first only available via decks.de !!
after their first track wonder on compilation french electronic underground (neopren 2011), theremynt duet is pursuing his pop synth quest with a new ep silenzio, also part of their forthcoming album space control due to come out on record label neopren next spring.

deviant behaviour ep lands gracefully into 2012, as remain records frontman, axel karakasis, brings you a bonafide vinyl edition of three solid bangers.on the main side, solstice opens up and unfolds a highly irresistible track with a playful intro that develops into full-blown insanity. dark nheavy basslines and powerful percussion with an awesome lick of ascending frequencies is the recipe for this super-textured gem. slamming blaster is another killer slice of techno with an immaculate script, full of evocative samples. from radio-like frequencies to the discreet bell backdrops, blaster is ultimately seductive!on the remain side, the title track impresses with its dubby beats and rolling groove. what makes, though, deviant behaviour stand out are the cheeky background samples and its spot-on build that amplify the relentless loopy character of the track throughout.

mono recordings is proud to present the 1st 4 tracker vinyl ep of bunte bummler. after their outstanding >you re mine< ep which appeared on 8bit last summer the dynamic duo strikes again.
supported by: nick curly, robert dietz, reyou, ray okpara, gorge, felix neumann, sasch bbc, sebastian lutz, helmut dubnitzky, steffen baumann, steffen deux ...

three great remixes of classic tracks from much in demand dj and critically acclaimed producer lars sandberg aka funk d void.

nice price deal !!! vae victis is back for its 2nd release and is glad to welcome the very first debut of nightjars. with this 4 tracks ep the label shifts on a different musical path, sound and style wise. sound wise, both sides are written, mixed and produced on hardwares and polarized on a ferromagnetic tape. technically, side a (raw side) is mixed with a tough multitrack mixer brought to its saturation limit: the sound is indeed distorted, raw and unfriendly. while the flipside (clean side) is instead mixed with a big class a vintage studio mixer. the sound is brighter, richer of harmonics and the infrasounds are charged thru a wide dynamic range. style wise,the label shifts on a more broken beat field, lets call it bass, dubstep or whatever, but anyway something which should put this vinyl in the records bags of all the lovers of shed, peverelist and horsepower productions to name a few.

vinyl only! dark and dubbish raw techno monster. incl huge thomas hessler remix. mastered by helmut erler @ dubplates & mastering, berlin.

megadon betamax as we have come to expect from the megamax, falling is all analogue warmth and big bottom boogie love. this mid- tempo track is laced with lush synths, ethereal soulful vocals and a twinge of surf guitar. dj raw sugar goes deep with a dusky, dubbed out remix that will have every head nodding. a megadon classic from vr002 is revived by austrian talent lesale, who turned in a version of he cant love you that couldnt be ignored. sweet sweet sweet!

french underground legend chris carrier returns for his 2nd ep on off. street talk is a trademark track for carrier,tight groove and massive bassline completed with funky samples and a 100% dancefloor appeal. matt tolfrey and sam russo deliver a stripped back remix, introducing a hypnotic synth hook. planet patrol is another groovemonster in 2 versions, once with a massive hiphouse vocal and the other one as dub for djs who prefer the pure groove. for sweet cookie carrier presents another side of his - the disco lover. sample-heavy, funky as hell, this one will serve as a perfect peaktime tool for all lovers of wolf & lamb, soul clap etc.

for the first release of 2012, old friends of lazy days, lawnchair generals make a rare appearance on the label with their new single >dont stop<. the duo made of peter christianson and carlos mendoza were featured separately on the feel ep last year. this song was written for their exclusive live performance at the decibel festival in seattle last year. this classic lcg tracks also comes with a superb dub for the late nights.
rob mello was an easy choice for the remix as we have been long time friends and fans of his. he took the track apart and gave us his unique no ears approach to the remix, a twisted deep afterhours biz. we hope you enjoy the release.
supported by: jimpster, karizma, motorcitysoul, fred everything, kruse & nuernberg, shur-i-kan, doc martin, marques wyatt, aaron ross, raoul belmans, mark farina, jask, iz & diz, blakkat, giom, art of tones …

sunny vibes, coole beats und entspannte house-sounds liefern den perfekten soundtrack fŸr ein relaxtes lebensgefuehl! der perfekte soundtrack fŸr bars, strand und natuerlich auch das heimische wohnzimmer. auf zwei cds setzt das britische compilation imperium ministry of sound erneut die messlatte ein stueck hoeher. 40 tracks inkl. fritz kalkbrenner, orbital, deadmau5, azari & iii, moguai u.v.a.!

