with 4 releases under their belt and more to follow, it clearly shows the alliance between hunter/game and the icelandic band kura, can do no wrong. their band, landside, is now primed to get an accompanying remix ep following up from signs of change and desert lake. drawing their inspiration from a cumulation of music that inspires them, they call up a diverse selection of artists to the task, which present an astonishingly coherent vision. from the stormy modulated chords of robert hood and trickling pads crafted by etapp kyle, to the dystopian narratives expressed by bambounou and edanticonf, the re-visionings provide additional star-power to what is already a fine, shimmering series.

since its beginnings, fracture has followed the formula of releasing upcoming and interesting newcomers, people they believe in, to get them remixed by more established artists. this time its none other than uk techno legend james ruskin stepping up to the task, for a track carefully crafted by berlin based artist leiras. leiras comes from madrid, and has in the last few years since his move to germany released a handful of eps, mostly on his own ownlife imprint. abyssal is a trippy and atmospheric cut, the kind of deep techno that can transport you into a second state if dropped at the right time. on remix duty, ruskin makes it weirder and grittier, slowly and skillfully building the tension from atmospheric to potential peak time material.

from hudd trax and dessous through to one and karat, parisian producer andrade has graced many a fine label in his time. he lands on politics of dancing in fine fettle, jumping to the task with a-side cut -the bridge- like he s got something to prove. the beat is irrefutable, while the soulful chords and samples rubbed into the joints make it all the sweeter. -control- on the b-side is an airy affair that floats on plush layers of melody without losing its low-end impact. by way of variation, the remixes from dan ghenacia and art alfie simmer andrade s originals down into measured, tool-like constructions.

daze makes a first appearance on torn hawk s valcron video label with a distinctive trio of adventurous jams hovering on the fringes of the dance. slums of grand central is certainly crafted with the party in mind, but it s a more introspective kind of get down for those who like popping at a slower tempo. torn hawk then takes the track to task with a tense revision that comes on like uneasy 90s electronica before decor lays waste to the surroundings with a slamming remix that pushes into hard techno territory while retaining the wistful tones of the original.

having originally surfaced on creme organization back in 2002, luke eargoggle and ronnie johansson s monkeyshop project is an intermittent treat that offers the best of warm synth-led electronic disco. on their second outing for ali renault s vivod label (after the excellent escape from the mental zoo ep in 2014) the pair bring yet more of that addictive, utopian dance magic on this new record. -island of love- is indeed a romantic club burner with smatterings of vintage synth pop in its bones, while -heartbreak- takes a more overtly italo direction and sounds just as strong with it. obergman then takes -island of love- to task with a respectful remix that shines a few different synth lines and beat patterns through the same fuzzy prism.

here at bearfunk we have been pretty busy as of late it was a casual visit to geneva just like any other. we had just finished a buzzing set and soon after we found ourselves talking to a five bearded academic types. it turns out they were a bunch of theoretical physicists out on a cosmologists night out. they work them hard at cern and that day the large hadron collector had been a real beast rebooting five times before lunch. they were pissed off and needed a new challenge. we offered them a job on the spot and they promptly moved to our london hq working on a wage of tea, vinyl and nandos. we set them a challenge. build us a time machine! they started soaking up all those bearfunk-groove-boson particles and. you know what? they did it! a time machine of our own. our first task, jump back in time to 1985 and retrieve us something really cool. set controls to the manhattan office to celluloid records. fresh from their hit with herbie hancocks rockit, spearheading rap with fab five freddys change the beat and afrika bambata stompers the legendary label is preparing to release the debut album from nyc-paris emigre lord funk.

limited to 500 lp+download card. chief and deheb join forces to bring you leaf, a full-length instrumental album showcasing the seamless result of two deft beatmakers merging their individual signatures into a unified craft. both artists each have a long history in beat-making, chief and deheb have worked alongside but never together, and to share a task thats usually tackled by one seemed like a challenge and a new thrill to the two. the use of samples taken from original brazilian music in the two producers collections was the starting point for the creation of leaf

