die nächste kts strahler ep , nun auf diynamic music !!! they have come a long way�. remixes for hot chip, releases on cocoon, and part of the diynamic family from the very beginning. christian hilscher & nico plagemann, better known as kollektiv turmstrasse. they return with one of their finest tunes to date. always loyal to their own label-mission - music wins friends (musik gewinnt freunde), this new release upholds this principle! with this new ep, they once again confirm that they are one of the very best in their class. and we are certain it will win them many new supporters for sure!

drums have been discovered in almost every part of the world. drums first appeared, however, in excavation from the neolithic era. the oldest recorded drum is from 6000 bc. mesopotamian ruins contain small cylindrical drums that are as old as 3000 bc. egyptian tombs have yielded small drums used for ceremonies. several caves in peru contain wall markings depicting drums in various aspects of societal life. it is strongly suspected that indian drums from the middle east are as old as 5000 bc. the american indians used a series of wood and gourd drums for their celebrations and some of these drums are still used in ceremonies today. drums were not always used for music. in africa, where music is simply an interpretation of everyday life in sound, drums were used as speech. simply a pattern of beats played in a certain way could communicate vast amounts of information. jeff mills creates the drummer (pm-022). 6 track 12 vinyl ep. mills communicates through only a classic roland tr-808 drum machine, exclusively made for the purpose maker/axis. each track dedicated for the masters of the art form of drumming like: neil peart, billy cobham, buddy rich and others, mills explores how drum patterns and rhythms remain communicative on a higher level that has endured through evolution of humanity.

who are these guys behind the pseudonyms? good guy mikesh and filburt are two music lovers� full stop! two independent acts that met in leipzig and began to merge their musical creative capacities two years ago. a convolution of disco, pop and house, propagating one of leipzigs most promising collaborative developments. good guy mikesh has haunted leipzigs contemporary underground for a long time. from the beginning of his musical career, his singles have signified an eclectic mix of pop, soul and disco. filburt - dj, record store owner and leipzig club scene veteran, was consequently good guy mikeshs best possible accomplice in the mission to break fresh ground. this mixture of soul, disco and house-pop is it, charged by the duos certain something - an energy sought for not only in this town, but throughout the whole scene. someone told me, their latest single, has been causing an outbreak of contagious enthusiasm in the scene since its release on permanent vacation this summer. we are proud to release this fine ep, which comes with a remix by one of our uk favorites: mark e !

support by karotte, 2000 and one, michel de hey, red robin, bart skils, gregor tresher and many others. the whole concept of bar27 existed in an empty basement in amsterdam. in spring 2006 a group of friends starts living together in wich soon seems to be one magic place. within a certain matter of time all ideas, styles, tastes and fantasies started melting together, having one thing left in common, passion for music. after a couple of infamous afterparty s in their very own intimate and very special basement, they decide to call their basement bar27.

white label 12 inch on the hipster club tip. called a career making record by switch ? >somebody get pregnant< is a nasty, throbbing cut aimed straight for the club. it s a tune that s been floating around since 2008, and has everyone from mad decent (who tried to sign it) to three six mafia (who tried to buy the hook) clamouring for a piece. major lazer also featured the tune on their new essential mix for bbc radio 1. acapella and instrumental included as well. on the b-side, ninjasonik gives up a couple of cuts that won t be seeing proper release due to some sampling issues : >shoot the lazer<, a raunchy club tune that jacks the opening to a certain animated movie classic, and >daylight<, a bootie remix of the matt and kim song by the same name. rounding out the 12 inch is >stir<, a minimal dancefloor tune with stuttering, drunken style vocal takes. sweet!

