behind cosmic metal mother youll find our man in rome paolo di nola. here he takes time out from running his panacustica label to present you a lovely, melancholy, downbeat piece of cowboy disco. on the a-side youll get an additional version by label honcho prins thomas, giving you what you never knew you wanted...a potent mix of bluegrass and acid..on the b-side nycs the stallions aka gunslingers extraordinaire lovefingers and lee dougles fights of the bad guys and gets the girl in the end...into the sunset. internasjonal hq, september 2011

4x 90ties sounding techno tracks... acid techno , harder stuff all in one....

a mixture of classic and modern day techno styles tsi returns with another two track 12inch that becomes the 4th volume of the series. “chordrophonic” is a powerful hypnotic chord dub driven affair whilst “sentiment of pity” takes a different path with staccato acid lines, spacey melancholic string pads and pounding tribalesque tom driven drum rhythms.

in the first-ever collaborative detund/bwlr release, we are proud to announce the december 2011 vinyl release of bwlr angel trax ep1, featuring tracks by highsage, steve kuehl, raiz acid and roman debnar.

ndatl continues with its latest release abacus pres idrum >bang this djembe< austin bascom is no stranger to this scene having released gems on classic labels prescription & guidance returns to the musical forefront with this 15min + remix of percussion / conceptualist davidson aka idrum. from the start, the drums automatically pull you in and then comes the hard stabbing synths that will captivate the listener and dancer, add a trumpet & some acid lines, voila! you have the next club banger! then turn it over and >welcome to the party< is classic analog tracking abacus at his best, with smooth chords and driving drums will be sure to please the deep heads worldwide. also a bonus drum dub is included for our layering djs to drive dancefloors into a frenzy!

massive techno tunes by paul.groove and lars gustav a.k.a evensloped. played and supported by: xpansul, lado, mentalic, kaufmann&ferdinand, ascon bates

vinyl version of jus-ed s latest album vision dance. this originally came out on japan s mule electronic in mid 2011 and ed has now re-issued it as a dj friendly double pack. ruff, rugged and raw deep house vibes from bridgeports finest. go get it

new limited vinyl-only release from the trust orbit: scram01 combines cold futurism with a pulp sci-fi mood, cool berlin dub techno flavours with melodramatic detroit strings. side a is a pounding acid trance epic by vienna techno maestro patrick pulsinger (cheap records, r&s, disko b), side b has the slightly more melodic original plus bonus beats. limited to 300 copies.

following vincenzos astonishing recent album, >wherever i lay my head<, which really elevated the producers status into the stratosphere, we continue the story with three new remixes, from cult legend tom middleton, smooth-talking newcomers genius of time, and talented uk-based mic newman. tom middleton, who needs no introduction as the legendary producer behind such classic projects as the jedi knights, global communication and cosmos, hands in a modern deep techno remix that shimmers with melody and dubbed out echoes of the original version of >sometimes saturday<. leaning towards epic, with moody old-school synth builds set against contemporary punching bass tones, it certainly doesnt disappoint. swedens maverick slow-housers genius of time rework vincenzos >106 downtown< which is also a work of genius in its own right. the boys add sensitive, detailed down-tempo beats with some wonderful warm swirling vibes mic newman transforms >hello!< into a crafty fresh tech-house groover with his dub remix. floating, ethereal synths mix with bubbling acid and liquid beats in this seriously smooth and complex mix.

uncanny the label that took everyone by surprise comes with more goodness! the third artist-ep by dresden-based label comes from house- and hip hop-mastermind cuthead and is nothing less than a proper power package. with vibratin things start off as deep as the bottom of the sea. underneath cutheads dense drums there is an intense and meditating synth line which is eventually complimented by an acid figure as if it was an evil twin. brother rolls in with a mighty kick drum, before a catchy sample and not less catchy piano motives prepare for a propitiating end. with transgressions and its bass line for the bigger floors things get down to house business once again. the remaining two tracks then give an impression of what happens, if cuthead takes to the mpc for his liveset. in seram lembah und heartless cuthead combines his drumming with south east asian disco-mantras und bittersweet blues chants to heavy hip-hop-grooves. loving it!