releasing an album is a daunting task, especially in dance music. you got to keep it fresh and exciting from the very beginning until the last track, not sticking to one tempo, make tracks that work both at home and in the club and ultimately tell a story with your music. alexander lay-far knows a thing or two about this, having his debut album so many ways out back in 2013. the thing with lay-far and a big reason why we ve always had a soft spot for him is his way of incorporating a certain magic in the tracks that leaves you on an uplifting and optimistic note. therefore we re really excited to release his second album, how i communicate, on local talk. how i communicate is a two part vinyl release which we hope will come as a fresh breeze in these days where so much dance music simply lacks the actual musical aspect or the organic approach. like most producers and djs that are influenced by soul, disco, jazz and the blacker side of electronic dance music its all about the actual tune . listening (or dancing) through this album we hope you ll find your special tune (or tunes!) that hopefully will bring joy to your ears. to his aid lay-far has invited an impressive cast of collaborators such as ashley beedle & darren morris, restless soul, sean mccabe & mark de clive-lowe to give the tracks that little extra something under the watchful eye of lay-far himself. or as lay-far describes it himself the album is about the music as the universal language, the ultimate means of communication, bringing people of the world together. part 2 will be released in the new year...

a1. atmospheric dub is simply a kerri chandler classic. in this moment we task jerome sydenham with editing duties to refresh this rare groove. a2.tyree cooper, who needs no introduction, engages in a live jam session with jerome sydenham for this universal rhythm result. a testament to spontaneity, groove and soul. spin and flow. b1. entering the diabolical world of house disco not disco couldn’t be better exemplified in this searing piece with colluding talents eric d. clark and thomas schaben with additional vocals from anita davis and david boswell. devine underground dance music. b2. kerri chandlers remake of the pal joey classic dance infused with a jerome sydenham edit just make this classic complete and decadent for all sides of the house spectrum.

its a bold and brave producer who takes on the task of remixing a stone-cold classic cut from the annuals of house history, but thats just what joris voorn, kink, phil weeks and ambivalent have done with their fresh versions of dj dozias ovum debut ‘pop culture

its a bold and brave producer who takes on the task of remixing a stone-cold classic cut from the annuals of house history, but thats just what joris voorn, kink, phil weeks and ambivalent have done with their fresh versions of dj dozias ovum debut pop culture.

poker flat’s forward to the past anthology returns in its 3rd iteration, as lean and mean as it ever was and precision-engineered to make you jack, dream and all things in between. the winning formula remains the same: task a selection of hotshot veteran and up-and-coming producers with recapturing the style and mood of early club music, paying homage to the golden years between 1985 and 1992 when chicago house and acid, new york house and detroit techno took the world and its dancefloors by storm.

poker flats forward to the past anthology returns in its 3rd iteration, as lean and mean as it ever was and precision-engineered to make you jack, dream and all things in between. the winning formula remains the same: task a selection of hotshot veteran and up-and-coming producers with recapturing the style and mood of early club music, paying homage to the golden years between 1985 and 1992 when chicago house and acid, new york house and detroit techno took the world and its dancefloors by storm. the result is a collection of new and exclusive tracks as addictive as the stone cold classics that influenced them - a tribute and, at the same time, the cutting edge of contemporary music production.

it is no easy task to blend the cerebral with the soulful - the two tend to stand at opposing corners in the deep house world and producers are often forced to choose one or the other - to mix both is a lofty aim. maddermodes may not have set out with this merger in mind when launching the project - mental space - but the end result is striking in its effortless fusion. released under the artists own label, shift coordinate points, the ep consists of two tracks: mental space and human science. the titles, of course, lead one to assume there will be a strong degree of technicality and complexity behind the songs and indeed there is, what is surprising is the level of personality and moodiness that also exists.

here at nang towers we are really happy to have back slovenian talent sare havlicek, without any doubt one of our favourite producers, and to present you all his latest creation *movies for lovers*. sometimes we like to try something a bit different. often the process of creating an album can be a not-so-simple task: which tracks are the singles? which is the breather track? do we have ten songs? have we covered all the bases? the list goes on. sometimes the answer is to throw convention out the window and just try to harness a burst of energy and get it down on eighteen minutes-a-side of vinyl. we gave sare the following brief: lock yourself in a studio for four weeks and come up with a piece of cohesive work. abandon the formulas, do some experimenting and (most importantly) try some things you wouldnt normally do. *movies for lovers* is the result of that session and encapsulates the feeling of the journey sare embarked on to bring you this album.

ruede hagelstein and watergate go hand in hand. not only is ruede one of the longest running residents at the club, but hes also the man behind some of the labels most acclaimed music and the curator responsible for lucky number 13 in the illustrious watergate mix series. with this, it seemed obvious to put ruede up to his next task: an album. it is with great anticipation and excitement that we bring you the first lp for both ruede and watergate records, apophenia. the double 12 inch includes a digital downloadcode.