>who is the person you would most like to work with?< for claude vonstroke, its definitely bootsy collins - the biggest personality in parliament funkadelic and funniest character the funk world has ever seen. we couldn�t be any more excited to have bootsy on dirtybird and this crazy collaboration of styles is the lead single on claude vonstroke�s 2nd album, �bird brain.� if you haven�t heard of bootsy we couldn�t write it better than rolling stone� �bootsy collins� rubber band was the most entertaining and longest-running spin-off of george clinton�s eternal p-funk circus, and that�s because bootsy is a true star, the clown prince of comic, psychedelic, good-times funk � if he weren�t such a genius of the bass, you�d think he was jimmie walker in a sequined costume, star-shaped mirrored shades included. his career is like a horatio alger story based in chocolate city: plucked from teenage obscurity in 1969 to play with james brown, the former william collins of cincinnati brought a slap-happy zest to jb�s sound, then hooked up with clinton and was reborn in his image, with a little help from lsd.� it is certain that claude vonstroke is not nearly as accomplished as bootsy collins, but he takes the same tongue-in-cheek approach to his music and that�s why this collaboration really works. both claude and bootsy believe you got to get up for the down stroke and there�s no way to fake the funk or your nose will grow, pinocchio!

big with radioslave, luciano, gregor tresher, karotte.. the track is hawthorne s theme , the artist 2 armadillos . i loved the track from the moment i heard it .. i m certain its going to be a favourite for all of you

nice price deal !!! defcon records welcomes the in miami and madrid resident artist and dj john stevens, who already released on labels like cobalt recordings, global muzik rec. or deux mind records. a real summer feeling provides his newest 3 track production >your love is real to me< how it is probably to be felt only in miami. all three tracks comes along summery laxly and easily, besides, keeps always certain coolness. the main track >your love is real to me< could become a real summer hit in miama or ibiza and we are quite sure, that he will also sweeten our summer.

capricorn rising is a brand new label for music response, hunting out old and rare tracks and re inventing them in their own way. first up on the label we have earth calling and spectacular.earth calling is a long lost and hidden gem featuring the vocals of a certain gordon sumner, which has been reworked for 2009 in true style, while spectacular is rare a track from can from 1977 another gem reworked by the capricorn rising crew.

tensnake has been hamburgs best-kept secret. has been! past 12inchs for labels like radius, mirau (which he co-runs) or his gorgeous >keep believin< three-tracker for endless flight speak louder than words. on top he delivered all these nice remixes for the likes of junior boys ( fm÷ is theee one), sally shapiro or more recently toby tobias on rekids. firmly rooted in new yorks sweaty boogie dreams and with a soft spot for dazzling house music, >in the end< stays true to tensnakes juicy techniques and pleases our friends and colleagues (radio slave, robet dietz, prins thomas, gilbr, mark e) alike. we start off with a courageous house tune that has all the qualities of an a-side and concisely defines the dilemma of lovers: in the end someone always has to cry. but as long as it sounds like a cutty ranks rocket launcher, we want test it. the other side of the medal features >holding back my love< a slow-motion disco robot bomb with a crooning tensnake on the mic that makes everyone feel happy like they should. finally, >thethenunknown< somehow melts the moodiness of early factory records (think a certain ratio with a little finger exercise) with the atmosphere of kenneth dixon jr.s >misled< - one for the heart, soul and your headphones. at least, gerd feels and thinks like that. speaking of feelings. if downloads are your thing, you can get the digital bonus track >can you feel it< at all the usual spots. how is that for a change? this guy aint a blindschleiche

headman aka robi insinna is back on his own relish label. on the a side is dreampieces - alternative version feat. jeremy kerr (a certain ratio) on vocals and dennis young of liquid liquid on percussion. includes a remix by zongamin. b side delivers dirt, featuring vocals by sydneys katrina noorbergen. also featured in a disco influenced remix by c90s.

