ltd 180g transparent red vinyl !

jazz, 8 track studio album

dialect’s under~between unfolds with the hopeful energy of seedlings springing forth from soft earth. pressing on white vinyl.

happenings of life - presented by the berliner dj and producer norman weber also known as luna city express (together with marco resmann)

limited edition red coloured 180 gram vinyl, including 2 bonus tracks.

instrumental

reissue - transparent orange vinyl

singer / songwriter

a collection of early to mid 80’s recordings from eric random. pressed on double vinyl, housed in a gatefold sleeve.

masterpiece by michel banabila

ambient downtempo elektronica

viertes web web album web max ist grandioser spiritueller jazz

special music for special people! yahh

highlights from andrew lloyd webber’s musical “cinderella” on triple vinyl, housed in a gatefold sleeve.

l’orange and namir blade team up for “imaginary everything”. pressed on black 180 gram vinyl.

repress

limited pressing on crystal clear double vinyl with red & white splatter. housed in a gatefold sleeve with insert and fold-out poster included.

from breakish house to ambient

new album from gotan project mastermind philippe c. solal on limited vinyl.

coloured vinyl

a verve vital vinyl reissue.

50th anniversary edition on double vinyl, housed in a gatefold sleeve.

mousse t. / hector romero !!

after the success of the 2 late 4 love ep, roy of the ravers returns to emotional response with a double lp with a deeper perspective, experimenting in ambient and drone textures, lucid techno travails and acid interludes.

original 1981 london cast recording of andrew lloyd webber’s hit-musical “cats”. pressed on black 180 gram double vinyl, housed in a gatefold sleeve with download code included.

drittes web web album

hi-tech soul from matrefakt.

pressing on black vinyl, comes with download code included.

analog electronic music journey

remixes of the recent croatian amor album “love means taking action” as a one-off limited pressing. tracks by brynje, age coin, why be, yen towers, ctm, felicia atkinson, drew mcdowall, kyo featuring health & safety.

nichts passt besser zu dieser aussage auf diese wundervoll zusammengestellte und verzaubernde musikselektion, die, wie auch jeder agnes obel-song, ruhe und frieden ausstrahlt. es ist die entschleunigte antithese zur rush hour, wie ein zugefrorener see an einem sonntagmorgen. agnes obel verbindet songs der enigmatischen jamaikanerin nora dean (eine duke reid produktion) mit dem kargen, bitterbösen -party girl- von michelle gurevich, das den gleichnamigen französischen film inspirierte. wehmütige stimmen von the bulgarian folklore choir, nina simone, ray davies und agnes selbst treffen auf mehr oder weniger elektronische tracks von yello, can und der griechischen kultkomponistin lena platonos. garniert wird die kollektion mit neuem agnes obel-material wie den dänischen song -glemmer du-, die vertonung von inger christensens -poem for death-, sowie den song -bee dance-. die doppel-lp erscheint als limitierte 180g pressung mit allen 19 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inkl. bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, im gatefold mit antistatischen innentaschen plus kunstdruck in 12- größe.

patrick weblin gives us this very special ep. 2 original tracks named after his 2 sons, so a lot of time and heart has gone into making this ep with a superb remix from iuly.b. “tadhg’s groove” give us solid house drums, percs and hats but its the pads and bassline that gives it the movement throughout the track, taking you to another level of space and conscious. iuly.b’s remix is down right tasty. it takes you on a little trip and makes you loose track of time all while grooving to this great remix. “ollie’s groove” is something a bit special, big 909 kick combined with 808 tops but this time some melodic synths add a very soulful and elegant sound.

was auf oracle ungeschliffen passiert, ist der erste output einer deutschen jazz supergroup. zunŠchst wollte man ein unperfektes spiritual jazz album aufnehmen, das vorbildern aus den siebzigern fršhnt (strata east, black jazz et cetera), einfach mal der leidenschaft nachgehen. und man wollte eine fiktive band erfinden, die es nicht gab, und rausposaunen, es handelt sich um ein unveršffentlichtes album von namhaften und beseelten typen aus den 70ern. nun ja: dann hŠtte man nie live konzerte geben kšnnen, von interviews ganz zu schweigen. kurzum, es wŠre schwierig gewesen, das geheim zu halten, also hat man sich entschlossen, die identitŠten preiszugeben: web web sind: roberto di gioia (piano, synth, percussion), tony lakatos (tenor- und sopranosaxophone), christian von kaphengst (upright bass) und peter gall (drums).