today we once again celebrate the coming together of two of technos most legendary and respected figures for the next installment of their much lauded elements series - oliver huntemann & dubfire. as the series name alludes, aire is a track that harnesses elements from the previous brace of tracks and brings them together whilst adding a fresh touch of flair. irelands matador takes on the remix task, delivering two contrasting new versions. his beautifully deep dub mix is an understated, smooth and wondrous excursion while his main mix throws down its earth-moving kick drum throughout as he allows the original atmospherics and fx to playfully pierce the production.

on -purposely uncertain field- lake people doesn t fall into the trap of repeating himself or recreating a successful formula. instead he puts all his musical knowledge and his experience into the eleven tracks of the album and expands his already rich sound universe. above his straighter dancefloor aspects martin elaborates his approaches to a certain mid 90 s electronica vibe and ambient-like soundscapes with a very cinematic feel to it. thus he brilliantly manages the difficult task of creating a transcendent and consistent album without losing any tension over the full length.

nico groove aka nastyboy has dropped hot releases for labels: on the prowl, shift ltd and underground limited. here he handles the task of producing v1 of klapmasters nu groove records tribute series, influenced by rheji & rhano burrell. handmade label rework by resident artist jordan fields.

after the release of lil louis *fable* (in conjunction with diamond records), gramaphone records is proud to present the inaugural release on its very own imprint! gramaphone house buyer, queen! resident, and balance recordings artist, garrett david, steps up to task at hand to deliver this masterfully-crafted ep, a new room.

public possessions eight offering is a 10 inch ep curated by our good friend samo dj from stockholm. co-running the fantastic born free label with daniel isling aka sling, releasing records on his own and in various different formations on labels such as l.i.e.s., born free, high feelings and more, he seemed to be exactly the right person to tackle the task of putting this record together.

following the great response of their first release, london-based label othertones have pushed the boundaries once more with another exciting set of productions. this time the task falls to antony difrancesco and his latency ep to continue the label s rise in acclaim and respect.

jason kincade aka the mayor writes: i’ve been given the task of writing about three new instalments in the channel xxx series, inspired by the late, great mangiami restaurant. from 2006 until its lamented closing in 2012 mangiami was the downtown clubhouse for a very new york cross-section of djs, artists, musicians, fashion people, music obsessives and assorted layabouts.

ason kincade aka the mayor writes: i’ve been given the task of writing about three new instalments in the channel xxx series, inspired by the late, great mangiami restaurant. from 2006 until its lamented closing in 2012 mangiami was the downtown clubhouse for a very new york cross-section of djs, artists, musicians, fashion people, music obsessives and assorted layabouts.

jason kincade aka the mayor writes: i’ve been given the task of writing about three new instalments in the channel xxx series, inspired by the late, great mangiami restaurant. from 2006 until its lamented closing in 2012 mangiami was the downtown clubhouse for a very new york cross-section of djs, artists, musicians, fashion people, music obsessives and assorted layabouts.

ole utters *odsbodkins!* while martin styles his hair. the two decided to work on their next monaberry releases five years ago and the result is monaberry 23. 23? this can only be a good sign, dont you think? *odsbdodkins* confirms its name without wasting a second and going directly for your finest dancemoves. a groovey guitar firework is ignited which illuminates the dark temple of dance. no other but the boys from hanne & lore have taken on the hard task to deliver a remix of the title track. they do not disappoint with their rework which makes you lose it on the dancefloor. *frdy* and *indimushy* come as desert. these two tracks get into your head fast and refuse to leave it ... *frdy* is the perfect dancefloortool, which leaves not a single wish unsatisfied, while *indimishy* keeps the whole ep together, not allowing for any sound to drift away.

on its first release, orioni makes its debut on 12inch with four tracks made in argentina. with jonas kopp, luis ruiz, mental resonance, and matt saderlan. this ep comes packed with four dancefloor weapons: jonas kopp with >mandelbrot<, contributes with a massive pounding rhythm full of atmospheres, with his classic groove based on solid kicks and hypnotic vibes, jonas presents full drum action around the percussion and sequences. for the a2 >triplets< is a track with a catchy 303 bass-line and roland drums programmed by luis ruiz. its acid classic signature comes with the task of bringing back that old school techno sound , whose roots had got lost in time. in the other side, mental resonance: >birth of omega century< has that fresh detroit techno style, and is ready to energize dance-floors with the groove of the 909 and hypnotic synthesizers. at least but not last, matt saderlan with >kids dist days<, destructive, corrosive and distorted letal weapon for acid lovers. no need to check your volume leds, yes, it is that banging. orioni has begun!

