**4 week exclusive vinyl before digital**
: norman cooks seminal mighty dub katz moniker comes to the fore once more as southern fried records enlist the services of butch & boris dlugosch to remix two classics from the vault.

* beyond the clouds* was recorded from a live session near the heart of detroit using hand crafted modular synthesizers, analog devices and custom made effects units. remastered by ron murphy @ nsc mastering, detroit, usa shortly before he passed away, his memory will live in our hearts forever. in this live version of cv313s classic, the modular recordings were separated, dissected in the mix and dubbed out with a litany of analog effects. during this performance there was a mystical element in the air, strobe lights, vaporous gas and electric dreams. a connection felt with the dancers, a groove beyond a groove, it is that magical essence of japan. this was a night to remember, recorded live in tokyo with love. during the closing moments, the ghostly ambiance faded, the smoke cleared and beyond the sequence was born. remastered by bazza @ alchemy studio, london. uk

oona dahl joined us at all day i dream last year both as a dj and recording artists. her first release high eyes was featured on our summer sampler and floated onto the dance floor and into the consciousness of dj s around the world. oona studied sound design in the usa before moving to berlin over the summer of 2015 to continue honing and crafting her sound. her first full ep for adid features deep dreamscapes and innovative arrangements underpinned by solid grooves that capture emotive, twisted melodic expressions. she and her music are a trip to the depths.

hypnotic groovin deep / tech house ep

„you break through into that space, exactly how you were before breaking through. don‘t feel profoundly alone. you will see the light and enter the realms of higher consciousness.“

the young senators are an exemplary progenitor of dc’s hyper-local, hyper-celebrated go-go scene. peers of chuck brown’s black heat and soul searchers, the septet was led by energetic singer and conga player jimi dougans, and featured saxophonist leroyflemming, guitarist calvin charisty, keyboardist frank hooker, drummer james johnson, bassist wornell jones, and trumpeter phillip guilbeau. the band issued two singles on the the tiny innovation label, before joining up with motown’s eddie kendricks in 1972 for his sophomore effort people…hold on. the young senators’ fuzzed-out brand of psychedelic soul is often bootlegged, but finds it first legitimate release in 45 years via these remastered sides.

the young senators are an exemplary progenitor of dc’s hyper-local, hyper-celebrated go-go scene. peers of chuck brown’s black heat and soul searchers, the septet was led by energetic singer and conga player jimi dougans, and featured saxophonist leroy flemming, guitarist calvin charisty, keyboardist frank hooker, drummer james johnson, bassist wornell jones, and trumpeter phillip guilbeau. the band issued two singles on the the tiny innovation label, before joining up with motown’s eddie kendricks in 1972 for his sophomore effort people…hold on. the young senators’ fuzzed-out brand of psychedelic soul is often bootlegged, but finds it first legitimate release in 45 years via these remastered sides.

the highest heights of 60s nyabinghi music from the drums of ras michael aka king negus fifteen tracks of glorious, devotional rastafarian hymns of praise originally released on rare zion disc singles in extremely limited pressings and never before available outside of jamaica

rediscovered 80’s british acid house gem ‘cortina kidz’ recently made a serious impact on andy butler’s mr. intl with remixes from factory floor and juan maclean & tim sweeney. hot on the heels, moscow’s lipelis’ steps in to remix with striking results. pitchfork enthused of the recent reissue being “a chilly acid-house track operating the influence of both soft cell and the specials,’ xlr8r as “drenched in dark and sleazy overtones, the track encapsulates a downtrodden time in london”, while ransom note noted “cortina kidz is more than just an old skool oddity- it s a banger that s stood the test of time”. originally recorded on london’s stoke newington road in 1987, produced by a young tim brinkhurst ahead of his imminent record deal with virgin records with his band soho, and long before his current role as manager of mercury prize winners, young fathers, ‘cortina kidz’ remained undiscovered and the eccentric spoken word overlay and weird lead vocal made it very unlike the prevailing dance music sound of the time. leonid lipelis explains that “since it’s a reissue of a relatively unknown record it gave me a certain freedom of expression (when it’s something well known and classic you re likely to produce something more serious). i came up with more of a pop song, structured with a vocoder for the main version and had fun playing with vocal samples for the dub mix, paying homage to the 80s sound in both.- lipelis’ recent release on lies records has gained him support from four tet to dimitri from paris. he also runs a side project for hardware jams called tmo and co-runs low budget family records.

