savage grounds are cco and daniele cosmo, co-owner of lux rec. a techno related outfit to explore a darker, noisier and more menacing sound. the ep has been realised by using only three machines. a roland 808, a modular synthesizer and a roland space echo. every track has been recorded in one take.

this release was born of a cross country trip with an 808 drum machine by thomas ragsdale aka winter son, alongside jozef k, resident of famed manchester and ibiza clubnight sankey, as they join perseus traxx to hammer electricity out of machines. with it&#700,,,s rim shots and claps and other transistor rhythms reverberating across vast distances of space, side a is stripped back and deep from the outset, pushing forward as scattered tones, arpeggiations and disjointed voices leave their trails vanishing from perception. side b tightens up from the previous reverbs and throws acid into the mix, as the two join perseus traxx and the sound becomes more raw and urgent as the three of them jam on their chosen machines.

as a full-analog studio crack he has produced 5 albums and more than 50 eps with his very own interpretation of techno. his music still has a 90 s ghetto vibe, with as much energy as a punk band, but to make it clear to everyone, it s techno music to its essence. he has just finished new remixes for chicago legends robert armani and dj deeon, as well as for matthew herbert.

some more grittiness from the hard beach entertainement camp, introducing this time the one and only cuban house don toni moralez with a bold mix of unfussy, old school influences. *ny edit 1* plays the catchy 90s house vocals card while *time 2 hit da dope* pays tribute to the memphis hip-hop scene with its heavy 808 and cryptic loopy lyrics. finally, wrapping things up with a bang (and hitting 140+ bpm!) *antonio montana at a techno rave* will keep only the most daring ravers going!

the first release of slagerparade - full pupps brand new imprimt for sought after or (too long previously) neglected classics of norwegian heritate has finally arrived. actually appearing on the b side of skatebards flashes in the night ep from 2006 which was done by digitalo enterprises/kompakt - data italia is such a gem you really need to listen to believe how good it is. a customer comment from discogs on the 2006 ep says it all: i really dig the b side. data italia is enchanting italo disco. circuitry impulse overload is a slick bleepy techno workout with lush pads, swirls, and classic 808 claps. were proud to release data italia in a 2015 remaster, sagtann remix and prins thomas versione lunga strada! we let the music speak for itself. more hotness and hot mess just around the corner. full pupp hq, juli 2015

vier track vinyl compilation ep mit groovigen house tunes

one track brain is back with his third ep kitten play/dust devil on the otb records imprint. jazz drums and the trustworthy 808 kick-drum are at the heart of this energetic and playful new 12inch

sing like a bird (reprise) is a fresh version of the track originally released last year on peter van hoesen s time to express label, to which shuttle fans will have become familiar with in recent sets. it maintains the original s hazy reverbed flavour, but in the form of a more groove-oriented and psychedelic edit that sidelines much of the original s vocal track in favour of a snake enchanter-like synewave melody, for a less lyrical but equally musical new take. the b-side back here is an older track that shuttle has been holding back for a while, waiting for the right moment to reveal this atmospheric, melancholic and melodic track, in which intricately delayed layers of piano keys progressively unfold through a rich percussive background made of 808 rims, deep bass kicks, heavy toms and jazzy hats and rides.

made by mark imperial & vinnie devine as laurent x, machines was conceived in a 16 track studio with an unquestionable roland tb-303, but also a tr-808, tr-909, a juno 106, some fx and a bucket of rib tips. according to mark imperial, he and his friends (specially vinnie devine) had a mad fun playing with gear.

ian blevins is from england but hes quite the dude. this is his first offering for the esp institute. on side a, meet the happy beast named hannibal, a big room tune that ticks every box your heart may desire bone dry drum production, atmospheric arpeggios, soaring strings and pads, a beautifully sweeping bass progression and an overall sense of euphoria goosebumps guaranteed. on side b, welcome aunt poly cools us down a little bit stripping back the instrumentation, minimizing any superfluous effects, and layering a sparse bassline and droning synths over a laidback 808 all to a relaxed tempo. blevins debut proves that from the right point of view, familiar elements and motifs can take on a new life whilst reminding us just how the rave can feel. these two songs will increase your serotonin levels.

