born and raised in union city, new jersey, nicuris journey towards djing and producing took hold later than most. moving in circles surrounding exchange place (dj qu & joey anderson, david salazar) helped craft his style of djing & musical influences. influences were many, especially growing up in the early 80s, listening from hip hop to new wave & anything in between.

luna records return with the dubbed out ep, a three- track package featuring material from alexkid, rogelio and james hutchison.

2021 ltd repress!, boris bunnik released his first full-length album, machine conspiracy, through the now defunct meanwhile label. delsin are re-issuing it along with love & hate, the ep that came at the same time and that features three tracks from the album

for some ageing producers, the nineties represent a lost land of hazy parties, forgotten nights and emotion-tugging tunes. but for the fresher-faced end of the dance music spectrum - such as the la-based dj and producer urulu - those post acid house, pre-mp3 days are a neverland of the imagination, something to be relished vicariously through the mags, memories and music of 20-odd years ago. two years back, urulu - aka taylor freels - even released a single called *1991*. it might have made some grizzled club kids feel a bit old, but the love and euphoria in his music are there for all to hear. but jump right up to the minute, and urulu is back in action for sheffields shabby doll label.

after their featuring on kyle halls boat party ep, the bologna based duo nas1 join the bosconi family with a lush six tracks vinyl strongly influenced by contemporary detroit house. a side starts with the chuggin and moody beat of -black coffee-, then continues with the stomping and sexy midtempo of -i don t mind- and ends with the more mysterious, electro boogie raw jam of -dallas vertical roll-. on the flip we find the slapped roadhouse blues of madturkey followed by the twisted gifted & blesseds re-interpretation of -i don t mind-. the ep ends with the melancholic and soulful textures of the shuffle groover -hoarse presence-. tasty!

(hand-stamped 12inch) otb records aims to present a unique exploratory sound that will frequently push the boundaries of techno. early support by marcel dettmann, joris voorn, tom trago, james zabiela, slam, the advent, angel molina, john selway and more

assalto industriale is a six minutes and thirty-seven seconds track of industrial assault, name wanted to launch the next project assalti industriali. the track targets who live above and below the underground rome techno scene

celebrating 5 years of needwant, the imprint that made the world familiar with mario basanov, kim ann foxman, ejeca, maxxi soundsystem and many more, asks their now admired artists and its extended family to create fresh reinterpretations of its stunning back catalogue

love & other are proud to present their first ever vinyl sampler, created in a limited 300 press run and featuring a hand stamped, individually numbered insert from l&o hq.

modelmaker is a new london label from the collective minds of dan berkson and james what. the esteemed house duo has long been garnishing a range of international imprints with their inventive analogue house and techno sounds, but now they are focussing on their own outlet. initially launching with a couple of self penned eps, release number three will be the pair s long-time-in-the-making debut album, and after that a considered selection of other talents will join the ranks as the label pushes on. always primarily focussed on machine made, texturally rich house and techno, each release will come with unique artwork based on works from whats great grandfather, conrad felixmuller, who was a well known german expressionist.

good job 030303 got their hands on these six tracks by rolando simmons as they remind you of where acid got its name from: this is music to trip to. the 303 is abused to the fullest while simmons adds snares and outlandish melodies to the acid bubbles and bleeps that are never far away.

basilar records brings you split ep. a 2-sided, 8 track limited edition vinyl release featuring the works of both diarmo and banku. bringing forward 4 tracks on each side, split ep is an eclectic mix of what basilar records and these respective artists do best, championing 4-to-the-floor electronic music, with lashings of layered, complex ambient beats for your listening pleasure. a long wait for a long-awaited title, whether you are new to basilar or interested in something new, split ep is one release you deserve to have. complimented with individually screenprinted cover art on the front and back, designed and printed by visual artist l aubaine (laurie bender), this limited edition vinyl will delight visually and aurally.