cassegrains brilliant tiamat releases are back. after the amazing original tracks from cassegrain, well known and respected remixers like svreca, mike parker, tm404 and inland aka. ed davenport have designed 4 tiamat tracks in order to provide a completely dedicated view on cassegrains fantastic ep. the result is simply a bomb.

in the 1970s the american composer henry flynt started a series of pieces under the title >new american ethnic music<. in so doing he worked together native styles of music such as blues, country or hillbilly with electronic production methods to make something altogether new. so far in germany it has never been attempted to rework folklore electronically for a compilation. however, this picture changes if one redefines the idea of who the population is. incomers have brought new >national anthems< to germany, which means - even the portuguese fado, the african gnawa, the croatian klapa or the vietnamese quan ho are these days at home in germany. with the cultural project >heimatlieder aus deutschland< (native songs from germany) founded by former spex editor mark terkessidis and label manager jochen kühling all the various styles of traditional folk music now found in germany has been collected. thirteen of the songs recorded for the project have now been transformed by contemporary electronic producers to present a >new german ethnic music<. but why remixes? for one thing electronic music has recently focused a lot on the past (ghost music, hypnagogic pop etc.) – electronic editing is well suited to follow the effects of the immigrant music which the >imaginary national anthems< has created. furthermore the projects instigators were curious how >electronic musicians< would handle folk music and folk songs which is a hugely difficult task. to this end artists were sought out who could get along with the idea of each music style and who are known to already have experimented with the human voice. the results are as varied as the music styles and djs involved. some melodies remain completely intact while others are abstracted beyond recognition. margaret dygas associative approach ensured that she presents a polish song about a girls arranged marriage with a claustrophobic feeling. with his remix of the marrabenta of mozambique mark ernestus has continued the rhythmic experiments he is known for with jeri jeri. thomas mahmoud translated gnawa into dub and finaly ulrich schnauss turned the song of the italian chorus of >donni so< into a hymn for the horizon-expanding power of migration.hopefully this compilation will also expand some horizons.

following on your work as one of the twin pioneers of glaswegian radge-rock in arab strap cant be an easy task. aidan clearly has had other ideas, quite different ideas, and most of them comprise his solo project release via his alter ego, lucky pierre. in these recordings, l. pierre pays an affectionate tribute to the wear and tear of overplayed vinyl, the hiss, scratch and pop of records long loved but worn down. it is the sound of survival, the echoes of a life lived well, moth eaten music of dasness and resilience, of beauty and backbone.
pressing on 10 inch vinyl, download code included.

one of the most reliable names in techno and arguably berghains most prominent face, marcel dettmann has already once accomplished the difficult task of translating his pared-back techno sound to the album format

midnight moves. thats what comes to mind when you listen to cale parks s n1, preferably at an hour long after dusk has settled around you in some beautiful, insomniac city. parks finds – or more aptly, seeks – beauty and grace in ambience and shadows. n1 starts as pure atmosphere – it feels at first like a sort of lovely sonic nothingness slowly taking form – before growing into the darkly lit, gorgeous moodscape it later becomes. a sensual bassline, a pulsing downbeat, a cinematic piano, strains of italo disco, and the sensation of breezing down a lightless road. if you could make sensuous shapes of the night – imagine kneading the dark itself – it might, at the very best, feel like this. the task of remixing parks s original is taken up by french duo paradis, who can otherwise be heard making music on tim sweeney s beats in space label. the paris-based producers shine a brightening light on parks s dusky creation, quickening its pulse and trading in its darkwave undercurrents for enlivening techno and house. theres an element of floating here – a dreaminess in the rhythms, an astral aspect to the keys beaming through the beats. and with the addition of vocals, sung in french – a pop finishing touch on a song that already feels like an earworm – the transformation is complete. this excellent introduction to cale parkss music is also his debut release on the hakt label.

vinyl only. 180 gramm. behind studio r there is the identically named internet tv station from berlin. the new label took the task to document the modern club culture on vinyl which will release only split eps featuring, alongside famous names also new talents. the first ep presents fred p & eric cloutier from new york and anton kubikov & korbalove from moscow. perfect deep for summer 2013.

