nice price deal !!! pieces of eight - the positiva gem is back for 2009! one of those rightly labeled classics from 98 is back for the new generation to enjoy! the riffs are there in all their glory ?its a pure nostalgic trip that brings together the old skool & the new... twisted & pumped up for todays dancelfoors, the new slant on the track is provided by stalwarts stretch & vern, cassette jam & ruff loaderz.

nice price deal !!! hard 2 beat drop there latest bomb with a slight change of direction taking it more housey, inlisting the undoubted talents of the legendary lenny fontana who teams up for the second time recently with rising star ridney. together with the vocals of larisa they present wait 4 u h2b provide a superb mixes from some of the biggest names around voodoo & serano/big world & denis the menace alongside kid chris & dj sign. dj support pete tong (bbc radio 1 essential selection) dave spoon (bbc radio 1 - in new djs we trust) steve smart (kiss 100) pete tong (fast trax - 2 plays)

great chicagoan package with legendary gene farris new album. filled with sure house shot aim at the dancefloor, without ever forgetting the windy city influence.

behind the guise electric gang you can find some famous producers who worked together to create this project with a very strong impact on the dancefloor... hot release for the club!

legends of the uk house music circuit, faze action deliver a truly outstanding remix by managing to maintain the original mix elements but putting them together in a sequence only faze action know how. they simply add some live funked up percussion and keys to die for - giving you this excellent re rub to compliment the stripped back disco slickness of dannys original mix. put on your dancing shoes, saturday nights are never going to be the same again!

big with the advent, xpansul, secret cinema !! here we come again, loose records is proud to present rino cerrone and flavio diaz that come together for a great collaboration, delivering a super 3 track ep. with plenty of grooves and funky elements. don t miss it!

axel karakasis once more unleashes his talents and demonstrates his skills in the piranha e.p. in the first track on the main side, the techno wizkid mightily combines a set of systemshaking loops and detroitfunklike piano keys that escalate into a crazy pitching, distortion not to be messed with! add to these some powerful percussion and ominus snares, together with karakasis trademark filter spins and twists and its an epic track that stands out on its own. bloody chamber alternates between nocturnal basslines, vicious subbass and high-pitched synths that are spinetingling. here, axel flirts with electro but you can always rely on him to bring in some serious groove: the result is solid, coherent and the track is something more than special!! the remain side proves equally mindblowing and. flesh eating! piranha is a stunner, adorned with aggressive drums, booming beats and odd sounds throughout the track. once again, it is axels energetic style that comes through, making this track a powerful club tool

2 of the most respected names in the scene come together for 2 futuristic slabs of hardcore techno. these tracks were made by both producers using the internet to send the files back and forth. each artist has still managed to bring their unique style to each track. an epic collaboration with devastating results. this is one not to miss.

8 tracks, 8 styles - 1 label to bring it all together: dosed recordings by myles serge!

another 2 great artists featured on naked lunch records. mark williams is one of the most respected artists from the uk. he is truly a veteran, and he has paid his dues over more than two decades on the scene as a dj and producer. he released a staggering catalogue of quality tracks on some of the most respected techno labels in the world including: tortured, dark house, pure plastic, phont, primate, and carl cox?s ultimate trax imprint, to name a few. this time on naked lunch, he delivers 2 huge tunes, funky & hypnothic just how we like it. at this moment axel karakasis is internationally recognized as the best known greek techno dj for his full of energy 3 decks sets and featuring rigorous musical selection that portrays his style.after many years of hard work in the studio and together with spiros kaloumenos he launches omega audio recordings. having made omega audio a very respected label in the scene, axel is now channelling all his energy into his own brainchild, remain records. for naked lunch he specially prepared tetris & rebellion, both beeing played out by many djs, receiving great feedback.