susu bobien has established herself as one of the signature voices in gospel house music over the last decade. already a widely recognized name in the often cluttered world of house music, susu has vocalled many a championed release across leading labels such as strictly rhythm, slip n slide, azuli, ffrr, nervous, jellybean û and of course nycs own soundmen on wax. this limited ep features 3 lovingly hand-picked (& re-mastered) tracks from the timeless catalogue of susus work on soundmen on wax. each one rightly labeled a classic, and featuring remixes from both sides of the pond, this is certain to become something of a collectors item û make sure you dont miss out

delusions hits the spot once again with number 3, this time highlighting the production skills of a certain zepp001. the seattle based disco obsessive has been leaking out high class edits over the years under a dizzying array of deliberately forgettable pseudonyms but feels the time is right to push his original tracks. who better then to make these beauties available for you discerning djs than delusions of grandeur. dont sleep is a dark, brooding groover with throbbing bass, cute cuica fills and intense strings that lalo schifrin would be proud of. a real heavy mood setter and as good an introduction to the sound of zepp001 as you re likely to need. next up we have the mighty revenge in for remix duties on dont sleep. the much hyped master of the edit keeps the vibe of the original well and truly in place but opts for an even more stripped back approach leaving all the space for crisp claps, slowly building strings and bowel wobbling bass. flip over for giraffe, a more upbeat affair where the filtered keys come to the fore and things steer in a hyped up deep house direction. show your luv...

�it�s nearly spring, so the sun god re-emerges after a 3 year hibernation. this series is based on rawer electronic vibrations combining artnoise / jack rhythms / sufi sounds for the fearless music explorer. when the series is complete the music will be followed up by an indie doc /visual art film on dvd dec 2009 with the music feeding this new age cinematic medium. jack fm is the exploration of a sound not yet understood or known to the masses outside the jack community. non-believers mis-interpet what they hear so jack fm is about the re-education of the mis-representation of the sound. jack is not just a feeling, it�s a knowing, a clear and certain mental apprehension of a true aboriginal sound. archived & preserved for future generations by the sun god�

wack label owner, s.m.o.v utilizes certain parts of a some what classic indie tune from the 1980s and has crafted it with r&b singer, d angelo, together with some super heavy jazzy boss nova drumming to create another wack classic cut. basement freaks - the greeks are generally known for growing olives and smashing plates, but basement freaks are smashing dancefloors instead as they step straight outa greece with this explosive latin break beat bomb!

now, here comes daniel herrmanns (aka flug 8) debut album >lösch dein profil< in english >erase you profile< or >delete user<. fully packed with metaphors he overdraws to understate. flug 8 cannot be nailed on any genre-board, but creates a homogeneous melancholic music stuffed up with secret hopes, by reducing it on a hand full of sounds and a certain range of simplified tunes. might this be true kraut-techno?

highly addictive grooves and elements of house, techno, jazz, downtempo and even breakbeat melt together and thus you can never expect a certain category of sound û but theres an important ingredient for all of his works: emotion! from early beginnings until the present the musical ideas from terry lee brown junior had great impact on what we now call >tech-house<. as a pioneer and central player of the tech-house scene he succeeded in getting and remaining one of the most requested producers and djs worldwide. especially in the u.s.a. and great britain he established himself as archetype for nearly every following production or name in this division.

supported by anthony rother (a.k.a. beuys von telekraft), pascal f.e.o.s., tom wax, frank kusserow and many more ... welcome to frankfurt am meer! welcome to the virtual city where all citizens have one thing in common: everyone - incl. producer, dj & label head la rez - is affected by a certain sound, enriching the worldwide electronic music culture ever since. wo kommen wir her ( where do we come from ) is his sincere homage to the city with the skyline and its vibrant lectronica -scene. la rez teams up with frankfurt based producers frank kusserow (datapunk, white noise), ziel100 (datapunk, zielscheiben) & marble arts (distorzone carbon) to release four exciting versions of this truly hymnic smasher!

