influenced by mid 90s detroit techno. as with the first release the numbers are limited so dont miss 4 more raw analogue sounding tracks from black boxx

third release on the mindtours label, originally released in 2001, now back in limited numbers.

the 2nd release by steevio on his mintours imprint back in limited numbers.

32-song, 2x12 inch lp retrospective from vinyl passion collecting all of the actresss/singer/icons most famous musical performances throughout her storied career. featured here are such legendary numbers as >diamonds are a girls best friend<, her eternally famous rendition of >happy birthday< for president kennedy, a pair of duets with jane russell, and a duet with laurence olivier among many others. you name it, its here! pressed on dmm 180g vinyl for superb sound quality!

over the past few years we have seen a surge of artists, music and labels coming out of romania and, whilst not seen as a traditional hotbed of house music, this new wave of movers and shakers are working together to create their own lasting musical legacy. the latest in the busy line of producers is 22 year old bacau born, marcman. behind the decks at 14 and studying his art from 18 the young man with a love for angry kicks and heavy baselines has already graced the likes of quanticman, plant 74 and esperanza with his music. now hes set to join the bass culture family as he presents his debut release for the label the in trecere ep. >i was actually sent some marcman tracks about a year ago by franco cinelli< says bass culture label chief djulz. i instantly loved his beats and groove and i played them immediately on the circoloco terrace. i got in touch and asked him to work on an ep for bass culture. i specifically wanted it for this summer because his beats are exactly what i love to play in ibiza. marcmans 4 track >in trecere< ep sees him sandwiching the deep dubby sounds of rutina and the percussive guitar licked dansand, with the chicagoesque numbers levier and in trecere.

ostwind spezi pack contains cat numbers owspezi007 & owspezi008! incl sticker

blank summer pack incl cat numbers 001, 003 and 004! ltd to 30 copies!

die suesseste versuchung seit es chocolate ltd gibt... 14 tracks inkl. remixen von veitengruber, kasper, surrealism und mathias mesteno! ltd to 34 copies.. contains cat numbers 001 till 004

special 3 x 12inch pack incl cat numbers comf013, comf014 and comf015! let the elephant dancing

he next release on hypercolour is a rather large one that has been pursued for a while: an ep from multi-genre explorer, 3024/numbers alumni and all round badman tom reid aka mosca. across four tracks, the pioneering producer offers up his own unique view of house music.

nice price deal !!! after three releases of darkened house, proto rave and weird techno, hollands boutique purple maze label takes a detour into funky disco territory with prime numbers and firecracker craftsman fudge fingas at the helm. his amaranthine labyrinth ep is lively, bright and sugary, but still features plenty of complex analogue machinery to get you dancing.eyes on the prize opens proceedings with some distant bongos, glassy percussion and punchy kick drums. its a jostling track with insistent claps running right through it that really comes alive when some sweeping chords bring irresistible colour and funk.

keeping the love alive, the third release on eddie cs red motorbike imprint is another big sound on a small format cem g joins the party on this one.... pressed in hamburg. stamped personally by eddie in berlin. limited numbers!

part two of the vinyl album sampler comes roaring out of the gates with the stripped down, yet dressed up nastiness that is lotus bomb. did something so dirty ever sound so delicious? coffeeshop chronicles and my money your body are standard hephner sleaze one can literally imagine huge dry-humping his studio gear while churning out these funky numbers

lampuka records is a new underground electronic music label dedicated to releasing quality music on limited vinyl pressings & digital. the ethos for lampuka according to boss raimo: thought provoking and mood evoking. i want people to remember when they first encountered a lampuka.
the labels inaugural release features original tracks from head honcho raimo and up and coming producer tomas rubeck, who has a growing number of releases under his belt. lovingly hand stamped and limited to 375 physical copies, this release also features a spellbinding remix from edinburghs finest deep house confectioner gavin sutherland aka fudge fingas - known for his sublime work on prime numbers and the uber collectible firecracker imprint.