probably the most outrageous promo reaction playtime has ever seen, jazz thang is what happens when you ask two producers to work together who are both just millimetres away from the bigtime. on one side you ve got andre crom s jazz thang, an - unsurprisingly - jazzy number that builds on the wonkier material he s already known for with safari electronique, leftroom, memo and sender. also on the a is gettin funky, a retro-90s house number with contemporary bass. but then on the b, you ve got riva starr s amazingly catchy and fluid re-rerub of jazz thang - which has struck a chord from the nu ravers (massive - tommie sunshine) to the commercial djs like d ramirez and even tocadisco, the ubercool underground types like karotte and marcus vector, and of course the king of wonk, claude von stroke

after 3 smashing eps on boysnoize records, remixes for chromeo, the faint and the teenagers and live gigs with soulwax, trevor jackson, a-trak, ivan smagghe and the ed banger crew, shadow dancer finally present their long awaited debut album. “golden traxe” is a culmination of the uk duos electronica, cut-up techno, acid house and space disco sounds.already loved and greatly supported by a range of classy producers such as erol alkan, mr. oizo, modeselektor and soulwax, this album takes the uk duo to the next level.

along with number 60 in the highgrade catalogue there‘s a new producer team, joining the highgrade posse: markus schatz who scored so far with releases together with tom clark for highgrade and by himself on labels like opossum and freizeitglauben. he worked out this release with brett longman from paris, known from one of france‘s most prolific labels logistic rec. with „dope on plastic“ both start a dub and percussion rollercoaster- ride: the stripped down structure in the beginning unfolds seamlessly to a wildly grooving dub-inferno. similarly funky „push it“ continues this direction: dodgy fm-sounds meet weird synth bleeps plus a whole load of rhythm - the trackname is to be taken literally here! on the flip-side schatz & longman in „running“ are adding some fine dubby ingredients to there rhythm patterns, next exit detroit, one might say. moody without being cheesy, that‘s how we like it. „good vibes“ is zigzagging elegantly, with deep pulsating melodies worked together with an uplifting groove to a fast-paced and atmospheric track.

marcelo torres once again is showing his hot feeling for the house tribal sound influenced by some electronic sounds which come out in the two mixes put together along with maurizo gubellini...hot release for the club!!!

fabio bacchinis mind travel label delivers its third release, which brings together 4 superb house cuts with a real soulful twist. the digital villains kick things off with their homage to the jacking sounds of chi town, think stacy kidd at his prime and you re bang on the money. the effervescent lovebirds once again show they can do no wrong with their rhodesy deep cut ticking every box on the cool checklist. more goodness on the flip quickly follows from label honcho fabio, and the uks very own d t3ch.

boxcutters work, due to its bass-led and rhythmically 2 step nature, is often categorised as dubstep, although in style and idiosyncracies has more in common with idm artists such as squarepusher and ? ziq. together with kinnego flux the belfast based band/ensemble. funk and soul music with electronics using instruments, vocals, computers and hardware synths and modules.

a new killer selection from the dclassics crew vault... another 4 tracks to die for in their rare original versions, gently and respectfully remastered for full jazz dance classics decerning dancefloor action... maybe the rarest release so far for the soul all timers... impossible to find sweet popcorn part1 and 2 pasted together for incredible drumbreak thru original moog filters action. on the bside, and for more drumsound, we ve choosen to release the killer atmospherique jazz drum number hallucinogene, a beat diggers delight and very hard to locate these days. to top it up nicely, you ll get a psychedelic sitar dancefloor winner, and an amazing planet of the apes cover version for the headz.

for the 25th release on recognition, one of the premiere polish export goods, label boss jacek sienkiewicz teams with a longtime friend, and extraordinary musician, chilean maestro pier bucci. both have been playing together for some time now, and this debut studio recording hopefully will not be the last. despite obvious cultural differences, both artists share some curious sensibility and/or sort of modern romanticism - underpinned either with latin optimism (bucci) or a kind of slavic melancholy (sienkiewicz). add to this the dopest tech-house beats available today, and dancefloor destruction is guaranteed.the title track is a cross-genre time bomb, obviouslydesigned to mess with the heads while the bodies can t stop moving. kicking off with driving, solid beat of almost live feel, soon it develops into a symphony of carefully crafted and meticulously assembled sounds. we are treated by some strange woodwinds, jokingly reminding of jacek s previous hit outing, beacon , and... is this the pope we hear talking for a moment...? …

first of all the ortloff is home to a couple of people. in the beginning mainly used for living, working and exhibitions the ortloff now has become a centre of art and music subculture at leipzig. inspired by this creative atmosphere, artists, designers and musicians came together to produce their own record. this interchange of ideas makes the forthcoming ep >ortloff 1< a unique piece of art and music

