busta rhymes delivered his debut album, the coming, in 1996 - three years after the leaders of the new school unofficially disbanded. though his talents were evident on those leaders of the new school releases, busta went on a series of features that only built up the publics desire for a solo busta album.

hes ridden us raw with his naked piano, made our booties clap so hard weve needed medical care, shown us his titsss and hes even taken us to the mo wherever that is. now belgian wunderkind kill frenzy is about to flip the biggest switch of his career and whisk us away on his most exciting, most extensive dirtybird adventure yet: his long-awaited debut album taylr swft.

austere make a welcome with a various artists four tracker. featuring four varied cuts ranging from techno tinged house to bass heavy beatdown! life recorder kicks things off in his own unique style which never disappoints. next up is arnheim, a newcomer with a very mature sounding jazzy house number. gradul lashton takes things back into house territory with an infectious 303 laden groove. finally, fat dog comes and drops the tempo and the bottom end with a sublime track to finish.

second ep form the *my contribution* series by dj nice, featuring remixes from cleon & jazzy pidjay, dj logilo, kyo itachi and alf.

das fabric-sublabel houndstooth präsentiert das debütalbum des us-geschwisterpaares 18+, dessen düster-minimalistischer, stets sexy future-r&b/hiphop-style seit geraumer zeit als geheimtipp im internet kursiert und mittlerweile sogar von der modefirma prada als soundtrack für videoclips angefragt wird. pressung auf 180 gramm vinyl.

nice price deal !!! amazing & groundbreaking compilation!! with success comes ambition, and on the heels of two successful 12-inch releases that followed the changing seasons of 2013, studio r returns for fall 2014 with our most expansive offering yet. coming in the form of a 12 track triple ep, our third release revisits one illustrious name – fred p – while deepening the roster with a list of the renown like brendon moeller, exercise one and mike parker, hot upcoming names like zadig, dj spider, and hakim murphy, and lesser knowns, some new but others with long histories. those with their ears to the ground will certainly perk up for contributions from andré kronert and boyd schidt, each of which can trace their production histories back over a decade, the former as head of night drive music and the latter as half of the georgian duo greenbeam & leon. the remaining three – harry light, j&#363,,,ras lietus, and weitone – are all newer, with the first making his debut here, the second having debuted on our own wavereform imprint, and the third ostensibly new, although he may have some history we will not reveal here.

mit museum of love reiht das geschmackssichere label dfa einen weiteren release in den reigen für 2014 ein. am 10.10. erscheint das gleichnamige debütalbum des duos, bestehend aus pat mahoney, seines zeichens gründungsmitglied von lcd soundsystem und dennis mcnanny aka jee day. zusammen bilden sie museum of love, eine direkte anspielung auf daniel johnstons song, verrät mahoney: *i had always loved the song, and had been thinking of what such an edifice would contain when we were trying to name the project*, und mcnanny weiter *pat is a sculptor, i am a painter, we make music and museums are sacred spaces and love is an elusive thing.* die produktion, instrumentierung und das songwriting lag im aufgabenbereich von mcnanny, während sich mahoney um den gesang und um die drums kümmerte. ein detailreiches disco-house album, das sich perfekt in das sound-regal von dfa einreiht. die vinyl-lp erscheint im klappcover, download-code inklusive.

in the last couple of years dusseldorf producer maximiljan has made a serious impact with his eps on labels like noir, liebe*detail and mobilee. now he is stepping up to make his moon harbour debut. on his first ep for the label, maximiljan serves up three deeply unique tech house cuts that are designed for maximum dancefloor dynamism.

