this is the return of the demon hardtechno label slaughter. the sublabel was set up as a sister/sub label of braindamage and presented itself with the very first release as a new outing of colassal hard-techno that will mash up your brain and leave you shaking with uncontrollable fear. it is time for a good old fashioned, messy massacre... these boys come blazin´ !!

special limited edition 10 inch record from label heads the sound republic, on an ultra high quality pressing with full jackets and 2 super hot joints, making this a record for the collectors as well as the disc jockeys who have come to rely on tsr for slammin dancefloor material. a return to their roots in funk and jazz, the a side get loose (take a breath) hits with absolutely crushing beats, a running bassline, and a sax bit that has every partygoer running to the dj booth whenever the track gets played asking what in the good god they are hearing! flip the cute little guy over for funkyard junk, a tune that starts with a garbage can percussion jam that eventually works up in to some good old down home southern funk, complete with hand clappin, foot stompin hoots and hollers and yet another infectious guitar hook that can only be described as good times house music. these two funky cuts still have a fresh and modern sound while maintaining that good ole chicago vibe that sends the dancefloors in to a tizzy. receiving massive support from the heavy hitters of the underground, raoul belmans, dj mes, diz, justin long, dj heather, and bryan jones amongst others were caning the hell out of this at this years wmc. dont sleep on this extremely special limited edition pressing of the fifth spatulacity record, yet another quality minded release from some one of the most consistent names in house musics new school

sumo continues to explore new grounds with their latest release that will be a surprise to many. thats erotic is on a midtempo tip, featuring old school beats and percussion alongside electrofied keys and a sexy female vocal courtesy of ayesha. gravity is on an uptempo tip, keeping the beats dirty and keys on a techy level, while ayesha adds the sexiness to the track with her vocals. both tracks are featured in vocal and dub versions, inviting you to play around with them.

massive hard-techno lp !! during the last years the labelhead of frown records called not only massive attention to himself by producing acts like felix kröcher or sven wittekind but also by his own records, which were released on reputable and well-known labels like bitshift, abstract or inflicted. his fans love his flawless productions, his fresh and groundbreaking sound, which has been produced by boris s. since he was 13 years old. you will find his vinyls in the cases of robert natus, arkus p., pet duo or dj rush. today boris s. is a class of its own in the techno scene and since two years it is not imaginable to experience any techno event in europe or brasil without boris s.

after productions with sven väth and dj hell, anthony rother continues the tradition of mutual sound enrichment in an ingenious way, including the current publication for the sublabel datapunk limited. this time, no less than xenia beliayeva is involved, up to now the only female producer on datapunk thanks to her highly acclaimed >ultra glamour ep< of last summer. the 26-year-old muscovite by birth has regularly worked as a disk jockey already since 1996 and is considered as one of the hottest german dj insider tips since her support gig for kraftwerk at the zkm opening in karlsruhe. a part from brilliant breaks, xenias remix of rothers retreaded super space model hit >dont worry< is mainly characterised by the interplay of beliayevas and rothers voices, >love s gonna change your life for good<, who would have ever dared to doubt about that. with the flipside, rother once again did a solo revision of >roses<, available up to now exclusively on the cd version of the album >super space model<, and created a highly dynamic synthesis of classical datapunk sound and sporadically interspersed reminiscences of the romantic synthpop of the past century

reissue of these old school nu wave hiphop classics from the late 70s/early 80s - limited indees ! tracklisting: i need a freak (not only used by the black eyed peas)

tyree cooper, the house music legend teaming up with rising dutch stars born to funk well, roog and greg hooked it up, and the results are explosive the born to funk boys have revamped an old skool hip hop classic and skilfully turned it into a dance floor monster, entitled sodb

exrtrem jackiger remix von nick & danny chatelain... pumpt wie deie vacuum pumpe von meinem nachbarn !! das original geht dann noch mehr in die old skoll acid house richtung , während der boogie drama remix auf b2 noch spacige detroit chords in petto hat...