dense & pika return to hotflush with their first original material since last year s smash, colt . meanwhile they issued a chart-topping remix of paul woolford s erotic discourse with a signature bombast that carries over into the present klank ep. six tracks leave plenty of room for variety, however, from the toecap shuffle of the eponymous lead track to bad ink s melodic grand designs, through slacker s binary jack and the pared-down house groove that is slowhand , not to mention the aquatic depths explored by wandering hands , we see dense & pika s muscles at full flex.

munk is the project of gomma label founder mathias modica (germanys most interesting electronic music label the nme). munk is best known for his collaborations with rebolledo from pachanga boys (surf smurf), james murphy lcd soundsystem (kick out the chairs), asia argento (live fast die old) and club hits like down in l.a. and la musica. he co- produced the albums of gomma bands whomadewho and moullinex.

hold on tight for one of the biggest nocid business recordings release to date featuring two tracks of immense weight that appropriately mark the first vinyl release from the belgian label.

this is the second episode of d.a.n.c.e. (detector for advanced neutron capture experiments), an overview on the introspective side of dance, composed of six various artists releases. on a side fernandez manetta with a big room, fat, acidic techno track. on b side synthek shows his classy and deep vision of techno, fabrizio lapiana proposes a cut with a prevailing bass-line and metallic percussion.

after making waves with early and idiosyncratic eps on labels like rush hour and astro:dynamics, singular uk talent bnjmn now steps up to make his debut on delsin with six tracks of experimental and inventive noise and techno. coil opens his account with screechy, unnerving synths squeals, imposing and throbbing pads and super deep kick drums that come at you from miles below. it s a hugely textured and spine tingling affair before the ambiance of berth comes rippled with glassy and alien little melodies. merge has turbo charged drums hiding beneath more unsettled synth based noise that sound sernee at the same time as being paranoid. on the flip, and suddenly makes your hairs stand on end with is gothic celestial glow and slithering synth patterns, blown is a damaged and degraded bit of icy, thumping and reverb heavy techno and azure ends on a brain soothing, chilled out ambient high. these are the sort of truly unique and magically textured tracks you would expect from a producer like bnjmn, and mark a fine debut on delsin.

fleetwood macs *greatest hits* (nicht zu verwechseln mit dem gleichnamigen sampler, der 1971 die peter green-phase von fleetwood mac behandelte) war 1988 der erste sampler, der ihre klassische, erste pop-Ära 1975-1988 in der besetzung mit lindsey buckingham, stevie nicks, christine mcvie, mick fleetwood und john mcvie abdeckte. drauf sind wirklich alle großen hits, von *rhiannon*, *go your own way* über *little lies* bis *gypsy*, eine zusammenstellung vollgepackt mit wirklich guten songs, jeder irgendwie immer noch absolut im ohr präsent. inzwischen hat dieses schmuckstück insgesamt 20 millionen stück weltweit seit erscheinen verkauft, und tauchte zum letzten mal im april diesen jahres in den englischen charts auf, bei erscheinen erreichte es in uk die nummer 3. ein klassiker unter den best of / greatest hits - kopplungen.

a three tracker from copenhagens music for dreams and an unusual new house direction for this normally chilled/balearic label, but all 3 tracks still have that definite white isla feeling. limited edition.

unstoppable! the militia is back. the lyon-based crew should have chosen james bond for this seventh reference, but they asked asbrey, mark asbrey. after the relentless -utricule e.p.- from last year, london artist fundamental interaction delivers his second release for the label. night-birds must be careful : this is a ************* coup d état, aimed straight at the dancefloor. there s a fresh emergent scene in the uk, no doubt!

o.v. wrights album -into something- wurde von hi-records qualitativ so hoch eingeschätzt, dass man den künstler mit den besten voraussetzungen für die aufnahmen ausstattete: memphis horns and strings bilden die backing-band, ein gewisser james brown spielt piano, und die besten background-sänger aus den eigenen studios wurden verpflichtet. o.v. wright, der ja zuvor schon mit al green und ann peebles aufgenommen hatte, nutze die gunst der stunde und produzierte dieses kleine soul-juwel und überzeugt zudem mit seinem einzigartigen gesang.