deep, dark and instinctive techno/ rhythmic/ industrial/ drone music from manchester uk, are the words that can be found to describe the music of casual violence.. its safe to say that they picture the painting discovered in this new ep. expression unrelated is made up of four tracks as good as they are varied.. on the a side theres burn it all down , pure quality techno 4/4, dark and fleshy, the perfect bullet to hypnotise the dance floor in a few seconds.. youth horde, an interlude/break, deep aquifer on a down tempo beat, which rails in this a side beautifully. on the b side, the track who gave his name to the ep, expression unrelated is a track as dark as it is rhythmic. a broken devasted beat, over 9 minutes of insanity.. sensitive souls beware. we finish off with an outro/intro, where long and hypnotic strings interlace.. as already stated, pure drone music from manchester.

ein jahr ist vergangen, seit dj koze sein weltweit mit awards und preisen ausgezeichnetes meisterwerk amygdala veršffentlichte: bestes album in der groove, de:bug, bei byte fm und zŸndfunk, best album 2 bei resident advisor, dazu gab es den hans musikpreis, den vut indie-award best album und schlie§lich den echo kritikerpreis. nun erscheint mit reincarnations pt 2, nach reincarnations -the remix chapter 2001-2009 und music is okay (2000), die dritte gro§e werkschau des remix-virtuosen dj koze

ein jahr ist vergangen, seit dj koze sein weltweit mit awards und preisen ausgezeichnetes meisterwerk amygdala veröffentlichte: bestes album in der groove, de:bug, bei byte fm und zündfunk, best album 2 bei resident advisor, dazu gab es den hans musikpreis, den vut indie-award best album und schließlich den echo kritikerpreis. nun erscheint mit reincarnations pt 2, nach reincarnations - the remix chapter 2001-2009 und music is okay (2000), die dritte große werkschau des remix-virtuosen dj koze

deadly population one album from terrence dixon on rush hour...future classic alert tip!

die serie der greensleeves lp-wiederveröffentlichungen geht weiter: hier ist das album des sängers linval thomspon aus dem jahre 1983 im originalartwork. *baby father* wurde mit den roots radics und dem bläsersatz bestehend aus dean fraser und nambo robinson im channel one studio aufgenommen. am mischpult saßen dabei soldgie hamilton und der sänger als produzent in eigenregie. linval thompson (geboren als phillip alphonso im jahr 1954) hatte seinen ersten karrierehöhepunkt mit dem kultalbum *dont cut off your dreadlocks* im jahre 1976 für bunny lee. zu diesem zeitpunkt hatte er bereits das studium zum toningenieur in new york abgeschlossen und später begann eine erfolgreiche produzentenkarriere, u.a. dennis brown, cornell campbell, the wailing souls, barrington levy, eek-a-mouse, sowie die zwei scientist alben *meets the space invaders* und *encounters pac man*.

das album von 1982 ist als vinyl-lp wieder erhältlich! -the seven voyages of captain sinbad- war das debütalbum für den deejay captain sinbad (alter ego des jamaikanischen produzenten carl dwyer). der künstler startete seine karriere beim sound of silence soundsystem als junger kollege von sugar minott und machte aufnahmen für dillinger s oak label. aber es war der produzent henry junjo lawes, die musiker der roots radics mit scientist & soldgie hamilton am mischpult des channel one studio und das greensleeves label sowie der graphiker tony mcdermott, die diesen longplay-klassiker verwirklichteten. schwergewichtige riddims - u.a. shank i shank, soloman, cuss cuss, things and time, bobby babylon, hunter man!

the original motion picture soundtrack for marvels blockbuster *guardians of the galaxy*.

nice price deal !!! an der grenze zwischen dem großen und all den kleinen mainstreams hat anstam waehrend der letzten zwei jahre einen noch künstlerischeren ansatz verfolgt und versucht, einen komplexen und ausdefinierten kosmos zu schaffen voller einzigartiger musikalischer logiken, physik und atmosphären. names ist das dritte album des aus berlin stammenden lars stöwe und nachfolger der von der presse hoch gelobten alben dispel dances (2011) und stones and woods (2012) erneut stößt anstam in seinem eigenwilligen und einzigartigen stil in neue gefilde vor und kreiert mit hilfe des gesamten instrumentariums relevanter moderner musik ein zehngängiges menü delizioesen brain foods

field records is to release a 2cd compilation and 3 vinyl samplers of music from the labels artists old and new entitled simply, collection

ltd repress !! we like funky grooves ! vinyl only

willie burns did it again...