finest old school techno trax incl remixes bx dave angel, lords of afford, planetary assault system and steve bicknell himself

here comes the first double ten inch by mascon on zinch !! little bit old school proggy techno mover infected with pumpin drumsets, noisy & phreakin soundscapes and a few industrial feeling

hundarna fran söder is three swedish fellas, mighty thor (drumcode , patch), kool dj dust (peekaboo crew, over the hill, high feelings records) and aksel friberg (freudian slippers). the third body to body is for old school tecnho/electro heads and the leftfield seniors

after several side-projects as sid lerock and gringo grinder, pan/tone is now back with >dr. pyckle and mr. pryde<. >the tear jerker< is one of these elegiac anthems, building up more and more in a way you never want it to end. the flip resurrects the momories of the good old school of cologne - back then, when minimal was still pristine, and the groove as the fundamental element was still wirth something. as a bonus there s a remix by kimberly & clark, accentuating the track with some bleepy bliss, and loads of 808

fetter percussiviger old skooliger techno !!!

the sebo k and metro partnership makes its debut on get physical with >transit<: these upcoming house producers are so hot that this ep almost melts the vinyl that its pressed on! transit looks to the past and the future at the same time: inspired by old school chicago house but boasting a modern techno approach to arranging, the nagging bass riff at the heart of >transit< builds and builds along with sebo and metro s evocative chords to create a track that will raise the roof on any club during the peak time. >transit< never loses its raw, hypnotic groove either, and after it reaches a climax, the sparse, raw rhythm is still there, urging the dancers to keep moving. philly producer king britt dons his scuba hat to provide the remix: its more understated than the original version, based on an off-beat groove, but, like a thief slipping through an open door in the middle of the night, britts reshape gradually introduces the hypnotic chords. before you know it, his remix will have seduced any crowd who love deep, electronic house music. get a move on to pick up on this future house classic!

here comes the eight ball in the software pool game… the labels colour is black and the labels boss hd substance is kicking balls. once more a luscious and deep release: on a side >someone down< is a driving track, full of 808 percussion work out over a sub bass frequency reminder of the old lfo records, on top of liquid synth layers and bubbles, hds trademark sound, a sure winner. on the flip side silicon cut goes more dubby and basic channel infected, with aquatic synth stabs and a moving bass line perfect for sub woofer testing.. future and tradition in one pack. as a gift a one minute japanese speaking intro for those who understand life in tokyo. spring comes, take your copy and enjoy

nice price deal !!! from the old school detroit techno make up of >disport< to the grimey dub step influenced >fin< this record has killer written all over it. the title track >oxidize< and >dark haze< hark back to the good old days of the best underground resistance electro tracks and to top it all off theres an 8 bit style remix from letroset. supported by alex smoke, marco bernadi (frustrated funk) and gernot (modeselektor)

a new label called yore by andy vaz (background records) and alessandro vaccaro (persistencebit), focusing on the authentic old school sound in both house and techno. yre-001 delivers an irrepressibly funky set of old-school techno tracks by todd sines under the .xtrak guise. the chicago-styled cuts resurrect the ‘95 vibe of the material sines produced for and with dbx (daniel bell) on 7th city and peacefrog, as well as on carl craig’s planet e. >back up ep< presents four slamming samplings of techno-funk

maral salmassi comes up with a purely instrumental record which has been co-produced by the cologne based producer fabian stall. two funky tracks which basslines, old school samples and knarzing rocker synths are taken to pieces, re-arranged again and served with banging beats and monster breaks

brand new - second on surprise - twelver from this international deejay / electrotech producer under his onderklank guise. the title track has the spirit of carl craig and motor city detroit written all over it. the first track on the flip reminds us of tracks by thomas schumacher mingled with old school flavours of newbeat and early trance. the twelve inch closes with a spicy dancefloor cut (the other tracks are also for that clubfloor as a matter of course) with a melody that could be produced by gregor tresher while on the other hand, the beats have a bit of radio slave ingredients.