for the 13th release, icarus audio proudly showcases the debut release of a brand new drum and bass collaborative project from basis. coming out swinging, icarus brings them into the fold with their multi-flavored, graveyard ep. from the album artwork to the grooves of the plates, this one is sure to fire heavy on all cylinders!

sterling sound return to asbo records with this great 3 track solo ep on 12inch which kicks off with without you, bringing some big 808 action alongside the sweetest of r&b/raregroove samples, keeping it all going are some really tight breaks and well thought out percussion. while on the reverse we got more of that heavy ragga infused jungle in the form of hold up & roughneck. both big crowd pleasing tunes & full of the stuff we have come to expect from asbo & sterling sound. supported by kenny ken / nicky blackmarket / pressure x

rare australian funk/jazz/blues lp from 1977. limited edition of 500 copies.

with his new album >whats fruit<, schlammpeitziger touches the dancefloor more than ever before in his 22-year long career. yet his dancefloor is a playful one. the cologne based composers sounds electrify with their multi-layered melodic structures. he weaves countless details in perfection, to a high density of musical activity, always focusing on the slow, driving beats which hold everything together.

we are proud to introduce you our release number six, this is our first various artists featuring the cream of the crop in the spanish techno scene. chords are the main component in this four tracks, deep techno is the style and the makers are architectural, uncut, eduardo de la calle and the transhumans.

what do you do when you have a collection of edits that have been working amazingly in your own sets and youre constantly being bugged by friends and fans about getting hold of them. well, if youre pets recordings bosses catz ‘n dogz you contact the original artists and agree an inclusion in a special new series of vinyl releases through the label… welcome to pets edits.

modelmaker is a new london label from the collective minds of dan berkson and james what. the esteemed house duo has long been garnishing a range of international imprints with their inventive analogue house and techno sounds, but now they are focussing on their own outlet. initially launching with a couple of self penned eps, release number three will be the pair s long-time-in-the-making debut album, and after that a considered selection of other talents will join the ranks as the label pushes on. always primarily focussed on machine made, texturally rich house and techno, each release will come with unique artwork based on works from what s great grandfather, conrad felixmuller, who was a well known german expressionist.

remastered re-issue of the iconic 1978 disco debut album from arabesque. deluxe edition on 180 gram vinyl, including 6-page booklet.

steve frisco, of serie limitee fame, brings us the latest bundle of hot tracks to hit wax classic in 2014. as the title suggests, steve takes us on a journey through low fidelity sounds and production techniques. think dark, moody, yet crunchy basement house tracks with inspiration taken from all over the u.s and the rest of the house world. it’s a generous offering as well. six whole dusty tunes for those diggers who are looking for something with a bit more range than another record of generic piano laden, house-by-numbers pieces that still seem to be flooding the record store shelves in 2014. the moods do vary from track to track, but they remain very reflective and almost melancholic at points. the title track, ‘adventure in lo-fi’, is the deepest of the lot with filtered chords, echoing claps and a sporadic kick pattern that often clears way for the track’s bass hits. now, compare that to ‘da brooklyn beat’. whilst the former had a distinct sunrise/sunset kind of feel to it, the latter is definitely more of a club affair. skippy snare hits and a strong organ lead the track on, and at the risk of utilizing very overused buzzwords such as ‘raw’ and ‘ruff’, this track, and the rest of the a-side for that matter, certainly captures that essence. stalwart wax classic fans will no doubt be picking this one up to add to their collection. however, i strongly recommend this ep as a jumping in point to the label for any newcomers out there

( rocketnumbernine remix) first pressing on coloured vinyl! early support from gavin russom, ame, ripperton, a made up sound, james holden, optimo, deadbeat..