>twistin the night away< was one of cookes more successful lps, only his second ever to chart, and from here on, all of his albums would sell in serious numbers.
this is the remastered version of a record that has been out of print for a (too) long time! pressing on 180 grams audiophile vinyl.

following dj qs vinyl-only brandy & coke local actions second release of 2012 comes from slackk – one of our favourite djs and producers.paul lynch has been one of londons best kept secrets for years, he founded the pirate radio website grimetapes, and produces as both slackk (releases on numbers) and patrice & friends (last years cashmere sheets album featured high on fact and the wires best of 2011 lists).raw missions is his most substantial statement yet – a tribute to the widescreen grime of producers like ruff sqwad, wiley, oddz and alias, all massive influences on both him and local action. its heavy with a tinge of longing, and full of power.first pressing comes housed in an album-style sleeve with spine

the ganas ep is dedicated to professor jaime escalante who passed away on march 30, 2010. the movie >stand and deliver< was based on his life. as a math teacher, he worked hard to inspire latino students in east l.a. to work hard at their math skills and at life with desire or in spanish ganas. when everyone else expected latinos not to do well at advanced math and calculus, he reminded students that the aztecs and mayans were masters of numbers. the tracks on the >ganas ep< are designed to inspire listeners to overcome expectations and remember that todays so-called minorities are the descendents of some of the worlds greatest civilizations.

already championed by martyn & untold - who put out nautiluss collaboration with skywave on his hemlock imprint - and fresh off an excellent remix for zzt, hes probably the closest any new canadian artist comes to fitting into the new uk bass scene

we all love our furry friends dont we? when it comes to beretta grey, sometimes its the more the merrier. strength in numbers-taking in strays and raising up stallions.
this time we dug deep to find seth yender and his bring me joy ep. our newest slab of wax features only the finest detroit-inspired techno & house. his proximity to the beretta crew and the motor city lends the grit to the a side bring me joy - its a warehouse kinda vibe we almost just forgot about.

room 315 step up to the fledgling kinfolk imprint for three tasty psyche-edit numbers, opener >the eon men< sets the standard with its robust bass pulse driving a slow beat forward on a flurry of digitised synth solo and live guitar action, whilst >night on the shore< begins as a sinister number with lurching bass, but soon opens itself up with its solitary guitar line and floating synth pads which recall the end credits to an 80s thriller, all driven along with minimal 808 percussion. on the flip, edit masters soft rocks provide their own version of >the eon men<, taking the grizzled quality of the original and creating their own minimal wave inspired reworking, with a brittle bassline joined by shady echoes of dub music in its cavernous backdrop and savage low end.

lando kal (a.k.a. antaeus roy), one half of bay area electro duo lazer sword, follows up maneuver, his 2011 debut for hotflush, with two cuts overflowing with the darkness of a long berlin winter. a major player in both san francisco and new yorks underground club scenes, landos love of r&b, dark jungle, detroit techno and classic house is front and center on these two bass heavy productions. the infectious rythym sektion comes on strong, lando expertly weaving the vocals of the 1991 rave classic hinted at in the title with threatening drums and kinetic percussion. on the flip, landos dynamism is on display, as inquisitions syncopated beats swagger along, insistent and knocking, drawing you into its multi-layered paranoid rhythms. lando kal has released on respected labels numbers, rush hour, sugarcane recordings, still cold, and has remixed the likes of sepalcure, hovatron, salva, sepalcure and doc daneeka. up ahead, lookout for a single dropping on leisure system, the notorious berghain party collective and label.

modularz is on fire! with another powerful release by developer this time getting together with techno producer jeroen search delivering a driving remix of orgins. jeroen search gained his early recognition by releasing on jeff mills axis sub label 6211 as well as a wealth numerous releases that date back from the 90s. dont sleep on this one - it is released in limited numbers and is already being hammered by all the top techno talents in the world.

einmusika015 comes with three new tracks from einmusik itself. the opener qazaqustan is already club checked, this dancefloor-track with a foreign guitar next to a peak time bass and distinctive melodic finesse in every second, will not go out of your head for sure. die oni and bambataa are poppy numbers taken from the new album oceans bottom summer-openers with dizzying atmospheric parts and a lot of power. the einmusika15 is the third part of the ocenas bottom vinyl serial.