donnacha costello returns with another release for his new label and platform, look long. the tragedy of the commons sees him continuing his mission to create work of lasting quality and beauty. gatsby has that most rare and ephemeral quality, that certain something not easily defined. work which is at once both raw and full of subtlety. something which is at once both instantly familiar and yet inescapably new. fathoms deep pulls the listener in with each rotation until we are so thoroughly hypnotised we cannot but surrender to its insistent, organic pulse. baritoneÆs melancholy lo-fi guitars and roland 606 drums wrap around us like a warm blanket on a cold night. a private oasis, a moment of comfort in a lonely city before the body gives in to sleep. this is no throwaway music. this is music to keep, to live with, to grow with. this is music in which comfort can be sought and solace found

after being charted throughout the past few months with his label s previous release >slower lov<, cesare vs disorder continues to deliver the goods on his >mean< imprint with a divine release from long-term friend and musician ollie silva aka canary fontaine. here we are again with some obscure yet funky, driving and danceable material, the recognisable trademark sound that mean has been carving for the past two years. there s a certain latin vibe throughout the whole ep that shows ollie s chilean background, especially when he adds his live musical skills with congas, toms, guitars, basses, voices, anything he can get his hands on! the productions on this release are delicate and refined, with >clothes horses< being a deep rhythmic and harmonious jazz adventure, while >arizona creeping< and >cindy says so (feat. eddie smith aka zippy)< result in some very solid minimalist bouncy techno, two powerful alternatives that simply roll many danceable and percussive elements into one package, perfect for dark rooms during journey times. cesare vs disorders noctambular version of >cindy says so< will be on the vinyl release to add some spice to the dancefloor in his usual psichadelic rockin way.

hot natured represents a sunny and modern take on classic and future classic music. subtly changing, and adding a new edge to some of the many different genres that have influenced the east london wideboy and los angeles newcomer who are behind the label. along the way hot natured will serve up disco through techno re-edits, pop remixes even slices of hip hop injected with the kind of dancefloor knowledge only a seasoned dj can tap into. whether its the reimagining of seminal artists like radiohead to kanye west, or chic to notorious b.i.g, the main goal is to do this with a certain level of sophistication and class, that is often lacking in the >unofficial remix< world.these artists and their work have represented unique points of inspiration for hot natured and its aesthetic. some might argue, >why mess with perfection?< well that attitude isnt much fun, is it? so please sit back, or rather get up and enjoy the first serving of hot natured, two naughty groove riddled versions of possibly two of the best pop records of 2008, chopped spliced and funked up by a well known london techno youngster.

the soul clap boys from boston who come up with the next airdrop outing, outdoing themselves every single time. it�s becoming increasingly hard to hammer them down to a certain sound or aesthetic as their thirst for innovation is just unquenchable! >puppy crack< is a potent dance drug and should immediately be banned to avoid further brain damage. dripping into your drainage like some highly potent acid, the track breaks down into the wonkiest mayhem that clubbers ears have heard in a long time!for those who like it darker, the ragged >beat the puppy< tool is the one! not beating around the bush but rather beating the poor squelching animal, the track rages subliminally, gripping tight around the neck with a metallic beat that should have any old party dog wagging its tail rhythmically while the voice filters in causing uproar with its build-up.call in the ambulance and hope the doctor saving you when your overdose is mikael stavöstrand: he is just such a fine balancer and knows how to dose right: >puppy crack< becomes a deep entrancing affair with squelching noises and hypnotic synths that underline squeaking and clicking effects. slowly the whole affair culminates in an evil addiction you did not even notice you developed!

schief, ironisch, aber immer wundersch?n: akustik-folk vom schlagzeuger der babyshambles.