mr assister - more commonly known as the drummer that james blake sings for - unleashes his debut double b-side release on 1-800-dinosaur, the london based label and club-night of which he is a founding member. the seismic lead track bala has received rapturous feedback from the likes of jamie xx, jd twitch, martyn, gilles peterson & pearson sound etc and was made on a laptop in mr as kitchen without much knowledge of the software he was using at the time. prior to bala he came up with the deeper, headier house workout reggae drums on the tour bus, using samples of drums from reggae songs.

d.a.n.c.e. (detector for advanced neutron capture experiments) is the new various artists vinyl series out on attic music. an overview on the introspective side of dance. mental, obscure, hypnotic and acidic techno. the first of six releases is composed of three tracks by: as patria, french duo from paris, also resident djs of precept venue, bruno sacco, italian artist living in paris, owner of gravite records, fabrizio lapiana, label owner of attic music.

purple velvet is chris james and lee dearn, two purveyors of deep and sensuous house music since forming in late 2011. having gotten to know each other at various late night music sessions, the pair have increasingly honed their own house sound that s as suited to the dark confines of a club as it is the sunnier vibes of an outdoor terrace.

prostitutes – aka cleveland, ohio marauder james donadio - flexes a whole new set of muscles on nouveauree, his first work for night school. sticking to an all-analogue machinebased strategy, donadio has warped and stripped his palette to create a juddering force majeure across 5 tracks and 28 minutes of power play.

the supremely talent william burnett makes a belated return to emotional response, and this time he s got brooklyn-based studio pal john beall in tow. those who enjoyed the duo s release on the l.i.e.s. white label series should lap up shimmer. it hits hard from the off, with -snaker charmer- delivering a velvet-clad punch to the guts. it s techno right from the top drawer, with darting electronics and drawn out pads riding a thunderous groove. the title track is impressive, too, with surging electronics and throbbing synths riding a techno-tempo groove crafted out of an old hardcore breakbeat. there s some more considered fare on offer, too, with the shimmering ambience of -hold me take me leave me- completing a superb package.

der meistercompilierer hans e. platte hat den großen namen und seinen lieblingskünstlern die kleinen feinen stücke abgepresst: von adolf noise, die sterne, erobique, rocko schamoni, kid kopphausen, almut klotz & reverend dabeler, saal 2, heinz strunk, felix kubin, schorsch kamerun, jens rachut, lambert, tocotronic bis deichkind. unter anderem! und nur unveröffentlichtes!

tokyo-based composer phil gerus gives man make music a summer record par excellence, warping classic rnb and disco into five highly original and up-to-the minute tracks.

hold the front page! we first got a listen to these cuts while washed up in an after the after a couple of weeks ago, a bit of sober investigation led us to a fiendish plot involving a host of anonymous, though very well known artists, all contributing straight up, in-the-moment club music of the highest calibre ! needless to say, we shook hands on what is promising to be a very memorable and collectible series…night parade based on the japanese folklore of the *night parade of one hundred demons* each release in the series will take the name of a demon/monster from folklore and a graphic artist is asked to interpret/re-imagine it in their own style - sleeves will be hand screen-printed & each release limited to 300 copies. the music is by an anonymous collection of producers from all over the world.

airhead is writing big ones now. inspired by afterhours sessions in some of the worlds best and worst nightclubs, hek024 bangs with the best of them and enforces a new weight behind the producers delicate production style. the roughness debuted on this summers *believe* ep for 1-800 dinosaur (a label rob co-runs with james blake and friends) on which he soaked up plenty of influences from us and uk club tracks/trax and effortlessly intertwined them with his measured songwriting and arrangement skills.