montreal-native tazz delivers new kanada three jacking and psychotic beat trax for an aggressive entry into 2012. tazz and bacanito unravel the threads of aggression in the lead cut >cosmic sex<. metallic heavy machine funk for those winter nights. >wanderer< is a late night ode to model 500, with waves of synths burrowing into the ground to produce a dark wave classic. cold, pure and supple. >mermaids and mermen< is is the tough club killer in the package. a deep tricky dub transforms into an underwater symphony of rusted hooks and fm pads… a serious lights out, head down burner.

the series, respected as one of the most popular yet credible dubstep compilations is back with an album to define the sound of 2011. an upfront and up to date selection brings forth 40 of this year s freshest tunes including five exclusive, unreleased tracks, and blazing remixes such as trolley snatcha s chase & status remix, excision & datsik and distance.

nice price deal !!! a killer first release on flight recorder. we present label founder iron blu who drops a 4-tracker of deep, stripped back detroit-tinged techno. side a opens with an intense drum-driven, string-laden stomper, whilst the second track continues with a growling bass holding the alien stabs and scattering snares together. side b goes deeper, with endless eye navigating a deep bass beneath sweet strings and angular synths, then the final track goes into dub realms and even deeper.

roberto clementi hails from a small town on italys east coast somewhere between riccione and rome. he is much more of an inventive sound designer as opposed to an average music producer. his tunes range from deep and lush to uplifting and party-pumping - often fueled by minimal subby basslines, retro-ish melodic elements, elegantly cut-up vocals, and an overall warm, analog feel. he currently has releases and remixes on labels like unfoundsound, monique musique, distric raw, undercut, stolen moments, manual music, kompass musik, suara, greel pound, sk supreme, and others. he is also one-half of i-rob alongside roby dj, and they have releases on labels like autist, tenax recordings, clasque musique, and others. his debut ep for steadfast features 3 techno trax ranging in mood and atmosphere but all sharing a perfect dancefloor sensibility and top-notch production. brendon moellers reshape aint half bad either.

after a prolific 2011, punch drunk jump straight back in to action in the new year with the searing percussion of new signing tessela. direct from his debut for dublins ever impressive all city label last year, tessela joins the ranks of punch drunk to kick start the year in fine style. with a signature razor sharp rhythmical workout and erupting molten subs, lead track >d jane< unleashes richter scale tremors unto the dance. without a pause for breath, the greased rolling funk of >channel< keeps the pressure at boiling point with its dnd / menta style bass line swagger and punctuated chops. two devastating dance floor tracks that make for an impressive punch drunk debut. expect to hear a lot more from tessela in 2012.

ndatl continues with new remixes crafted by label head kai alce of sacrifice, by house music legends robert owens and larry heard. owens and heard have not recorded together in more than a decade after countless classics such as bring down the walls, im strong and mysteries of love. after hearing the track when heard stopped by the ndatl studio, kzr was compelled to remix the song, and was quickly given the green light.

us native and techno newcomer 785 blasts onto the scene with a stellar debut 12inch. kansas native 785 debuts with his first 12inch ever on jerome sydenhams apotek records. it is clear this evasive sound engineer has a special gift to craft techno from sources others may have never dared to tap. the a-side mada theory is a display of pure techno diversity with slight nods to dub, ambient and the upper class of minimal. a record whose beauty may lay in it simplicity until one witnesses the complex chaos it causes on dance-floors. the flip, east box, gets a tad more mechanical utilizing drilling kicks and a host of atmospheric sounds sliding in unison with machine rhythms, coagulating into some hardened molten tech-funk. both tracks have that special something that makes them standout.what has he employed that others havent? a phenomenon well have to wait to decode until he unleashes his next pack of roving beats.

