29 unreleased tracks by rico puestel in the mix on 2 exclusive cds (sunrise plateau and bunker dreams) showing his whole spectrum!

adilr has given us an album to fully envelop you with listening techno of the highest order.

nice price

greyscale s 25th full length album comes from one of our most favorite and longtime label guests. who else? but, gradient! all and all, this is his 4th album with us and each album seems to just get better and better. similar to previous albums, each track is named in numerical order after a word taken from the album s name. while this makes it a bit more difficult to remember which track is which it also leaves everything up to your own imagination. there is no visual to these heavy techno focused tracks.

das ikonische belgische dj-duo 2manydjs, bestehend aus den brüder stephen und david dewaele, feiert das 20-jährige jubiläum ihres albums as heard on radio soulwax pt. 2 mit einer besonderen re-issue. 2002 erschien es ursprünglich nach einer reihe von radioshows der beiden brüder, damals vor allem bekannt als die köpfe hinter der electronic/indie-rock band soulwax. die re-issue erscheint mit dem foto von richard young auf dem cover, das ursprünglich als cover vorgesehen, aber nach rechtsstreitigkeiten mit tipp-ex verfremdet wurde.

dub versions of the 2nd album con todo el mundo by texan trio khruangbin

solodebŸtalbum von barker

features the same tracks in the same order. short info: since 2016, rŽmy poncet aka chevalrex sits among the top new french songwriters to watch thanks to futurism (vietnam, 2016), an intimate sophomore album critically acclaimed by the press and on which he plays all the instruments. wondering how one finds his/her place in todays world while staying true to him/herself, chevalrex offers his answers in this third album and leaves behind his minimalist compositions to raise his ambitions and push his music into a whole other dimension. recorded this time with additional musicians and even a whole string orchestra, anti slogan compiles ten songs meticulously crafted in which the worlds of jim orourke, vincent delerme, tindersticks and boris vian collides, showcasing a level of refinement hardly ever heard in the french pop scene.

2cd compilation incl ibiza summer 2017! faul & wad vs avalenche city, felix jaehn feat.thallie ann seenyen, moguai, nalin & kane, odd mob, luciana & dave aude, calippo

the record cover shows a woman walking towards dusk - or is it dawn. two years after the success of night moves, a wander through a threatening nocturnal los angeles, h burns returns with a new record for twilight. kid we own the summer finds its identity between a few landmarks such as david lynch and angelo badalamentis california, the intimacy of bruce springsteens darkness on the edge of town, the relative calmness of suicideÕs second album, and the elegant melancholy of the national. in order to compose, renaud brustlein aka h burns decided to reinvent himself once again. he didnt repeat the live configuration that he used in 2013 with off the map, an electric storm recorded in chicago, with a band, in a single week, with the legendary steve albini. for kid we own the summer, the composer started working in his home studio, by gradual touches, because thereÕs no place like home. the result? a melancholy cinematic stroll across stories of misguided couples, unspoken words that end-up ruining peoples lives, the pursuit of dangerous situations, like an elegy to the end of adolescence - leading to a place were unsure of. born from a keyboard, a piano and a beatbox, these ten songs were brought to light, as always with infinite delicacy, by impeccable guests-friends strings by bertrand belin and vaporous keyboards by denis clavaizolle (bashung, murat, daniel darc) mixed by rob schnapf (elliot smith, beck) and mastered by the great greg calbi (springsteen, dylan, paul simon). noisey said of night moves that it was the perfect record for all the cold and sad months to come

the cd included in the lp version features the 12 tracks of the album in the same order. since the release of the album catapulte in 2013, media have been used to describing chevalrex music as miniature symphonies. for this album, rŽmy poncet, the handyman that plays himself all the instruments, writes his own lyrics and even makes his own cover, has decided to keep the same path but meanwhile, has grown in melodic power and maturity. i finally let my teen life behind, and from now on, offer me some peaks he sings in Òaussi loin. with this new release, there is reason to wager that chevalrex will be one of the future pearls that will be used as a reference for those who will venture out on the roads of french pop.

garden of love one of the first single tracks feat peter hook (new order) on the cover of their new album malamore, their first album for because music, lionel and marie limi–anas are back in black, and looking ineffably cool, standing next to a classic silver fifties trailer, shot at a beach festival in the french town of paulilles by the spanish border, just 30 minutes drive from the duos home town of perpignan. theyd been playing a dj set, only with 45 rpm vinyl - sixties punk, italian pop, movie soundtracks and seventies rock tracks, they recall. the picture syncs well to the colour of malamore, like the artwork of a movie soundtrack. the lettering on the cover is significant too.