people must jam just keep on bringing the heat! one of new zealands best exports, apart from lamb - a dj and producer of considerable talents, whose musical output has graced a slew of respected outlets, from the uber cool unthank to rush hour, burek, dopeness galore & boogie bash, as well as his own fantastic hot shots imprint for his pmj debut, we have a five track set of rough and ready workouts, the echoes of thirty odd years of black us dance music held up with raw drum machine scaffolding. from smoked-out b boy jams to lo-fi sample joints - loose and alive on the floor on the flip lay far stirs up some sonic trouble with a bottom heavy rewire of the title track, while ugly drums bring some serious shine to linoleum magnets, with a mix that is heavy on immersive mood and vibe. limited to 300 copies.

part six of the well known salz reworks series. nothing more to say

like stepping into a warm electronic sound bath, chaim’s latest release for visionquest ripples with pulsing sonic textures and propels forward at a softly galvanic pace as the slowly emerging melody takes hold in underwater. b side remember when is just as compelling - a slightly tougher edge and darkly euphoric atmosphere injected with sporadic chimes, disembodied voices and dramatic synth stabs. this is a truly hypnotising release.

technosoul is a group of dj s & promoters, responsible for some of the best polish parties with techno music within the last years (with guests such as robert hood, surgeon, regis, james ruskin and many others). the idea for a label was born a few years ago – it took more than reasonable amount of time to make it come true. the first release is produced by piotr klejment – member of technosoul, previously known as 0311 and dj ninja. remixes come from perc and sleeparchive.
includes the *technosoul* mix-cd by dtekk.

10 years of dopeness galore brings forth an exciting new project between well established future soul producer inkswel and blossoming underground rnb vocalist charli james.

inspired by the musical lineage of london, chicago, new york and detroit, elements of house music, techno music, bass culture and the rhythms of west africa are all to be found here. distinctive in its raw immediacy, drumtalks music belongs in the same dark corners of the dancefloor as daphni, midland and eliphino. his productions and remixes for more music, sofrito, soundway, huntleys & palmers and now getme! have been making an impact far and wide, getting attention of djs such as james holden, jackmaster, gilles peterson and skream. forthcoming single snb /super vega has received radio play on rinse fm, radio 1 and radio 6.

stephen brown returns on his own imprint with two classy techno cuts.
already support from norman nodge (mdr), laurent garnier, james ruskin, jonas kopp, surgeon,

continuing his prolific run of new material for the label, johannes heil continues to push forward with his >transitions< series, here collecting four more unique tracks for volume 2. opening with the serene calm and krautrock influenced >transition five<, a five minute piece that opens up a rich synth landscape full of space and texture, we then move onto the first of the eps two full-spectrum techno trips. hotly tipped for the summer as an essential festival and open air moment, the powerful and optimistic energy behind >transition six< is hard to ignore. that combined with heils extremely well sculpted and high-end production, the scene is set for madness to ensue… on the flip side we visit more paranoid zones with >transition seven<. building from a minimalistic stuttering rhythm, a soaring sci-fi soundtrack of strings and intricate synth patterns lift the tension, while dramatic sound effects crash and shimmer across the spectrum. this then prepares us for >transition eight<, in which we find johannes working his refined club-sound into yet further directions and angles. at once hypnotising and dominating in its driving bass register and captivating arrangement, a highly charged minimalist club tool for 2014 awaits!

trunk - and branches fetched by klangscheiben manager demas with diligent helpers from the forest. they built a wooden house of joy in the middle of the thuringian pampa. in the tree house they set up a small vinyl manufactory. what counts is lively, honest craftsmanship. hunter s tree! here they are, the pieces of wood, uh vinyl. scratched into the inner bark stands out: artists have placed their saws and axes in the shed and carved a few tasteful sounds in electronic sisyphean. chapeau et voilà, because what s crawling out of the wood boxes (clearly!) is not a worm, but musical understatement with pure groove research and a commitment to a culture of sound of the early perlon vinyls. oh god, always these analogies... but there were, no, there are good times for good music! this is magnificent fizzle funk with emo edge. relish and dance!