sol asylum is back with their third release, this time around a various artist ep featuring tracks from friends and family members dana ruh, miss jools, and patrice meiner. this solid collection delivers a heavily swung slice of style and class without ever losing its straightforward dance floor attitude. the ep gets a proper start with dana ruhs >overcome<.a modern take on forward thinking house music with a cleverly swinging groove, pulsating filtered synths and provocatively soul stirring voices. all the rhythmical elements mold and evolve the track into a vibrant and energetic gem. next stop on our journey brings us to patrice meiners >uva< a broken beat dedication to his mother with fiery snares, atmospherically floating ghost like synths, intricately pitched hi-hat patterns and a tightly woven groove that is the signature sound weve all come to know and love from him. last but certainly not least is our trusted resident of sol asylum miss jools with >calamity cloud<. mysterious voices speak to us with an infinite realm of hovering synths, a playful but complex groove, driving hats, then a finely crafted layout brings us to alternate states between light and darkness creating a perfect balance that reminds us of a cloudy berlin day.

following the incredibly well received record store day release of donna mcghees make it last forever, groove line records continue with another patrick adams & greg carmichael produced classic, lady bug, by bumblebee unlimited, the second in our series of 12inch audiophile reissues from the disco underground.

emotional especial call time on their first series of releases and do so in style, taking a detour to san francisco for a 12- that features reworks of latter-day synth experimentalists inhalt. the specific focus here is occupations, last years ep for the killer dark entries label which showed a distinct progression in the inhalt sound to capture a contemporary take on synth wave/cold wave/dark wave (delete as appropriate

>i am ok<, reads the title of the new album by the berlin-based producer, dj and label-owner oliver koletzki. the heading0s ambiguity is, of course, deliberate: theres a deeper meaning hidden behind the humorous facade that is chrisse kunsts hand-drawn cover, which depicts an unadorned thirteen-year-old oliver sporting nerd glasses and a striped jumper: i am oliver koletzki, raw and authentic. because musically, on his fifth studio album, oliver koletzki looks towards the unaffected freshness of back in the day, and thus, consciously returns to his roots.

this vinyl is very special colab between europes biggest goa-psytrance organisations. all artists on this vinyl, performed on the freaks united party in february 2014 without receiving any fee. this benefit party was held in belgium. it was an huge succes and after this one party the vinyl was immediately a fact. the organisations (artists) that are involved: global aura, greentree records & sita records.

die now geschichte umfasst viele jahrzehnte und genres. evelyn begann als b-boy der 1980er hip hop- und graffitszene, er fusionierte new yorker hip hop mit zu der zeit populären uk sounds und entwickelte sich so zum pionier des dubby trip-hop/downbeat. mit klassikeralben wie *smokers delight* und *carboot soul* sowie kooperationen mit de la soul und roots manuva wurde now zu einem der wichtigsten vertreter für hip hop, funk, dub & soul. die stärke seiner inspiration auch nach 25 jahren verdeutlichte jüngst das überraschend frische studioalbum *feelin good*. nun erscheint die greatest-hits-doppel-cd *n.o.w is the time* mit 28 tracks, die evelyn in einen chilligen *by day* und einen groovigen *by night* part aufteilt. parallel dazu erscheint das limitierte boxset *n.o.w is the time - deep down edition*, das neben der 2cd zwei vinyle mit unveröffentlichtem material, neuen und klassiker-remixen (u.a. ashley beedle, lfo, loco dice) sowie ein buch mit diverser memorabilia und interviews enthält.

the purple ep is wbeezas 2nd release on his brand new label, pflymusic. from techno to house music.

lord tusk returns on levels with yet another salvo of left-leaning machine funk.

zyx italo disco collection als 3er-vinyl: ja, ist denn schon wieder 80er jahre? wann gab es zuletzt eine solche sammlung von italo-top-hits auf vinyl? lang ists her. wir präsentieren original-italo-disco-hits in ihren maxi-versionen von radiorama, ken laszlo, duke lake, joe yellow, brian ice, hypnosis, lee marrow, grant miller und vielen mehr! zyx italo disco collection als 3er-vinyl: ein unbedingtes sammlerstück!

out of the ordinary is a celebration of strangeness. not the outer-worldly strange inventions of our minds, but the kind of strangeness we come across in our every day lives, hidden in the little details.