debuting with >i believe< on the monumental (10 records) compilation >techno 2: the next generation< (alongside carl craig, marc kinchen, and jay denham) in 1990. octave one is the brainchild of the phenomenal native sons of detroit, mi (usa), the burden brothers. the band, (made up of lenny burden and lawrence burden), have had the privilege of touring live and djing throughout the world, including the countries of germany, spain, greece, belgium, vienna, the netherlands, the uk, ireland, scotland, malaysia, japan, the us, and russia, among many other places. throughout their careers they have worked with such artists as derrick may, underground resistance, juan atkins, anthony shake shakir, among others. they have remixed tracks for such artists as massive attack, akabu (joey negro), dj rolando (jaguar), steve bug, john thomas, the trampps, rhythim is rhythim, and inner city. two years of live touring and three years of recording come together for the brothers latest musical offering. reaching back and rejuvenating their pure electronic detroit sound, o1 produce a dance floor heavy techno journey. >summers on jupiter< showcases the burdens signature rough and tumble production style. several tracks are already gracing the decks of the likes of jeff mills, laurent garnier, carl craig, richie hawtin, and claude young among many others. to celebrate their first studio album in four years, octave one take the electronic beat down on the road through 2009.

lets travel together in time and space. it s 1998 again, we are in switzerland and dj lukas is banging on the drums to develop his audio.

with a prime palindrome inigo kennedy, as always, provides an array of distinctive and original tracks that continue to stand out from the crowd.avoiding titles the music does the talking. bounded by an intro and outro here are four tracks that push the envelope further than most.kicking off with a brutal and driving digital assault a1 has been tearing up sound systems in many ways reminiscent of the seminal asy001.a2 builds on the intricate and mature edge of the asymmetric sound. a strong and evolving melody draws you in over a slow moving atmosphere. underpinned by a classic kennedy rhythm and characteristic of the unique way he layers sounds together.driven by a warmly distorted rolling rhythm b1 turns up the heat once again whilst over the top floats a trademark futuristic atmosphere.b2 dives straight back into the world of digital manipulation. an elastic loop is treated. its pitch slowly grows. the effect is almost imperceptible. the result is hypnotic.

new release on belgian pikss label, again with two outstanding minimal tracks living from soundscapes, containing a superb remix from nutown project who was working together with people like tony thomas before.

ever since carl falk got involved with electronic music due to the rich techno culture of sweden, he turned out to be an unstoppable pool of creativity. tough beats mixed with funky elements and basically any percussion from around the world, the mixture of elements creates firm tracks aimed at the dj and dance floor! all of this comes together in the banging a-side track called late night. on the flip we find the late night remix by no other than spilo label manager cave! he does his tricks, again, which turns his version into a late night prime time techno killer!

the regrooved series shows what it is all about with this ep of diverse party tracks, old school to disco to latin a track for anytime of the night. the breakbeat junkie comes correct with an classic early hip hop style party warmer, sure to become a favourite in many a djs box. then debut artist the sly players show you what happens when a uk based dj and a producer from san francsico make music together, disco breakbeat! huge. spanish b boy calagad13 joins in with a re work of a disco classic to make the breakers among you get the vinyl mat out. then we have a new boy djp who brings us a big bad latin breaks monster that works so well on any dancefloor, tried and tested believe!

big support by raresh, 2000 and one, sebo k, laurent garnier, dorian paic, onur ozer, someone else !!! las vegas is a stellar collaboration between kasper and franco cinelli, two of the most talented upcoming artists. in adventures in techsoul they revisit and reinterpretate classic house music. yama is a stunning production that resembles the old-school roman iv house , sould and groove together, while >dippsoulbrothers< take the deepness to the limit with groovy conga hits and a super bassline... an essential record for deep music lovers.