after launching in fine fashion with luke slater wielding his l.b. dub corp alias against textured cuts from asc, the second instalment of mote-evolvers parallel series presents more forward-thinking sets this time from shifted and samuli kemppi.

the name dachshund is one immediately associated with experimantation, an innate feeling for ryhthm and good dose of tongue and cheek. the swiss dj, producer and label founder can scarcely hide his musical roots in reggae. the sunshine feeling from those days still shines through in his current productions and gives them a touch of dub. his latest ep for highgrade records is no different. this leads to the first track >extensive talk< with its reduced beginning sounding something like a false start. gloomy voices implore us to >come, sit down, forever<.this delusion establishes itself in a musical theatre, while simultaneously becomming more pressing as the track winds its way into the legs – moving inexorably towards the second groovy track, >asymmentric love<, with its sprinkle of varied and original sound ideas. the final offering, >octogone< goes even further and weaves original loops and straight edged percussion into a compelling carpet of sound.

cementing a year that saw a string of sublime stellar releases from mario & vidis, the dynamic force give house music a new accessible heartbeat with their album changed, set for release next spring. mario & vidis title their debut artist album after their future classic anthem, changed,an apt advocate to the new age slow house sound they have mastered and unmask themselves as purveyors of a hive of activity in their lithuanian home. spanning two discs and twenty tracks they cover much musical terrain, striding through epic soundscapes, hypnotic pop melodies, wandering into pure soul and running away with the finesse of raw house music on the second disc.changed opens with the atmosphere heavy introducing to you, lightly tickling the senses.

electronic duo cage & aviary are set to release their debut album >migration< on prins thomass internasjonal imprint this coming january.part man,part machine,part cockatiel,cage & aviary take flights of fancy whenever they can.jamie paton is a dj,a one-finger keyboardist,and a pot-tickler.nigel of bermondsey is a musician,south londons finest oscillator,and a dedicated dabbler.together they are winners of the cosmic lottery.having put out releases to much acclaim on the ltd editions that are dissident distribution,cage & aviary have since spread their wings with releases on dfa, tiny sticks and astro lab.their own label,the walls have ears,is slowly carving out a reputation for quality dubbed-out dance music too - the cage & aviary remix series has met with great critical acclaim thus far,with the likes of andy blake,prins thomas,horse meat disco,mock n toof,bill brewster, tim sweeney, james murphy,tiga,erol alkan and other such luminaries counted amongst fans of their work!

vibe003 remixes ep was born when the magic voice of michael franti, famous american singer, met the club-vibes of these guys.... that had retouched the single >theres enough for all of us<. from the elegant techno of deepchild (trapez, affin), to the deep dry-groove of butane (crosstown, alphahouse, rrygular), we are pushing on the wall by the man-of-the-moment in spain, marcos in dub (goa, highgrade, monofunk)... where funny techno and warm ambient make you dance smiling. this remixes ep is closed by an old-school house remix ofmussen, where the 909 and 808 sound is all you need...

amazing record! tip! steyoyoke is a new berin-based house label and its first release is the three track >if i were music< ep by im fine (marco perschon & alexander grafenauer) and antonio olivieri. im fine are a production outfit who first met at berlins music engineering school, sae, and have since gone on to establish a tight working relationship and are currently working on a debut album reflecting their jazz, house and techno influences. antonio olivieri is italian born but now resides in berlin and has developed a firm reputation via releases for silicone souls darkroom dubs and lustundfreude, amongst others.

in advance of the release of dapayk & padbergs third full-length sweet nothings - this time round on stil vor talent - the experienced duo are teasing us with the fluffy cloud ep, which showcases three of the album’s many diverse highlights, while keeping the vinyl lovers happy. the a-side bears the lps title track >sweet nothings<, on which dapayk & padberg’s sound takes a turn as they come knocking with a deep but forceful groover, whose distorted high-hats and trancey synth stabs create a vibe both euphoric and weirdly subdued. the lyrics, moreover, emphasise the duality at the core of many dapayk & padberg tracks as the latter ponders ‘you’re good for me - you’re bad for me’. showing another of the duo’s many facets, ‘backyard’ enchants thanks to mystical lyrics sung beautifully over a deep quasi-dubstep structure. marking the ep’s mid-point, the atmospheric song shines through intricately crafted fragility and is the perfect contrast to the previous and following track, while leaving a strong desire for more stuck in the listener’s mind. on the b-side, ‘fluffy clouds’ does quite the opposite to what its title suggests - rather than being a soft little piece, we are treated to big-room techno fodder à la berghain. a skeletal framework of heavy kicks, dark pads, white noise and dense metallics works relentlessly underneath a cold spoken word, proclaiming >not human, not animal - just a body in motion<. machine funk par excellence.