the 100th release is a massive milestone and we know everyone is waiting to hear exactly what we are going to be releasing and how we are going to do it. so listen up, the basic plan is as follows: four digital and vinyl releases spanning a year, cat numbers will be 100.1, 100.2, 100.3, 100.4 coming out roughly every 3 months ok, first release is croydon girl by chris liberator and sterling moss with rachel rackitt, backed with the drums by d.a.v.e. the drummer and ant, both avin it and hard acid techno monsters, a fitting way to begin.

the 100th release is a massive milestone and we know everyone is waiting to hear exactly what we are going to be releasing and how we are going to do it so listen up, the basic plan is as follows: four digital and vinyl releases spanning a year, cat numbers will be 100.1, 100.2, 100.3, 100.4 coming out roughly every 3 months. now we are onto our second release after the massive croydon girl by chris liberator, sterling moss and rackitt on suf 100 part 1, this time its the turn of four of the most notorious 303 raiders ever to grace the control tower of acid techno. on the a side suf co head honcho aaron liberator teams up with legendary smitten, routemaster and raw records artist the geezer for a jollied up bit of acid naughtiness, a straight up homage to david carradine and anyone that likes to drive recklessly about killing anyone that gets in their way. yes this is the return of crash n burn on suf, a superb follow up to their big hit!

the friendship with jason lanox and henk goes way back into the early days when we started holding parties on an old shipyard in amsterdam. from the first moment henk was captured by the productions of jason lanox. henk followed him closely and saw him grow as a person, producer and performer. the first album >burning every bridge that i cross to find some beautiful place to get lost< was the reason to finally realize the long kept ambition to start henk recordings.

second sampler from the stilleben camp, representing electro city gothenburg, sweden.

its been a full 12 inch months since luca bacchettis remix of david alvarados >klugh”<blazed its trail here on ovum. so what better way for us to ramp up the temperature in these cold winter months than to welcome our great friend back with his latest double-header. now residing in barcelona, the tuscan has enjoyed yet another successful year. whilst luca turned his hand to a&r ing and enjoying great success with the signings for his own hideout label, he also impressed again with his own work for the likes of wagon repair, defected and crosstown rebels. having opened the year with a serious slice of techno, luca leads ovum back to house as he presents two beautifully warm sun-drenched numbers. the bongo-heavy >on the moon with you < has us dreaming of summer as it bathes us in spine-tingling synths, beautiful melodies and dreamy vocals. from the balearic sounds of the title track to the african rhythms and inspirations of >high life<. high life is a track laden with vocal samples, and powered by its potent piano riff

in a short time, north londoner randomer has built up a small but heavy hitting catalogue of work – releasing >brunk< (on hessle audios 116 & rising compilation), the acid tinged >obtuse< and most recently his dance mania-on-steroids ep for numbers, >real talk<. his debut for hemlock recordings sees him taking things even further back to basics, dropping two heavyweight trax of pure beats and bassline indulgence. a. scruff boxs beats roll heavy but with a crafty, garage skip in their step, giving no clues to the obese bass riff that soon rudely exposes itself, tearing through the track roll by roll. aa. get yourself together more of those trademark, overweight beats with one giant, elasticated bassline. for those who like them large and lovely

nice price deal !!! up to this point, diogo accioly and diego mouras partnership as talking props has taken off and reached the heights of international acknowledgment almost effortlessly. acclaimed not only by their peers, somewhat denoted by the fruitful joint ventures they managed to forge which renowned names such as vincenzo, argy, but also peer whose attention they managed to grab, labels reputed as bastions of quality music such as suara and dessous. quite predictably, it seems that in the case of this release on the d-edge records, the label sprung from the club where they hold their long-lasting residency on thursdays, they made some of their best efforts to date, releasing two deliciously infectious numbers.

vier mal dillon ganz anders: nach dem sensationellen debütalbum von dillon und einer ausverkauften tour folgt nur die erste remix-single! disco, dubstep, house, techno, strobo-licht, cowbells, handclaps, piano, breaks - for those who know remixes mit dem house-maestro chaim aus tel aviv, dem disco-/house-newcomer call super (five easy pieces/london), dem hot n coming dubstep-duo kodiak (numbers/london) und den tech-house hit-lieferanten catz n dogz! tipp!

dj support from: hudson mohawke, spencer (numbers), mary anne hobbs, hxdb, dj ma1 (rinse fm), sbtrkt, subeena, sines, hackman, seiji, xxxy, greenmoney, spatial, deadboy, graphics, ben ufo and more widespread radio support (germany. italy, australia / nz, poland, france...)

the mole graces haunt music and this plane of existence with yet another sonic connection to the deepest corners of the ether house reality. a subtle combination of forgotten vinyl moments, childhood memories and modular synth alchemy. deep… yes.. yes!

absolutely incredible debut release from pusherman on the new london based label lnuk. a staple tune on recent swamp81 and numbers rinse fm shows and supported by the likes of actress, redlight and loefah. very limited copies. dont sleep.