london-based producer laurence matthew blake has been causing a stir under his citizenn alias for some time, delivering intoxicating, tactile, otherwordly blends of tech-house, powder-house, garage and electronica for the likes of madtech, love fever, 20:20 vision and, most recently, crosstown rebels. here, he returns to the latter with human interface, his debut album. it s a typically fluid and quietly soulful affair, with dreamy pads, touchy-feely electronics and shuffling dancefloor rhythms the order of the day. while there are a few powder house dancefloor moments, as you d expect, blake also doffs a cap to 2-step garage, booming bass house, skewed synth-pop and, on the wonderful you are, string-drenched deep house loveliness

auf der anderen seite hat er fŸr factory records (new order, joy division) das sublabel -factory classical- betreut. er ist als musiker auch mitglied bei durutti column und dem duke quartet (interpretationen von steve reich etc.). mit dem solo-album -the appearance of colour- schlŠgt das pendel in richtung elektronisch-gefŠrbter pop musik aus, wobei er seine fŠhigkeiten als komponist und arrangeur nicht vernachlŠssigt. so Ÿberzeugen die neun titel durch die spannenden kontraste zwischen electronica, pop, ambient und drum & bass changieren die stŸcke und bilden doch ein unnachahmliche einheit.

nach veroeffentlichungen auf planet mu, super und ninja tune sowie remixen fŸr franz ferdinand, wild beasts, clock opera oder aluna george veroeffentlicht der junge, hochtalentierte produzent raffertie alias benjamin stefanski nun endlich sein debuetalbum auf dem londoner label. musikalisch spannt der brite auf den insgesamt dreizehn tracks des albums einen spannenden bogen aus house, bass, post dubstep und electronica.

berlin based dj, producer and label owner oliver deutschmann has announced his debut album

do you love elegant, sophisticated music with a feeling, as much as raw, gutsy, hard-hitting music? guessing that you do penniman records takes great pride in introducing you to the excitements, because their music fits into both categories. they are an all natural free-of-additives-and-preservatives r&b / soul band. a band with both feet solidly planted on memphis and detroit, and with a heartbeat which is pure chicago. to put it simply, the excitements are what the doctor ordered: six dynamite musicians intent on bringing out the very best from koko jean davis extraordinary voice, a voice which will either break your heart or astonish your ears, whatever koko fancies the most. the excitements career is truly awesome. their first gig took place in july 2010, and a month after that the band embarked on the first of their three recording sessions, their first spanish tour and a series of concerts all across europe. very few groups can boast of enjoying such a critical success, selling so many 45s and capturing such a loyal following in so short a time. their splendid first album, -the excitements- available on vinyl and cd - has been produced by the great mike mariconda - the only living man with a direct connection between his ears and his crotch. hearing is believing, and koko and her partners are bound to mesmerize with numbers such as nathaniel mayer s -from now on-, barbara stephens s -wait a minute- and little richard s -never let you go-, a track which will go straight to your heart. you may call them old-fashioned. a classic sound, if you wish. one thing is clear: the good stuff is here to stay. stop reading, listen to the excitements and hear for yourself.

compiled by: (in alphabetical order) christian burkhardt, damian schwartz, einzelkind, ernesto ferreyra, franco cinelli, guillaume & the coutu dumonts feat. qzen, ivel tax, johnny d, juan sorrentino, skipson, leonel castillo, maayan nidam, michael melchner, markus fix, noidoi, reboot, ray okpara & nekes and sascha dive. all of the tracks are previously unreleased.

good price for good music! these words are in the deepest part of douglass greed and the approach to his debut album. he allows his heart to lead, the better to look where it goes. therein he s distributing straight dope, however, in the sense of emotional impact Ð dance floor dictation it is not. greed crafts music that serves up euphoria for your mind on the terrace, mas- sage table, train or car trip and so on. a timeless effect stretches along the borders... an enduring touch, and to remain in the mind for seasons to come is his concern with this album. this is more weeping or laughing in the mirror rather than admiring the physical. douglas discusses not the luxurious but rather simplicity, in order to serve a sophisticated author-future-popfor the club under the bedspread. his fondness for other forms of musical self-realization shimmers on all of his releases up to now. on his own album, he expresses this passion to the fullest. the inclination for sensible beauty in the dark plays as the greed signature, a central role. featuring musician friends such as mooryc (poznan /polen), pascal bideau (a frenchman in london), kemo (a ger- man-hawaiian in new york), ian simmonds (uk) and delhia (jena), greed casts twelve expressive pulse beats of pure greed cosmos