six tracks make up jauzas the shining s latest vinyl offering. brutal basslines stand, arms folded, in front of snapping snares, distorted notes bucking under immense mechanic pulses. to help drop the temperatures, to push the punishment, dynarec and raw jay have been drafted in to add their own eclipsed emotions to the mix. dark skies, brimming with rain and heavy metals hover across this record, pin pricks of light piercing the charcoal heaven before diving back into the ink-stained sonic psyche of jauzas.

man power left his northern home and ran south of the border. this is his first offering for the esp institute. on side a, he proves that he truly is the tourist, delivering what we’re already toting as our summer anthem—a relentless hurricane drum pattern full of toms, timbales and splashes that lays the rhythmic foundation for his pacific chords and euphoric melodies–an undeniable floor-filler that invites all to dance unencumbered by the constraints of “functional” club music. with side b’s oye, man power rolls out a similarly vibrant combination of drums and rhythm, however he toughens up the aesthetic with a massive rolling acid bassline, only briefly letting up for a spot of layered marimbas and spriteful pads before culminating in an emotional finale. after spending a couple years churning out tracks for various labels around the world, man power has undoubtably shifted his narrative point-of-view and updated his sense of craft upon his induction to the esp institute. these two songs will throw a wrench in your holiday.

the rawkers ep…more than 10 years after the release of cassius first album, the duet comes out with a 6 tracks project that mustn’t have left a lot of people whove listened to it indifferent. well, if there are two people who appreciated the ep, it is jay-z & kanye west, aka the throne, who sampled the famous i <3 uso on their track why i love you, turning it into an absolute popular anthem. if the former album of the band was a tribute to adolescence, here it is more about the earliest days of ours, as the song les enfants (children) depicts it. to such an extent that the rawkers ep sounds like a gigantic playground, full of joy and happiness. were glad to repress this record and to give you an opportunity to escape through this enchanting opus, before cassius new album is released.

trolldans once again opens its musical tome of fairy tales, this time featuring the gif-ted sound sculptor edanticonf. in his chapter of the trolldans volume, edanticonf presents us with the three crying fairies. it is a tale in four parts of desire and tears - as every good story should be. the first fairy tells us about a lake in the deep woods where a young princess called tuvstarr once lost her gold heart. no creature of the forest could convince the princess to let it go, and so she stayed there by the black lake until she turned into a beautiful flower. the second fairy tells us how the princess, before she lost her precious necklace, would ride like the wind through the forest on the back a grand elk. the princess loved the thrill and the elk loved the princess. vril steps in and actually lets us hear the noble elks heart racing from both the pace and his devotion to tuvstarr. the third fairy ends endanticonfs beautiful but melancholy tale with a glimmer of hope: by the darkest of lakes, the loveliest flo-wers grow. the end.

in 1949 miles davis, gerry mulligan and gil evans - they’d never met before - gravitated together with the natural affinity of kindred souls. combined, they gave each other a spiritual boost that resulted in many all-night sessions of earnest discussion, writing and playing-productive work on new musical ideas, new voicings, new concepts of jazz. their first appearance startled a delighted jazz public, and marked the birth of the cool. today, these famous miles davis instrumentals are as exciting as ever, and here are in all their glory.

shadeleaf continue a fine and unbroken run of form with a stunning new ep from chris grant aka simba make your move opens things up with a beautifully executed, thumpin house jam, with j gordon adding an effortless vocal performance. sounds like a classic already ! susan sorandom (track title of the year ?) bumps along on a broad funkineven style groove, with killer drops and deft use of melodic hooks compete explores a more broken flex, but still shot through with that magical simba swing finally marvellous hacks up the prince of soul like never before, an absolutely deadly rewire that is the best ugly edit that never came out top drawer isht another shadeleaf sureshot !