when we first started thinking about the compilation, we had in mind the idea to put together a great minimal techno selection with stuff from the early 90s, which really inspired us, like robert hood, dan bell, plastikman, pansonic and mike ink to name a few. whilst working on the project we had the feeling that there is so much more great and influential minimal music from way before the techno thing started. so we were very excited to combine the music from the electronic pioneers, with the tracks from the minimal techno godfathers in a very modern way. in minimal music there is so much (space) in between the sounds and the space that gives you a lot of opportunities for an own interpretation. the grandfather paradox is a scientific theory about time travelling and was first described by the science fiction writer rene barjavel in his book - le voyageur imprudent. we took suggestions out of that because we felt like we are travelling back in time and manipulating the old music with modern knowledge. the fact that we did all this with the deserved respect to the originals makes us quite sure that the results are bringing something new and interesting to the old tracks and transport the past into the here and now. - henrik schwarz, ?e & dixon

part 2 of the simple, maybe release reveals the dark side of the brothers schwarz. yeah ought to be taken literally. batten down the hatches and turn up the volume, here comes a true masterpiece. naturally, tiefschwarz have saved the banger until last. there are not many tracks out there, which make you get up and dance after two bars already. the basis of yeah is a perfectly orchestrated drum beat. a steady bass drum, rolling toms, a crisp snare, all together powered by a low-pitch synth sample in the background. a sound, that is as offensive and sentimental as possible at the same time. add a well-filtered choir sample on top and you get a deepness and amplitude that can only be mastered by the finest soundsystems on the planet. like looking through a burning glass, the break shows what tiefschwarz are really all about with this track: gradually, all sound elements are shut down, overlayed by white noise that comes with goosebumps guarantee. this spring, youll better be on the dancefloor, when the drums set in again! deininger on the b-side is an almost gloomy track, driven by a dark deep-house bass line. once again, tiefschwarz play with a wide range of elements: an off-beat synth wind section, dry tinker bells and sliced vocals, well-orchestrated by a fine mix. all together this creates the perfect atmosphere for a monday morning sun rise. exhausted, dried-out, longing for your bed and a glass of water, yet at the same time not wanting to go home. great music got soul, the perfect balance, that keeps the heart pumping and the body dancing. deininger is about this certain temper, the groove, that makes you carry on.

album sampler of the fred ventura classic cuts album release. two special tracks that have never been released before. a side is a sublime edit version by fabric resident dj craig richard of the i f track (ft fred ventura) i cut my heart out. craig made the track more suitable for modern club use, and he has been playing this edit version since months. he received so many reactions on the track of people who went total nuts (and some even cried when he played the intense and emotional song!). we thought this is the right moment to make it available for everyone. on the b side we have a slamming italo disco monster which fred produced together with ajello. super phat basslines (slightly reminding us of classic bobby orlando tracks) and typical italo disco synths. two completly different tracks both featuring the emotional vocals of fred ventura. timeless piece of dance music!

mutant clan is the name of the new project from timo maas and santos. these boys have really come back with a bang, havent they? having been a fan of santos productions and sound, timo arranged for some studio time together, and the rest as they say.... >inside< is a real moody bitch. with its phat planetesq bassline (not a bad thing, im sure youll agree!), rolling drums and deep ass d base, its one hell of a groove. >outside < is definitely the older, more rebellious, troublesome brother: a darker affair that growls at you from its opening bars, sounds and efx thrown at you from out of darkness. it really is a wonderfully constructed track. once again, maas and santos (aka mutant clan) deliver the goods in the finest way possible and once again, dubfire and sci+tec bring you some of the finest techno around today. a true match made in heaven

highly succesful imprimt kumo is about to enlarge its scale of high quality music, this time with japanese long time and inside japan well known dj sodeyama together with a remix from mr. glimpse whos name is surely not unkown. this release is a perfect mixture of superb minimal techno (original) and slightly moody relaxed housy tunes (remix).

fast forward 2008. may be later bridges sound and mood from the summery and sublime to the dark and throbbing. while mars cello floats and warms, burdelia chugs somewhere between chicago and early nyc house. fade me in zips along with furious kink and dubious vox by dinkys longtime friend jorge gonzalez. seven 2 seven, when aimed at 8am berlin ravers, massive freak outs ensue. she is moving features minimal vocalist extraordinaire big bully, together they attain that vital equilibrium of naughty and nice. the album closes with mind, an electronic fusion moving, looming, eerie, and reassuring. may be later is an open door to ms. alejandra iglesias development exposing the path, connections, and influences that brought her here. the beach, nyc underground in all its flavors, berlin, the stage, detroit, electronic waves from all directions, chicago, mega-clubs, it is all here and it is all her own!! re-release !!

killer sleaze business from another one of the dissident glasgow gang. slow and dirty morning music that sounds equally at home on the modern cosmic dancefloor. we ve included the vocal and instrumental versions and pushed them close together so you can either take your pick or let the vox run into the inst for extended dancefloor pleasure.