for his first release of 2012 shlomi aber has kept aside for be as one two of his most roadtested secret weapons of the last months. after a successfull 2011 with two big releases on be as one, which include his exciting collaboration with dj sneak, and the remixes pack for his album on ovum, its now time for >in dancetrippin ep<. in dancetrippin on the a and >faced u< on the b are indeed two very special tracks. as its name says, the a side is a dance-trip indeed, trippy vox and rolling grooves dubbed into shlomis own dark and hypnotic quality trademark sound. faced u on the b is another kind of trip into sounds, this time with a more minimalistic but yet jazzy approach, making it a quality sounding peak time anthem.

on this white label, we bring together two of the best producers in the uk to give there perspective of the work of sbtrkt. the ratio of quality to quantity in the braiden repertoire is disproportionately weighted in favour of quality. his debut release >the alps<, on joy orbisons label doldrums, certified him as a meticulous detailed producer. if youve heard is rinse fm show, youll have enjoyed the intensity and breadth of his perspective. this musicological take on sbtrkts >pharaohs< recontextualises roses gabor afro-futuristic vocals line in a more genuinely space-age industrial club sphere. the darker edge to lil silva is just the baddest of all uk house producers. his uk funky background has sheltered him from the hype lauded upon the flavour of the month post-dubstep producers of his generation. as a result, hes continued to garner respect from all sides, from the garage scene to the tech house scene. his treatment of >living like i do< takes his mate samphas vocal and adds a jerk discord to an already tense and dramatic vocal performance. his trademark 2-note bassline presents itself with its usual menace, ensuring waistlines to react promptly.

first available only via decks.de !! second release which is more going to the proper label style. already appreciated by the most italian djs. tribal tech with vocal infusions. the jungle track is a deep dubbing beat into the afro tech style and mathemba is a perfect vocal tribal track for the clubs.

classic ny house cuts on 2 x 12 vinyl... proper !!

ltd splattered coloured vinyl pressing!
head of his debut lp, adventures of tazz, the torontobased producer drops a 4-track vinyl sampler of outstanding house music for londons tsuba imprint. after debuting on tsuba in 2011 with the superb underground and welcome to dub eps and having spent the previous year releasing two singles for jus ed s underground quality, tazz is already hotly tipped for his fresh outlook on house. the adventures of tazz lp sampler comprises four cuts from the forthcoming album that see the producer deliver synth heavy, emotive and raw vibes in a distinctly detroit influenced style.

alberto pascual analytic trail after anagrams ep in 2010, releases for the second time a project of one of the most internationally famous spanish producers, alberto pascual. his works have been played by richie hawtin, dubfire, markantonio, adam beyer, cristian varela, joseph capriati and others techno giants. bailando, is a creative and tasteful ep formed by four track, including a remix of manuel anos a.k.a. psyk, already reached the success with is project released on richie hawtins minus label. the first track is bailando, it has a powerful charge with its massive groove and obstinate synth that flies hasty on a swarm of rides. no breaks in this tune, techno device. bailando continues to leave its mark through another spanish producer, his name is manuel anos a.k.a. psyk. he creates an amazing remix made by a weighty kick and a compressed bassline, this compact but hard beat is surrounded by acid sounds and increasing effects that make of this track a dark techno wave of course.amok has a rousing modulation that directs the track in a swinging vibe with linear claps and hihats. but is just the beginning, after few minutes something changes, a dirty synth in background starts to support an hurry beat that goes on till the break. here everything seems to quiet till the restart, where the ride rules and nobody cant avoid its rage. final lap with homonymous track of this ep. this artist on this tune can show his eclecticism using a techno unbreakable step with electronic cyclic string. wonderful underground soundtrack. so young, so strong, so techno. this is another quality touch for analytic trail, good music must be appreciated.