ew york s p. leone is next up on spencer parker s work them records bringing a trio of hard-hitting cosmic cuts. born and raised in south brooklyn, p. leone cut his teeth djing during a short stint in tokyo as well as his home of new york before dedicating himself to the studio. he now arrives on parker s work them records, beginning his debut three-track release in mesmerising fashion with atria delivering spectral atmospherics and tantalising melodies. sequences of attraction then introduces thunderous kicks and soaring synths until miradouro wraps things up with dusky pads, echoing aesthetics and spellbinding arpeggio

for their third release, hard beach entertainment dug deep into detroit history and unearthed the enigmatic dj scsi whose only release to date came out in ’97 on d-bass. never released before, these four cuts have been fished out from dj scsi’s own archive, uncovering some of the finest electro/ghetto house from the d. massive!

continuing a sublime run of form for the label, the fourth outing on the lopasura imprint, is yet another classy trio of heady, analogue machine laden masterpieces. opening up with “out of the fog’, the familiar acidic arpeggio and crisp hits we’ve grown to love from benedikt frey, dance unwittingly along before being opened up by long, cinematic pads drenching the track with an emotion and grandeur so synonymous with his music. complimenting the a side, the looming intent ‘wolves’ adopts from the off evolves quickly into a driving, hypnotic and beautifully crafted piece that’s a true heads down, eyes-shut techno battle weapon. rounding off the ep on the b side is the exceptional ‘lights’. an unsettling, caliginous whir of industrial drones balances the tribal, percussive elements almost depicting a lost ship crashing over the swells of the ocean as it clings on to futile hope of finding the lighthouse. it meanders and threatens before an incredible synth hook ebbs in and takes over momentarily, before calmly simmering as the storm passes. never before has love pain sunshine and rain been more perfectly encompassed.

140-gram 4xlp, heavyweight package including cd. one time pressing of 500 copies worldwide. the follow-up to highly acclaimed sailing off the grid album

born in canada, fatima camara was raised in a large portuguese family where traditional song and dance were as integral to her family gatherings as food, laughter, and wine. before we sleep, her debut album, is as a collage of the diverse musical influences that have defined each chapter of her storied life: bass guitar lines wrought with the new wave sound that marked her formative adolescence, drums that echo the electronic music she migrated to during her early adulthood in toronto’s dance music scene, and an overriding melancholy that signals the conflicted feelings she has when considering the thin layer of dust that has collected upon her chair at the family dinner table since she made her move to berlin. &#8232,,,apart from music, fatima appreciates happy accidents, blended horizons, and unlit corners.

conscious pilot dego looks deep into his past, present and future on his second artist album the more things stay the same

* eartoground presents their second italian artist ness aka andrea deplano
* bespoke sleeve artwork from grade a
* being played and supported by the likes of: marcel dettmann, answer code request, dvs1, dax j, boris, stephanie sykes, gareth wild, pfirter, emmanuel, ben sims, truncate, etapp kyle, sigha and peter van hoesen...

much-celebrated kompakt staple the field returns to the spotlight with new album the follower, his fifth full-length offering after from here we go sublime (kompakt rsd 02 cd 57), yesterday and today (kompakt 193 cd 72), looping state of mind (kompakt 241 cd 94) and cupids head (kompakt 290 cd 110). swedish soundsmith axel willner is well-known for his mastery when it comes to the allusive layering of loops, but it was with his last album cupids head that a newly-found, somewhat pressing snappishness started to replace the soft-hued sonics of his ambient-infused techno, imbued with a darker mood and stronger footing than before. a carefully gauged balance of stoic motorik and gloomy drones was key here - just as it is for the follower which goes even further in blurring the lines between concrete experimentation, body music and precisely laid-out arrangement, leading to one of the most rhythmically and texturally engaging listening experiences in willners catalogue.