part 2 of the simple, maybe release reveals the dark side of the brothers schwarz. yeah ought to be taken literally. batten down the hatches and turn up the volume, here comes a true masterpiece. naturally, tiefschwarz have saved the banger until last. there are not many tracks out there, which make you get up and dance after two bars already. the basis of yeah is a perfectly orchestrated drum beat. a steady bass drum, rolling toms, a crisp snare, all together powered by a low-pitch synth sample in the background. a sound, that is as offensive and sentimental as possible at the same time. add a well-filtered choir sample on top and you get a deepness and amplitude that can only be mastered by the finest soundsystems on the planet. like looking through a burning glass, the break shows what tiefschwarz are really all about with this track: gradually, all sound elements are shut down, overlayed by white noise that comes with goosebumps guarantee. this spring, youll better be on the dancefloor, when the drums set in again! deininger on the b-side is an almost gloomy track, driven by a dark deep-house bass line. once again, tiefschwarz play with a wide range of elements: an off-beat synth wind section, dry tinker bells and sliced vocals, well-orchestrated by a fine mix. all together this creates the perfect atmosphere for a monday morning sun rise. exhausted, dried-out, longing for your bed and a glass of water, yet at the same time not wanting to go home. great music got soul, the perfect balance, that keeps the heart pumping and the body dancing. deininger is about this certain temper, the groove, that makes you carry on.

part 1 of the new double-release from tiefschwarz aims at the heart of house music: soul. �on&on� is a first-class arranged club track. starting off with a wonderful mellow theme, that is adumbrated by the bass line in an one-and-a-half minute long exposition. the track ups the tempo with an additional hi-hat resolving into a shuffle beat. in double time, we move on towards the first break. here an edgy, minor key-chord sequence is introduced, making it obvious for everyone, that this track is gonna take off. eventually the keys function as a counterpoint to the classic bass line. a four-to-the-floor �on&on� vocal sample takes over after the break, adding another percussive aspect. as the track goes on a mulitiplicity of side elements sets in - no room for tediousness! in the end the �on&on� vocals resolve into �it�s so simple� . who knows, but this could be a broad hint to all the tech-house academics out there. no matter what, this grande finale raises a smile from every last sweaty soul on the dancefloor. with �best inn� on the b-side tiefschwarz create a dance classic, dressed in 2009 fashion. reminiscent of long gone nu-groove times, a traditional house beat - including a tiny off-beat tinker bell - blasts out of the speakers. a slured synth-organ provides the track with that certain edgyness. here, the brothers keep it laid-back yet exciting at the same time. this piece goes on and on and on - and you yourself run alongside, not wanting to pause. but watch out! at the latest in the second break, tiefschwarz put nostalgia to the test via some shockingly muffled metal drums. one of these moments, where you wish yourself back into the middle of an eight-hour deep-house set in 1992. the train departs. one thrillingly beautiful landscape after another runs by, until the warm sun strokes of the south suddenly rouse you out of slumber. arrived

one of the best aspects in music is, that it provides a perfect platform to build up networks, to communicate about common interests or to create a certain feeling of coherence. sharing this ideal it s no wonder leipzig based artist marc depulse, already well known for his productions on kiddaz.fm or ostwind adds his first release to our blufin community.

incl solomun remix !! as we venture into the future of house music, we find certain styles taking definitive direction. one of europe�s hottest producers, tiger stripes, has been at the helm and leader of tech & electronic dance music. he lays a new foundation over >voyage<, a recent release found on his safari lp released in 2007. two new re-interpretations, solomun main and lost version of this single will be released with more of his signature sound, pumping drums, jabbing synths, rolling over a bouncing bassline with string flows atop breathing new life into an already vibrant track. tune in and hear what we mean.

fresh new electro label coming straight outta berlin ! and by electro we dont mean some lame-ass four-to-the-floor shite soaked in distortion and full of all the latest �hotsamples, fresh from a timenspace cd. this is the real deal, six tracks of well thought out machine music, where the funk is in the circuits� automated syndrome 1 defines the first set of symptoms which robots (or other artificial intelligence) show while being exposed to a series of certain stimulants. to acquire information regarding any artificial intelligence amongst your family, friends or colleagues the bass4bots label is now proud to be offering you all the data necessary in one complete package. get yours before the others do!

after the first aspekt of marcio kantana at large and positive response follows now is the disengagement of the new labels. the guys from digital report deliver with the strange ep an amazing starting debut. the tracks are rich variety in the style produced from 1001 nights and include oriental elements, bright beats and deep sounds. this record is hardly a plate suitcase missing. just as the track sahara says he is dry and will be produced each party guest to bring sweat. this much is certain. the b-side bakara is rather for 8uhr morning, to relax, celebrate with you but will not stand still. on the record are remixes of marcio kantana and dan reed

with their second cooperation dj hell and anthony rother are drawing their inspiration from the mighty store of menschmaschine, kryonik, life sequencer and human-genforschung and seem certain to accompany us in the 21st century for a long time yet.