after a blazing start, low budget family return ! the celebrated independent moscow-based record label run by the crew behind the legendary shop&bar denis simachev deliver another stunner from simple symmetry mimino is another tropical house delight, all burly rhythms, punchy marimba, synth rises & anthemic chants before crescendoing into a whirling dervish of a top line the instrumental loses the synth-out and follows an altogether more atmospheric, but no less tremendous path simsim wraps things up in fine middle eastern fusion style, traditional instrumentation and melody underpinned by a snapping 808 drummachine jam zouk it and see !

bluestaeb ist eine der schlüsselfiguren der berliner produzentenszene. seine produktionen sind weder ausschließlich futuristisch noch nur rückblickend in ihrem soundbild. nicht 808 und synthies oder boombab. bluestaeb vereint alles organisch zu einem neuen, eigenen style. rodalquilar ist eine musikalische und visuelle (dem vinyl liegt ein fotoeinleger bei) referenz an einen ort im süden spaniens, in dem er einen großen teil seiner kindheit verbrachte.

ltd nice price greener records double vinyl pack , with andres zacco and psynote...
mastered by cbg at dubplates & mastering , berlin
pressed on heavyweight 180gr vinyl

timeless e-lover album, as allways heavy on the 808, featuring *you re so fine*, *livin on the nile*, *freak-a-holic*, *the lover*, *a strange place (the alezby inn)* and some more too cool electro!

the boys from nummer are back on their own nummer music imprint with a fresh new ep! following a busy start of the year with *to the d* and their first nitejams 12 inch, the duo offer three 808-heavy cuts and continue to blur the line between techno and their influences. from the acid-infused *street war success* to the more electro *golden age* and gloomy *downtown breukelen*, this is another vital release from the two londoners!

ultra limited, one copy per customer! in an absurd world, full of unwanted auditory sensations, sometimes we have to escape back to the basement - back to the beats. that feeling, that need, paved the way for blint to release his very first solo ep – blint001. the record is a two-tracker: on side a you’ll find „silent movements“, a bassline-driven broken beat with a dark twist in the end. on the flipside there is „road to ioannina“ which is based on an 808 drum pattern, accompanied by a smooth synth-odyssee. the record comes along with a fine art print of the cover, drawn by graffitiartist rookie the weird, handsigned and numbred on 300gr. paper. a special gadget, that is connecting blint s musical output to his roots in graffiti and hip-hop culture. a true underground-package from germanys ruhr-area!

following on from their second release by russian producer and dj, tripmastaz, the fledgling barcelona based label drops another blistering ep, this time saturated in acidic 303 lines and crisp 808 percussion by german trio, daniel varga, michael kuebler, and sascha hedgehog, aka rework. having released on visionquest, playhouse, items&things, meant, loveyeah and more, the group continue to reinvent their fresh and funky reimaginings of new wave disco and delve further into sonic explorations.

system2 return with 006. four tracks varying and covering all aspects of house music. a1 - wet dog is an 808 inspired track with a deep groovy bassline with vocal cuts. a2 - old fool with its chopped up bass stabs & open hats with a cool vocal hook b1 - esp brings a more sub bass & deeper vibe on this ep. shakers panned from speaker to speaker & filled out with background sounds and chords b2 - tell me is a tech house chugger with relentless bassline filtering in and out. great mainroom peak timer with a french house vibe

mikron are two english brothers, michael & ciaran corcoran, living in australia. following on from their impressive no correlation ep on the hacker & gesaffelstein s zone records in 2014, sleep paralysis brings a level of darkness to the cpu roster we ve not heard since the likes of source direct. harsh, hard hitting electro bass similar to that of black narcissus, overdriven, tape saturated 808 beats, with raw robotic funk leads seemingly conversing throughout.