benedikt frey crafts a musical aesthetic that (much like the esp institute) might only be seen in its true form from a birds-eye view—a whole greater than the sum of its parts. his playful indifference to genre specifics and pre-prescribed instrumentation or production techniques makes for a loose and refreshing collection of work, and this debut for the esp institute, the lobbyist, serves up an incongruous three tracks so bewildering and narcotic we’re already impatiently fiending for more. on side a, the title track is no less than a medieval assault. led by a stomping war drum and a blasting bass synth that might literally have caught the studio on fire, an erratic array of clanking percussion, hi-hats and cymbals push us into a sinister corner where his whispering chant grants us the smallest bit of humanity before continuing with the beating. on side b, cupids delight (ft tcb) and gravel both explore variations on beauty—the former in a blur of ghost-like vocals smeared in harmony across a low-slung machine drums, and the latter evoking a tropical affair gone psychedelic, complete with drawn-out disorienting marimba and ritual clave/tom arrangements. welcome home brother benedikt, what took you so long?

keeping up the urgent pace set by the strength in numbers collection, thema now turns to a modern master of the jakbeat, d’marc cantu. hailing from ann arbor on the fringes of detroit, cantu has worked for more than a decade developing a sound that carries the torch from the box jam originators of techno and house music. his first appearances were alongside the mighty tadd mullinix (better known as james t. cotton) with their 2 am/fm project, before bringing traxx into the fold for the x2 venture. as a solo artist cantu has shored up on labels as highly regarded as crème organization, m>o>s, nation and desire, bringing a rich, full-bodied sound laden with powerful synth hooks, crafty drum programming and a live, jammed-out delivery that overflows with imagination. given his adventurous tendencies and punchy midwestern finish, cantu is a perfect fit on thema and the six tracks that make up this record show a great deal of the diversity the man is capable of, from dancefloor burners to atmospheric introspections.

repress - afrobeat makers vol. 3 >> nu guinea comes back with a joint venture between comet records and early sounds recordings. by re-working the original magic drum patterns from the afrobeat master tony allen, they created a compilation of tracks which is charged by a voluminous electronic jazz-funk imprint.

2016 repress!!!! slow life finally get out the first release from their label, albeit not before the second one dropped! skittering, jersey-edged numbers sit alongside juno-acid bangers and a wailing sax detroit cut. killer!

the bush is a homage to the place where i have lived for the last decade (askew road). the askew road itself is slowly changing so i wanted to document all the places that play a big part in mine and my families lives before they eventually get sold for more flats or tescos. 002 was all about the mighty sun pub which has now been sold and transformed into a costa coffee and an estate agents. next up is our local park which hopefully will never see change as its been our little slice of heaven in w12 since we moved here.

the new blackie & the oohoos album is something to indulge in. sounding dark, hypnotic and notably more electronic than before, the two sisters new songs are drenched in synths and melancholy. pressing on clear vinyl, cd-copy of the album included.

the result is a powerful selection of vibrant techno, with a warm, almost spiritual, feel to it. both donato dozzy and neel have appeared individually on time to express before, here they appear for the first time together as voices from the lake. the italian duo offer more evidence of their distinctive brand of hypnotic techno with zulu vortex , a spiralling percussive workout. this is paired with a track from wata igarashi, a rising japanese dj and producer. night is a glowing, radiant piece of techno that has become a regular feature in peter van hoesen s recent dj sets.

after a string of releases for omena, transatlantyk and studio barnhus, wroclaw-based naphta delivers his first ep for maciek sienkiewicz s fasrat label. this is house music like you ve never heard before, loose, freaky, hippie, voodoo machine funk, highly infectious grooves for any modern dancefloor. as always fasrat delivers also a stunning artwork - this time by renowned graphic designer ania goszczynska

there are also more frosty cuts that sound like a chilly autumn walk, tracks that feature emotive neo-classical piano pieces and suggestively rhythmic compositions that sooth your mind. the second half of the record touches on church like passages of synth heavy sounds, strikingly sad violins and lo-fi arrangements that sound, one hopes, a little like what you might hear as you pass from this life to the next.