!!!!!!strictly limited to 500 copies!!!!!! together with stefan goldmanns debut cd the transitory state, macro releases a strictly limited box set containing five 7? records holding the electroacoustic album voices of the dead. with his releases for innervisions, perlon and macro stefan goldmann has been a key figure at the cutting edge of post minimal techno and the renewal of house music. this album is a distinctively different affair though, reaching far beyond the scope of dancefloor electronics. starting a trilogy of concept albums, stefan goldmann searches for the common root of all music in an electroacoustic setting. from this album turret is already renowned as the intro sequence of richie hawtins groundbreaking de9 transitions mix compilation and was also commissioned by the biblioteque nationale de france for the imeb phonoteque public collection. the artist explains: at first sight we recognise upfront elements like a melody or rhythmic pattern, which we associate with a certain piece or style of music, but there is tension between two notes, hard-to-define background information that at a closer look is found everywhere - within the music of coltrane and stravinsky, death metal and 9th century byzantine chants. if there is anything like a total, secret common ground, than its this information lurking in the background. these are the voices of the dead, the heritage of an endless line of ancestors brought forward through the centuries. i tried to make these elements audible as clearly as possible. really like this weird space ambient one. ive put katorga and izo already into my final scratch computer and have been playing them! (richie hawtin on voices of the dead) record release event at berghain / panorama bar berlin on september 4th, 2008, feat. ricardo villalobos, mika vainio (pan sonic) and ulrich schnauss (tbc).

arctic monkeys were already massive way before they inked a deal with domino in june 2005. people obsessing over the songs? sold out gigs full of stage diving nutcases. hardcore fans pressed up against venue windows, just hoping to catch a glimpse such checkpoints have all been ticked. the boys may share a love of the smiths, the clash and the jam, but in no way were the monkeys ready to simply regurgitate the well trodden brit rock path.

the first release on new glasgow label seinan music will be from rising star sei a. this boys stock has been rising fast with releases on french house stables such as missive, silver network and imprime {he may or may not also be responsible for a certain awesome re-edit of an oxford band containing word radio}... fans of his work include miss kitten, laurent garnier, ben watt and a host of many others. meth is another slice of his trademark techy but melodic sound. with haunting vocals and a solid hook, this is due to rock floors from glasgow to guatemala, tech style. on the flip, man of the moment milton jackson takes things a little deeper and darker with a solid mix that will appeal to fans of his work on labels such as freerange, winding road and tsuba. with a musical agenda that sticks to its guns but is not afraid to take a chance is the frame of mind going forward for seinan music. the label has some exiting plans for the future including remixes from another fcomm stalwart, llorca and more releases from sei a.

whats the secret of making a dance floor explode? if youd like to learn just open christian burkhardts contemporary box and look whats inside: at a first glance, it seems that it doesnt contain a lot, except for 3 dance tools. but once on the turntable you may discover the whole secret of this release. what seems to be so simple is a complex construct of percussive elements and basslines that are being arranged just in the right way. contemporary box finds it s peak without even having one, just by grooving on and on, monotonously, with jumping sticks and a pushing bassline. maison noir moves a little more to the housier side and is being carried by warm chords as well as by effective percussions. phey boom brings in a certain coolness and carries that great release home

supported by marc romboy, olivier huntemann, nudisco, mugwump, da fresh, jack de marseille, michael forzza, david guetta, dave clark, claudio coccoluto, martin solveig, ivan smagghe and many more... the story goes like this: fred hush went dj-ing to the russian federation. he was invited by shishkanov evgeniy pavlovich (aka eugene for his friends). being a dance producer as well, he proposed >not gay song< to fred hush... just to test him really. fred hush immediately liked the deep 80s minded 120 bpm melody and influenced by the voice of eugene (with a certain depeche mode feeling), fred was immediately interested to sign this wonderful track to the palm beach label as a true potential dancefloor hit!