played & supported by: luciano, dj t., butch, gregor tresher, slam, ilario alicante, samuel l. session, paco osuna, gel abril, pig & dan, mikael stavostrand, martin eyerer, fabrizio maurizi, arnaud le texier, avatism,david labeij, alan fitzpatrick

matt returns with the 3rd installment on rebel intelligence. this time 4 tracks of finely crafted acid house in keeping with his acclaimed live sets of the past 2 years. mastered onto 1/2inch tape to give an authentic warmth synonymous with the golden era of house music. from the inner city inspired >good fun< to the deep atmosphere of the title track >obsession<, this e.p. captures a sound and feeling guaranteed to move both hearts and feet on the dancefloor. limited to 200 vinyl copies only.

played by sven väth !!! night voyage tool kit is the collaborative project of two like-minded producers, night slugs bok bok and tom trago, curator of the rush hour labels voyage direct series. originally commissioned by sound pellegrino label boss teki latex, this is the result of four intense days and nights in toms amsterdam studio, surrounded by hardware and enshrouded in a thick haze. having pursued very different directions in their respective solo work, the duo find common ground in minimalism, dj tools, the neptunes and ghetto house. the result is a collection of stripped down rhythm tracks aimed straight for the club: the arpeggiator workout of pathfinder, vectors cosmic jeep bass, pom clash and its grimey lil louis tribute, and the acid epic lil ma bonus beat.

nice price deal !!! another critical release,following the deadly djs pareja single of last month. perfectly timed and cued after the recent raudive long-player on stefan goldmanns macro label. raudive is oliver hos darker, more new-wave operative, and these latest productions have caught the attention of the folks at history clock - and its a perfect alliance. the levels ep is a debased mix of sleazy, after-hours acid-dancehall with the icy cool of minimal, machine-music dynamics. essential, in a word.

osman strauss split ep presents two great deep-house tunes by rahmi cihan & dj credes! >abgebrecht< on the info-side by turkish-rooted guy rahmi cihan is an outstanding shaker with a quote of german litterateur berthold brecht flowed by rahmi himself. >honz< on the logo-side by dj credes combines interplanetary groove, with a soulful speech of a beautiful jazz-queen, which create a deepkickin southflavoured late-nite hymn. rahmi cihan is busy in producing and playin music since over a decade now. being beatsport member since day one his contribution to this split ep is the well compromised result of long-year experienced flow including dark-dub vocals, major chords and echoing bells. >abgebrecht< for real can be described as ramis personnel signature tag of authentic dancemusic. dj credes was discovered by bespmusic in 2010 and now it s time to pop his cherry with >honz<. the house-addicted vinyl lover delivers a dark scattered bassline, funky claps and a resonant burning synth line. piano licks, vocal snippets and an acid line driven peak time speech issue proper instructions to the crowd.

jackin family back on robsoul recordings

no doubt, daniel herrmann alias flug 8 does polarize. the principle he follows through all releases during the past years is an atmospheric melancholy that has got to fascinate. tuning would not exist without detuning, and a mood is a mood. this may be understandable easily. however, those who get into his music can expect much more from it.

originally recorded in less than a week, the fun and moxie will hit you with every beat of >better living through chemistry<.
released in 1996, this is the first full-length album norman cook was to release under his successful moniker fatboy slim. fuelled by his signature big beats that would come to dominate the 90s dance scene, sprinkled with acid house bleeps and squeaks and heavily sample-laced, >better living through chemistry< proved to be just the tip of cooks proverbial iceberg.
re-issue on audiophile 180 gram heavyweight vinyl.