-divers- having already passed the club test with flying colours it is now ready to see the light of day on vinyl. the track cruises effortlessly through the darkness of the night, past whispered messages bringing with ease, the light back on to the dance

elektrax label founder dj hi-shock s new vinyl, called the travelers sees the light of day on a nifty darknet 12inch. the package contains 2 strong originals for the floor, an always delivering audio injection remix and a more spacy dub mix of the title track.

phiorios animals release has been a labour of love. after co-running metroline limited for the past 6 years and after a series of digital releases and remixes for both metroline and retrometro (as well as letroom limited and mbf amongst others), phiorios vinyl debut on ml finally sees the light of day. the choice of remixers has also been laborious but over at metroline hq we are really happy that in the end we managed to secure two stunning reworks by the likes of the more and more in demand french producer doubtingthomas (with releases on labels such as hummingbird, organic and of course, metroline limited) and the super-hot up and coming russian producers adjustment bureau

an album of musical pieces that visit the roots of reggae and dub music with the distinct fluxion production

limited coloured green wax...

*** ltd repress *** groove line records announces its first release!!! make it last forever was originally released in 1978 on red greg records. donna mcghees only solo album was produced by dance legends greg carmichael and patrick adams. to this day, the underground disco classic remains in demand with rare mint copies selling for up to £120 on ebay, etc. groove line records is proud to release the first ever official vinyl reissue of the album in a deluxe 2xlp edition, freshly mastered from the original tapes. the gatefold edition features liner notes and interview with patrick adams. both discs are pressed on high quality 180 gram vinyl

shinedoe - illogical directions a day in the life of shinedoe, expect anything. with dance music currently exploding into a multi coloured crossbreed its tempting to take things as far as possible. and thats exactly what this amsterdam based dj does on her long awaited third album

france music introduces fresh talent outta paris, france. we are happy to present the very first vinyl release of monsieur ralph (aka flabaire from collectif d.ko) on the machines et monsieur larry on the mic.

young marco stepped into the esp institute one day in 2012 with a handful of undeniably brilliant music, and has ever since maintained an integral role in the mission of the label

re issue from derrick carter’s blue cucaracha label. containing 4 tracks from 1994 - 2 from last session (aka chez damier & ron trent) plus two from the innocent (derrick carter). re mastered from original dat’s from dc’s private stash. expect more blue cucaracha’s down the line.

on the back of an exciting debut album in 2012 that saw him perform live at sonar festival and later with his band at viennas volkstheatre, before disseminating music on permanent vacation, suol and connaisseur recordings, enigmatic basque country producer el txef a returns with his sophomore longplayer >we walked home together<. the double 12 inch lp comes in gatefold sleeve with cd-copy of the full album included.

nelistening back, ‘interlude’ will feel like the perfect opening to ‘skylax’. a jazzy encore crawls in, morphing into a skippy hip-hop instrumental with jason’s signature flourishes all over it. aptly named as it is, this is the breathing space between whatever came before in your day, and the eleven deep house gems that are to follow. speaking of, ‘the love’ will have you gripped from the first bar. it glides the listener in, then subtly drops that signature, tightly-tuned bassline of jason’s and continues onto soulful vocals from there. ‘old dayz’ touches on a bit of a nostalgic note. the spoken vox cuts harken back to 90s hip-hop joints, playing over a looped latin sample-led beat. from there, ‘rawkicks 2’ shows jason’s rough and ready sampling style in action. a seemingly simple track, but one which has that special something which guarantees to keep people on the floor moving for its duration. ‘cut b’ contrasts this nicely, being a much cleaner production with tight drum programming and synth work. that said, it still has the classic jg atmosphere we love. closing out the first half of the album, ‘definition’ slows the pace ever so slightly, with its eternal pad structure that builds up the track’s momentum into something very mellow and deep.bringing in the second half of ‘skylax’, ‘john blue’ takes things back a notch further. a deeper tune, yet one that shows off an uncharacteristically punchy bass hit from jason. ‘last night’ is a track more reminiscent of jason’s first lost cuts ep on wax classic, sounding as if it had been freshly taken off an old tape with its sample-led beat and background hiss. the last four tracks of the album see a return to the ‘mastercuts’ and ‘lovedits’ series which fans will recognize from the ‘lost cuts’ records, with ‘lovedits 7’ and ‘mastercut 5’ respectively. the former is a laid back female vocal edit with the entire suite of signature jg touches while the latter is a garage house hit more crafted for the club. ‘bb’ brings the album to a close, twisting a disco/funksample over a pallet of drums and effects for the near six-minute duration of the track.all in all, this is the perfect follow up to jason’s debut album ‘313.4.ever’, with tracks for both the club and home listening. if you happened to miss the first album back in 2012, don’t forget that now you have the chance to grab it in a special double pack with ‘skylax’ on cd!so, needless to say, this timeless record is a must purchase for all collectors and djs out there

pete bain aka pete bassman, the pioneer and the true genius from spacemen 3, the darkside & alphastone releases his new single small town illusion/poison butterfly on hoga nord rekords on record store day. 10 minutes of pure acidfolk comin straight outta drugby. dont miss out on this baby.

