then comes mr facade with his jerky funk sweet surprises and warm melodies. the b side is opened by another newcomer from running back record hugh mane new age dawns whose track come s deep and wide open has to be heard on the headphones as well as the club jamie blanco s chord arrangments get opened up and spaced out by lht office boy toby tobias in a detroitesque ditty thats been used to open a few sets in 2015 already and finally alphonse delivers an out and out machine jam with the usual dub influence brought in vocal fashion.

the 05 poly 800 loop ep was born in the name of the dutch-hungarian friendship when dj overdose collaborated with the budapest based record label dalmata daniel, and hungarian acts, s olbricht & 12z. a wide range of styles release from dark and mid-tempo to hard-hitting electro. just how we like it from mister model man. the ep also features two remixes both of which are complete reworks of the originals. s olbricht (farbwechsel, opal tapes, lobster theremin) transformed path to wrath into a dark abstract techno wave that manages to end up light and romantic. meanwhile 12z, the newest mascot of nicolas jaar s other people label have made an experimental symphony from be(h)anger and this pathos covers the whole essence of this ep.

throwing snow presents axioms, bringing together a trio of singles developed for his ever-changing ever-changing live sets. built for the summer, yet seen through a wintery prism, these six dancefloor-facing tracks have been received wide-ranging support, including thom yorke, gilles peterson, four tet, sasha and laurent garnier. previously digital-only, the tracks are pressed onto heavyweight, multi-coloured 12inch, along with two locked grooves created especially for the vinyl release, and presented in bespoke die-cut sleeve with clear acetate window displaying the coloured wax. cut & mastered by matt colton at alchemy and limited to 500 copies worldwide

over the past several years, j(ay).a.d has released several eps touching on footwork, dubstep, grime and dancehall, approaching dance music with a wide open lens that tends to blur accepted genre lines. a bjork co-sign earlier last year jettisoned the amsterdam-based artist into the popular consciousness. raised in suriname, j(ay).a.d is the consummate dance music outsider and despite living in amsterdam, his music hardly ever fits in with the citys house and techno hegemony. the ogri ai ep is very much a blueprint record, simultaneously paranoid and dark, its seeped in industrial dread and natural beauty. and while many of j(ay).a.ds contemporaries attempt to create more alien sounding music at the expense of a human element, the ogri ai ep has been a overlooked milestone for the hybrid footwork & grime realm, and its now back on re-stock.

the long awaited new release on balance recordings since the successful release of the “brwather album” comes a brand new offering from the duo “25 places” a deep house sound with raw groove . this deep houser has been on the shelf of balance for a year now, while being played by chez damier the last few years. the produce is solid a true to the duos deep house sound. 25 places keeps on putting more effort in representing different sounds that crosses over from the old-school to the modern sounds of today. the due is tayfun sarier and stefan rijsmus the 2tow young producers from amsterdam and london keeps getting the attention from many. this project is a special hand picked project designed for executive producer and label owner chez damier and had been getting underground unreleased play by chez and a few selected world wide dj. in the eyes of chez damier, this is a timeless dj keeper

lovedancing is a hedonistic, unabashed bear hug of sample-leaning, 909-loving house music. space coast, the house-focused pseudonym of sleazy mcqueen, return with a double-pack of remixes from their debut album, crystal lake. in the wake of glenview records double vinyl release, we have on offer two volumes of remixes ranging far and wide in both depth and energy

after the first release, with collaborations from john tejada and ben hoo, kreattones is back with the long awaited second issue.
kensuke fukushima is an established name in the music industry, with releases on wax in a handful of different labels. his astonishing work on “get in” proves that fukushima’s vision is wide and obeys no standards, resulting in this unique piece of music that we proudly present. besides the dub version from fukushima, this edition also counts with two remixes.
through the hands of andy book, the label owner, we receive this clubby interpretation, full of raw elements and fantastic twist in the melody of the original track. her joys, delivers a jazzy approach to fukushima’s track, making good use of acoustic percussion.
as in the first release, this one will be strictly limited to 300 copies. no repress.