877 records returns with an outstanding ep from rising stars of the bass music world, goldffinch (numbers, saigon, 877). geographically and sonically located directly between berlin and london, goldffinch deliver two genre mashing tracks taking the best from, house, techno and uk bass. fusing these elements into their own unique sound these are not tracks to be missed… already receiving serious support from some of the biggest djs about, the next year is sure to be a good one for goldffinch , dont miss out!

this ep represents a landmark on nice cats history as fiat 600 cuts a deep slice of musical history on chileans underground scene, since >the pinochet boys< , back in the 80s where miguel conejeros started his unique approach to groove making as the brains of this legendary art-punk band ( think glaxo babies meets los angeles negros) and throughout his oblique jungle-drums and bass excursion in the nineties this national treasure always knows how to deliver the unexpected and leave a sweet aftertaste. here are six offbeat dance gems , including his reworking of villalobos-los updatess >miss u so<. we at nice cat try to keep it cool but , if truth needs to be told , we are gleaming with pride. nice cat 05 . all tracks and music by miguel conejeros except a3 ( ricardo villalobos / jorge gonzález) and b2 ( carlos vergara-miguel conejeros). artwork by yvonne blanco

eine split-single der süd-londoner gentle friendly mit dem ambient folkrocker dustin wong aus baltiomore auf palmist.
limitiert auf 300 handnummerierte kopien, inklusive code für download des gesamten releases.

reissue of the original samba records 12 inch release of two superb and hugely in-demand funky afro disco monsters >sexy dancer< and >step on< by nigerian funkster harry mosco. originally released in very limited numbers back in 1980 on the tiny samba record label, both tracks are amazing with super funky b-lines creating a wicked afro party vibe. the original changes hands for big bucks and has become even more in-demand recently after both tracks stood out on the much heralded kon & amir compilation. top quality disco!

recorded over the past three years, across the creative trinity of berlin, brooklyn and the sleepy hollow town of hamilton, near niagara falls in ontario, canada, new looks self-titled debut album is a feverishly anticipated affair. the canadian future pop duo and real life couple, sarah ruba and adam pavao have an undeniable creative synergy, combining the stunning, synth-playing chanteuse and former model, 25-year-old ruba (previously shot by the likes of cult fashion provocateur bruce weber) and multi-instrumentalist, 31-year-old producer pavao. there is a confidence and wit to their songwriting, coupled with cosmic tweaks and soft synths underpinning their future pop aesthetic. its controlled yet wistful pop perfectionism.
including code for free download of this album.

ladies and gentlemen, welcome back to the shimmy sham sham sessions. fall is knocking at the door. dancers bathe into the red sunsets hoping to squeeze the very last drop out of summers bliss. they know theyll soon have to haul their tropicana scented butt to reality… but in the meantime they gaze upon those last three months of love and dreams. half stunned, they let their mind wander across the meanders of the promising days to come. time has stopped. the beat keeps on rolling, and those words swirl and resonate in your head: >pony loves the sun, to touch her back and see her run…< in the heat of the night, let those sweaty numbers melt your worries. no top hat and gator shoes required…just shake that ass!

mr. mageeka makes a welcome return in the wake of >different lekstrix<, the mutated funky banger that caused straight up mayhem on many dancefloors the world over, upon its release via numbers last year. the much-anticipated follow up, penned for release on phuture shock musik, comes in the shape of >vintage malarkey<, which sees the east-londoner offer further next level shenanigans. employing a similar formula as its predecessor, this one is stripped down and quintessentially hypnotic - instantly luring you in with a looped god made me funky - esque groove, over a brisk swinging rythm, whilst occasionally throwing you off-guard through the introduction of angular synths and offbeat claps, as well as an inspired collage of samples that maintains the quirky nature of the production throughout. the single comes backed with >de congo<, a funky conga-laden number, that is enhanced by an addictive fusion of west african guitar licks, kalimba stabs and frisky percussion, though the real icing on the cake being its meandering trumpet hook, altogether coming off like a live high-life jam. early support from the likes of rinse fms scratcha and marcus nasty.