two new tracks from gothenburgs shakarchi & straneus coupled with two remixes of liseberg, the enlightened schaffel hymn found on their previous barnhus release. trust us - when the apprehensive first part of something evolves into full on, heartwarming house riff mania,spectacular things happen on the floor.then we have jamison - based around a few simple harmonic elements, this is a lovely warm blanket of sound.no beats,pure bliss and dont you dare call it a dj tool! on the flipside, portable delivers a psychedelic dancehall epic sprinkled with the melodies of the original liseberg.last up, londons mains-hum maestro turns liseberg into a colourful, echoing dub ballad.

the dirty dubsters team up with new york dancehall legend screechy dan and rising reggae star whandah the dainty queen , along with sax-man anton petelchyts of fusion wave to produce a big beat reggae fused vocal track. on the remix duties hungarian badman elo of the irie maffia ups the tempo to bring in a big club heavy moobahton remix, jstar then flips the track for a big bass heavy dub version of the track. jinx in dub comes in with a dancehall dnb cross over track and finally dj zetek adds a straight drum and bass remixes to polish off the release.

nach veröffentlichungen auf planet mu, black acre, super und der letztjährigen ninja tune ep >visual acuity< veröffentlicht der junge, hochtalentierte produzent raffertie alias benjamin stefanski nun seine zweite ep auf dem londoner label. musikalisch gelingt ihm auf den drei brandneuen tracks ein spannender bogen zwischen post dubstep und electronica. 2012 soll auch endlich sein debütalbum via ninja tune erscheinen!

after several appearances on the label, kareem comes up trumps again with an excellent first solo single release backed by a wonderful remix from white doyen oskar offermann himself.how low can you go the opener track acts as a discreet, structured, driving and some how dubby house tune that keeps a nice layer of grit beneath the fingernails. its loopy character imparts the feeling of virtually remaining unchanged but it nevertheless staidly evolves within its sonic borders and imparts a sensual quality of all-enveloping warmth. oskar offermanns interpretation of how low can you go introduces skipping melodies that are transmitted as choppy discoesque pulses and rhythmic modulated bass sounds are the preferred form of punctuation. indeed the remix is intended to be a dj tool, but like all of oskar offermanns recent house works, it builds smoothly as though every element was simply waiting in the wings to make its appearance at the proper moment, and – just before it finishes up – sounds like it could go on forever.

ltd coloured edition!! with catalog number 006 another techno legend joins the killekill family. neil landstrumm is with no doubt one of the big heroes of techno. with several albums and uncount-able singles released on renowned labels like tresor, peacefrog and planet &#956,,,, he has definitely written techno history. and this does not even count in his own label scandinavia, which released music of high prolific techno artists such as cristian vogel, tobias schmidt, adam x and many more. although having produced his first records in the early nineties neil landstrumm is in no way an old school producer! he has produced a few top notch dubstep records in the last years (released on planet &#956,,,) and is just now being one of the producers pushing the boundaries of the post dubstep uk bass sound and is also being featured on the nonplus label being run by no one else but boddika. for killekill neil landstrumm has delivered a handful of tracks which combine his typical dirty techno sound with the aesthetics of uk bass. extremely funky and with a big drop of acid they cross over electro, techno and even hip hop and therewith fit perfectly to the sound of our label. the co-production of weirdo mastermind si begg on touch it just adds the icing on the cake.

with catalog number 006 another techno legend joins the killekill family. neil landstrumm is with no doubt one of the big heroes of techno. with several albums and uncount-able singles released on renowned labels like tresor, peacefrog and planet &#956,,, he has definitely written techno history. and this does not even count in his own label scandinavia, which released music of high prolific techno artists such as cristian vogel, tobias schmidt, adam x and many more. although having produced his first records in the early nineties neil landstrumm is in no way an old school producer! he has produced a few top notch dubstep records in the last years (released on planet &#956,,) and is just now being one of the producers pushing the boundaries of the post dubstep uk bass sound and is also being featured on the nonplus label being run by no one else but boddika. for killekill neil landstrumm has delivered a handful of tracks which combine his typical dirty techno sound with the aesthetics of uk bass. extremely funky and with a big drop of acid they cross over electro, techno and even hip hop and therewith fit perfectly to the sound of our label. the co-production of weirdo mastermind si begg on touch it just adds the icing on the cake.