title track >lasers are forever< combines arpeggiating analog squelch, lush synth atmospherics and subtle percussion sequencing to lend itself an uncommon sense of drama, the effect of which is both compelling and visceral. on the flip, >hello darkness< takes a somewhat different approach: an imposing arp 2600 bassline pulses along front-and-center with a relentless acid-tinged snarl, while pounding drums and swelling pads complete this most banging of danses macabres. on remix duties are throne of blood alumni remain & mlle caro, who retain the key elements of their source material only to reveal an entirely different beast lurking beneath: the parisian duo take down the tempo a few notches and let swelling analog filters and unfurling lfos do the rest. meanwhile, get the curse music boss clement meyers deformhaus remix of >hello darkness< tightens the originals percussion to an industrial stomp and introduces a spooked-out synth line every bit as funky as it is uncanny- the end result lands somewhere between the boneyard and the discothèqu

follow-up 4 track 12 inch to the first volume that was released earlier this year. in line with the concept of these two eps, the tracks were again taken from juergen junker live-set, recorded straight out of the machines. friend of the house is a collaboration with pavan mann, whose vocal parts are chopped to bits and more than just add to the live-live feel of the track. therell be more of him in the near future…watch out! its a jungle has a more hypnotic vibe and lures you deeper into the house jungle. dammit is the straight-up jackin track on this ep. no messing around, just rough sounding head-nodding material . feel what i feel starts of as a deep chordy affair. hard to let go off, once the little acid-lines start dropping in. all in all, its house! its that simple… as the neurhythmics also has its 10 year anniversary this month, there will be a special limited edition of this record. 54 records will come with a miniature 3-colour stencil canvas by juergen junker, hand-made and numbered, complete with a mini-easel.

yeah, coming through the nyc pipeline via plan b recordings, murphy continues to materialize tunes straight from dreams into realities with a 4 track ep of acid, deep house, and ambient tunes that signifies samples from his inner music self. listen to murphys unconscious moments rising to the top of himself, straight from the underground for the underground.

breaking onto the scene via a series of anonymous 12inch, it was after garnering reverence as a big name producer in disguise that cottam was unveiled to be the humble newcomer paul cottam. rising through the early rave scene in his hometown of preston, he first cut his teeth as a dj warming up for the likes of surgeon, dave clarke and regis. despite his techno upbringing, it was the slo-mo tempos of mark e and the revenge that inspired cottam to produce his own brand of dusty soul and hip hop-grounded house. however, in april cottam returned to his roots with >sunrise sunset< on use of weapons, sinking a rave core down to his signature slung bpm. it is a journey into sub-aquatic acid house that began with a series of remixes for luv jam, pattern select and morning factory, and one that he continues to explore on his aus music debut. aptly titled >deep deep down< sculpts the feeling of acid techno into warm slo-mo house. ukrainian producer vakula takes the track off on another tangent entirely, stripping away its propulsive chugging heartbeat and replacing it with an off-kilter, spaced-out pulse reminiscent of theo parrish when he s in that kind groove. on the flip, >twang< is a return to cottam s brand of languid, soulful house, steeped with groove destined to incite the dancefloor shuffle.

full drumming, a grumpy chord sound embraced from a dark, rebelling melody line like out of the old rave days and the demanding voice from the massive track internal, which calls the >soldier< with his name. remixer rolf mulder mills with darkly digging sequences and creaky acid effects sharp edged points in the sole of the dancers, so that these also find enough hold on the slant melodies. >skydive< makes in the matter of grooving also thick cheeks. the track rumbles more and more elegantly than stoic through the space and pulls from the propulsive combination of the vocal-hookline and the harmony changes a well-arranged serving of pop flair which cuts the darkness of the night with a flashing blade from light. toureaus impact version of >skydive< serves 8-bit like clicking in the treble area, swears to the rhythmical spirit of the good old days and asks him for a bouncing dance on the floors in the here and now.