asher jones & neil barber, aka rhythm code. they have been working together for over 10 years. there productions gain constant support from the likes of sasha, laurent garnier, pete tong, green velvet & the plump djs...with recent releases on rising music & size, and the launch of their own monthly radio shows on etn fm and proton, they now present , what is to be the first in many, releases on baroque.. two slicey dicey slabs of electronic goodness.. wiggly bass & infectious subtle melody.. enjoy!

pit spector started composing music in reggae and jazz bands, playing guitar and piano. he shortly discovered electronic music, following his bro steps ark, who gave him a sampler in one hand, a herbert record in the other. fascinated by this kind of composing, he founded antislash together with john merrick and charlie not fonk. the group is performing extremely punchy and improvised livesets accross europe. pit spector also writes music and sounds for avas verden, a more theatrical and noisy show, influenced by rita mitsuko, herbert and steve reich. in his first 12inch, on minibar, he offers a 4 tracker. its a unique sound and groove experience, with antislash remix. its about clicks, drums, voice, kicks… exactly as we like em. he takes this opportunity to thank again ark for passing on his love for music and dance

after the successful previous singles (oasis and waterfall) out of his debut music man album >escapements<, here is the brand new successor >sparkling stars<, again an amazing, strong and original techno track from the croatian artist. it is backed up on the flip with a remix from gavin russom, who delivered the legendary masterpiece >the days of mars< on dfa recordings together with delia gonzalez a couple of years agao. an essential release, again!!!

part man, part machine, part cockatiel, cage & aviary take flights of fancy whenever they can. jamie paton is a dj, a one finger keyboardist, and a pot tickler. nigel of bermondsey is a musician, south londons finest oscillator, and a dedicated dabbler. together they are winners of the cosmic lottery. having put out releases to mini acclaim on the ltd editions that are dissident distribution, they are now set to spread their wings with new ventures lined up for paris based astro lab recordings, and nycs mighty dfa, to name but two. also in the pipeline is a series of ltd remix 12s on their own the walls have ears imprint - watch this...

kitsuné kicks off 2009 with a melodic and romantic gem, remixed by new york legend todd edwards and californian avant-garde artistes acid girls. praised for their unconventional opening sets for cat power, appaloosa is born from the chance encounter of a london-based producer from berlin and a french globe-trotter recently returned to paris. together they have written the ultimate chanson damour presented here with a raft of stylish remixes. todd edwards, the living house legend, offers an enrapturing and mystical rework of the original track. a house groove and a heavenly touch propel us into ecstasy. acid girls paints the song in loud fluorescent colours and rips it up in an explosive finale. finally, appaloosas own dub version extends the experience with a burst of free poetry, an offering which brings to mind the orbs nebulous reveries.

lil tony, known for his perfect blend of afterhour and old school dj-sets, set high standards with his future beat investigation project in 2007-08 together with fellow helsinki heads roberto rodriguez and kimmo oksanen from the infamous acid kings combo.

23 years old jeremy discovered electronic music through warp and ur, a decade ago. he started his carrer meeting now infamous mate popof, releasing a couple of collaboration and touring a strong live pa together under the name >wee-kids<. djedjotronics particular style, self called >electronic bitchy dance< is a mix between smooth pumping breakbeat and heavy industrial beats and happy-rough electronic music. his smashing debut ep >turn off< was released 2007 on level75, and got huge support by t.raumschmiere, busy p, justice, o.huntemann, m.oizo..remixes and productions for busy p, unkle, dsl (to name a few) were following quickly after.

amsterdam hits up the scene with a new imprint once more. after some years of friendship and some projects in the studio together, kabale und liebe and lauhaus team up again. this time to launch a new label. soweso records. with soweso records kabale und lauhaus want to put out new school house music. first up is the young and talented makam from the hague, holland. with his vintage sound he builts the perfect bridge between old- and newschool house music. the a side, the hague soul, is a real chicago house stomper with a character of its own. heavy beats, nagging synth sounds and a raw voice, all on a mission to prove that the hague is the soulful city. the b1, exception, is like a young thomas bangalter meets moodymann. here makam is freaking with his filterknobs, leaving the crowd waiting until he is ready to burst. bomb! on the b2 kabale und lauhaus pair up for a deeper remix that gives a more chemical end flowy vibe to the original of the hague soul. early support by karotte, nick curly, matthias kaden, johnny d and matthew dear