black booby is back with the mighty jordan fields from chicago, il and richard rogers, london, uk for bb-09 4 tracks of retro inspired, raw, stripped machine music. jordan’s a1 blaster is pure gherkinesq analogue, mind melting, building mayhem, designed for dancing richard rogers debut on bb gives a2 a workshop vs detroit styled bass workout with subtle paperclip percussion bringing up the rear. black booby tears up the seminal kenji tsujisaka produced shinobi coin op level music to new club dance floor heights on b1, b2. direct 8 bit coin op pressure with stripped 707, 808 and 909 rhythm sections. retroactive music for arcade junkies.

limited 2015 repress ... max 1 per customer
after a 2 year break paranoid london return to show the johnny come latelys how to do acid house. proper late night, bass driven machine music featuring the mysterious mulato pintado on vocals. we played this to our mate who said: >it aint clever, but it fuckin works!< the music is all analogue using two machines: 808 & 303! nice & simple. once again we press on 180g vinyl, no downloads, no cds, no promos! no bull shit! just some proper acid tracks done the right way!

the eight single release on marco shuttles eeries delivers michal wolskis unthinkable otherwiseness ep which contains three deep, abstract, misterious compositions where wolski is seeking for the balance between subtle and more raw energy. each track is a meditative, drone-like trip into an area where there are more questions than answers. classic 808 drum set meets futuristic hazy drones, pads and deep bass lines. dance or/and contemplate!

to celebrate our 10th vinyl release, we welcome on board the young and talented parisian flabaire, who is one of the man behind d-ko records and member of secret value orchestra. athmospheric and dreamy 808 style from flabaire, simply beautiful driving vibe on * about myself*, slower but sexy voyage that is * morning lights* , and to complete the ep a little twist to a more dance floor and funky tune: * kemia fever*.

pounding bassheavy prime time techno - incl nikola gala remix

following the success of *elecktro diktators - the french dissidents vol.1* compilation published early this year, new flesh records proudly presents the return of infamous umwelt delivering another collectible output on his own electro label! much anticipated *when future and past collapse* combines firing snares with rolling 808 kicks, acid lines, sub-bass and driving futuristic melodies, all packed in this sophisticated ep. umwelts aesthetics and dystopian vision has never been so dazzling. we could write more about it, but why dont you give it a listen (at your own risk of course)? expect nothing but depths, terrific tales, and authentic secrets about the origins of mankind in this must have five-tracker.

contra communem opinionem shortly cco, own name florin büchel is the pure acid lover from zürich. he has debuted on mathematics records in 2008 and since then he has been quite active with several releases on lux records and few other brands. there is a strong analogue character in his music based on 808 or 707 beats seasoned with melancholic pads, melodies and already mentioned acid lines. he is also involved in savage ground project formed by him and daniel cosmo. this is “space race” from melodic electro through overdrive madness to drone beats. it comes with remix from man behind endless illusion, layup.

the first vinyl edition of the label moonrise hill material presents the differents artists work which will composed the label. funk to ambient, with proper jazzmen groove, where the house music predominate and appears like gold in every tracks with something which united them. the vinyl starts with « fucked up jazzmen », powerful track with jazz and hip hop influences from folamour, french producer which the last release on fauxpas musik is a love declaration to the sampling and to the 20s grooves until today. next listen with « jack my sista » from kaffe crème, french producer who takes the auditor in a perpetual modulation of the pads and bass under a syncopated rhythmic, between a real game and the tr-808. there is passion and percussions talent that comes to his classic formation in acadamy. the other side begins with « manhattune » from ethyène, soul anthem from 70s mixed to a proper chicago deep house rhythmic. after a empty period, the french producer annonces his next releases for the coming months, where samples and groove found a paramount place. the release ends on « cosmic spirals » from the lyonese okwa, who reveals his love to the electronic sounds for a half path ballade between dark walks and dance floors. after a great ep « preacher », in which he develops a returns to the 90s house music. focused on poetic house music, from the one that you can t stop dancing on to the one that you want to keep for yourself, the label defends the preciousness of every musical journey and the sensibility through beautiful stories.