eminor goes 30! even with round numbers, eminor continues ist path of digging deep into the universe of talents, coming up with a mix of freaky weirdness and heavy reduction. a1: jon seber - juggernaut. after listening to this masterpiece, people will almost certainly agree that this a guy is one to watch! a2: jon seber - juggernaut (benjamin fehr rmx). benjamin fehr turns the original into a wobbling universe of strangeness, an orchestra of the weird. b1: reagen - black clock. with reagen s black clock, eminor dares to step back into the world of harsh and heavy techno, excellent production, a massive order of drums in time. b2: reagen - black clock (dubit s quiet bimix). dubit analyses the black clock with an equally focussed, clear structured yet more subtle approach, toolish and monumental.

this cut by dobws co-funder jerome catalepsia bazzanella, is a straight and heavy on the floor slice of futuristic techno, constructed around a cyclic discoid baseline. as distressing sci-fi effects collides and crash into each other, a dehumanized vocoded voice enunciates random numbers. scary.

horizontal grounf welcomes the double digit release numbers with an ep by skirt, including a remix by 20.16.12.21.19.16.12.21.19. aka t++ of monolake.

fina has been soaking up the sunshine over the past few weeks procrastinating over the best time to release its next summer cut. with global warming rubbing everyone up the right way, we feel now is as good a time as any to drop fina 004. originally from south africa, esa mervin granger may now be more glasgow concrete towers than table top mountain but his grooves are pure house pedigree. from his releases under his mervin granger moniker to exclusive remixes for ooft! the cape town cat was a natural choice for a very >summer< shuffling three track jaunt.title track veloore is immediately recognisable from its soft analogue piano chords, amalgamated with a dreamy filtered vocal and a bass line which nods to the acidic side of deep house. on the remix is erefaan pearce, a fellow south african who pins soul to every production he lays his hands on. reworking vocals and bass lines into an infectious frenzy that is almost impossible to resist, erefaan draws that sunshine feeling from every angle. think las salinas and you are nearly there. completing the ep on the flipside is galaxy, a deep vocal number paying homage to all the lazy dogs. cosmic deep house aimed purely at the terrace. fina records 004: we present… esa

cool, dark underground club monsters. being a top player in the music industry is not an easy task! but with 15years in the business and over 150 releases, 50+ remixes & 300+ compilation appearances the numbers of jeffs output speak for them self’s. jeff started creating music in 1994 and got hooked on it directly, but it took until 1998 before his first single was to come out on his own label maskros music. since that single he has released on labels like poker flat, night drive music, episode, treibstoff, kickin music, konvex konkav, plastic city, global underground, regular etc.

mr beatnick has played an active part in the burgeoning uk beats scene which has produced talents like bullion and paul white. his best known track >i know all the bitches< featuring the vocal talents of ahu, became one of the anthems of this movement, thanks to numerous spins on the likes of bbc radio 1 and rinse fm. in his music you can hear the influence of whole generations of music from mantronix to the 90s bay area scene and beyond, and the new ep >synthetes< takes this approach up a gear, exploring a path between the crackling breaks and samples of old, and the dancefloor music of now. with early support from braiden (rinse fm), slackkk (numbers), bullion (young turks), mosca (nightslugs / fat city) and gilles peterson (bbc radio 1), the >synthetes ep< looks set to find a unique place in the record boxes of bass addicts and beat diggers alike this summer.

piemont vermischen auf ihrem neuen album hörbar verschiedene stilrichtungen und bringt eine durch und durch harmonische sprache zur geltung. >sand hills< überzeugt als techno-album mit elementen aus house und funk und integriert dabei eine vielzahl an melodien und realen instrumenten. eine breite palette an akzenten erlaubt jedem zuhörer diese musik zu verstehen und auf wunsch auch zu (er)leben, denn „sand hills“ spricht mit geist und körper.