1 of the godfathers of uk garage matt jam lamont steps up for danny fourfours uunique vybez imprint. 4 different takes on the shades of house, linked together by quality beats and vocal, this is the original garage sound, with a special matt jam twist. call it urban house if you will, but this is just plain old fashioned party music- welcome back matt jam lamont

played by: ricardo villalobos, sebo k, brothers vibe, loco dice, dj deep (deeply rooted), karotte, nick curly and more... !!after the last fantastic release on fumalab we now make a stop in southern america – to be precise: in santiago de chile. there is a lot going on in chiles electronic music scene and dj felipe valenzuela is one of the agitators of the night in santiago de chile with one foot in latin america and the other one in the old continent. he is a fresh, young, and talented producer. we will hear a lot from him in the future … he took piano lessons for a long time and his first producer steps started in 1995. felipe is a dj since 2002. he organized small underground parties in santiago de chile shortly after he travelled to europe, especially spain. from this experience, great alliances have been created with bookings and excellent agencies. >alicante< is a spherical and hypnotic track which takes you on a journey through chile. there are spoken words in combination with a dreamy chorus and typical sounds from latin america. alicante evolved from a team work as rockit-f. this is felipe valenzuela together with fernanda diaz. >dive< is a percussive, mental track with sound snatches ranked together with a very special feeling. its a long trip – call it a lesson into rhythm and drums. the music kicks you discreet the whole time. >dive< emerged from collaborating with felipe venegas. hes also known from releases on immigrant

finally the new single of michele menini produced together with carra. the track tiled change is a well done tune suitable for all the electro clubs dancefloors.

new project from qalomota with big remixes by dj elbert & miss chrysalide, enjoy !

soma proudly launch somabeta, the imprints offshoot tailored for new emerging talent. as part of somas continuing support of new music somabeta will provide an avenue for fresh, upcoming producers to have their work released on scotlands biggest exporter of electronic music, welcoming work from artists around the world. the label commences with an incredible double a-side due for release in january 09. audiofillia are production duo andy dabula from argentina and daniel jaramillo from ecuador. together they create a unique combination of sci-tec atmospheres, sweet latin flavoured grooves and deep melodic sounds. on the flip is somas techno menace, lets go outside. after lgo conducted a mammoth remix competition earlier in 2008 in association with the foem community of young artists, jean ramesse came out as winner and finally makes his soma debut here with his remix of >you make me struggle<. his remix is a thunderous rampage on the original, playing with dynamic in the extreme, toying with your ears until one final, massive jacking session finishes you off

an all time favourite from the vast stay up forever catalogue gets a well deserved revival. aaron liberator and the geezer finest hour together produced the bastard acid techno offspring santa pod at the end of 1999. with high velocity 303s and racing car samples what more could you ask for?

despite being launched in the early nineties, the incredible moton records inc have only released just over 20 records. a co-operative effort between djs diesel, harvey, faiths dave jarvis and ashley beedle, this label has expertly amended and extended many an undiscovered, lost classic. as passionate afficionados and music lovers, their selections for the moton treatment are always dealt with respectfully, and released in super limited quantities, hence the crazy prices they reach in the second hand market !this superb three-tracker is another gem, featuring another trio of superb rarities. the quality is off the scale, the pressing is a one-off - you know what to do !

with his new maxi on cocoon, guy gerber, our man for the big emotional moments on the dancefloor, will make our eyes shine bright in christmas anticipation. after releases for his own label supplement facts, the club hits >sea of sand<, >belly dancing< and not to forget, his album debut >late bloomers<, the tel-aviv-based gerber could be found rightly in top positions in many newcomer listings in the past year. 2008 was a little more calm for him, but with >timing<, being just in time for the final, he again sets new standards in linking harmony with a hedonistic state of emergency. while >timing< pleases us like a nocturnal-hypnotic romance in between a disco bassline, >age of love< flair and winterly sleigh bells, >guilty pleasures< takes back this playful love of details to the benefit of a tropical-dense percussive dub, however without appearing less mandatory on the dancefloor. consequently, gerber will be playing together with sven väth at christmas eve in the cocoonclub frankfurt