the second release from swedens tommy awards is another essential 4 track ep. side a continues from where the first ep left off, with two tracks of blissful balearic vibes. if you liked land of lights recent release then this should definitely appeal to you. side b reveals another side to tommy awards and shows the guys are no slouch when it comes to producing in the electronic realm, employing vintage synths and drum machines to create gale force, the ballad of the wind. for the final track, is it balearic head honchos coyote take on the difficult task of remixing last years classic, blind andy, and come out victorious, adding elements of acid and making the track altogether deeper. is it summer yet?

black pressing limited to 333 pieces! superb recordings has proudly completed the complex task of combining four unknown artists to present the fourth release. our hearts are racing with excitement as we boldly showcase four hot tracks from these sizzling talents. the superb recordings philosophy always means a quality vinyl only pressing and the mastering has once again been magically touched by >the don< cgb from dubplates & mastering berlin.what goes around, comes around, and here is your invitation to embark on a journey. listen & explore. listen & understand. come to adventure island and get down in the wildlife. it could be anywhere, maybe even berlin. this island is created by our four artists. each creating part of this delicious sonic fantasy.

limited to 100 pieces! superb recordings has proudly completed the complex task of combining four unknown artists to present the fourth release. our hearts are racing with excitement as we boldly showcase four hot tracks from these sizzling talents. the superb recordings philosophy always means a quality vinyl only pressing and the mastering has once again been magically touched by >the don< cgb from dubplates & mastering berlin.what goes around, comes around, and here is your invitation to embark on a journey. listen & explore. listen & understand. come to adventure island and get down in the wildlife. it could be anywhere, maybe even berlin. this island is created by our four artists. each creating part of this delicious sonic fantasy.

master-class techno - about cassegrain - what should we say? they did it again. in fact alex and hüseyin had a great brilliant year in 2012 and 2013 starts stronger with this double 12?. tiamat is not just a collection of techno tracks, its one of the best techno tracks we have heard so far and everybody with some techno nerves should recognize very fast what treasure this is.

albinos has now been meaning to open communication channels with the baka pigmy tribe for quite some time, sadly to mixed results… this indeed represents a rather difficult task considering their take on the devil is a tall white man graced with white hair and red eyes! even though the baka people is a peaceful one, the legend goes that if they were to catch that albino devil, they would gut its organs out and turn those into an aphrodisiac concoction. strangely enough, albinos believes that his music just might be the best language to turn those antagonistic feelings into a communion, he even dreams of performing his tunes to the whole tribe, deep within the jungle, surrounded with exotic birds and the most hungry kind of predators! somewhat at times on the verge of irony, his music definitively trades with sketchy, raw and deep emotions, always sincere in the making: always a few steps away from the pre-shaped house and techno idioms, he offers his very own take on dance music, a most peculiar one. solely using old cheap hardware and an antique atari, the tracks at hand are one-take live performances, brutal incarnations of albinos simple virgin vision. as the quest for the baka people goes on, the antinote team is proud to help shed light on the journey of this obscure producer hailing from the grand north.

on the occasion of the sixth record store day in april, sonar kollektiv releases for the first time a limited 300 copy special edition in celebration of the day, the vinyl and the record store. and it wouldnt be sonar kollektiv wouldnt we be treated with a very special goodie: the new shooting stars and new signings of the label, paskal and urban absolutes took a classic out of the extensive repertoire of the label to task, that night by jazzanova from 2001.

re:vision series restarts with steve poindexters timeless classic >computer madness<. we are very honored and excited to be able to re-release this beast of a track! it is hard to imagine that this was really created over 2 decades ago. so the task at hand was to find the right contemporaries to revise this masterpiece, we didnt have to look far to find the man for the job: function is an old friend here at thema, and things got even better when he brought in jerome sydenham to co-produce the second treatment. it is thus with great pride we announce our re:vision of computer madness, featuring two resolutely modern reinterpretations of poindexters classic.

borrowed language returns with their second release this year, and the second collaborative effort to date from chicago-based producer/dj jeff pietro & label owner israel vines. following jeff pietros future classic >still< (charted by surgeon, peter van hoesen, silent servant, and many others) and justin iveys exemplary >apparition bay< (which won favor by the likes of rob hall and dj pete) was never going to be an easy task, but vines & pietro prove that they are more than up to the challenge – this is perhaps an even stronger statement of intent than their earlier joint effort, >distance no object< (blx-2).
limited pressing of 350 copies, first 200 on white vinyl).