we are proud to release the first ep from the new fluxion album on echocord. this work is about his travels in music. the sounds, influences and aesthetic of his actual travels, expectation-journey-destination, alongside the music influences deriving from them. through his prism those sounds, pictures, travels, emotions left traces of new directions, of future journeys to take. fluxion captured the motion in his travels with a different feeling each time. on no man is an island with the unreleased dennis brown vocal version ,an influential song, with a clear message. desert nights a kind of desert rock meeting dub on a road movie. butiama an actual place, where variations and consistency in rhythm is within people s dna. this ep also includes a flowing rmx by our good friend thomas fehlmann. after a decade in the field of dub, techno, ambient, fluxion opens the horizon with music that cannot fall under one specific territory.

following a pair of fine releases on fine art and under the shade, james johnston delivers another superb ep for no matter what. >after everything< is a masterfully created slice of rolling deep house flirting with disco styles, punctuated with snippets of disco guitar licks and dubbed out vocal samples, all held together with a sumptuous chord sequence. the comparatively upbeat tempo rhythm and deep subs of >lost the house keys< which follows comes as something of a surprise, and the chopped up piano which causes the track to erupt into a flurry of jacking rhythms only add to the proto-chi house mood. the rest of the tracks continue with the same kind of upbeat pace, with >get back to the feeling< interlacing a variety of female vocal samples within its 909 rhythms, and >xtc< injecting some serotonin into the ep with its razor sharp synth stabs and snares, whose rhythms recall the deadly precision of marc kinchens early productions...

bristol-based a sagittariuns elastic dreams follows up its debut release >the circle stops somewhere< with a 4 track ep entitled >carina<.

when no one is watching ramona, is usually listening to future times records and beautiful swimmers all days. maxmillion dunbar is not only half of those aquanauts, but also running the label and releasing music as max(million) d(unbar). what a guy! hanging out in the vague territory between slow-motion house with a hip hop feeling or dubby and dubious fun music, his melodious approach is extremely hard to categorize but all the more enjoyable. >polo< already saw the light of day on >max trax for world peace<, but ramonas favorite dj ata and live at robert johnson manager oliver hafenbauer were so much in love with the bleepy bonbon that they offered it a place by their fireside. now cautiously modified, fine-tuned and extended for its label home, its a rainforest serenade for beatnik boys and girls, with all the ingredients you want from tha d. the only kid able to thrown down the gauntlet in front of maxi is frankfurts melody man phillip lauer (arto mwambe, brontosaurus, etcetera etcetera). turning >polo< into one of his trademark sluggish bass line barrage tracks with falsetto synths and sharp snares. get your vogue brogue out.

sect records recent compilation >its all for you< showcased the exceptionally high standard of the labels roster as well as introducing some talent to the world, and this, the first 12 inch sampler from the album, selects three of the compilations finest tracks for vinyl treatment.

jay shepheards retrofit imprint reaches its seventh release with this fine ep of old school sounds with an undeniably modern feel. >hefty done me right< begins proceedings with a house-disco hybrid sporting a particularly meaty analogue bassline, 80s electro vocal samples and shimmering pop synths, while >the electric model< marries a distinctly kraftwerk-esque motorik vibe with balearic disco sweeps and horns. on the flip, >one night in puzon< opens with a tense rising string line, broken with a crystalline piano mosaic and deep squelching bass. finally, tw closes proceedings with his own dub take on >hefty done me right<, amping up the electro feel of the original with an mpc cut-up style reworking filled with heavy vocal samples and rolling piano stabs, transplanting the original from its italian roots to 80s harlem.