balearic maestro max essa joins the dots seamlessly between the ambient imaginings of sakamoto, the krautrock rhythms of neu and the beach pop of chris rea, while making them all dance together like waves on the beach. this is some of his very best work to date and demonstrates a producer at home at the controls and a real musician with a vision. your carnival sounds like this…

limited edition picture disc of the adrian younge and souls of mischief collaboration there is only now. the sixth album from legendary hip-hop group souls of mischief, there is only now, is a unique cinematic 90s crime tale of love, loss, and revenge. a conceptual collaboration with producer adrian younge and the first release on his freshly launched linear labs records label, there is only now gets its inspiration from a near fatal incident involving group members a-plus, opio, tajai, and phesto early in their careers. set in 1994, there is only now serves as a bookend to two decades of music since the release of their seminal debut album, 93 til infinity.

roughneck psycho-house from r.b. on his first outing for dog in the night. three moody ultra saturated wild-ass tracks made for the adventerous club dj. jack is in the eye of the beholder, can you dig it?

endlich ist es hier, das neues album >in return<! durchzogen vom pop ist es ein elektronisches wunderwerk, voller mitreißender hooks. die vocals kommen von zyra, py und den shy girls sowie madelyn grant auf sun models. odesza werden mit dem neuen album den gesamten herbst auf tour gehen. sie werden eine reihe von ausverkaufen shows in den usa und europa spielen. in return ist ein album, mit dem odesza an die spitze der elektronischen musik aufsteigen wird. das doppel-vinyl erscheint inklusive download-code.

drittes und begnadet gutes neues album des us-alternative-country-duos shovels & rope, das seine karriere mehr als marathon statt als sprint lebt, und auf -swimmin time- auf sehr erfrischende art und weise folk, country, rock und punk miteinander vermengt und damit brilliert.

this special release is dedicated to detroit dj legend ken collier.-in loving memory of detroit dj legend ken collier-

next up to join the mos deep cannon is stephen lopkin, who serves up four new cuts on his the haggis trap ep.

in 1991, former king street sounds, bpm king street production released the compilation ep named la ronde, which includes the tracks by the hot artists in new york and tokyo underground scene at that time.

spains edu imbernon continues his unwavering rise with yet another assured release, fading dawn - his second for culprit. despite his young age (edu is not yet 25), the valencia-based artist is an accomplished producer already, with recent remixes for the xx and hot natured under his belt and the likes of john digweed and maya jane coles as his champions

for the second instance in their reissue series, echovolt records treat us with four lush new jersey house gems, originally recorded by wayne gardiner in the early 1990s. now remastered and pressed loud... tip!

the 2lp vinyl collector’s edition of soul city philadelphia sees soul music authority clive richardson select 28 of the most sought-after tracks from his 60-track 2cd compilation. these recordings served to establish the musical direction of the city in the late 1950s and early 1960s, at the dawn of the soul era. compiled and annotated by soul music authority clive richardson, soul city philadelphia is the latest in a series that has previously explored the nascent soul scenes in detroit, new york, chicago and los angeles.

this is for those with hard heads, black lungs, and scarred hearts. it is for the dreamers who construct darts on loose-leaf and those revolting against corporate life and casual fridays. it is castles return of the gasface, released on mello music group, remixed by has-lo with a new track and revamped verses. the new record tilts at a different angle, but the beats still bludgeon without sacrificing soul. the raps are rugged yet introspective. the north carolina natives voice is grizzled and shot through with the fatigue that comes from late nights, cigarettes and coffee. has-los beats coax a deeper melancholy out of castles hymns.

