a collection of woodstock classics on 180 gram vinyl.

a fine new selection of jungle, breakbeats and drum and bass on the ever expanding tempo records label.

check a1

a journey through the inner world of queen on limited coloured 180 gram double vinyl in gatefold sleeve.

rollover milano is proud to present anything goes - rollover edit service vol.3 early dj support: 2manydjs - eric duncan - bill brewster – tim sweeney - jacques renault

platform 23s celebration of exquisite corpse wraps up with this fourth installment of visionary proto trance bubblers from the dream team of robbert henyen, debbie jones and tim freeman

the first longplayer from remco beekwilder on double vinyl.

aka dan curtain , already supported by peggy gou, the black madonna , ame, tim sweeney, luke solomon...

swiftly following on from the successmanship of globex corp volumes 1-8, comes globex corp volume 9. featuring contributions from usual suspects dwarde and tim reaper, ably assisted by regular collaborators gand & mr sensi, this latest volume combines achy-breaky pelvis inducing floor fillers alongside groin-grabbingly deep jungle riddims. be a double-bacon geniusburger and grab one quick, else you may be labelled a jerkface, and with good cause.

another brazilian funk landmark made by two of the most exceptional instrumentalists of the soul funk scene of the 70s. josŽ da silva better know under the pseudonym of zeca do trombone is a trombone player who has worked with a multitude of brazilian artists including tim maia and carlos dafŽ elizeth cardoso, beth carvalho, milton nascimento. roberto sax or zŽ roberto simonal is none other than wilson simonalÕs brother.

french duo ofenbach with their debut album on vinyl.

spirits 12 minute self-titled track from the 1979 album ‘put your hands together’ gets an official re-issue on rain&shine. backed with a perfectly formed edit for dj and dancefloor use, contributed by legends zaf & phil asher. a tough pull destined to never see a re-issue despite years of persuasion by rain&shine has finally come together with the blessing of producer tim johnson.

the fuck the bass up ep draws on a lot of different influences while sounding fresh and unique at the same time. gospel, hip hop, jazz and house all filter through this five tracker taking you on a journey through vogels record collection

limited 15th anniversary edition of 2.000 numbered copies on gold & black swirled vinyl - • featuring * whats your number* and * ganja bus*, • includes 4-page insert

a journey from disco , electro , acid to techno ... for fans of tim sweeney & erol alkan

supported by tim sweeney, charles webster,mano le tough, deetron

electronic producer max cooper and ambient master tim hecker rework ben lukas boysen on his new ep golden times 1 – out on erased tapes, june 30th 2017. the vinyl release includes a download code.

the yearly end of the year release from r.a.n.d muzik

4 exclusives from denney’s contribution to the global underground : nubreed series.

mc/tape - ltd to 99 with bandcamp downloadcode

incl remixes by mr g, fred p !!!

tim lawrence shines a light on one of the most dynamic and creative periods in the history of new york city with this 8 track compilation on double vinyl.

supported by tim sweeney, fred everything, osunlade, iron curtis and more

limited edition transparent green double vinyl with download code for all 32 tracks.

new zealander julien dyne is a multi-instrumentalist with a long and impressive history of collaborative, live and solo musicianship. best known for his solo work on bbe and having worked with the likes of theo parrish, steve spacek, andreya triana and lord echo - one of soundway’s most successful artists. dyne has also accumulated a number of accolades over the course of a 10-year career including but not exclusive to being hotly tipped by both moodymann and gilles peterson.
dyne’s new project for 2018 is an 11-track lp on miles cleret’s extolled soundway label. demonstrating a shift in gears and movement toward a more uptempo, afro inspired sound ‘teal’ melds instrumental flair with astute production and a persistent grain of impassioned, effortless soul. the album features fellow new zealanders lord echo and mara tk, long term band-mate ladi6, fat freddy’s drop trumpeter toby laing, plus australian vocalist tim guy and jazz luminaries jonathan crayford and john bell. this is a body of work for the listener and the dancer alike with a mood as fitting for headphones as it is for the floor, with the double vinyl album cut loud at 45 rpm.