big with john dahlbäck, zoo brazil, thomas schumacher, umek, john acquaviva the spanish-based production kings (cocoon, submission, sadie) and label-owners (sonic society) pig & dan, return to pickadoll with some truly balearic & beautiful techno tunes. the track 88 (make no mistake – this is true dance music!) is a hypnotic journey based upon slightly modulating old-school chords. the combination of rather well known >back in the day< aesthetics and the modern minimal feel make this a truly professional masterpiece. the b-side starts with a dark tekkno monster called >blobz<: arpeggios, stripped-down drumming, reverbs go to make up an unbelievably raw ecstasy music which then develops into a neo trance extravaganza with some highly impressive breakdowns! the last cut >robots< consists of video game sounds, sexy beats and some almost psychedelic guitar-like licks… after-hours madness guaranteed!

in the recent days the label spielzeug goes from strength to strength with releases coming from label boss thomas schumacher although they are receiving tons of demos every day…this fact shows how picky they are when it comes to releases! now an old friend of the label and long time techno activist returns to the bill: axel bartsch. as team with asem shama he produced most successful a few releases on spiel-zeug and at the same time he released 12inches on kompakt extra or sportclub.. and this is just a small excerpt of his vitae.. on spielzeug 40 his presents his renovated and fresh definition of techno with epic melodies, super functional drums and top notch bass inferno... not to be missed!

rhythmetic is back with the 7th shot, this time a compilation round wich features 4 damn great tracks, tom clark with jens bond produced the opener, straight to da point tech-house tune, dark and crispy sound effects, pretty cool & clever staged samples and a keen sense of dancable basskicks and drum works…..the next one is aldo cadiz and he is presenting a grandiose peak time anthem….beamy basskicks and cool analogue lines will push the crowd to the max…actual horsepower. the first one on the flip is a tune by jobim’s cousin aka argy …oriantal styled and smooth song, recommend for early morning hours.last shot produced by diffuse……mystic and dark hypnotic - rounder, alarming sound scapes meet old-ravey sound structures…altogether and pretty good new release with four different tracks

the british sound artist >scanner< comes with an electro old school flavoured and trance synth infected >moskau disco< track on the a-side and a ambient masterpiece on the flip

when iridite started out they really wanted it to represent a wide selection of electronic music - at the time, many of the bigger labels (and many independent ones too) seemed content to pigeon hole everything, generating sub label after sub label, each with its own micro-scene or genre. over the years we feel we ve done a pretty good job of steering clear of the obvious but we were still lacking a little in one important area - house music. although >ga< isnt straight down the line standard house music, it s instrumentation, simple repeating bassline and beats give forward motion that fits nicely with a more old school version of house along with some percussive vocal stabs and eventually, a huge synth string climax- like a cross between early ron trent, fingers inc and kenny larkin. the b side gives us two tracks from one of the most talented young producers working in the field today - jamie greer, who s tha poke guise gave us one of the highlights of ir004 (uncommon sense), moves >fall fwd< in strong style with his unique take on the (original) detroit sound - remaining completely individual, his sound is instantly familiar and yet never derivative or tired. both tracks have the energy to survive on the dance floor but the subtlety and depth to bear repeated listening at home - proper techno

cool old school infected techno 3 tracker by a.mochi. he is a dj and producer in tokyo who also performs live. he has become one of the most remarkable artists in the tokyo underground scene

finest kickin schranz four tracker with some rave and old school techno influences by alex calver

prins thomas charts #1, played by cassy, ata, laurent ganier, brontosaurus strikes back after the furious debut 12inch of the incredible exile missile project. next up is african voodoo believer arto mwambé, known from his release on punkt music and several remixes for output recordings, careless and… brontosaurus. his second single >mudhutma!< displays his raw and offkilter definition of housemusic. a wild and detached combination of old strictly rhythm sound, handcrafted proto phantasy and arto s autodidactic synthesizer-abilities. mr. mwambé definitely plans to get a proper education - next lifetime – so don t worry nerds. until then he ll keep on reigning his kingdom of dilettantism

