standing beyond just todays current trends, eyetone has quietly gone about its business of releasing music with substance and picking up support along the way from some of the finest selectors in the business. doc martin, craig richards, sasha, evil eddie richards and honey dijon to name a few.

dark beat (addicted to drums). the new vinyl. featuring new remixes by oscar g & ralph falcon and danny daze. slaves to the dark beat.

sabb has definately become an important player on the electronic music scene over the last couple of years and his talent has now shown he will be around for many years to come.
on this fine piece of music he hooked up with good friend dark beat to create a beautyful piece of music with a quite melancholic undertone to it. this track has dc10 ibiza moments written all over it and will without a doubt get many plays this summer.
mendo delivers yet another high quality mix with his unique sound and clever remix skills. on >ballkanika< he took us by surprise by making a quite uplifting hook from the dark clarinet instrument. once again he showcases his talent for hearing what others dont and making this track an even more summer-ish tune with a hands in the air feel to it.

dark beat is a new label from glasgow, set up to promote its own take on deep, dark atmospherical techno.
after the success of their digital releases this is our first dark beat remixes vinyl which has cuts from the very popular omen and untamed eps from label bosses deepbass & roman toletski.
on the a side we have oddity with a massive remix from mark broom. his remix of oddity is a no nonsense stripped back techno affair with a ripping synth line, the track teases you with a number off small drops before the massive atmospheric breakdown which would bring carnage on any dance floor.
on the b side we have the orb theory with a remix from edit select who seems to be able to to no wrong with his string of releases on his self named label edit select records. his remix explores the realms of atmospherical techno and has a straight up tribal feel about it, this track has been creating quite a fuss at berlins berghain during the early hours. the track has a percussive drive with rolling snares and a beautiful synth line that rises and fades throughout the track.
the tracks have been getting massive support from dubfire, len faki, jpls, ambivalent, drumcell, audio injection, dustin zahn, perc, dj emerson, alan fitzpatrick, alex bau, anderson noise, danny tenaglia, chris fortier, jim masters, par grindvik, hernan cattaneo, anthony pappa and luke slater.

killer 12inch, serious funkin tribal house rework of kamisshake dark beat... flipside with an twisted acid house killer... be fast

written by oscar g & ralph falcon, stunning dark and dirty tribal & electro funkin stuff

massive funky electro house , with hypnotic jacko infected flipside (killer club mix)

new album by red axes aka dori sadovnik and niv arzi

colored vinyl

detroit techno

milking the cow with the second chapter made by the duo rizzi & lapucci including the remix by the talented do or die who delivered a timeless rave banger! enjoy this milky way!

incl. love is a stranger !!!! cold beat is a san francisco-based quartet fronted by hannah lew (synths, vocals) with kyle king (synths, guitar), luciano talpini aita (synths) and sean monaghan (guitar).

dark entries and serendip lab have teamed up to release ‘prototech’, the first vinyl retrospective by german electronic trio hypnobeat, recorded 1984-86. james dean brown and pietro insipido formed hypnobeat in 1983, but it was the addition of victor sol only a few months later that found the project reaching, as brown puts it, -the desired level of technical sophistication.

greyhouse is dutch producer marcel hol. this originally came out in 1990 on hip hop label - and now reissued by dark entries with different tracklist that also includes a jared wilson remix

original (11:31) - a mind blowing never ending hypnotic track to burn-up yourself in the middle of vibrating sunrises. always-growing synth-melodies gradually transform into what reminds an earlier hardfloor dancefloor-killer...body resonances to shed light on your hands in the air!

they give us a delicious lp with large amounts of deep moods, atmospheric and emotional house music (but not only) with synthesizer lines, synthetic basses, voices and breathing sequences. chris and darand are a winning combination.

outstanding, completely alienated & dark sounding techno - highly recommended!

dubstep don vent brings the pain with this release on hardcore beats. >shogun of the dark< will slice you up like a samurai with is stupidly big bass that switches as the vocal samples interrupt the rolling beats. on the flip sees vent team up with critically acclaimed rap, grime and dubstep group foreign beggars. so need we say more?

this one a big, big tune, dark knight is a newcomer to the funky scene and with this 12inch im sure it wont be long until he is one of the top boys in the game! urban riddims representing once again for the uk funky massive!

banging hardcore bizz by paul elstak, the dark twins & profane!!

we say hello to an old acquaintance, who finalizes this limited series. the puzzle is complete and the aricebo message should be clear now. luckily fbas speaks loud and clear. two driving tracks that should fire up any galaxy. earth to space... here we are! this is part 12 of 12 in this series. collect them all.

no.1 album charts germany !

reissue of the 1961 otis spann album.

here’s the first vinyl record release by alien rave.

gatefold 2lp clear vinyl with printed inserts, limited to 500 copies

germany based mc fava releases his first solo ep on beatalistics, the imprint he co-runs with freiburgs soulful tag team partner enea. comes on clear green vinyl with download code included.

pressed on dark marbled 180 gram vinyl.

ltd to 500, first time on vinyl, pressed on lita exclusive translucent red with black splatter

anjunabeats presents the debut album from gardenstate (marcus schössow & matthew felner). coloured double vinyl (1x green / 1x pink), housed in a gatefold sleeve.

oráculo records veröffentlicht in zusammenarbeit mit wrong era das vinyl-debüt des jungen litauischen acts ton globiter. zwischen techno, ebm und new beat ist sein sound frisch und überwältigend, bereit, jede tanzfläche zu befeuern. die ep enthält remixe von kris baha und synths versus me, um eine ballistische waffe zu vervollständigen.

limited edition premium triple vinyl in tri-fold sleeve, inluding frameable artwork and collectors poster.

funk, jazz and hip hop

new album by red axes aka dori sadovnik and niv arzi

red vinyl, part 3

new rave influenced ep by d. carbone

ebm, black synth and dark beats from the 80s on double vinyl, housed in a gatefold sleeve.

african-influenced jazz and funk (dokkerman & the turkeying fellaz, the mabon dawud republic), head-nodding hip-hop beats (abase, tom caruana), straight dancefloor friendly pieces (bete aka suhov, umoja, m.w.d, chilum trio & auto reverse) and also, laidback grooves (freakin disco & crookram)

dark entries are honored to reissue the 4th full-length from carolyn fok / cyrnai, an asian-american female solo artist from the bay area. in 1990 ‘to subtle-drive’ was re-released with 2 songs from the 1988 release and 4 new compositions. this reissue adds 5 bonus tracks recorded during the same period spread across a double lp set. each copy includes a double sided insert with lyrics, photos and notes by carolyn. all songs have been remastered by george horn at fantasy studios. old-soul beat tracks on cassette with time and techno-guilotine songs.

ima (intense molecular activity) is the duo of don hunerberg (synthesizers) and andy blinx (drums and percussion). based in new york city and active between 1979 and 1982. don, a studio sound / music engineer and musician, andy an electronic clothing designer, drummer and sound reinforcement engineer at downtown clubs like max’s kansas city, mudd club and cbgb. in between doing sessions at radio city music hall studios for groups such as ramones, richard hell, sonic youth, liquid liquid, john zorn, glenn branca and many others, ima took advantage of off hours to create their own music. as far as influences go, don’s background was in electronic music and andy’s in prog rock. to produce the songs, don used his own method of creating patterns from 2-track tape loops and then edited them together on to a 24-track recorder adding more tracks of overdubs, in a very similar way that sequencers are used today.