entkunstung 001 ‘darstellung’ by adorno is the first music release from vienna’s art project entkunstung’: a platform dedicated to promote art, music and theory. mastered at manmade mastering, berlin, by tim xavier. artwork by maximilian mauracher

produced by felipe duque & daniel hartl , mastered and cut by tim xavier at , manmade mastering berlin , artwork by maximilian mauracher , vienna 2018

dawn state is inspired by personal experiences of encountering the sublime amidst chaos, often taking place in the early hours of the morning... our intention is to create a soundtrack for this moment. moniker is a collaborative project between forest drive west (livity sound) and tim gee, exploring the deeper shades of techno.

garage bands suddenly obtain cult status and become the antithesis of their initial appeal’ garage class were a group of reluctant outliers who produced one of the finest contributions to the wave of uk diy music that emerged during the late 70s and early to mid-80s. hailing from alsager in north west england and comprised of tim shutt (vocals) phil murphy (lead guitar) clive williams (guitar) lynne sanders (bass) and phil bourne (drums / bass on studio recordings) garage class originally went by the name of the pits before their then manager steve hurt imposed an alias which, though unpopular within their ranks, would nevertheless reflect the shambolic art they would eventually capture on their first and only single.

yasha is 28 year old joe gillick, who grew up immersed in the sounds of ukg & grime on the streets of south london. he founded orphan. in 2015 with his friends sage redman and billy meddleton. the three began throwing bi-monthly parties in deptford, their aim was to feature the unsung heroes, the seminal artists that weren’t often regulars in the crowded london club circuit. cutting his chops djing alongside the likes of tim goldsworthy (dfa, mo’ wax, unkle), dave okumu (the invisible, jessie ware), the golden filter (optimo), mica levi (micachu) and more, joe fed his keen sensibility for club grooves. cut to 2018 and joe finds himself a seattleite.

30th anniversary edition of 1.500 individually numbered copies on blue 180 gram vinyl.
bomb the bass is the alias from the english electronic music producer tim simenon. he released his debut album into the dragon in 1988. it s an intriguing trip through electro, acid-house and hip-hop music. on the album you ll find his breakthrough hit -beat dis-, which became popular in the underground and club circuit. it feels like you re listening to a radio broadcast show, including intro skits in a melting pot of styles. a true classic in the history of using samples in music. bomb the bass were one of the first acts to bring sample-based music and scratching to a mainstream audience.

vox populi field works vol.ii is the second part of a broader project entitled ‘field works’, in which the label travels to different locations in the world in order to collect sounds, eventually creating an archive of some of the finest and humblest musical traditions. inspired by academic methods proper to ethnomusicology and ethnography, this project’s aim is to showcase the diversity of our human cultural heritage, which is threatened by accelerated globalization and homogenization of the worldwide musical spectrum.
this record is the result of a twenty-day trip to japan. led by anthropologist and label founder fred scharf and his vox populi records crew, this is the second instalment on the ‘field works’ series. this 12’’ vinyl release is a collection of field recordings, jam sessions, studio recordings, street soundscapes, religious rituals, fighting championships and wedding ceremonies, all of which were remixed and reinterpreted by japan blues, tim karbon, hiroaki oba & shizka (aka inoue shirabe), delivering tracks whose core represents a wide array of traditional japanese sounds.

im oktober erscheint das box-set »loving the alien (1983–1988)«, der vierte teil der großen david-bowie-reihe. ein highlight ist eine neue ausgabe des 1987er-albums »never let me down«, die komplett überarbeitet, neu instrumentiert und arrangiert wurde. dabei unterstützten bowies langjährige mitstreiter reeves gabrels (gitarre), david torn (gitarre), sterling campbell (drums), tim lefebvre (bass) sowie ein streichquartett mit arrangements von nico muhly. mit »zeroes (2018)« gibt es jetzt bereits einen besonderen vorgeschmack: eine limitierte doppel-a-seite auf einer 7”-picture-disc. neben der neuen version von »zeroes« wartet darauf das stück »beat of your drum« (2018), das ebenfalls auf dem album »never let me down« zu finden ist.

as connected arrives at its 3rd year of existence the team decided to make a selection of tunes through this time as a recap and as an opportunity to also turn some of the tunes into remixes.&#8232, the remixes , including olaf stuut , tim engelhardt , stefano ritteri , reboot and moscoman will be released on vinyl alongside a brand new track from label heads stereo mc’s and the first appearance on vinyl of classic connected release ‘lust’ by tigerskin k.e.e.n.e and elli (david mayer remix). the label has been building steam over the last few years with increasing vigour and the remix release follows the label ethic with a diverse and underground feel to it plus some strong club action. included in the past releases is david mayer, re.you, nandu, florian busse,aaaron, floyd lavine, pongo amongst others...