dustin zahn makes his album debut in march 2014 with the release of monoliths on adam beyers drumcode label. gestating over a period of a four years during break from releasing original solo material, monoliths sees the minneapolis native capturing the full breadth of his production style in the long-player format for the first time. having become a mainstay of the drumcode line-ups for their berghain residency and beyond, the challenge was set for the berlin-based zahn to build upon the reputation he has established in the past decade-and-a-half since he first arrived on the scene, during which time he has also given a platform to artists such as dvs1, minilogue, psyk and truncate via his enemy records imprint.

inspired by the rhythmic sounds of the industrial machines that soundtrack quirkes day. limited to 500 units.

yes, melodymathics will be treating all vinyl lovers with a very rare collectors item on record store day 2014.

from the two individually revered artists seuil and le loup, comes the debut lp under their collaborative dj/producing alias hold youth. a collection of dance-orientated tracks, designed to make the body move, de la club explores the origins of hold youth’s fundamental influences to their modern day stance.a lp in two parts, the first vinyl is almost a retrospective of primarily state-side club sounds, but also of the pair’s early musical staples. paying homage to old skool production, the inspiration drawn from the detroit greats like moodymann and andres is clear on the funked-out, jazzy vibes of street my baby or the smooth flowing les enfants du soleil. hold youths love affair with head-bobbing hip hop also makes an appearance on the intro and outro, sampling the one and only j dilla, perfectly combined with their own personal beat-boxing. not forgetting their french 90s roots, kool & the boug oozes that warmth defined so well by pepe bradock and trankilou… a club track which has the power of subtlety to submerge the dancefloor that one level deeper. part two looks to the example of german minimal and micro house and brings us up to date with the sounds fresh from hold youth’s record bag today. be it the weird and murky territory of dodge this, or the eerie, glitchy world of black dog, their modern vision of de la club is darker and sturdier in its stature. but it is the ability to weave seamlessly between the lps two halves, two ideals, which truly characterises the hold youth ethos and their signature djing style.

the new imprint for stroboscopic artefacts: terzo giorno - or third day, by italian producer donato dozzy. it is an ep of great textural dexterity, traversing the moving and the misanthropic.

quantize recordings presents this united front of artist, producers, and remixers that have linked together to give the world a healing, an insight, and a voice to address the homeless crisis. the list of singers, musicians, and producers that are so extensively dedicated to this barbara tucker organized charitable project is unbelievable and heartwarming. pressed on limited edition red heart shaped vinyl exclusively for record store day, once theyre gone… theyre gone!

for this 49th vinyl release on intacto records, we proudly introduce shinedoes album single circle of life feat. miss bunty taken from her forthcoming album illogical directions.a day in the life of shinedoe, expect anything.

tori amos gilt als rätselhaft, bizarr und voller leidenschaft. in den letzten 20 jahren ist sie zur kultfigur aufgestiegen und hat den ruf erlangt, eine der versiertesten künstlerinnen und songschreiberinnen zu sein. jetzt erscheint ihr 14. studioalbum unrepentant geraldines. nach einer serie mehr klassisch inspirierter und innovativer musikalischer ausflüge in den letzten fünf jahren, offenbart unrepentant geraldines die rückkehr zu ihrer ursprünglichen identität als schöpferin zeitgenössischer songs von außergewöhnlicher schönheit. diese werden mit großartigem bandsound zum leben erweckt und bringen tori amos genau zu dem singer/songwirter pop zurück, mit dem sie mehr als 12 mio alben verkauft hat und weltweite charterfolge feiern konnte. es ist auf gewisse weise eines der spannendsten comebacks des jahres - wenn tori amos auch nicht wirklich fort war, so hat sie doch andere pfade beschritten - und man wird davon beeindruckt, wie gut dieses neue popalbum klingt

limited edition on black 180 gram vinyl, including cd-version of the album and poster.
following the release of their collaborative ep, chasing honeybees, in february, uk producer stumbleine (aka peter cooper) and welsh vocalist/songwriter violet skies deliver their first full-length album, dissolver. in dissolver, the duo continues to explore the fusion of stumbleines electronic beats and dreamy, shoegaze guitars with violet skies soulful pop / rnb vocals.

a collective of three minds re-developing the concept behind the underground music industry.
*sometimes when you wanna change something, you gotta start from the roots and the best way in this field is represented by analogue technologies ,the same used by the masters back in the day.*
epic experimental techno, mixture between analog machines turntables and computers. first pressing limited to 300 copies.

standard weight 12 inch black vinyl with 3mm spine. the sleeve is matt machine varnish onto reverse board with the original artwork redesigned by hand, individually, in a variety of colour options (green, blue, red and purple). limited edition to a 1000 copies, each individually numbered.. dansson & marlon hoffstadts -shake that- was one of ibizas biggest hits of last year. now, following support across radio 1 from nick grimshaw to annie mac and a remix by djs of the moment blonde, the resurgent ffrr marks its first ever release for record store day with this limited edition vinyl

friends will carry you home iii - (pets recordings) pets recordings are partying at the very forefront of house music

as part of record store day 2014, peter zummos lateral pass album will be released by new london independent label foom.