high mobility weapons unit sets off from an unknown location on earth, making its maiden voyage beyond our solar system and towards a distant galaxy. the transverse velocity ep is the debut release on the self-titled imprint, serving up four original tracks that are heavily influenced by mechanical cycles and deep space concepts. the a-side kicks off with the eps title track transverse velocity, where an array of eroded satellite bleeps and waves loop together as the analogue low-end pulsates rhythmically below. in wave 102 the bleeps are detuned and erratically timed, with a glitchy tape delay unit modulating them throughout the track. the saturated 808 kick drum and processed percussion are given a functional structure, allowing the bleeps to take centre stage. on the b-side, both cycle 01 and astronomy tool serve as stripped-back percussive dj tools. cycle 01 rolls along with its hollow, muted polyrhythmic stab line, whilst astronomy tool drives forward with an effective, crystalline synth hit. mastered by black monolith studios.

ltd 2020 repress...
following up his recently-released remixes of scubas single >the hope< on hotflush, plagent records boss recondite returns to the label, this time with a solo 12 inch titled drgn / wist 365. recalling some of the moodiest moments from >on acid<, his recent lp devoted to the sounds of the 303, this debut shows recondite stay true to his sombre and tension-inducing roots. >drgn<, the sonic equivalent to traversing a bleak end-of-times landscape, is a journey replete with a relentless, melodic sib-bass and vibrating synth, on the flip recondite gives the 9-minute long >wist 365< a drum workout, resulting in a progressive, menacing groove, awash with wind chimes and 808 claps.

chicago flotation device follow up last year s brutal untitled acid excursions with a lighter but still pounding 12- on their self-titled, self-released imprint. higher is an extended peak-time acid jam, culled from hours of scissor-sythed outtake tapes and 3rd floor studio sessions, distilled into one bubbling, screeching banger. untitled 9 is a subtler take on the cfd sound. a clean 808-led, floating juno jam that drifts undetected in the dark waters off scarborough bay.

large music continues to showcase the brilliant and creative work of early 90s artists black ice with a re-issue of one of the most sought after early chicago house releases- the union camp ep. originally released in 1993 on the historic night club records, large music has now licensed the tracks exclusively for a worldwide vinyl-only release. while all four tracks possess that classic raw chi-town soul vibe, it is track 1, men on drums, that has garnered the most attention. championed the last few years by respected berlin-based dj zip, many of the elite vinyl-only djs across the globe have sough out a clean copy of this very rare wax masterpiece.

seriously underground minimal house on offer here from chicagos hakim murphy under a new alias. kallabo is the kind of mysterious, candle lit deep house you d hear on a giegling record. -porta- shuffles and bleeps in a more uptempo outing where you can hear the noise of tape in the background, competing with the hiss of the 808 hats to stunning effect. boops bring the funk in this reductionist house jam for analogue freaks. finally raw intuition stomps away with its brutal modular synth bassline run through a delay and knocking down everything in sight! highly recommended!

three stunning tracks by up-and-coming talent orson wells (live at robert johnson, hotmix, innervisions). two deep electro flavoured 808 rhythm pieces on side a, plus a mystic morphing journey exploring the borderline between house and techno on the flip. 300 stamped white labels. sound mirror is a new label from frankfurt, germany focusing on artists from the enviroment of orson wells.

standing beyond just todays current trends, eyetone has quietly gone about its business of releasing music with substance and picking up support along the way from some of the finest selectors in the business. doc martin, craig richards, sasha, evil eddie richards and honey dijon to name a few.