immigrant records launched in 1998 and after a six year hiatus is back with an ep produced by us techno veteran casey hogan - his first vinyl release since 2008.

soul masooka. the first international african hit, classic groove of summer ’73 gets instant jamaican treatments by ex-melodians brent dowe backed by the gaytones. years before manu dibango came to kingston for a sly & robby session, a tribute had been paid to the “negropolitan”. from coast to coast! from africa to jamaica! this is earth sound!
single sided pressing on translucent red 10 inch vinyl.

straight out of the ukraine comes io (mulen) aka aleksandr voznichenko, a man whose back catalogue includes releases on labels such as rejected, eklectisch and area remote to name but a few. now he links up with one of paris’ premier labels, run by one of paris’ premier crews – apollonia. with one solid track and a classy remix from danish young gun malin génie, this is another surefire winner from apollonia. ‘to the unknown’ kicks things off with a steady build up. shrouded in a hazy mist it draws you to its understated groove, io turns in a very considered production that evolves at a slow yet utterly gripping pace. the energy levels rise like the tide of the ocean, engulfing you before you know it. io’s dexterity and cunning ability to keep the listener engaged manifests itself here, bomb! on the flip side, malin genie steps in to give ‘to the unknown’ a new lick of paint and what we get is a jazzy, minimal rework with a jaunty skip in its step and a wicked bassline.

drunky daniels are by far the best brazilian techouse act together with volkoder. the duo delivers a brilliant release on material sub label!

att series is proud to present the new exclusive vinyl only series with a new brand design. in this new era we are happy to start along three of the most important and respected artists from the techno scene as giorgio gigli & brendon moeller showing us the original mixes and takaaki itoh the remix. first collab from these talented artists show that they make goods on their own but they can build betters working together. takaaki itoh is not less than them bringing us a great remix for this stomper release. pretty music full of senses and personality is what we nd in this 12 inch and as we said before, this is the beginning of a new att series era.

following up the fantastic summer re-release of upsetting keys “empathy” ep, path records follows with its first new catalogue number since 2006. path 008 marks the return of artist fate 258, whose 1999 “why 2k” path 001 ep has been a hotly sought after item on discogs. the three-track ep contains two exciting new mixes of cult classic techno track “the path”. the a-side version “path to hell” is the harder of the pair, a dark edgy journey into the unknown with shuffling 808 rhythms providing much of the melody. “path to heaven” slows the groove down and adds warm juno pads throughout the mix for a very deep detroit flavored techno style. on the final track “heaven or hell” sort of a broken beat downtempo piece, sparse vocals and bladerunner samples mix to complete the dystopian concept. these mixes of “the path” are considered pre-mixes, as they were completed in 1998 before the original release of path 001. fate 258 is a project from brooklyn producer reade truth, known for his work over the last decades on labels such as planet e, sonic groove, n-syde, wurst and strictly rhythm to name a few. limited to 250 worldwide, with the first 100 including full black and white cover art.

field records continues to focus on its first run of solo artists eps with four tracks from uk pair szare. before now this frozen border and horizontal ground duo has excelled in crafting cavernous bass chambers and off beat rhythms with ease - just as they do here. riding up and down, skipping left and right and swelling with a sense of post apocalyptic optimism as it goes. this ep is full of fresh ideas, fulsome production and a dark energy that makes it fit perfectly on the most recent end of the hardcore continuum.

immersed in the worlds rich dance music culture from an early age, producer guy j has become an intrinsic part of a forward thinking generation of electronic artists. returning to bedrock with his third lp, the trees, the sea & the sun elevates the trademark sound that has made him the revered artist that stands before us today. the trees, the sea & the sun reiterates guy js status as one of dance musics most inspired, driven and talented artists.