sugardaddy are a uk electronic music duo formed in 2006 and is the musical brainchild of tom findlay (one half of groove armada) and singer song writer tim hutton (hybrid, groove armada, way out west) “hypnotise- has an altogether late 80 s heavy, low slung, boogie vibe, caressed with beautifully haunting yet soulful vocals. greg wilson remixes an extended rework, holding the vibe of the original and effortlessly extending certain aspects of the groove, creating a 9 minute dancefloor monster! situation are next up with a late night, deep house dub interpretation which builds to a discoesque guitar licked, infectious, yet hypnotic bombshell bittersuite finish the release with a chunky funk fuelled version, full of slap bass and a bucketful of soaring, atmospheric synths, cleverly weaving those wonderful vocals and building to an electro jazz funk masterpiece.

there may be many northern soul compilations on the market, but there are few as glorious as this. few other collections have such unfettered access to such outstanding catalogues that of tamla motown and chess. these 25 floor fillers are guaranteed to ignite any party and have been tried and tested in clubs the length and breadth of the country from the 60s onwards. compiled lovingly together on vinyl, these tunes - with artists such as the elgins, frank wilson, gloria jones and frankie valli and the four seasons - are timeless examples of this most precious music. the double vinyl release includes a download code.

dead man’s chest proudly presents blunted breaks vol.1, a compilation lp drawing from some of the freshest talent in the contemporary jungle movement. the 4 track 12” sampler comes on solid pink vinyl.
hold tight for blunted breaks vol.1, dropping september 2018 on 3xlp, cassette & digital with cuts from dead man’s chest, tim reaper & drumlinezz, coco bryce, threshold, response & pliskin, earl grey, thugwidow, cavanaut, theory, sonic and king kutlass.

discover the sex-appeal of leeds with the trio joe gill, heidi armitage and tim hutton aka zmatsutsi. they deliver on this mini-lp a mixture of s mazing slow beats tracks, a bit like rimini was meeting dusseldorf in a golf vr6.. guaranteed 100% dancefloor killers !

there are west coast classics, and then there is music to driveby, the third lp from the group that birthed mc eiht: compton’s most wanted. although the group started in the late ‘80s with multiple mcs (including tha chill and boom bam), by 1992 eiht as pulling the group’s vocal weight – supported by dj mike t on turntables and production – and even producing and co-producing tracks. music to driveby might lack beats-per-minute variety, but to fans that’s not a bad thing. across the board, this is mid-tempo, super deep, funky hip-hop, made for cars creeping along boulevards across the west and south, and it’s about as good as it gets for such purposes. just about filler-free, the album struts intensely and with purpose, as eiht throws tales of cali street life at fans for an hour straight, almost without a break. this solo marathon is given a respite only once, with scarface’s guest spot on “n 2 deep,” an excellent hood roller supported by a soulful guitar lick sampled from lyn collins’ “do your thing.” elsewhere, eiht rolls alone and intensely, on cuts like the classic mash single “hood took me under”, the album’s second single and tim dog attack “who’s fu**ing who?”, the hometown big-up “compton 4 life”, and hustle tales like “jack mode” and “i gots to get over.” after this album, eiht released more classics under his own name, and with similar fan worship. it was the continuation of a legendary career and music to driveby still ranks high on anyone’s “west coast legends” playlist.

ahead of the release of honey dijons upcoming remix album xtra, maurice fulton, ashley beedle, derrick carter and horse meat disco step up to remix records from honeys debut full-length work‘the best of both worlds. on the a-side is honey dijon featuring joi cardwell state of confusion, maurice fulton giving it a new jersey-esque lilt and allowing jois voice to resonate. next up ashley beedle ups the tempo and the energy on his mix of burn, honeys collaboration with tim k featuring jason walker. derrick carter cranks the pressure on catch the beat, crunching out the bassline for an extended industrial backdrop to cakes da killas rap vocals. in stark contrast, the final b-side is a horse meat disco mix of honey and tim ks cover of aquarian dream, look ahead featuring the voice of sam sparro. with all the warmth of a sunny afternoon in the city, the london collective funk the cover all the way up, adding horn blasts for more of a house strut. giving a glimpse of whats to come from the full-length xtra, this is the ultimate vinyl fix from honey and friends to tide you over.