after a slew of solo releases and a few comps, marshall applewhite has teamed up with fellow detroit native kero to put together a 4 track collaborative effort that explores both the new sludge phenomenon and the more classic detroit techno/electro sound. within 4 songs the two have covered a wide base of musical information. comprised of 2 parts modular gear, 2 parts homemade reaktor patchwork, and 1 part raw machine funk, sewer tracks gives a good representation of each players musical aptitude.

bt09 - invisible darning brings together 4 unique acts, covering a wide spectrum of techno and electro. crystal maze s crossroad blues kicks off the ep with slow mo tripped out techno. dez williams hand on mouth follows up with spaced out, stargazing electro. on the flip we have switzerland’s echo 106 - 100m splutter bringing stuttering arpeggiated synths for an epic showdown. closing the ep albert van abbe resurrects his dormant the pulse projects for the brutalist crunching grounds. very limited copies. vinyl comes hand stamped complete with individual screen printed artwork unique to each copy.

looking back on a wide array of releases, it is safe to say that 2015 has been a great year for dynamic reflection. so it was only natural to set the aim even higher for 2016, beginning with the long awaited return of abstract division to their native imprint, by the release of their first ever double ep: contemporary spaces. it is released as a limited double 12inch, pressed on lush white vinyl. a special piece of artwork with download codes giving access to the digital formats is included as a special bonus to early adopters.

audiothentica is back in the game after two years of recovering. with a techy and special 4-track ep by lukas&merlin, a dj-fusion outta gelnhausen, near frankfurt. they started at the age of 17 in the attic of an abandoned neighboring house, trying out ableton and midi-keyboards. now they find there output on audiothentica with remixes by sven kerkhoff and frank leicher, which we not have to appoint more. we are very happy about that release and waive the description. all we have to say is that you ll find a wide range of electronic music broaded an intro-, warm-up-, peaktime- and afterhour-track. just have a listen, hope you enjoy.

largely sequencer-based composition practices opened up barera s usual hand-playing approach and allowed him to create rich and melodic, yet precise and powerful techno. -the opportunist- conjures images of arriving in darkness, taking what you can, and leaving quickly to avoid detection. -discipline- is barera s full-on workout, with all the rushes associated, itself very much a product of discipline. -a new future- suggests an optimistic if uncertain outlook, a world where anything is possible, while -last glacial maximum,- which refers to a period in the earth s history when ice sheets were at their most recent maximum extension, represents a somewhat bleaker view. the musically kindred spirits behind massachusetts-based mentha records are ideal partners in this project, warmly embracing barera s wide-eyed techno concepts.

each track has its own, different moment on the dancefloor – pushing forward with icelandic lady and the remix of ocean movers the record delays with the deep meandering die ganze welt on the b-side. finally the remix of jennifer touchs astra with it s disco-attitude reminds of their wide spectrum like shown in eargoggles monkeyshop project or kan3das former release on ac records.

nearly 1, 5 years after his last bouq release brooklyn s finest techno export and inmotion records boss kareem cali is back on amir s label. together with the duo proudly people from milan/italy he created 3 stripped down techno tools just perfect for the club floors.

repress , amadeus sees its catalog graced yet again by new zealand outfit chaos in the cbd. the kiwi brothers, birthed ben & louis helliker-hales, are no new faces to the label, or the wide variety of genre-bending acronyms they encompass. having recently relocated from tropical auckland to damp london earlier this year, the two take their productions along with them in their latest efforts, 816 to nunhead. title track and aside, 816 to nunhead, is tinged with whats left of summer. a nostalgic tune built for the sun and soaked in funk. its a track reminiscent of early french disco, almost as if built for the two robots themselves...

seth troxler continues to shed light on the frontiers of his musical interest and offers up the next record on soft touch - his imprint specialising in the more celestial strains of indie, rock, electronica and everything in between. this third instalment comes from a fresh nomadic trio: aou who align their esoteric set up and a wide range of influences to present their ‘gordo laika’ ep.

seven davis jr, d bridge & animal collective drop wide remixes for londons steve spacek, strong 12inch. tip!