-i think of you- kicks things off with a taught 4//4 pulse sitting under cheeky vocal samples and a climbing bass pattern. expert arrangement sends guitar licks rolling in and out of focus before -still feel good- sets a disco-indebted chug walking throug

theyre young and tough, and especially wonderful too, easily one of the most compelling harmony soul groups to ever hail from the windy city! the sets a chicago soul gem from the early 70s, recorded with a laidback, slightly tripped-out vibe thats different than the tighter styles of other groups from the same scene, definitely righteous at points, with some of the superbad modes you might hear from an east coast lineup like the delfonics or soul generation, especially when they were trying to get a bit more conscious in their message. arrangements are great – handled by tom tom washington, eugene record, and cliff davis, very much at the best brunswick mode, but again with a deeper sort of vibe too. the title cuts a monster, and a very fitting follow-up to their earlier sly, slick, & wicked track – and the album features 2 versions (vocal and instrumental) of a cut called this is the lost generation, a very righteous soul groove with a heavy production tip.

the bush is a homage to the place where i have lived for the last decade (askew road). the askew road itself is slowly changing so i wanted to document all the places that play a big part in mine and my families lives before they eventually get sold for more flats or tescos. first up was peckings studio 1 record shop, which has been on this stretch of road since the 1960s. next up is the mighty sun pub which became a local talking point when they sold the place because a sign sat in the window that announced this bup is close.

modernista records reaches it’s fifth release and it’s over to paul bennett again with a pair of impressively varied productions. * on before off* is stripped to the bare bones techno with ever contorting razor-sharp arpeggios. as a counter balance, * although sometimes appear* is deep, emotive, melodic house with sound system-shaking bottom end.

reissue of a unknown b-side of an early belgian trance outfit release. before they made euro trance they made this heavenly balearic gem. it screamed for lauer remixes and he provided…
unless you have been sleeping it should be pretty obvious that wph head honcho red d has a weak spot for early belgian trance stuff. before trance was even known as trance that is… the early 90ies were the post new beat era in belgium and loads of producers were experimenting with new sounds to steer away from the blatantly commercial new beat chart stuff. so that is when the magic started happening.

deep disco warrior the revenge turns in an epic hypnotic mix of slow burning house nailed down by analogue bass and acid. using a filtered vocal it builds slowly as the bottom end is tweeked towards a mesmeric journey through minimal wigged out disco. sleazy mcqueen and romano arcaini turn in a disco inflected house mix with congas, spaces out synths and enough dynamics to keep any dancefloor bubbling. it builds with added percussion and a filtered pad before the lead hits the break and the track comes back in with even more wallop. drug empire is an original off the album and has had support from the likes of rune lindbaek, crazy p’s hot toddy and horse meat disco. said to be inspired by theo parrish’s productions it’s a delicious slice of bass driven deep disco with a nod to the looser end of detroit and chicago. it’s all about the fully locked in three note analogue moog bass which holds down the grooved out drums before breaking to jazzy rhodes at the end. one for the heads.

*before this world*, james taylors long-awaited new album, is his first collection of new material since 2002s *october road*.

new on the delsin x-series is my home is sonic, a standout techno, dub and minimal album originally released in 2001 by icelandic producer arnvidur snorrason aka exos on ae recordings. exos is the son of dub techno producer octal and released three albums in his career, as well as a swathe of fine eps on labels like thule, mosaic, slow to speak and has recently being picked up by nina kraviz. his ability to build great atmospheres and heady soundscapes was unrivalled, and though they bottle up influences, they are always fresh, wintry and compelling. few have done minimal dub techno better before or since this masterpiece album, so it s right that 2015 sees it revisited by fans old and new alike.

it s fair to say khijda s debut ep on especial was one of the highlights of the label to date. mustafa - in original form and remixed to distraction by timothy j fairplay - became the soundtrack for many a summer party, while abul was perfect for those deeper late night afters. ... played by jonny 5, dj sofa, ali renault, gitchell moore, the legendary 1979 orchestra, dynamicron (los grandes/our nights), jack pattern, lurid music