gradus records is an unique music journey running by eskuche and nu sky. the history beginning from the moment when two great friends decided collaborate they music into something special. they left the country where they lived and moved to new york. inspired by this crazy city they built their studio, produced new music far away from day-in day-out madness of the life they left behind for a while. this imprint is oriented to deliver underground sound in originally native way - vinyl. the sound concept of gradus records integrates from the most ground-breaking house and techno through dark and deep organic grooves.

beta-band leadsänger steve mason veröffentlicht zum diesjährigen record store day eine limitierte 12 inch auf double six / domino. die beiden britischen edm legenden greg wilson und derek kaye remixten gemeinsam die beiden songs *seen it all before* und *come to me*, welche (in der originalversion) auf steve masons 2013er album *monkey minds in the devils time* erschienen.

limited record store day release of 500 numbered copies.

deluxe 2x12 inch mini album in black matt mailer box with 4 x high quality prints by photographer silvia grav. record store day exclusive product.

limited pressing of 250 copies for record store day 2014.

wenn wir etwas benennen müßten, das sich unsere fans immer wieder wünschen, dann wäre dies wohl eine vinyl-version von the fields legendärem ersten album from here we go sublime: ursprünglich 2007 veröffentlicht, war das gefeierte albumdebüt des projekts, welches alsbald zu den beliebtesten in unserem künstlerkatalog zählen würde, als reguläre cd-edition samt begleitendem 12 inch sampler erhältlich - doch noch nie als vollständiges vinyl-release. kameraschwenk zum record store day 2014 und der perfekten gelegenheit, dieses verblüffende meisterwerk endlich auf verdiente art und weise zu präsentieren. die doppel-lp erscheint im klappcover, inklusive cd-version des albums.

record store day exclusive on marble splash grey / green numbered 10 inch vinyl, limited to 277 copies.

corbu are an electronic, indie-rock band from brooklyn, new york spearheaded by producer and multi-instrumentalist jonathan graves. corbu are jonathan, todd hoellerman (drums, keys), amanda scott (synths, percussion), julian ferraldo (guitar, keys) and brian murphy (bass, keys). named after french architect le corbusier, the band has a strong creative aesthetic. graves writes the music from visual ideas, which he translates into sound. corbu songs are often heard partially or entirely in dreams, and are influenced by films, physical spaces and a childhood love of nature and science fiction. and it works. corbus music is beautifully crafted, taking the listener on a journey from day to night, through exhilarating sunsoaked sonic landscapes to land softly on the surface of the moon. jonathan began singing and playing different instruments at age nine, and eventually fell in love with samplers and their ability to bend conventional sounds into something abstract and new.
pressing on light blue / grey vinyl.

for the blackest day of the year, the record store day, we will be releasing the first official sven weisemann ep on fauxpas musik. we are also proud to announce that included is a special remix by the prominent ambient master, gigi masin. we could not be more excited to release this track! vinyl tastes better

bushwick17 is a project by costanza francavilla and alex infascelli. it is a 17 minutes improvisation session, recorded in bushwick on a summer afternoon - with no additional edits, mixing or efx. the idea is based on both artists s obsession with the number 17: the concept was to freely capture 17 minutes of their day together, without any thought before the act or any extra sound manipulation after the act. costanza placed 2 mics on the floor in the middle of the room - facing the wall - and played synthesizers while merging herself with dreamlike vocals into ambient floating textures. alex turned on a fan that was abandoned in the studio, placed the electric guitar in front of it, creating ethereal drones, and moving from guitars atmospheres to abruptly exploding yet sultry drums patterns. the result is an hypnotic sonic journey into an indefinite condition of space and time.
single-sided pressing, download code included.

nach der ersten single zum record store day 2011 von siriusmo und den darauffolgenden veröffentlichungen zu diesem anlass mit stücken von beiden labels, halten wir auch in diesem jahr an der tradition monkeytown records vs. 50weapons fest. auf der a-seite der limitierte 10inch findet sich *jaja* von siriusmo, die b-seite beinhaltet die siriusmo / anstam-koproduktion *muckefuck*, die – laut siriusmo – durch ein zusammenspiel aus wald und sonne entstand – wie auch das plattencover vermuten lässt.

mome is quickly becoming something like frances new house god. his earthy vinyls for housewax and ftwr got him a great following with record collectors and house djs alike. appearing on appolonias fabric mix, several boiler room sets, and his for one day ep at 1 on decks buzz charts, mome quickly wins the hearts of dancers and players.