this new reference on dilek records is something very particular and out of the ordinary. it was achieved after a long period of work in the studio, which lasted three years and was done with a lot of heart and passion. its the 10th vinyl release of this surprising swiss/argentinean label who is now presenting an extremely multicultural project. this release will be available on vinyl as well as in digital format including bonus tracks and later on also in cd, with even more unedited material! listen to these tracks and have the opportunity to discover something totally different with some of jorge drexlers uncut material. this new album was supported by amazing artists as well as magazines and radios stations that you can check bellow.

you can forgive a band who set out to create something even just a little bit different and get it horrendously wrong, but its tough to have sympathy for a band who shy away from the challenge altogether. such was the case with autokratz on their first album, animal, which, apart from a passable opening track, consisted of a series of bland electronic pastiches Ð dance music that conversely made the listener want to sit and wait it out. that didnt stop the hype building around the duo, though, thanks in no small part to the fact that the album was released through in-vogue french label kitsunŽ music. the confusing positivity surrounding the lp suggesting, perhaps, that style overcomes substance once a record company has received the hipster seal of approval.this time around, however, kitsune has stepped aside, with autokratz releasing the follow-up on their own label, bad life. but has the sense of responsibility that surely comes with this step made them re-evaluate their direction? has it inspired them to inject a much-needed shot of creativity into their work? not a hope. if anything, autokratz descend even further into mediocrity on self help for beginners. once again, their best tunes are loaded towards the front of the album, starting with the lead single, -opposite of love. its far from outstanding, helped in no small part by the terribly contrived lyrics, but does possess a catchy synth melody Ð enough to earn it a place on club playlists, at least. its a similar story with -becoming the wraith, which has peter hook on hand to deliver an overtly new order-esque bassline. beyond that, however, the quality dips dramatically. tracks like -the seventh seal and -r.i.s.e. are typical of the selection on offer, underwhelmingly vapid, derivative tunes which show up a disappointing, but not totally unexpected, scarcity of guile on the part of their creators.where autokratz do excel is as producers Ð a quality evident not only in their own work, but also in their remixes for other artists. unfortunately, this only serves to exacerbate their deficiencies on the other side of the control room desk. ultimately it may mean that, having failed to address the shortcomings of their debut, autokratz will be fated to be filed under -also rans in the annals of music history. thats assuming, of course, that someone out there will actually remember them at all.

have you ever been >motorcitysouled<? matthias vogt and christian >c-rock< rindermann form the deephouse syndicate motorcitysoul. after their debut (did you expect it? / infracom 2004), their mix-cd (back up / infracom 2007), and their last studio album (technique / simple 2008) the two djs and producers present their first selection of remixes that have been released between 2004 and 2010. the >remix< is one of their favourite dishes so its no wonder that more than 30 artists or labels have asked for a motorcitysoul remix treatment since the duo joined forces in 2004. all of their remixes have been regarded as high quality by the media and djs worldwide. so far artists like chez damier, ian pooley, abdullah ibrahim, brett johnson, solomun & stimming, and johannes heil have ordered the extra motorcitysoul polish. motorcitysoul remixes have found their way to labels like cocoon, dessous, freerange, liebedetail and junior boys own/defected. creating a remix is a versatile production practice built around various philosophies - what is the remix meant for? how should it sound? should it be an addition for the club heads or a musical adventure that takes the listener on a journey? every motorcitysoul remix has its own vibe and is meant to respect the idea behind the original track. motorcitysoul merge their trademark sounds and styles with the original track. vogt and rindermann communicate in a musical way with the original artist.

exclusive tracks by some pretty wellknown artists like gui boratto, dusty kid, extrawelt, kreidler, popof, khan, martin eyerer and many more. original & exciting concept: dancefloor heros showing another side of their passion & work. 2 cd compilation with noble digipack!

this is the debut home-listening album from one of the uks biggest techno djs. hes half of blindingly successful techno duo two armadillos but his main focus for the last two years has been the heavily publicised chapters project - five eps of mood music to trip-hop to techno that have now been totally ripped apart and turned into cinematic home listening for his debut cd. king roc history includes remixes of new order, future sound of london, s xpress. hes been a very big electro dj in the past who has recently focused on ubercool european and brazilian techno mixes - remix packages include people like alex kenji, same mastering guy as portishead - sounds incredible.