"nice reminiscent of a classic minimal josh wink !! justified cause’s proposal for this ep is to present an exclusive, extended mix of the song >take control< from the 981 north album in the classic 12&#8243; format. we believe the track to be a strong fusion of american house in its deepest style, but made with an exceptional current day minimal production technique. as a result, we hope that besides just being a great dj track, that it will appeal to both types of listeners. as you would expect from the crew down at justified cause… who better to remix this track but our in house jack master, garcynoise who >takes control< of the remix and turns it into an indubitable dance floor filler by also fusing some old school feel with some new school production"

darren glen uses the old and still catchy vocal hook from blackouts gotta have hope on the a side jay j works the track into 2 different version one for the funky and one for the electrohouse family flip over for a massive groovehunter mix and the acapella tool a must have

cash candy & parov stelar combines old school synthies and electrofied tech beats in their new single. incl rave infected christopher just remix

big with: damian lazarus, kiki, jimpster, ripperton, p.toile, m.monday daso franke, a fellow well known not only for his fantastic releases on mbf and connaisseur, but also for his furious live-sets, sets out to bring the noise again. after having been inspired by the nerdy world of old-schoolish adventure games for his last release, he uses the dissolute world of absinthe as an afflatus this time. he takes us to a land where alluring little green fairies buzz around and people cut their ears off under absinthe’s massively woozy influence. thujon: the impact of well-made absinthe depends on its concentration of thujon. it can best be described as a kind of heightened clarity of mind and vision. and this is what this track is all about - 100% thujon! louche is the name of the cloudy effect you achieve by adding water to spirits, which contain anise, like absinthe does. this track starts with a low-key groove, which forces up to a mental dance affaire, including a genuine rocking daso-esque break

spirit catcher release their debut album on 2020 vision 8 tracks including some old classics and some superb new tracks influenced by the sounds of herbie hancock, quincy jones, zapp, prince, chic, derrick may and juan atkins night vision is perfect introduction to the classic sound of spirit catcher

the mistress of melancholic driving club techno returns. mia hasgone to exam and has extended her knowledge of alchemy fundamentally. after the first big throw schwarzweiss – which has reamed out lots of clueless dj’s with its sharp edges – now follows a far more mature album which compiles tracks just as thrilling, to an extremely danceable trip through the abysses of human sensitivities

ltd classic repress !! phat old school acid trax

buzzin fly celebrates its 25th 12inch release since its launch in april 2003 with this jam packed mini anniversary ep featuring classic tunes in modern revivals featuring label artists and fly friends. side a features ben watts top selling debut cut lone cat in a superb 2007 re work by dennis ferrer and the new york prodigy steve martinez. to close the side, ben delivers the original mix of his tendertough beatless spoken word piece, old soul. finally justin martins pivotal 2003 debut cut for the label, the sad piano gets a jimpster modern remix treatment here

2 frequency is a very old school sounding breaks affair flip over for a top pilch remix who takes the track in a different direction with this huge building intro

the mighty boys, the mighty mighty boys… following up their release together on num limited, zeitgeist, the two funksters come up here with deeper materials. not only it is deep but it marks as well a musical turn which sthlmaudio recordings is taking for the upcoming releases. having jammed together a hundred times with ever feelings and musical inspirations, agnès & ripperton deliver here their deeper works to date. the a side track is a 14 minutes long old school house track recorded and edited live. wonderfuly coming and going pads, stunning classical deep hook, grooving modern rhythm structures and the now known duo s ability to render ever moving tracks full of organic feelings

welcome to the debut-release from the 21 year old sebastian lohse from dresden/germany. two timeless pieces of deep drifting, detroit rooted techno you wouldnt image coming from a youngster whos started producing just two years ago!trombone starts off with a dark drone to be counterparted by charming string arpeggios and marimba lines over its full length.pure magic!the sparkling flow also takes all the time to build intensity, layering a grand piano and strings to one of the best tracks to start a dj set with