8 tracks of raw arabic funk music, none of these have ever been reissued before. so far fadoul (or fadaul, or faddoul, the transcribtion of his name to latin letters differs)& his music had not been rediscovered, as a matter of fact most of those songs still left no trace whatsoever in the world wide web. it took us 2 years and countless trips to morocco to find the artists family to license the release from them.

axkan delivers a soundscape encompassed in dark, hypnotic noise. hailing from los angeles, his style is very unique and sought after, making its way onto labels such as, the cast project, rheostatus, secretechno, switch off, from 0-1 and gbb to name a few. we are proud to feature axkan on our fifth vinyl release including remixes from luis flores and anthony jimenez. you will find a wide range of elements ranging from experimental modular to dark atmospheres creating a nice blend of dance floor and thought provoking rhythms.

lascelles perkins was one of the first stars of the jamaican music scene. studio one’s leading balladeer and one of the most underrated singers from that time. lascelles perkins sang sentimental ballads and he scored massive local hits for coxsone dodd’s studio one label. songs like “lonely moments” and “together forever” other big hits followed “the mighty organ” song as a duet with hortense ellis, alton ellis’ sister, “destiny” and a whole catalogue of standards or foreign songs as they were called. lascelles could sing any song, make it seem effortless and at the same time address it in his own unique style.

cristi cons and vlad caia are household names that really need no further introduction. their dj sets are techno stories well told and their live act is already making waves worldwide. amphia is first and foremost the platform they use to broadcast their finest works. such is the case of sideways, their latest lp, containing more than a dozen tracks coming your way trilogy style.
the first part reveals six tracks on two heavyweight discs. although most of the tracks fit the usual sit musical approach, the listener is greeted with a wide pallete of rhythms. assemble is an atmospheric dub infused with violins and orchestral echoes. permissive starts things up with a playful bass progression and continues with lush pads and cryptic voices. brooklyn’s deep moody synths and monster groove render it broken poetry at it’s best. for sure it will resemble those early danceable mornings. on a more joyful manner we are presented next with bootcamp s sturdy baseline and playful modulated vocals.
mandatory claims a whole side of the second disc and so does come around. while the first is almost experimental but danceable and warm due to the occasional driving percussions and 303 sounds the latter is the star of the show. come around is 15 minutes long and comes with a story too. a great collection of tracks, a great story that backs each one of them makes the first part of the sideways lp trilogy a treat to listen and dance to.

recorded at johns last night at the vagabond nightclub in downtown miami during this years miami music week, live in miami features 37 tracks and nearly 4 hours of the very best underground electronic music, spanning across more than two decades. showcasing a wide selection of new and classic records ranging from as far back as 1992 (secret knowledge - sugar daddy) and 1993 (nicole - a small entrance to a large spectrum and laurent garnier - acid eiffel) digweeds latest opus effortlessly takes us through a vast array of sounds, eras and genres from what was an incredibly special night back in march of this year.

hit n run music is back with a mad third release stretching across a wide spectrum of edgy hard electronic dance music. we proudly present: the blood e.p. produced by the outside agency, mono-amine, jacob inhuman and d-cursed! out on transparent red 12 inch vinyl.

young marco delivers a compilation of his own remixes to inaugurate his new label, safe trip. featured are his versions of tracks by francis bebey, hnny, michael ozone, the recently released vangelis katsoulis remix and a couple of as yet unreleased remixes of jacco gardner and zulu pearls. few have developed as distinctive an identity as quickly as young marco. in two years, the dutch vinyl obsessive has shot from relative obscurity to global notoriety, building his name through brilliant, vastly wide reaching dj sets and optimistic, rhythm-obsessed, simplistic but-detailed production

first up we have the talented: kryss hypnowave (att series / planet rhythm / par recordings) including a sublime remix from one of the uk s finest artists edit select endosphora: complexity and power in a frantic, polyrhythmic acid bass line, insistent tribal percussion and a thin layer of atmospheric menace with a foundation of wide earth-shaking beats. eksosporium: epic in every sense, a floating, evolving synth leads the way through an immersive higher dimension, where time is measured in a steady, powerful rhythm, yet never passes. endosphora (edit select remix): a balanced composite of power and restraint, threat and beauty, this rework weaves a hypnotised path through layers of dense atmosphere via the bubbling, deadly bass line.