the third release is a special collab between elad magdasi & mathias weber.
mathias is a devoted raver & music lover. his influences run deep into the techno & acid culture and he is addicted to groove & rhythm. together with elad, who is returning the 3rd time to flr, they present two main tracks with remixes from hector oaks & blind observatory.

not gonna let remixes is 12 inch single from the forth coming full album release * in the company of others*
incl hot remixes coming from
charles webster & dez andres

following on from his release on beneath s mistry imprint, webstarr inaugurates his de grey label with a three-track collection of bass-flecked techno. opener we can t have nice things evokes punch drunk and the bristol sound as skittering beats deliver a two-step-like rhythm, propelled along by a synth melody that teases a potent breakdown. meanwhile warsaw bumps along with a brooding bassline that gives way to multi-layered percussion direct from an eastern bloc steel mill. closing track exit changes gear to play to the floor as a piercing kick and clap drum pattern combines with the subtlest of sub-bass and sharp synths that probe behind your eyes to lift the track effortlessly in a 2016 nod to detroit.

following the widely acclaimed releases of fouk & kito jempere, our autumn release is nothing but a strictly family affair. kid grimm is indeed a brand new alias of our dear friend alland byallo, longtime collaborator of the label both for his production & awesome graphic works. with an impressive discography crossing over quality imprints such as third ear, bad animal, real tone or rawax, the san francisco born and berlin resident always got something exciting coming out of his machines.

pete dafeet unleashes the third single from his critically acclaimed debut album the root, the soul, in what will be his labels final release. after a decade in business, baltimore is a fitting epitaph for lost my dog: a languid and lazy deep house cut that makes for a classic end-of-night jam. if that isnt enough, house legend charles webster drops by with a trio of deep and dubby remixes to help the label sign off with a real flourish.

for the last 50 years, american popular music has been filled with the timeless songs of jimmy webb and here, flannelgraph records helps to continue that legacy with still on the line: a tribute to jimmy webb.

mistress recordings artist returns to his second home with a collection of second generation tracks that take his sound to a new level of unsettling, ominous, genre-vague electronics.

avida music hat sich für die katalognummer 04, den gerade zum freude-am-tanzen kollektiv hinzu gestoßenen thomas stieler, aus saalfeld, einer der landschaftlich schönsten flecke thüringens, geschnappt...

ben weber & ed fett team up for a laid-back party track. a large remix pack comes from raumakustik (mangue records, ipoly music), rich vom dorf (ton liebt klang, acker records) and dawson & jens krzikalla (grain audio).

over & over is the follow up to times new vikings highly acclaimed 2011 album (their first released on wichita), dancer equired and was recorded with cooper crain over two days between a stint of touring. pressing on 180 gram vinyl, download code included.

auf 500 kopien limitiertes live-album, nur auf vinyl! wer es bisher versäumt hat cloud nothings live zu erleben, hat nun die möglichkeit dazu. >live at grog shop< wurde wurde am 5. april 2012 (das ende der us-tour) in ihrer heimatstadt in cleveland, ohio von james kananen aufgenommen und gemixed.
one-off pressing white label clear vinyl. knapp ein jahr nach der veröffentlichung ihres debutalbums legte die amerikanische band cloud nothings ihren nachfolger vor. das album bietet eine echte musikalische weiterentwicklung zum debüt und vereint post punk, noise und indie pop. produziert wurde das neue album von der legende steve albini (pixies, nirvana, etc).

in den usa bereits seit ihren umjubelten sxsw shows schwer gehyped, praesentiert das quartett aus los angeles seine erste ep. fidlar (steht fuer: fuck it dog, lifes a risk) waren in den usa gerade mit den hives auf tour und spielten bereits vor der veroeffentlichung so prestigeträchtige festivals wie lollapalooza, reading & leeds.

nice price deal !!! young legionnaire is paul mullen (yourcodenameis:milo, the automatic) on vox and guitar, gordon moakes (bloc party) on vox and bass, and dean pearson on drums. this ep is the follow up to their highly acclaimed debut album, >crisis works< (released by wichita in 2011). it features five brand new tracks and is released in a strictly limited edition of 500 copies on 10 inch vinyl. recorded in london and newcastle, it was mixed by alex newport (frank turner, death cab for cutie, two gallants) in new york. for fans of bloc party, yourcodenameis:milo, queens of the stone age, the bronx.