boys noize präsentiert mit strictly raw vol.1 eine kollabo-ep mit grössen wie tiga, dem mysteriösen johnny sack, totally enormous extinct dinosaurs, atom tm, pilo und scntst. die idee strictly raw zu veröffentlichen, beinhaltet mit einer drummachine und ein oder zwei synthesizern zu arbeiten und daraus einen track zu komponieren. im laufe der letzten jahre besuchten viele befreundete künstler boys noize in seinem studio und starteten jam-sessions zusammen. zum anlass des 10-jährigen bnr bestehens veröffentlicht boys noize nun einige der gelungensten ergebnisse.
* als dj hält man immer ausschau nach zeitlosen house oder techno-tunes und hier sind 8 tracks, die von breaks über techno zu acid und klassischem house reichen. alle analog produziert und strictly raw!* - boys noize

mystery man l.f.t. delivers the second ep for woodwork. his poignant debut wood002 includes three original tracks and a remix by benedikt frey. a1 is a dreamy rhodes journey roughened up by distorted 808 sounds. a2 is a melodic house track with a bubbly bassline juxtaposed against crunchy drums. on the flipside, b1 will take you into a laid-back acid house trip fueled by tons of escorial. benedikt frey then twists the track into a trippy techno journey on b2.

back at it again, taking the true essence of the “jacking” sound of chicago house and putting it’s own stamp on it is what obsolete music technology has done with their new 12&#8243,, entitled, “volatile.” warbling, wobbling, distorting, sinisterly acidic basslines abound is the best way to describe this release! for dance floors only! you have been warned! “volatile” starts off with some 707 drums intro and then fading in, is this tripped out, bubbling bass sound that sends you off a cliff! just when you think that’s all to the track, dark, melancholic pads comes in for added atmos-fear! rounding out the a-side is “killin,” with it’s 2 acid style basslines, one sounding at a high octave and the other at a lower octave. riffs playing separately sounding great, but when played together, there is something slightly, mentally off. on the b-side, “broken siren” is high energy! 808 tom drums bringing the funky low end while a short, electronic piano lick drenched in warm, fuzzy, flange effect. setting it off is a decayed sine wave, mimicking an actual alarm sound. lastly, “electric current” best describe this distorted acid bassline and its tweaking filter and resonance controls over jacking 808 drums

*mouth* follows acclaimed lead single *giudecca* that was reworked by factory floors gabe gurnsey. now, with running back co-founder and tuff city kid gerd janson – often referred to as the djs dj – and his label affiliate shan on remix duties across club, instrumental, 808 culture dub and acid versions, *mouth* is set to propel ghost culture to new heights and further establish his well earned position as one of the most accomplished new acts on the musical landscape.

iconic deep house label large music returns to the vinyl market with a limited repress of the classic kerri chandler release return 2 acid. first pressed in 2005, this was the 100th release on large and has been out of print for 10 years. the a side features kerri s powerhouse tribute to the glorious days of acid house laced with driving beats and an incessant 808 acid line. on the flip side kerri goes old-school, this time with an electro afrika bambaataa influenced jam entitled planet sonic. also included for this special reissue is the unreleased acapella of return 2 acid solidifying this as a true collectors item

parages music presents their 8th release. on the a side there is a track by honesty, german dj-producer, half of slope music, signed on cabinet records and sonar kollektiv. he delivers for parages a big house track, full of warm chords, strong claps and a moving bassline. better drop this one at peak time ! the remix is done by the one and only moonstarr, broken beat pioneer and classy remixer. a man who knows everything about detroit techno, hiphop and bossa. moonstarr chop honestys track into a fast groovy tune, bassline and chords are losing control! on the b side its adjowas tune orient. the man is producing a lot recenlty, signed on freerange, dont be afraid and happy skull. this track is made live with vintage gear and is tape recorded. orient is a boogie electro bomb, super vintage synths, maximum groove bassline, and dusty reverb. a must have.the remixer on this side is basic soul unit, not necessary to introduce this one. top producer, dj and remixer. it is his 2nd appearance on parages. bsu switches adjowa’s track into a dub affair, basement feel, 808, masterclasstune.