legendary quentin tarantino movie!!!first part of the motion picture soundtrack!!

this summer mos ferry prod. comes up with a new two-track 12inch by dapayk solo, announcing the release of his second album >devils house< in late september. the title track on side a is already giving directions for this journey � provided that theres a proper bass response � >frickelsound< with affection to the little details, in particular with regards to the bass frequencies. but knowing dapayk thats hardly surprising, by now ... on the b side he presents >a saw attacks< - a track like a recapitulation of certain minimal elements that are around for quite a while now. but only the beginning is a typical sportive staccato theme. after a while a full-stereo sawtooth sound and a demoniac vocal sample take the lead, pushed by a strong punchy kick drum and accompanied by a sounddesign of clicks and sweeps

big with: Âme, dixon, cassy, radio slave, gregor tresher, shinedoe, karotte. after the massiv feedback to their well received second release the white boys are back with another pair of marvelous tracks. white 003 delivers you all the ingredients for a long night in and out of the club. oskar offermann�s >cherry bombs< is a sure floorfiller with a certain pop appeal. pumping straight forward minimal house with some tricky-trancy elements and a few breaks here and there to pleasure even the most sophisticated crowd. back from his journey through southern fields, edward presents us a beautiful piece of intelligent techno. >inverno< is a trip across one of those sticky summer nights, when you feel like the sweat is dripping on the inside. nervous drums and basslines will turn your mind and make your heart beat faster.

odessa, the wallonian based duo founded by formerly mings female part frederique franke and male partner philip may from geneva, consolidates their state by this new maxi release. minmal technhouse forcing the urge of compositions may their leading cause be called. autoroute and leman are both versatile, playful, exciting minimal tracks provoking this certain todays ecstasy yet avoid being static.

uncle o is someone we have an unlimited respect for, here at im a clich. a restless record digger with an insane record collection, a resident dj at the mythical bains douches club in paris at its golden era (82-85), a graphic designer for james white, omd, the cure, a certain ratio as they were touring in france, and later part of the emerging french hip hop scene (he even appeared on vocals on the seminal french hit h.i.p h.o.p, french people will know what it s about!). he produced occasionnal instrumentals for french hip hop bands like assassin, released a few cult records as jackos and organised some of the best parties in paris, the toxic nights.

supported by alex attias (planet e), italoboyz, karotte, sebo k, raresh, d julz, funk d void. michael melchner is barely at the beginning of his twenties. at the moment deep house of the late nineties has to take a shine to him. in the detail it gets clear, that this is not only a copy of an epoch, but a certain vibe, which is going to be transferred into the present. this vibe with his warm sound, the well dosed house beats and a strong musical sense is hearable, but this sounds by no means antiquated. on a-side several instruments like percussions, xylophone and samples of an mexican trumpet make sure that there isn�t only an exiting variety shortly before or after the primetime, but also a proper portion of itchy feet. with the both tracks on the flip-side the whole spectrum of michael melchner becomes clear, at the one hand a clear view on the dance floor with classical house beats and on the other hand a musical character, which one misses in many current productions. >chen chen< is slightly more co plicated and more rhythmic whilst >nothing happened< is a pleasing leaned back dramaturgical subtle house piece with a distinctive bass line and interspersed voice samples.