one sided release by one of the hottest names in techno at this moment. slower pace and slower beats with a nice old school-ish house feel. the real hook line is a slow raving sample that goes on and on

finest rollin tribal infected techno to techhouse styled up with pushing filtered breaks and funky saxos and pianos which makes an old school vibe to all three tracks

the end of the experimental edged sound variation series and the start of bringing back the old school feel with this great rollin deep techhouse three tracker

this is a real bomb!the sounds used and the small vocal gymmic will remind you a certain time when the made in france titles ruled the dancefloors. however, the huge electro sounding will quickly make you return in 2007!so you can is a electro dance mix produced by the southern french label pokker music. it feels the summer and without any doubt will find a place in the middle of your classic dance tunes collection of vinyl very quickly.

this follow-up to 1999s >dark of heartness< album (tresor.125) attacks from several angles beginning with the hell-bent, club wrecking ball, >dirty old face<. >blackout< in contrast works dub influences around a chicago groove while the massive p-funk stepper >no one<, the balladesque >work< (featuring schmidt on vocals) and >wagging tail< will definitely kill off any skepticism about this albums huge potential

powerfull old school infected minimal techno tune in two mixes

kirk degiorgio with a blend of timeless old school techno and dreamy electronica !!

you re still not taking yourself seriously.on the journey to discover new tracks you trip over a few disco-balls, find an irresistable melody, dance briefly with abba, are trapped by chic, free yourself and then also rob them/it (???) of a super-bassline. next you travel to the outskirts of berlin to dowse for / apply the divining rod to find fresh, unused talent. the discovery responds to the name c.l.i.c. and turns a discohymne into a little rave-monster. now add to the whole made-up story the fact that you leave the remixing to an old friend. he makes a >6am, the sun rising, tickling your nose and making you scream< track out of it. the name of the mysterious unknown: oliver koletzki. conclusion: you re still not taking yourself seriously. why should you? >fitzelkrtschbungbritzelbratzel< is just ruling everything. a counter-design is urgently needed. the world s serious enough

it took a good one and a half years to see these two gentlemen reunite again. pro s may know why. you can only create so much quality work that it s good to take some time off now and then to get back on it with refreshed senses, new gear and new ideas. this 3 tracker is the start of a string of new 12s and simply >multiplies< everything good in john and arian s music. the motion, the funk, the accurate timing, the control, the tension, the groove, the deepness, the classic techno-ness, and the oh my goodness< kick assivity! :) check out the ultra intense, sturdy >multiplier,< a hard rocking deep dark tune layered with modular synth madness. flip to the b for >mathemagician,< the >mono on mono< update youve been waiting for. closing out the single, another analog scorcher >synthescheizer< does it s damage with 2 ms-20s side by side. no plug ins on this release, just good old dirty hardware... already support from anja schneider , karotte... and of course myself too...

supported by karotte !! with the signing of south-german newcomer dizko toaster oliver koletzki rediscovers his old love for squeaky peak-time disco house. toast hawaii is one of those tracks, starting with the sound of the sea breaking and combining filtered disco grooves with sexy techno synths that take you back to the hedonism of studio 54. the track itself is the bomb, but the list of remixers is impressive, too: koletzki as parker frisby turns it into a smashing hit adding his typically strong loops and some hypnotic vocals. on the flip man of the moment remute contributes his production skills and creates an effect-laden driving techno piece full of surprises. stil vor talents own h.o.s.h. then takes a totally different approach resulting in a deep and warmly grooving detroit-style track that immerses the listener into the depth of the tune. this record is a lot of fun

great edits by amplified orchestra on this obscure chicago label. the a side is two different versions of a massive space italo disco track. and the b-side is just amazing, some kind of cosmic old italo track in the re-edit