incl dj q remix

304 is d tiberios ode to his mothers home. the address is both personal and anonymous, providing an entry point into the bleak emotional spectrum of daily existence and its anomalies. partial to concepts of imperfection, many tracks include lo-fi audio clips sampled from youtube, television and other non-musical sounds that may normally go unnoticed in our surroundings. the textures are burnt and the rhythms disrupted, yet each track is constructed to achieve an unconventional harmony. *raver 5* has caught the attention of both critics and fans for its mature, multi- genre production. *let her* and *gone*, featuring natasha agrama, pair sultry female vocals with heavy, atmospheric beats.
the double vinyl includes a download code.

wiederauflage als 180 gramm vinyl-lp mit vier studio-titeln von the christine perfect band aus dem jahr 1969, die den original yardbirds-gitarristen top topham featuren, zzgl. fünf titel aus dem jahr 1970 von post peter green, fleetwood mac mit christine perfect, danny kirwan und jeremy spencer neben mick fleetwood und john mcvie.

mit wunderbaren songs wie -no problem- oder -i think i like u2- begeisterte jamaica, ein duo bestehend aus den franzosen antoine hilaire und florent lyonnet, bereits 2010 die fans weltweit. nun schickt sich jamaica an daran anzuknüpfen. -ventura- heißt das neue album, das abermals von peter franco produziert wurde, der zuletzt noch bei daft punk an den reglern saß und dem album den letzten musikalischen schliff gab. -ventura- ist dabei die logische fortführung seines vorgängers. geradlinige poprock-songs, die zeigen, dass die leichtigkeit des seins auch in der musik zu finden ist. die vinyl lp erscheint inklusive cd-versdion des albums.

alex blaxx drops three original tracks for dessous recordings following a couple of very well received releases on buzzing fly and sccucci manucci.

das stimmt, es ist vielleicht sogar das erste mal fuer monkeytown. es zeigt wie sehr wir an alex banks und seine musikalische vision glauben. die tiefe emotionalitaet seiner energetischen musik hallt eben lange nach. die tracks auf illuminate sind so komplex geschichtet und dennoch so zugänglich, dass man bei jedem neuen hoeren etwas neues zu entdecken vermeint. alex ist virtuoser multiinstrumentalist und man hoert den ineinander verschachtelten beat strukturen an, dass sich hier jemand intensiv mit kompositionslehre auseinandergesetzt hat

fast 5 jahre nach seinem letzten album -disco horror- (ein konzept-album zwischen italienischen 70er und 80er jahre giallo und horror-filme soundtracks und disco-musik) kehrt bottin zurŸck mit einem atemberaubenden neuen werk in voller lŠnge. unter dem titel -punica fides- wurde das album in sessions in venedig, rom, berlin und ibiza aufgenommen. fans von todd terje, pachanga boys und bottin s frŸheren arbeiten werde sich ohne zweifel unsterblich in dieses wunderschšn gearbeitete und sinnlich glŠnzende elektronische album verlieben.

five years on bbe is proud to present third installment in their trademark strange breaks & mr thing series. the double vinyl comes in gatefold sleeve, including a cd with the full mic by mr thing.