groovy three track vinyl, from trippin dub to house... check

two huge reworks of pierre lx tracks, made by mlz (demdike stare, modern love) and big strick (fxhe). delivered on grey marbled 12 inch vinyl.
supported by francois k, deetron, laurent garnier, vince watson, mondkopf, gilb r, rone …

sublevels eleventh release features their left-coast warehouse sound. this single contains two mixes. side a:lils keys – subwarp rmx this mix puts you in a deep and twisted headlock with a groovy feeling of main-room acid-house. an energetic remix for those who love to dance and travel through space. this remix was featured at such events as demf 2011, 20 years of planet e (san diego), and tabloid (tokyo).side b:lils keys – e-motion analogue dub – doc martin mix the e-motion dub mix is a long and hypnotic bass heavy dub. doc martin really gives this one an analogue feel. this mix was performed live at panorama bar (berlin), womb (tokyo), and fabric (london).

liquid v club sessions first exploded onto the scene back in 2005 to huge critical acclaim. featuring tracks from the scenes biggest producers such as roni size, fresh, calibre, d-bridge it was a landmark project which launched the liquid v vision to the world. with three volumes to date, two compiled by bryan gee and one by vs very own artificial intelligence the standard has beenset high!

exactly a year ago we released the splitt ep er 0004.1 with chez damier s balance alliance. so this very special various artists ep comes to you as the follower of the reminded release as a double a side ep, called the various artist ep two pt.2!.with people on a1 marcello napoletano delivers an analog monster. the man from south italy doesnt really need to be introduced after his stunning releases on labels like mathematics, yore or rush hour. on a2 we re-introduce our first female producer in the family basels timnah sommerfeldt with her mix of fill me up (released on balance / ba006). on the aa balance side we got two rookies on wax with the oldschol flavoured tune named da bass lover. produced by quike feat. lello di franco as a young italian producer combo. with changes demetrio giannice has gone through a maturing process, a downtempo track driven by two difrrent drumsequences, melodic synth lines, strings and a classic guitar with a balearic feeling. everything turns into a kind of background hidden hook taken from the forthcoming vocal version of changes. vocals by chez damier. few different versions will follow. strictly limited!

nach ausverkaufter ersten single tanzen und dem hoch gelobten album experiment musik setzen wir noch einen drauf, indem wir einen der beliebtesten tracks des albums prophetic dreams von zwei meistern ihres faches neu interpretieren lassen haben. prophectic dreams ist ein bartsch track wie er im buche steht. langsam bauen sich aus einer etwas dreckigen und rauchigen atmosphäre verschiedene melodien auf, die immer mehr zu einander finden und mit peitschenden claps zu einem pumpenden dancetrack werden. dabei verleihen spielerisch abwechselnde sounds und housige percussion dem ganzen weitere dynamic. classic. das berliner durchstarter-duo aka aka bringen mit ihrem remix den nötigen kick für den ravenden dancefloor, indem sie die melodie des orginals aufgreifen, in einer klasssischen sägezahnbasslinie und dazu passenden phatten synthlinie umwandeln, die sich immer weiter steigern bis sie in einem stummen break enden, aus dem sie wieder emporsteigen und die crowd zum schreien bringen. ein erprobtes oberbrett, dessen klaren powersound sich niemand wiedersetzen kann. auf der flipside entfaltet unser aller liebling axel boman all seine kreativität und dreht das original in einem 13 minütigen megamix komplett durch den wolf. alle elemente erscheinen an anderer stelle und werden durch neue sounds ergänzt. so entseht ein dubbiges außergewöhnliches ergreifendes werk, welches nur künstler seiner art so hinbekommen.

fresh from a full tour of the uk, django django are pleased to announce the release of new single ‘default’ through because music. the band have been busy doing great things in the east london bedroom slept in by their drummer, producer and de facto leader david maclean. amongst those great things is stand-out album track ‘default’ and of course their self-titled debut lp which will grace us with its presence on january 30th. vincent neff (singer and guitarist), jimmy dixon (bassist), and synth operator tommy grace make up the quartet, who met at art school in edinburgh. django django’s story looks set to be a long and compelling one going by early response to their debut record. by banging together their thirst for adventure and their exacting high standards, they’ve produced an album that seems to have everything, but on which everything never seems too much.