following on from his releases on kolour recordings and profound, berlin resident ant orange’s latest 12“ on karaoke kalk is an innovative record packed full of diverse and lively tracks. the five tunes on the single take in an extremely wide range of styles, fusing elements of tribal drumming, funky soul, nu jazz and deep house. omi gets the ball rolling with groovy off beats and a wonky kalimba melody to get your feet tapping. yesterday is a funky dance-floor track while tunes like are you alon and the look are filled with romance and vibes under the careful guise of eclectic electronica. the track hands together brings the 12” to a close drawing inspiration from the same marlene shaw vocal sample that st germain used to such great effect on their hit rose rouge. ant orange brings a new twist to this iconic soul-jazz voice embedding it in a contemporary down-tempo groove. although originally from leeds uk, ant orange has such an mixed range of influences and styles present in his music that the result in a truly global sound. ant orange relocated to berlin some time ago where he now plays out at any opportunity, and with this new single he is again giving something back to his fellow vinyl junkies.

a distant shadow of a woman with jet black stringy hair glistened through the nearby shrubbery. was it her, or was i again lost in my own dementia? how in the living world could this be? i sipped on my medicine and fell into a deep sleep. i awoke days later to see her sooty eyeballs rolling over my entire body. her black wings seemed to stretch over a mile wide. they ever so subtly fluttered from the slow wind that was creeping in from the north. i startled when i realized what was happening and sprung up from my chemically induced coma. i grabbed her by the neck as tight as i could, only to realize that i was holding a black birds tail feather in my hand.

nice price deal !!! aaacid003 is the second ep from amir alexander s richie ratchet moniker. the major difference in the work of richie and his twin brother jack ingoff is the clever use of vocals. singlehandedly writing new chapter in the acid house manual with off kilter polyrhythms, odd time signatures, and unconventional tongue and cheek topics, amir through his aaacid label continues to go from strength to strength as he seeks to refine and progress the artform of acid jack. field tested, all 4 of these tracks have been putting in work world wide and moving dancefloors to a sweaty frenzy in the process. just an prolific artist expressing himself, having fun, and adding something unique to the culture. modern acid for forward thinking underground heads.

singapore-based producer eddie niguel drops two remixes of electro-pop group riot !n magenta on 8ko&#772,,,,, records. niguel s past releases has seen industry wide support with reviews in publications such as groove, resident advisor, xlr8r and ibiza voice, as well as support in the likes of heidi’s radio 1 show and on both kink s and disclosure’s debut essential mix. available on very limited (100) exclusive hand stamped and numbered vinyl copies, niguel’s remixes of ‘voices’ strips off the organic elements of the original to transform it into a enthralling house cut. marking the debut release on 8ko&#772,,,,, records these two remixes are a testament to the producer’s talent and creativity when adapting an existing piece of music and a forecast of positive things to come from the imprint. early support coming from ewan pearson, dubfire, danny howells, clive henry, chris fortier, adriatique, villanova, tini tun and many more.

ontals work excites many conflicting emotions. exuberant, convoluted and theatrical plots define the watchwords attached to the serbian duo. they represent one of the most paradigmatic examples of how industrial/techno can still offer a wide range of pleasant surprises. a visceral understanding of the scenic rhythm space vs. void establishes a metamorphic composition in short of an almost baroque sensitivity. always moving around an unstable fringe of intuition-rules-over-eclecticism, together with an attitude of total irreverence against the old aphorism, but keeping at the same time an incredible discipline of sophistication, produce a situation where anything touched by them have to be immediately placed at the top of the evolution line of the electronic music. “pietà” simply shows this feeling at their best.

here & now recordings are proud to present the companion release to ambient jazz ensembles debut album in the shape of *suite shop reworks : electronica, deep house & disco* - a 15 track collection of upbeat, dancefloor and electronic versions of the chilled orchestral originals.
dj support gilles peterson, rob da bank (bestival / bbc radio 1), osunlade, ashley beedle (x-press 2), bill brewster, quinton scott (strut records), severino panzetta (horse meat disco), chris coco, nemone (bbc 6 music), dk (solid steel, ninja tune)

rawax welcomes manooz to the family! manooz is a man on a mission. throwing down the sort of jackin house music that sounds like it was made with sweaty basements firmly in mind and still with a nod to his hip-hop roots, the manooz sound is making a firm impact on the global house music community. he constantly delivers a wide spectrum between raw & analog detroit/chicago/garage house and sophisticated warm deep house.