nelistening back, ‘interlude’ will feel like the perfect opening to ‘skylax’. a jazzy encore crawls in, morphing into a skippy hip-hop instrumental with jason’s signature flourishes all over it. aptly named as it is, this is the breathing space between whatever came before in your day, and the eleven deep house gems that are to follow. speaking of, ‘the love’ will have you gripped from the first bar. it glides the listener in, then subtly drops that signature, tightly-tuned bassline of jason’s and continues onto soulful vocals from there. ‘old dayz’ touches on a bit of a nostalgic note. the spoken vox cuts harken back to 90s hip-hop joints, playing over a looped latin sample-led beat. from there, ‘rawkicks 2’ shows jason’s rough and ready sampling style in action. a seemingly simple track, but one which has that special something which guarantees to keep people on the floor moving for its duration. ‘cut b’ contrasts this nicely, being a much cleaner production with tight drum programming and synth work. that said, it still has the classic jg atmosphere we love. closing out the first half of the album, ‘definition’ slows the pace ever so slightly, with its eternal pad structure that builds up the track’s momentum into something very mellow and deep.bringing in the second half of ‘skylax’, ‘john blue’ takes things back a notch further. a deeper tune, yet one that shows off an uncharacteristically punchy bass hit from jason. ‘last night’ is a track more reminiscent of jason’s first lost cuts ep on wax classic, sounding as if it had been freshly taken off an old tape with its sample-led beat and background hiss. the last four tracks of the album see a return to the ‘mastercuts’ and ‘lovedits’ series which fans will recognize from the ‘lost cuts’ records, with ‘lovedits 7’ and ‘mastercut 5’ respectively. the former is a laid back female vocal edit with the entire suite of signature jg touches while the latter is a garage house hit more crafted for the club. ‘bb’ brings the album to a close, twisting a disco/funksample over a pallet of drums and effects for the near six-minute duration of the track.all in all, this is the perfect follow up to jason’s debut album ‘313.4.ever’, with tracks for both the club and home listening. if you happened to miss the first album back in 2012, don’t forget that now you have the chance to grab it in a special double pack with ‘skylax’ on cd!so, needless to say, this timeless record is a must purchase for all collectors and djs out there

das fünfte album des uk-indie-rock trios gleicht einem befreiungsschlag: schöne und trotzdem unkonventionelle songs treffen auf improvisationen und experimente.

geschickt verpackte mehrdeutigkeiten, die sich auf tracks wie dem nach vorne walzenden opener *game*, dem poprockig-treibenden sex-song *perfect match* oder dem manisch-funkigen *big hole* wieder finden.

-someday world- enthŠlt neun songs, gemeinsam komponiert und eingesungen von eno und hyde, mit einer beeindruckenden liste von gastmusikern und -vokalisten wie tessa angus, nell catchpole, marianna champion, will champion, kasia daszykowska, don e., darla

jd records proudly presents 4 new dope remixes of previous jd records/subwax excursions releases. the artists in question is terrnece parker, orlando voorn, clip! and lay-far. for the honorable remix work we have chosen portugals fastest rising underground house producers, jorge caiado. the result is 4 perfect and classy house productions and with his releases on labels such as balance and groovement he has proven he definitely is a name to watch in the very near future.

nach dem debuetalbum yes is more (2009) und remixes für röyksopp, radio slave & andrew weatherall präsentiert der londoner pop-elektroniker danton eeprom sein zweites album als hybriden aus leftfield-pop, detroit techno & chicago house, der zwischen catchy synth-pop (biscotto & chimpanzee), lasziven hiphop (hex tape), roxy music-charme (never ask, never tell), late-nite-house-sleaze (femdom, hungry for more) und kroenender eleganz (all eyes on me) variiert.

docile shapes tone and midi to make sense out of random noise. we refine and redefine melodies giving them the warmth of new life. our style is an unrelenting adherence to the simple. our groove moves cool and easy and is often following the path of a drunken love arrangement. our sound reaches childlike for a funk that is beautiful. docile is an artist label. our art is the craft of vinyl as well as the music on it. we are an independent voice that walks a lonely path no matter the cost. docile still believes.

dan trevitt, long-tenured philly techno dj of the highest caliber and stalwart member of the inciting / great circles crew steps up with the missing, his first 12 inch for the label. trevitt spent most of the past year holed up with a rotating arsenal of hardware in the vacuum, a warehouse that not so long ago played host to a number of memorable parties. machine ghosts fight for freedom, trapped in the dark of smoke, spray paint, solder and ash. but no one s going home just yet.
limited edition of 300 handstamped copies.

in the early seventies, hanc swarn and shirley nanette collaborated to form never coming back. swarn had been on the road for ve years, lending his guitar-backing talent to earl grant and his band.