bpitch control / in recording moderats self-titled album, the three men began by renting studio space at the legendary berlin hansa studios (where bowie recorded heroes) in order to record the album in analog with the help of the studios vintage tube technology and an old emi console from 1972, restored especially for moderat. american software designer, joshua kit clayton, was hired to program a superb reverb algorithm specifically for the recording process of this album

get physical presents: cocada is a brand new compilation put together in cooperation with the brazil music conference, and is compiled and mixed by local and long time star leo janeiro. all bar one of the 14 tracks is exclusive, and all come from exciting brazilian talents, making for a great window into the scene. Ôcocada is a word that evokes strong childhood memories for all brazilians. it is a delicious coconut sweet which, says the label, is a little surprise in the middle of an ordinary day that makes you appreciate all the good things of brazil. as such, it is a perfect name for this selection which features tracks from big and emerging names alike. under the name cocada well be launching music and organizing workshops and parties, in order to bring greater visibility to the electronic music being produced in brazil and throughout latin america, says get physicals managing director roland leesker. our desire is to create an international platform both for emerging underground producers and well-known artists, a&r manager matt plessis adds. cocada is very sweet and we want to give the world an opportunity to taste some of those powerful delights that have been produced in brazil,. among the albums more established producers is hnqo, who runs the playperview label and has released on hot creations. his track Ôsorrow is a moody cut with a shapeshifting lead synth that brings a zoned out feel.

mixture of science fiction inspired house, 90s trip hop and downbeat. originally release by concept records in 1993.

22recordings pres: 22 24/7 days a year in order to dance

must have for harry potter fans / coloured beige vinyl

limited to 200 copies.

tiga and hudson mohawke present their collaborative album “l’ecstasy”.

the comfort, das londoner label, das von vass kuratiert wird, meldet sich nach dem erfolg von dj lo-teks debüt-ep vor ein paar monaten schnell mit seiner zweiten veröffentlichung zurück. diesmal bietet the comfort eine stellare vier-track-va von produzenten aus deutschland, ungarn und argentinien.

vaults number 2

22recordings pres.: 22 24/7 365 days a year in order to dance. 1 per customer

trash metal

22recordings pres. : 22 24/7 365 days a year in order to dance.

coloured vinyl edition

party bombs number 2!

serious rare disco boogie from chicago s d&e recordings main man dave maze. this 4 track ep contains some of dm s most sought after exclusive remixes, finally getting a proper release via limited edition heavy weight colored vinyl. pre order highly suggested.

phara keeps up the pressure with his 3rd phaaar release.

to infinity and beyond. ufo95, alias killian vaissade is a french artist and electronic music producer. in search of unknown sounds, ufo95 travels through different worlds and different eras. he finds his inspiration in the psychedelic rock from the 60s and 70s, and in the techno scene from the 90s or even the idm scene, such as aphex twin... he also draws from the jungle and experimental scenes to propel a hypnotic, alienating and decidedly unique sound. very early on, music was his calling. mainly because he lived with his family above his parents’s nightclub. killian learned to play several instruments, he will also tryout rock bands in high school. as he turned 18, he chose to move towards music through sound engineering. first contact: he was then abducted by electronic music and, selftaught, he launched other artistic projects. he started playing under other aliases, and first live performed with rgs collective. recently, he landed in the reunion island in order to set up a family start-up, which works to reclaim environmental waste. recently back in france, he confined himself out into the countryside during the spring of 2020 and fired up ufo95, an unidentified fabulous object of music. he also released his first lp >popularity is overrated< on mama told ya label, in a cosmic collaboration with anetha. ufo95 is a good guy. be like ufo95. explore. enjoy.the b-side starts with syndrome. its earth-shattering kick and hypnotic atmospheres drag the listening into a weird, occult journey. ideal for the late-night darkrooms, metaphorically and figuratively. takaaki itoh, the japanese techno sensation and founder of the acclaimed wols label, follows up with his own rendition of the track. the remix from this remarkable legend within the scene is both eerie and engaging from the get-go. its driven by a thumping kick, playful hi-hats, and modular bells – a combination that combines the whole release and makes it such an essential for djs who are daring enough to take their set toward unknown territory. the planet x label is the brainchild of the icelandic techno artist exos where the harder side of techno is explored.

2023 repress. freaky electro cuts

good skills presents the debut longplayer from roe deers.

the album is reissued with the original cover artwork with the correct track order for the first time.