following linkwoods ep would never be an easy task, but vakula has an equally impressive ace up his sleeve! three more cuts dusted, dubbed and pushed to the limits of abstraction yet still in the realms of house and techno. act fast, because as usual there will be no re-press. 180g clear vinyl, strictly ltd, no re-press, hand stamped

devotion, kap bambinos fourth album,is based on a few simple rules: each song is recorded as though played for the first time, and there was no second take each live show is played as if it was the final one each task is executed with a sense of urgency each decision is made with excess all the indicators are in the red. to understand the duo you need to let go of moderation. try to capture them:its too late, theyre already far away.like a permanent crash in the sound barrier. eternal youth with almost ten years behind them.

breaking-through in berlin is not an easy task and that is exactly what mike wall, the latest artist to join the hidden recordings family is doing with a remarkable release showcasing the versatility, artistry and pure soul that goes into making music for the big room. mikes talent first came to hidden recordings with his darker, jacking rendition of 014hr m.a.d.a. + planktons >antiz<. additionally, his inventive, high octane jams have found themselves on such high profile labels such as sleaze, on and on and pluseins. additional firepower enlisted for thre release comes two men who we deeply admire. the first is somebody who is making us re-think the boundaries of techno, the elusive and mysterious xhin from stroboscopic artefacts and clr. the second comes from splatter, with his evil and dark chugging glitched out trade-mark sound that will tear up danceflooors and leave you shaking in all the right ways. the combination of the originals and remixes will also be getting the deluxe vinyl treatment that followers of hidden recordings have come to expect – watch for it in february. we are proud and excited to share this one with you as we believe mike wall is a diamond in the rough. use these wisely to get your dance-floor moving and feedback is encouraged and welcome.

glasgows mnx recordings resurface after a lengthy self imposed absence with a new limited ep featuring tracks from adam x, faustian pact, manasyt, cestrian (ali renault), microdot and cymbol. this is what the label had to say about the twelve.
transparent orange vinyl and limited to 200 copies.

the much anticipated album from jonsson/alter, the new project from henrik jonsson & joel alter, has finally arrived. with personality and grace jonsson/alter blend soul, atmosphere and space with heavenly monotone funk. good times are what we are made for and this album will hopefully help you in pursuing that task.

borrowed language returns with their third installment of genre agnostic electronics. following the explosive release of unltd & israel vines >distance no object< ep (featured in millie & andreas superb lwe podcast, and charted by the likes of dj pete & grovskopa) was no easy feat, but jeff pietro proves to be more than up to the task with this brilliant 2-track 10 inch. as with earlier releases on borrowed language, this effort exemplifies the continuing refinement of the labels aesthetic. while some influences are clearly detectable, this is not just cannon fodder, there is enough attention to detail and panache on display here to distinguish pietros take on techno/bass music from his peers. the results are polished, but not without sharp edges, brutal, but elegant, functional, but not faceless.

there is a fantastic quality to gavin russoms work, an otherworldliness that is subtle yet palpable. its heard-or felt, more precisely-in all of his projects, including the crystal ark, black meteoric star and his numerous recordings with delia gonzalez. all of russoms sonic astral projections, with their textures and atmospheric layers, demonstrate his astounding production skills and modular wizardry. as dfas studio engineer, he was entrusted with the hefty task of maintaining the labels analog stockade. russom has built custom gear for the likes of james murphy, black dice and holy ghost!, has remixed artists including juan maclean, cut copy and caribou, and filled out the wonderful music of lcd soundsystem. so its no wonder that russoms newest solo outing, night sky, reflects the talent and experience accrued in all those roles with both stunning precision and audible clarity. add patience to the above list as well.

deep space orchestra having been forging a nice niche in a modern take on house music, blending, disco, detroit and chicago influences , and here at tracky bottoms, we cottoned on to one of there deepest tracks to date mass illusion about a year ago now ! its taken a while to come to fruition , but the stolen future ep is here . mass illusion it self is probably the track gaining most interest , probably because it has achieved the difficult task of being very deep but also quite anthemic , also featuring on the ep - stolen future harks back to early carl craig vibes , with a ruff ass beat driving the synthy techno , theres a remix of this from label boss toby tobias who takes it in a more loopy chicago vibe and last track witch doctor has ethnic hypnotic quality about it , but with some added dynamics by toby who edits it for maximum dancefloor reaction