dogmatik label owner alex arnout delivers a quality release with the touch ep that includes a remix from abe duque.

the ep offers up three jacking cuts of the most pure, organic, raw, dusty, deep underground house music to date. what else could you expect from three germans who were weaned on a steady diet of detroit and chicago classics from the day they were born. after receiving an 808 for his 10th birthday, one member of the faceless trio was rumoured to have ghostwritten basslines for some of technos finest during the early 1990s.
italojohnson truly are * too deep underground.*

during 1993 and 1994, between shifts at selectadisc, blagging studio time from diy and looking for a new girlfriend, nail spent time at home with some borrowed equipment a tr-808, tb-303, boss delay pedal and a knackered spring reverb, plus his own korg ms10. recording live & straight to cassette, these acid-soaked sessions were given the name sentipede, after a friend at the time saying one of the tracks made them feel like they were being eaten alive by a giant creepy-crawly with lots of legs. selected from four d90 cassettes full of tracks, 99:wave presents the imaginatively titled one, with just 8 tracks over two slabs of grey vinyl.

privacy delivers some winding electro-techno on the void limited imprint. the berlin based producer s signature style emerges once more as pounding 808 s fuse with circuitous synth lines, taking us on a journey through the cosmos!

miami in the house! a unique combinations of 808 miami bass overload, the freestyle electro anthems, the murk legends, the electronic freaks from the schematic crew, and some external influences together fertilized the new omnidisc label! it head starts with a 4 track collaboration ep between danny daze, 214, deroboter, drvg cvltvre & philipp gorbachev. miami is keeping it real!

canadas invisible city returns with more surprises from musics deleted history. side a features jeancys u turn me on, an 808 driven haitian-canadian dubbed out disco boogie anthem thats sure to drive crowds manic. side b features two spoken word cult future classics by the mysterious hawaiin mystic astarius. ancient times part 1 and 2 are both hypnotic affirming mantras, soaked in reverb and twisted in pitch. its sure to melt brains into a dervish twirl. limited pressing.

a1 facade - tampa bay is tried and tested house weapon that we ve had since the label began waiting for the right fit, he comes with his garage beats, deep chords and infectious melodies - simple, driving, effective.
a2 prima - dont stop - lht label co partner delivers a twisted mutating late night tool that instructs you to dont stop dancing til the sun has well and truly risen or at least the smoke has cleared.
b1 jamie blanco - unknown reason (alphonse drum prequel) - jamie met alphonse in the studio again, they messed with his track and got the dub machine working overtime on the 808, look out for main mix on the next release.
b2 kruton - lagoon - the sleeping giant here on b2, kruton is not be messed with, he channels a certain mr atkins here and delivers a dream machine opus.

mnlth, aka dave monolith, returns to weme records with his second ep time part of the final wave of rephlex certified braindance artists, mnlth released his 2011 debut album welcome on the iconic label. time offers 5 tracks, 26.20 minutes total time all tried and tested on dancefloors across europe and beyond by mnlth himself but also his former label boss richard d. james. time was written between 2009 to 2011. its tracks range from the electrocuting feel-good acid anthem that is time, the square bass plucking electro bouncer headlight, rushing melodies and pads from my rush chords and harrier 2, ending with the cheeky happy-go-lucky 808 track, spwint

brought to attention in dj sets from the likes of rustie, jackmaster, and receiving radio support on bbc radio 1 from annie mac, zane lowe, mistajam plus more, *minger* follows darqs previous productions for some of grime and raps most memorable characters, notably tempa ts *next hype* and danny browns *blueberry*. underpinned by crisp 808 drums, a serrated synth riff and doom.