the onset of autumn brings this new release from is it balearic..? recordings head boys coyote. featuring the vocal and lyrical talents of gavin gordon, a madrid based singer songwriter who has previously worked with mock and toof. minamoto is the tale of a 12th century samurai beautifully laid over a heavily percussive and slightly psychedelic disco groove. for the remixes, dj steef creates a more dubbed out 4/4 bouncy synth affair. the hardway bros concoct a proper mid-tempo acid house workout fitting for all the more discerning dancefloors. the third remix from shocks is a reverb heavy breakbeat trip into the darker side of hypnotic balearic/cosmic beats. there is also a bonus track el sueno oscuro a beautifully evocative solo flamenco guitar track by gavin gordon.

next up in studio barnhus split coloured 10 inch series (the previous installment was acid andy and axel boman on yellow vinyl) is handsome newcomer hnny and barnhus very own desperado kornel kovacs. on the a side, hnny takes a saccharine rnb cover of perhaps the greatest power ballad ever and turns it into a perfect little edit – as simple as it is inspired, this is an obvious end-of-the-night-turn-the-lights-up-in-the-club-anthem if we ever heard one. on the logo side, kornel kovacs brings the heat with down since 92 - a bass-driven, vocal-laced pop house song about hate, love and jealousy. break it down! red vinyl, no digital - limited to 300 copies worldwide. barnhus bang the party once again! freshness.

> polybolo< is a monster that drags you into the abyss, and hits the dance floor like an avalanche. dusty kid starts the survival training that every raver who calls himself professional should have passed in the acid shower. constant knocking wears the stone: like the peak bagger who finds himself awe-struck by the earths elemental forces, > polybolo< reveals the pure longing, the archaic natural forces, only by means of pure synthetic tools. and in case you are not such a hard-raving member of society you will find your satisfaction in popofs stripped down monster groove remix of > argia< on the flipside

heavy austrian dub mechanics from group niob aka phlox conspirators gerhard potuznik and martin sovinz. this is their 2nd release to date, a dedicated follow up to last years >vector ep<. opening track nexus takes dubtechno one step further down the road to the lowlands. it manages to keep the atmosphere dread and melancholy but balanced with light skipping percussion and whispering snippets over a four to the floor beat, creating an uniqe kind of bass music. second tune aldo glows with warm chords over thick and dreamy rhythms, rendered in spacious minimalist dub style. side two starts with a vocal drenched acid-rework of nexus by no other than tin man. the words >doesnt matter who your are< will settle down deep in your subconsciousness and refuse to leave for some time. already an anthem and that kind of tune that should not be missed on future dancefloors. the ep ends with a fierce and forward shifting, floor shaking nexus-rework by londons bass cadetts dark arx

scuba is the production and dj alias of paul rose, the curator of one of the original dubstep labels, hotflush recordings, (home to mt kimbie and joy orbisons legendary hyph mngo) which released some of the most important tracks of the genres formative period and has become a leading player in the wider world of electronic music. a celebrated and influential dj, his expansion into wider musical territory led to the #25 position in resident advisors 2011 poll of the world s top 100 djs.
as you will hear on his dj-kicks mix, dubstep doesnt cover the range of music he plays. this dj kicks features 7 exclusives that will not be found anywhere else including a new scuba track - m.a.r.s.
comes with code for free digital download of these tracks.

120 days are a 4 piece from oslo who released an acclaimed self-titled record in 2006. in the time since, the band has been developing and honing a sound, the first taste of which is >osaka<, which will come out on club mod.
a brooding, tribal, baggy acid beast, the >osaka< single, with remixes by sidwho? and diskjokke, is now available in 12 inch format.

the third release on the world unknown label is a very meaty affair that coincides with the second birthday of the club night in brixton. on side w timothy j. fairplay fuses ancient egypt with late 80s belgium and drops it slap bang into the near future with the monolithic techno beast that is >cleopatra loves the acid<. its already been played in discos and on the bbc by andrew weatherall, for whom tim handles engineering and co-production duties in his day job, and is set to become a pounding anthem on the more adventurous dancefloors over the coming months. side u is a more throbbing psychedelic affair. kalidasa is the production alter-ego of tim rivers who runs the always excellent theacidhouse.com website. it<s exactly the kind of heavyweight midtempo tune that causes sweaty pandemonium at world unknown. if the word balearic still meant now what it did to from 87-92 then thats precisely what youd call this, most likely with the prefix >heavy<. but it doesnt so you cant, or can you?