marcel vogels latest on lumberjacks in hell welcomes the mighty leftfield nyc mc sensational to flow over his learned disco house grooves. sensational sounds right at home on if you like, and vogel gives him a slightly freaked groove to riff on that works just fine. brown curls taps up khalil anthony, one of the finest uk house vocalists in operation right now, and patchworks remixes it into a dreamy disco funk jam for the boogie brothers and sisters to shake it to. alma negra gets busy with if you like, creating a tumbling afro-centric re-rub par excellence, and then tim jules comes on board with an instrumental version that nudges into tightly wound funk territory.

the lionoil pride reascends with a four-tracker from edinburghs telfort. his first ep for lionoil arrives on the back of a triptych of sold out self-releases, which gained adulation and support across the globe from folks like move d, axel boman, smallpeople, moxie, tim sweeney, jane fitz, jacques renault and many more.

exhumed tapes i is the first in a multi-artist series of cassette releases on the modern cathedrals label. with label art featuring small details of “important graves,” the series will dig into eery, broken beat techno with gritty textures. the first cassette begins in a natural place: with altstadt echo crafting four works presented with an image depicting the grave-side rubble of his often-referenced inspiration albert camus. it will be limited to 50 hand-numbered physical copies. copyright: modern cathedrals 2018 mastered by tim xavier @ manmade mastering, berlin

mount liberation unlimited strikes back! after releases on tim sweeneys beats in space label and everyones favourite oddball house institution studio barnhus, the swedish duo, consisting of tom lagerman and niklas janzon, land on planet permanent vacation. body language is the fifth release for mlu and you can feel that they have been places and come some ways, since their debut ep in 2014: this ode to dancing sees lagerman and janzon heading into more pop-y territories than before. the swedish version is a full on pop disco track with rich instrumentation and infectious vocals that underline mlu’s status as one of the best disco and house live acts around these days. while the mouth mix is the swedish interpretation of chicago house and gets even more physical with its drum-heavy beats and computerized vocals. for your karaoke party and to round up the package, we also included the instrumental of the swedish version. rocka din kropp!

aufgenommen von tim wheeler (ash) in dessen atomic heart studios in nyc und erneut produziert von max hart (ex-katy perry), kehrt das duo mit einem so herrlich ausladenden wie konzisen pop-monster zurück. megaplex besteht aus 10 melodiösen, zartschmelzenden nuggets, die einen schlicht blenden in ihrem hellen glanz. our brilliant work in pop song writing is unsurpassed, fasst keith noch einmal zusammen. ja, leute! we are scientists sind so was von zurück!

ant larock has been featured on some of the biggest labels in dance music today and has collaborated with some of house music s resident god fathers. he has been on labels such as nervous, inhouse records & good for you and has done collaborations with the likes of roland clark, hatiras & todd terry. vanilla ace has become a prolific and increasingly prominent force in house music and has been featured on some of the biggest labels out there including spinnin deep, glasgow underground & nervous. hazzaro are coming hot off the success of their track called make my day on erase which climbed the charts on beatport to top ten status. their title track on this ep called discovery is a beautiful deep house track that is going to be making major waves and has already been licensed to multiple compilations. scott diaz is no stranger to the top ten on any platform. he can pretty much do anything from deep, sexy, sultry house to tech house bangers and do it with style and finesse. we reminisce is on the deep end of the spectrum and is made for the lovers of deep house. dj support: andi durrant, arco, bryan dalton, danger, demarkus lewis, franco de mulero, funk mediterraneo , gene farris, gabriel rhome, gramophonedzie, hector couto, husky (random soul), inland knights, john pridgen (sun city hustlers), low steppa, magnus wedberg, matt prehn (bang bang), miguel migs, marc spence, mario cruz, miguel puente, mix feed radio show, niall redmond, peter brown, richie vibe, rosario galati, rulers of the deep, sam divine, thomas white (natural rhythm), tim byrne (kiss fm australia), tom giles, vanilla ace, yves murasca