paul hammond is a london-based producer and founder of the label real soon. he has been making records since 1984 originally with industrial avant-funk group a primary industry and then from 1989-1998 as ultramarine in partnership with ian cooper. paul�s musical roots were established in the early 1980s listening to the new wave funk & electronic experiments of a certain ratio, 23 skidoo, cabaret voltaire, the pop group, new order, gang of four, the slits, the raincoats and the broader independent scene of the time typified by labels such as factory, rough trade

the enigmatic bulletdodge brings forth their debut release by up and coming glasgow dj/producers loweck, glasgows well known remixer electro voodoo and chicago house legend gene hunt. the >misdirection ep< is an exciting release that conveys vibrant techno magic. the first track to dawn the wax is lowecks original mix, which is a certain floor filler that drives with a dark bassline and explodes with an exciting arpeggio that will cause a frenzy on any dancefloor. track two is electro voodoos mix which is a more deep dubby mix that delivers a more layed back intelligent techno feel. the e.p. culminates with gene hunts mix which, fuses the essence of the original mix with a sub bass line and minimal bleepy effects to create a killer remix. the e.p. has been supported by terrence dixon and k alexi and is set to be a great success in 2008!

jochen trappe and daniel girresser start their own label last year. both known for their releases on connaisseur, meerestief and 9 volt, started apparillo-music as a platform for artists, who do not want be limitated to certain music-styles. stefan eichinger aka lopazz kicks off with a very huge production. armed with microphone, vocoder, analogue synthlines and pumping beats he ties up to his outstanding releases on get physical music and output records.

eric prydzs pryda label has again delievered some stunning pieces of work this year that have been caned by pretty much everyone. tracks like rymd, armed, ironman, muranyi and maddeferrys have all been licensed to pretty much every compilation out there and have generated quite a stir. this time around europa gets an airing - this is another walloping production that has been doing the rounds with certain djs since the summer. it is a typically enormous club track with its building synth chords and huge breaks and drops. on the flip odyssey is also a killer with its slightly more subtle funky feel. this is another 2 track monster that will not go away!! dj support - pete tong, sasha, jon digweed, sebastian leger, eric prydz

the first in a two-part sampler series from the sound republics highly respected chicago-based spatulacity. the a-side kicks off with a funky-as-hell piano jam by hollands tommy largo with a killer bass groove that is certain to get dancefloors whipped in to a frenzy, and the a2 delivers just as well. >barnyard announcement< by melbourne, australias house prodigies lamanex is a pumping, funny tongue-in-cheek jacker that bounces relentlessly and has been drawing incredible reactions from dancefloors worldwide! flip the record over and check chicago newcomers scrubfish laurences >disco papacy< cut for maximum booty-swhaking satsfaction! this track has it all: interesting drum breaks and super-crisp beats, chopped-up instrumental bits that kick the energy up further, and an unforgettable vocal. last but not least the uks sound diggers turn in a fantastic deep-but-still-jackin tune that really rounds the record out with the funky horn and guitar bits sitting on top of a great groove.

stop tears is a cheeky spin on a certain familiar house hit. while ass stripes is a sly stomper with a difference, that will have you marching to a 7 nation army.

eric prydzs pryda label has again delievered some stunning pieces of work this year that have been caned by pretty much everyone. tracks like rymd, armed, ironman, muranyi and maddeferrys have all been licensed to pretty much every compilation out there and have generated quite a stir. this time around europa gets an airing - this is another walloping production that has been doing the rounds with certain djs since the summer. it is a typically enormous club track with its building synth chords and huge breaks and drops. on the flip odyssey is also a killer with its slightly more subtle funky feel. this is another 2 track monster that will not go away!! dj support - pete tong, sasha, jon digweed, sebastian leger, eric prydz

french artist based in paris. this prolific musician gets noticed by the od records label that has produced his 2nd ep in 2006 mixing in all his productions influences from the 80s, 90s and 2000s through cheap but stylish synth sounds, melodies that underlie a certain sense of tragic and his own gimmicks, he builds tracks socked in old school house, minimal and electropop that immerse us in a cold, sensitive and personal ambiance.