limited repress on blue coloured vinyl with self made black printed labels! vinyl only release with great acid touched tech tracks on the quality vinyl, quality music, quality artwork. first pressung comes with handmade 2 color silksreen artwork. so be fast

limited repress on white vinyl with self made orange printed labels ... after his last house party, adalberto is back on the way to school to perform his homework on the box called 909 ... nothing more - nothing less than raw deep-, acid- and ghetto-houze can be expected...

above smoke & ernie in a shared hot four tracks ep. ernie starts the fire with >delicious time<, a killer gospel-house song with acid turns for these late night moments. >running< represents the jazzy deep face of above smoke. otherwise, with >grooving you< he ups the tempo to the groove zone. finally ernie closes the 12 inch with >funny break< a tense downbeat experience for demanding gourmets…

nice price deal !!! milano based musician and producer joseph bacchilega teams up with piero russo (formerly known as esom, from emphasis recordings) to present you pulsewave music. while empty words and soulless records seems to drive modern underground music, with pulsewave we aim to bring back the spirit which gave life to quality vinyls (from the music, to the artworks) with a mixture of passion, skills, concepts and forms. while the intention is not to have an intention (if not making good music), engraved in the hearth of the record are the words >nothing will be the same<. while the meaning is not to search a meaning, there are things that words cannot express, but the ear can hear and the intuition can feel. nothing, if not a strong emotional content. on the b1, a powerful acid version from esom will be hitting the hardest-to-please underground specialists while, on the b2, a blistering techno track (the original mix) is meant to respond to the most demanding dancefloors. on the flip, uk-based producer and dj, kirk degiorgio (a.k.a. as one/future past), delivers his intense and floor-moving version in a 7 minutes trip which already passed in many djs turntables. dont miss this limited edition, hand stamped vinyl record.

chicagos ricardo miranda makes his debut for the ace stilove4music label, maintaining a fine year in which he has already dropped some serious heat on rush hour sub-label hour house is your rush and his own noble square imprint. title track >102point7< is all jagged synths, throbbing arpeggios, slashing claps and a rolling acid groove, marking it out as one of his most incendiary productions to date. on the flip >rotary cells< is deeper still, a 909-led jacker with undulating layers of sub bass augmented by a wonderfully woozy vocal which extols the virtues of true chicago house. this is followed by >greenline<, a stripped back jam with scuttling hats and the kind of paranoid synth melody that wouldnt sound out of place in jeff mills something in the sky series. this is dark, raw, pulsating dance music - highly recommended.

k.larm & j.raninen -303 and friends ep-.. devastatingly crunchy acid squelching release including a hauntingly beautiful remix from the electro sensation morphology!!! produced in finland.

for renaissance mans first single off their turbo debut lp, we have assembled a team of remixers whom we felt could live up to the playful intelligence of the original. the result is a pack befitting one of the best electronic albums of the year, a mensa-level dissection of contemporary dance music that builds on the finnish duos previous releases on dubsided, sound pellegrino and made to play.
to begin with, we enlisted a personal hero of the renaissance man boys - legendary producer herbert - who offers up a subtle, atmospheric take, adding his own vocals and introducing an esoteric pop sensibility. scottish producer (and thom yorke name-checkee) sei a checks in with a hypnotic techno groove bomb. uk vet paul woolford strikes a balance between wobble acid and melodic piano hooks.

originally from time bandits >shooting love< shows perfectly mustangs musical obsession for italo, disco, early house & classic pop music. the remix package comes with an uplifting acid techno style remix from black strobe.

local actions seventh vinyl release is the official follow-up to t. williams and terri walkers 2010 anthem >heartbeat<, and comprises three of t. williams heaviest instrumental tracks to date. >break broke< is the sound of williams getting darker, with synths that glow like an overcooked power grid and one of the most ruff-neck drops you will hear anywhere this year. >go in< is for the djs, a palette cleanser that is tailor-made to mix long and deep, but its >analog tour< that is arguably this records stand-out – opening with a two-and-a-half minute intro of acid ambience, electro claps and super-heavy 808 kicks, and climaxing as a full-on 303 hydra.

chris duckenfield has done more than a few laps around the acid house track producing and djing since the late 80s, and achieving success through numerous music projects, rac on warp, as swag with richard brown through the 90s and more recently with his popular peoples front & duckbeats aliases. >i really do believe< joyously straddles the disco & house worlds, a rollicking metalic riff, soaring etta james vocal samples, a healthy dose of acid and a serious low end - constructed for sweaty basements & causing a major stir with a few choice drops at the recent electric elephant festival in croatia. new and super talented producer chicagodamn provides a superb remix on the flip, taking the key elements of the original to a strobe-lit warehouse destination in fine style!

broken cosmic acid-funk? if thats already a genre, ad bourke for sure is its master. hot!

flying donkey music, after the first two releases by samuel l session and kirk degiorgio got the respect as one of the new more interesting labels in the underground stream. as third release we can appreciate the homeboy claudio mates m2g4: he shows us something new and different, which is hard to catalogue, just a techno/house track or a simple piece of electronic music. tribute mix by claudio mate is a perfect journey in deep, dark, emotional, emotive lands within an amazing epic ending with guitars played by luca petrosino (an italian guitar talent). orlando voorn really doesnt need any introduction: his deep divine mix is the perfect mix and balance between raw grooves, melodies and solid bassline like his usual trademark. its perfect for dancefloor people who loves berghain or fabric. david hausdorf is a classical musician from the munich philharmonic orchestra but he is also well known for his old works on labels such as synaptic waves, styrax leaves, salo, lifetime music.

phat phunkin chicago inspired house anthems

the moreaboutmusic label launch the secret weapon series for long lost gems and future classics, inspired by the sounds of early chicago house, sheffield bleep and detroit techno. secret weapon #1 comes from deep space orchestra with the future deep house classic >hold me back<, remixes come from disco don cosmic boogie and acid house scientists paranoid london. deep space orchestra deliver the goods with >hold me back<, a stripped down, nu-groove, mr fingers inspired, deep house jam. a simple kick and cymbal pattern builds slowly into a layered percussive house groove, with a pulsating juno bass line. organ stabs tease in and out of the track that build up to a hypnotic hook. the layered rhythms build, whilst a vocal stab teases in and out of the track, layering sounds and sonics, before dropping back onto an irresistible jacking house groove. the remixes are adding some fine flavors to this excellent debut release of mam records.

erste single aus dem debüt-longplayer des berliner djs und produzenten till von sein (trenton, morris audio, dirt crew), das ende oktober auf suol erscheinen wird. >non existent love< ist eine kollabo mit tigerskin. an den vocals: meggy & lazarus. die remixe dieses deepen acid-juwels kommen vom baskischen produzenten el_txef_a und jozif (wolf + lamb, fist or finger) aus london.

this pressing with printed paper is limited to 100 copies in a coloured vinyl ... after his last house party, adalberto is back on the way to school to perform his homework on the box called 909 ...nothing more - nothing less than raw deep-, acid- and ghetto-houze can be expected...

this pressing with printed paper is limited to 100 copies in black vinyl ... after his last house party, adalberto is back on the way to school to perform his homework on the box called 909 ...nothing more - nothing less than raw deep-, acid- and ghetto-houze can be expected...

francois x returns to the deeply rooted house label for his third record and we are very pleased to hear how he developped his style! code red has a great classic techno vibe, while haunted is an acid intriguing deep and dark track. proper techno! bonus comes on the flip side with the marcel dettmann remix of code red. his version is stripped down dark and pumping in his unique and raw and intense berghain style!